775 résultats
04131Paris: Martinet 1855. The Art of Success in the World!<br/>An Ironic Satiric Burlesque by Cham<br/><br/>CHAM Pseudonym of Charles Amédée de Noé. L'Art de Réussir dans le Monde. Procédé Simple et Facile pour se Faire Jeter a la Porte en Fort peu de Temps. Paris: Martinet 1855. <br/><br/>Large quarto 13 1/4 x 10 in; 337 x 254 mm. Lithographed title with large hand-colored pictorial vignette twenty hand-colored lithographed plates by Fernique after Cham the plates containing three or more images a total of sixty-two each with droll captions.<br/><br/>Publisher's red cloth covers decoratively stamped in blind front cover decoratively lettered in gilt. Expertly rebacked in matching red cloth. Small rectangular sheet of paper tipped-on to the front end-paper with a short description of this book. A fine and clean copy.<br/><br/>A very rare volume with OCLC/KVK locating only two copies in institutions worldwide at the Victoria & Albert Library and Bibliothèque Nationale et Universitaire Strasbourg. The book was also issued without hand-coloring and OCLC locates two plain copies: The Morgan Library & Museum NY USA and Harvard University Houghton Library MA USA<br/><br/>"It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had ‘an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Martinet, 1855 unknown books
05994Paris: Martinet 1850. The Art of Success in the World!<br /> An Ironic Satiric Burlesque by Cham<br /> <br /> CHAM pseudonym of Amédée de Noé. L'Art de Réussir dans le Monde. Procédé Simple et Facile pour se Faire Jeter a la Porte en Fort peu de Temps. Paris: Martinet n.d. c. 1850. <br /> <br /> First edition. Large quarto 13 1/8 x 10 in; 337 x 253 mm. Lithographed title with large hand-colored pictorial vignette twenty hand-colored lithographed plates by Fernique after Cham the plates containing three or more images a total of sixty-two each with droll captions.<br /> <br /> Publisher's illustrated pink boards. Spine expertly and almost invisibly repaired lightly scuffed at board extremities A clean and bright example with the plates in very fine and clean state. <br /> <br /> A fine copy of a very rare volume with OCLC/KVK locating only two copies in institutions worldwide at the Victoria & Albert Library and Bibliothèque Nationale et Universitaire Strasbourg.<br /> <br /> "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> Bobins IV 1348. Paris: Martinet, 1850 unknown
001956Bruges and Ostende: J. Buffa. Half Morocco . Very Good. Cham Victor Eeckhout H. Borremans van Cuyck Gerlier F. Stroobant J. Van de Putte Baldisseroni de Nestele spellings of these names somewhat elastic. N.d. circa 1860. A fabulous collection of hand-colored plates of the popular Belgian beach resort with a mix of character studies mostly of the local non-fashionable citizenry humorous genre scenes and views of the beach the architecture the beachgoers the sea. 52 plates in all all but one of which is hand-colored the final plate is a folding tinted panorama of the beach looking in from the sea . Some of the beach scenes are evocative of Boudin. The mix of humor and more sober portraits lends a balance from which we can better approximate the culture and atmosphere at this early destination resort. And through the pictures we can sense the uneasy embrace of the vacationing bathers with the sea. The colored plates are all 13.5 by 10 inches or 34 by 25 cm including their margins. The plates are mostly clean but there is some finger soiling and the like in the margins and a few plates have chips and small chunks of card missing never affecting the images. Rebacked with attractive green morocco. The contemporary cloth boards are soiled with a few minor edge dings. No title and no evidence there ever was one. <br/><br/> J. Buffa unknown books
06030Paris: Chez Arnauld De Vresse 1851. A Fine Selection of Sixteen Hand Colored Lithographs from Five of Cham's Best Albums<br /> <br /> CHAM pseudonym of Amédée de Noé. Album Varié par M.M. Cham Daumier Gavarni et autres Dessinateurs du Charivari. Paris: Chez Arnauld De Vresse ca. 1851.<br /> <br /> Folio 12 7/8 x 10 inches; 327 x 254 mm. Lithograph title-page and sixteen fine hand colored lithograph plates all heightened with gum arabic. Plate numbers 5 and 8 are duplicates.<br /> <br /> Publisher's quarter red roan over printed yellow glazed boards front cover neatly repaired at lower corner. With the bookplate of Bernard Mamy on front paste-down.<br /> <br /> This is a slightly later published assembly of hand colored lithographs by Cham from five of his works: Nos Gentils Hommes 1846; Turlupinades ca. 1850; Moeurs Britanniques ca. 1850; Souvenirs de Garnison ca. 1850 and Moeurs Algeriennes 1844.<br /> <br /> The Plates:<br /> <br /> 1. Palsambleu Quél Bon Petit Chic!! - Voilà une rosière comme nous les aimons nous autres gentils-hommes!<br /> Palsambleu What a Good Little Chic!! - Here is a rose garden as we like them us other gentlemen!<br /> <br /> 2. Le Pas Gymnastique. - Je ne suis pas purpris qu'on fasse son chemin dans ce corps. Quand on court si fort on ne doit pas manquer d'arriver.<br /> The Gymnastic Step. - I am not surprised that one makes one's way in this body. When one runs so hard one must not fail to arrive.<br /> <br /> 3. L'Invalide De Chelsea. - Waterloo Waterloo! Mais mon brave homme voici deux heures que vous me rabâchez la même Victoire.à ce compte là combine un Français mettrait-il donc de temps à vous raconteur ses victoires.<br /> The Chelsea Invalid. - Waterloo Waterloo! But my good man for two hours you have been harping on about the same Victory. at that rate how long would a Frenchman take to tell you about his victories.<br /> <br /> 4. Tiens Tiens Elle Était Pressée C'tte Lettre Qué qu'aurait dit ça y a quinze jours qué traine dans ma loge.<br /> Well Well Was That Letter In A Hurry What would that have said it's been lying around in my dressing room for two weeks now.<br /> <br /> 5. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans.<br /> Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers.<br /> <br /> 6. Oui J'ai Quitté Le Service. - Dans la cavalerie je faisais un métier de cheval l'artillerie est toujours près de ses pieces quant aux équipages ça ne m'allait pas je déteste la train.pour le genie. - Oh! Le genie t'es trop béte pour en avoir c'est clair!.<br /> Yes I Left the Service. - In the cavalry I had a horse job the artillery is always near its pieces as for the crews it didn't suit me I hate the train.for the engineers. - Oh! The engineers you're too stupid to have any that's clear!.<br /> <br /> 7. Non Vous Ne Vous Trompez Pas! C'est bien ici que demeure Mademoiselle Caroline que lui voulez vous je suis son frère.<br /> No you are not mistaken! This is where Miss Caroline lives what do you want from her I am her brother.<br /> <br /> 8. Ah! Vous Êtes Ambitieux! Comment! Après quatre ans de surnumérariat vous n'étes pas content!. prenez y garde Mossieu je n'aime pas les intrigans. DUPLICATE of #5<br /> Ah! You are ambitious! What! After four years of being a surplus you are not happy!. be careful sir I do not like schemers.<br /> <br /> 9. Le Péage Du Turn-Pike. 3 pences! Allons bon!.j'ai oublié ma bourse.je n'avais plus que dix pas pour arriver et il faut que je retourne chez moi à quatre lieues d'ici!.<br /> The Turn-Pike Toll. 3pence! Come come!.I forgot my purse.I had only ten paces to go and I must go home four leagues from here!.<br /> <br /> 10. M'est avis Jean Piarre que ce beau Monchieu qu'tire le villageen plan est un donneux de sort.y vient p'f ensorceller nos vaches bé sur.attends! attends!.<br /> It seems to me Jean Piarre that this handsome Monchieu who draws the village plan is a spell giver. he comes to bewitch our cows of course. wait! wait!.<br /> <br /> 11. Baragouin Brittannique. Godem! Oha! Frenchman ridiculous costume comical very good Oh Ah! Oh!<br /> British gibberish. Godem! Oha! Frenchman ridiculous comical costume very good Oh Ah! Oh!<br /> <br /> 12. Mœurs Algeriennes. Chinoiseries Turques. Mon tigre a décidement le spleen voilà huit jours qu'il est d'une humeur de dogue faites-moi le plaisir d'entrer dans sa cage et tachez de l'amuser il y va de votre téte. Un aveugle turc.<br /> Algerian customs. Turkish chinoiserie. My tiger is definitely feeling down he has been in a dog-like mood for eight days do me the pleasure of entering his cage and try to amuse him it is up to you. A blind Turk.<br /> <br /> 13. Ces Gueux D'Arabes. - C'est dur tout de méme qu'ils ne veulent pas nous laisser tranquilles chez nous.<br /> Those Arab Beggars. - It's hard all the same that they don't want to leave us alone at home.<br /> <br /> 14. Cap'taine! Y vous va joliment le costume de pekin!. - Oui je suis un peu chiqué n'est-ce pas.hein j'en suis pour plus de 40 francs!.<br /> Captain! The Peking costume suits you well!. - Yes I am a bit squeamish aren't I. eh I'm looking at more than 40 francs!.<br /> <br /> 15. Enfin J'en Tiens Un!. Ils dissent que c'est une maladie qui court une cholerine une bétise. C'est parbleu! Bien le cholera le vrai cholera!. C'est un cas magnifique!!.<br /> Finally I Have One!. They say it's a disease that's running around cholera a stupidity. Oh my! Cholera real cholera!. It's a magnificent case!!.<br /> <br /> 16. Foi De Carrossier. Un homme d'une position aussi élevée que la votre doit avoir la voiture la plus basse possible.<br /> Coachbuilder's Faith. A man of such high position as yours must have the lowest possible car. Paris: Chez Arnauld De Vresse, 1851 unknown
16-3571Paris: Le Charivari 1870. Folio with 261 of 262 issues. 20th Century qtr. simili morocco and boards. Includes the original printings of many of Daumier's celebrated lithographs including the Franco-Prussian War Delteil 3757-381139e année du 1er janv. au 24 sept. 1870 soit 261 sur 262 numéros reliés en demi-toile brune à coins dos lisse reliure moderne ensemble lavé un seul numéro pour les 2 et 3 janv. les 2 et 3 mars les 18 et 19 avr. les 6 et 7 juin les 16 et 17 août manque 31 mars ; des numéros de mai sont mal classés. « Fondé le 1er déc. 1832 par Charles Philipon comme un journal d'opposition républicaine à la Monarchie de Juillet le journal satirique à vocation distractive s'affirma au cours de son histoire tantôt radical conservateur républicain ou encore anti-clérical. Ses auteurs les plus notables furent notamment Taxile Delord ou encore Agenor Altaroche et ses caricaturistes les plus marquants furent entre autres Philipon Nadar Gustave Doré Henri Rochefort Cham et Honoré Daumier. En baisse d'audience le journal disparait en 1937. Paris: Le Charivari, 1870 hardcover
191653019Atlanta: Atlanta University Press 1916. First edition. Fine. Rare installment of this important and influential scholarly series including W.E.B. Du Bois's essay "Races of Men." The Atlanta University Publications was a numbered series of monographs published by Atlanta University with text and other content drawn from information presented at the annual Conferences for the Study of Negro Problems. As University president Horace Bumstead explained the series' origins: "One was the inauguration for the first time in any American college of a thoroughly scientific study of the conditions of Negro life covering all its most important phases and resulting in a score of annual Atlanta University Publications conceded to be the highest authority" quoted in Morris 91. Gathering speeches studies and other data from that annual event the university issued these groundbreaking sociological annuals until 1917 when publication was halted for financial reasons. Taken as a whole the Atlanta University series presented the most comprehensive sociological study of Black America available at the time and covered topics pertaining to African American health economics culture discrimination education family life and the like. In his autobiography Du Bois who edited most of the volumes and contributed much of the text wrote of the series' importance: "For 13 years we poured forth a series of studies; limited incomplete only partially conclusive and yet so much better done than any other attempt of the sort in the nation that they gained attention throughout the world." <br /> <br /> This installment includes works by Frederick H. Means "A Review of the Atlanta University Conferences and Social Studies" Felix von Luschan "Anthropological View of Race" Franklin P. Mall "Anatomical Characters of the Human Brain" R.S. Woodworth "Racial Differences in Mental Traits" W.I. Thomas "The Mind of the Savage" Franz Boas "Old African Civilizations" and "Race Problems in the United States" and Alexander F. Chamberlain "The Contribution of the Negro to Human Civilization". <br /> <br /> All titles in this series are now scarce with most copies either purchased for libraries or discarded and are rare in this condition. A beautiful example from this pioneering scholarly project. 8.75'' x 6''. Original brown printed wrappers. 108 pages. Atlanta University Publications No. 20. Trace wear. Else bright sharp and sound. Atlanta University Press unknown
31871Paris France: Maison Martinet. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - ND Circa 1863 . 16 pages. -- with a bonus offer-- . Maison Martinet paperback
57953Aux Bureaux du Journal Amusant du Musee Francais-Anglais et des Modes Parisiennes 1856 4 volumes In-4 3200pp. illustr. nombreuses gravures couvertures colorisees reliures demi-cuir de l'époque dos plats ornes usures d'usage sur les reliures tete de collection complete des 400 premiers numeros details et photos sur demande Nb-0271 unknown
184643208Paris, Aubert & Cie. , 1846. 1 vol. In-folio, page de titre illustrée et 19 planches, percaline aubergine de l'éditeur, filets à froid en encadrement sur les plats, titre doré frappé au centre.
26007JOURNAL SATIRIQUE ILLUSTRE : "LE CHARIVARI" - 1er semestre 1867, 36 litho de Daumier (Femme a Barbe. etc) ; 52 de Cham, André Gill (portraits charges de D.Doré, G.Courbet, de Carlotta Patti qui est une cantatrice italienne née le 30 octobre 1835 à Florence et morte à Paris 16ᵉ, le 27 juin 1889, soeur d'Adelina Patti (1843-1919); etc ) Hadol - Carte de visite du Charivari et du roman ; etc, bon état,frais.
04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career<br /> <br /> CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. <br /> <br /> First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. <br /> <br /> Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career<br/><br/>CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. <br/><br/>Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. <br/><br/>Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown books
16-3570Paris: Le Charivari 1864. Folio with 143 of 182 issues. Qtr. calf and marbled boards. Includes the original printings of two of Daumier's celebrated series Croquis de Chasse and En Chemin de fer . Delteil 3296-3302 and 3304-330933e année 2e semestre du 1er juill. au 31 décembre 1864 un seul numéro pour les 16 et 17 août idem pour les 2 et 3 oct. manquent les 16 21 25 juill. 6 7 8 21 25 août 11 14 16 21 à 28 30 sept. 6 26 29 oct. 6 11 15 17 22 24 25 28 29 30 nov. 2 7 15 17 21 déc. soit 143 sur 182 numéros de 4 pages reliés à l'époque en un vol. in-folio en demi-veau violine dos lisse coins émoussés qq. taches brunes pliures brunissures qq. déchirures sans manques. Fondé le 1er déc. 1832 par Charles Philipon comme un journal d'opposition républicaine à la Monarchie de Juillet le journal satirique à vocation distractive s'affirma au cours de son histoire tantôt radical conservateur républicain ou encore anti-clérical. Ses auteurs les plus notables furent notamment Taxile Delord ou encore Agenor Altaroche et ses caricaturistes les plus marquants furent entre autres Philipon Nadar Gustave Doré Henri Rochefort Cham et Honoré Daumier. En baisse d'audience le journal disparait en 1937. Paris: Le Charivari, 1864. hardcover
1858118971858. Paris Maison Martinet s.d. circa 1858 - Paris / Bruxelles Maison Martinet / Jules GÂŽruzel s.d. Un vol. in-4 354 x 253 mm non paginÂŽ. Reliure postÂŽrieure de pleine percaline grÂge jansÂŽniste dos lisse tranches mouchetÂŽes. Edition originale rare pour chacun de ces deux volumes. Premier tirage des 35 dont page de titre planches lithographiÂŽes signÂŽes de Cham dans la plaque figurant 1 ˆ 2 sujets par page. ''Son gožt naturel pour le dessin lui fait frÂŽquenter les ateliers des peintres Nicolas-Toussaint Charlet et de Paul Delaroche. Sous leur influence Cham se spÂŽcialise dans la caricature. Il publie tout d'abord un album Monsieur Lajaunisse puis collabore au journal Le Charivari lui donnant pendant trente-six ans l'essentiel de sa production. Son gožt de l'absurde fait de lui un des grands humoristes de ce journal. Ses dessins valent non seulement par le tracÂŽ simple et fort inspirÂŽ sans doute par HonorÂŽ Daumier mais aussi par l'esprit et par les lÂŽgendes qui les accompagnent.'' Absent du Fonds franÂais ainsi que de la B.n.F. Quelques rares t‰ches affectant les marges dont une planche est cependant davantage pourvue. Page de titre du second ouvrage ici absente. En outre une planche semble faire dÂŽfaut ˆ ce mÂme volume. Rare. b42961 unknown
185811897Paris, Maison Martinet, s.d. [circa 1858] - Paris / Bruxelles, Maison Martinet / Jules Géruzel, s.d. Un vol. in-4 (354 x 253 mm) non paginé. Reliure postérieure de pleine percaline grège janséniste, dos lisse, tranches mouchetées.
184247668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
4386Paris: Bureaux Du Magasin Des Familles Oblong 8vo full contemporary black morocco triple gilt fillet bordeers gilt vine design on spine gilt cover lettering moiré endpapers. Some edge rubbing but very nice. Armorial bookplate: heraldic shield with crown "Bibliothèque de Roger". Original printed and pictorial pink wrappers bound in. Cham 1818-1879 was a caricaturist and depicter of manners following Daumier and Gavarni. Sixteen lithographed pages of rebuses printed on rectos only. The illustrations representing the words are taken from contemporary French life. the explanations are printed on the original back wrapper translation available. A rebus is a puzzle in which words are represented by combinations of pictures and individual letters. . Contemporary Black Morocco. About Fine. Illus. by Cham. Oblong 8vo. Bureaux Du Magasin Des Familles Hardcover books
06003Paris: Chez Aubert 1847. A Fine Album of Fifty Lithographs - Including Twelve by Honoré Daumier <br /> and Seventeen by Achille Devéria<br /> <br /> DAUMIER Honoré. CHAM pseudonym of Amédée de Noé. VERNIER Charles. La Nouvelle Lanterne Magique. Dessins par tous les Artistes. Paris: Chez Aubert ca. 1847-1850. <br /> <br /> Large quarto 11 3/4 x 9 1/4 inches; 298 x235 mm. Fifty lithograph plates on forty-nine sheets plates 28 & 29 on one double-sided plate. Several plates with varying amounts of foxing BUT the twelve Daumier plates generally clean.<br /> <br /> Publisher's printed yellow glazed boards expertly rebacked with the original spine laid down corners a little worn. Bookplate of Bernard Mamy and ink signature five times of Paul Gresset on front paste-down.<br /> <br /> Summary of the Artists:<br /> Daumier: 12; Devéria: 17; Lasalle: 3; Cham: 2; Levilly: 2; Vernier: 1; Berr: 1; Charlet: 1; Madau: 1; Provost: 1; Menut: 1; Grenier: 1; J.David: 1; Victor Dolly: 1; Deroy: 1; not identified: 4.<br /> <br /> The Plates:<br /> <br /> 1. Il est devenu pro-pri-é-taire! Daumier DR 1494<br /> He has become a LAAAAND-LOOOOORD!<br /> 2. Papa contemplant l'image de son image. Daumier DR 1516<br /> Papa admiring the image of his image.<br /> 3. - Tiens ma femme v'là mo portrait au Daguerrèotype que je te rapporte de Paris.<br /> - Pourquoi donc est-ce tu nàs pas aussi fair faire le mien pendant que tu y étas. égoiste va!. Daumier DR 1504<br /> - Here my wife is my daguerreotype portrait which I brought back for you from Paris. <br /> - Why didn't you have mine done while you were there. get lost you egotist!<br /> 4. Le Billet de Logement. Allai suivai.allai marchai vous n'y êtes point.suivai tout drait tout au bout de la grand sente vous tournerai su vot main draite puis tout drait un petit quart d'heure. Charlet<br /> The Housing Ticket. Let's follow.let's walk you're not there.let's follow everything straight to the end of the big path you'll turn on your right hand then everything would take a quarter of an hour.<br /> 5. Les Jeunes Gens d'Aujourd'Hui Sont Bien Peu Attentifs. Madau<br /> Young People Today Are Very Inattentive.<br /> 6. Café de Basse Normandie. Grenier<br /> Lower Normandy Coffee.<br /> 7. Study Made Easy. Collection of Heads by W.D. No. 49. <br /> 8. - Mais viens donc.mauvais sujet!. Daumier DR 1524<br /> But come on then you rake.<br /> 9. Un Malheur domestique. Daumier DR 1534<br /> A domestic calamity.<br /> 10. Que Dieu Vous Garde Belle Dame. Devéria<br /> May God keep you beautiful lady.<br /> 11. Entrée Dans Milan. Le 14 mai la division Masséna se présenta aux portes de Milan; le lendemain le general Bonaparte fit son entrée solennelle dans cette capitale. <br /> Entry into Milan. On May 14 Masséna's division presented itself at the gates of Milan; the next day General Bonaparte made his solemn entry into this capital.<br /> 12. L'aumone. J. David<br /> Alms.<br /> 13. Le Départ Pour Le Bal. Psiché et l'amour. Daumier DR 1535<br /> Departure for the ball. Psyche and Cupid.<br /> 14. Untitled.<br /> 15. - Il parait qu'on vient de revoir le serpent de mer dans le mer des Indes ! . . . . <br /> - Est-il dieu possible ! . . . . . <br /> - Mais certainement que c'est dieu possible puisque je te dis c'est imprimé dans le Constitutionnel . . . ainsi ! . . Daumier DR 1496<br /> - It seems that the sea serpent has reappeared in the Indian Ocean!. <br /> - Oh my God. is it possible!. <br /> - Of course it's possible if I tell you that it has been printed like that in the Constitutional!.<br /> 16. Arcueil. Deroy<br /> Arcueil.<br /> 17. - Mais si ma femme je t'assure que monsieur dessine un paysage. n'est-ce pas monsieur que vous dessinez un paysage. Daumier DR 1499<br /> But of course my dear I can assure you Monsieur is painting a landscape. isn't that so Monsieur You are painting a landscape.<br /> 18. Ce que le bourgeois est convenu de nommer une petite distraction. Daumier DR 1490<br /> What the bourgeoisie calls a slight distraction.<br /> 19. Au nouvel an visite obligée à la tante Rabourdin. Daumier DR 1522<br /> An indispensable New Year's visit at aunt Rabourdin's.<br /> 20. Consolation. A. Menut<br /> Consolation.<br /> 21. Les Mille et un Croquis. Sujets Variès par C. Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by C. Lassalle.<br /> 22. - Je crois que j'ai entendu chanter un hibou. qu'est-ce que ça peut bien m'annoncer. Daumier DR 1518<br /> I believe I heard an owl. I am just wondering what this might mean for me.<br /> 23. Costume d'Hoster Role de l'Ecorché. Levilly<br /> Hoster Costume Role of the Flayed Man.<br /> 24. Caporal Suisse Sous Louis XV. Vernier<br /> Swiss Corporal under Louis XV.<br /> 25. Les Fleurs. Devéria<br /> The Flowers.<br /> 26. Un château en Espagne. Daumier DR 1512<br /> Building castles in the air.<br /> 27. Adolescence. Devéria<br /> Adolescence.<br /> 28. L' Année Prochaine. La Mer sera grosse. Plusieurs personnes souffriront beaucoup de cette grossesse. Le puits de Grenelle se joindra à le mer de Marmara et la Russie deviendra une province de la Banlieue. L'année prochaine Mr. Mulot fera des puits de tous les monuments publics la ville de Paris ne sera plus qu'une borne-fontaine. A force de changer le costume de l'Infanterie elle n'en conservera plus du tout le Capitaine d'habillement fera ses fournitures dans les vignes: ce sera beau comme l'Antique. Cham<br /> Next Year. The Sea will be big. Many people will suffer greatly from this pregnancy. The Grenelle well will join the Sea of Marmara and Russia will become a province of the Suburbs. Next year Mr. Mulot will make wells of all the public monuments the city of Paris will be nothing more than a fountain. By dint of changing the Infantry's costume it will no longer keep any at all the Captain of Clothing will make his supplies in the vineyards: it will be as beautiful as the Antique.<br /> 29. L' Année Prochaine. Les restaurateurs à 18 sous fourniront 18 plats et 4 desserts ou trouvera le moyen de faire de la soupe à la tortue avec des tiges de bottes. Melle. Garnerin ira dans la lune y porter des adresses de restaurants à 18 sous. Les chemins de fer continueront à faire concurrence à la Bataille de la Moskowa les condamnés à mort seront envoyés en wagon. Cham<br /> Next Year. The 18-cent restaurateurs will provide 18 dishes and 4 desserts or will find a way to make turtle soup with boot uppers. Melle. Garnerin will go to the moon to bring addresses of 18-cent restaurants. The railways will continue to compete with the Battle of Borodino the condemned to death will be sent by wagon.<br /> 30. Une Mere. Devéria<br /> A Mother.<br /> 31. Vue intérieure du grand salon et de l'une des galleries. Provost<br /> Interior view of the great hall and one of the galleries.<br /> 32. La Famille du Marin. The Sailor's Family. Devéria<br /> The Sailor's Family.<br /> 33. Petit Abbé. Berr<br /> Little Abbot.<br /> 34. La Corbeille de Mariage. Devéria<br /> The Wedding Basket.<br /> 35. Le Coin du Feu. Devéria<br /> The Fireside.<br /> 36. Une Prétentieuse. Devéria<br /> A Pretentious One.<br /> 37. Esclave Chinoise. Mille et Une Nuits. Porte St. Martin. Victor Dolly<br /> Chinese Slave. A Thousand and One Nights. Porte St. Martin.<br /> 38. Croquis Chinois par Lassalle. Lassalle<br /> Chinese sketches by Lassalle.<br /> 39. La Jardinière. Devéria<br /> The Gardener.<br /> 40. Le Bouquet. The Nosegay. Devéria<br /> The Nosegay.<br /> 41. Lisa Vous Mettrez Cette Lettre à la Poste. Devéria<br /> Lisa You will put this letter in the post.<br /> 42. The Venetian Coquet. Devéria<br /> The Venetian Coquet.<br /> 43. Les Fruits. Devéria<br /> The Fruits.<br /> 44. Le Petit Farceur. Devéria<br /> The Little Prankster.<br /> 45. Les Mille et un Croquis. Sujets Variès par Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by Lassalle.<br /> 46. Viens on Nous Attend. Devéria<br /> Come on we are waiting.<br /> 47. Le Réveil. Devéria<br /> The Awakening.<br /> 48. Le Sommeil. Devéria<br /> Sleep.<br /> 49. Untitled.<br /> 50. Les Mille et un Croquis. Sujets Variés par Lassalle. Lassalle<br /> The Thousand and One Sketches. Various Subjects by Lassalle. Paris: Chez Aubert, 1847 unknown
1J8110Maison Martinet Hautecoeur Paris um 1855. 40 Lithographien auf 20 Tafeln sowie eine Titel-Lithographie original illustrierter Pappband 34 cm x 26 cm quart Kanten berieben u. bestoßen / etwas fleckig / oberer Einbanddeckel lose / Seiten teils stockfleckig / Name auf Vorsatz. unknown
First and only edition. A COMPLETE SET OF THIS RARE AND IMPORTANT SUITE OF SATIRICAL LITHOGRAPHS BY CHAM, devoted to British and Irish manners. Complete with lithographed title-page and 15 numbered lithographs by Cham on fine wove paper, with lithographed advertisement by Belin at the end. Folio. IN THE ORIGINAL BOARDS, WITH THE LITHOGRAPHED TITLE-PAGE REPEATED ON THE COVER. A bit of wear and soiling to boards. Internally a few specks of faint, marginal foxing, but otherwise FINE AND BRIGHT. Very rare, especially in such pristine state. Cham
05354Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not<br /> In Twenty Scarce Lithographs<br /> <br /> CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. <br /> <br /> First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Pictorial lithographed title and twenty lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. <br /> <br /> Publishers dark blue patterned cloth front cover decoratively lettered in gilt spine slightly faded. A few plates with light mainly marginal foxing. Plate numbers 1 7 8 14 & 17 with partial and minimal coloring. An excellent example of a rather scarce Cham title.<br /> <br /> Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923.<br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown
186023177PRIMERA EDICON.- Paris: Maison Martinet Lith. Ch. Fernique ca. 1860.- 1 h. 18 p. de planchas litográficas en negro por una sola cara con texto al pie de cada figura la portada que tambien lleva una litografía; Folio mayor 345 x 26 cm; Texto en francés; Enc. en Cartoné Editorial.- PRECIOSO ALBUM DE LITOGRAFIAS DE ESTE AFAMADO DIBUJANTE Y HUMORISTA FRANCES. La encuadernación es la original con algunas rozaduras y una pequeña falta en la cabeza de la lomera. El interior en excelente estado. CUENTOS AVENTURAS LEYENDAS LITERATURA INFANTIL CÓMICS HUMORISMO. Livre en français Maison Martinet hardcover
8187collection complète contenant plus de 1400 dessins contenant près de dessins par CHAM, DAUMIER, DOLLET, EUSTACHE,LAMI,LORENTZ,PLATTIER,TRIMOLET,Charles VERNIER et autres.Textes par MM BOURGET, P.BOREL,CHAM, L.HUART, LORENTZ,MARCO DE SAINT HILAIRE,HUART,MARITUS et PHILIPON. 48 livraisons en un volume in 4 carré demi-cuir marron muet, filets dorés. Faux-titre titre avec vignette d’après Grandville,Première partie :24 livraisons,en 192 pages, texte sur 2 colonnes encadré d’un filet noir.Intéressant catalogue de 16 pages,de la maison AUBERT.Faux-titre,titre orné d’une vignette d’après Grandville.Deuxième partie Livraisons 25 à 48 en 384 pages,Paris dévoilé ou les mystères Sus par CHAM, Histoire des perruques,Les burgs infiniment trop Graves par HUART…Paris chez Aubert sans date 1842 1843.Bon exemplaire.
18502091202133206397Lang Levy et cie. 1850. Soft Cover. Fine. Volume: 1 Lang Levy et cie. paperback
184638691Paris: Chez Aubert / Le Charivari 1846. Cham. First and only edition. A COMPLETE SET OF THIS RARE AND IMPORTANT SUITE OF SATIRICAL LITHOGRAPHS BY CHAM devoted to British and Irish manners. Complete with lithographed title-page and 15 numbered lithographs by Cham on fine wove paper with lithographed advertisement by Belin at the end. Folio. IN THE ORIGINAL BOARDS WITH THE LITHOGRAPHED TITLE-PAGE REPEATED ON THE COVER. A bit of wear and soiling to boards. Internally a few specks of faint marginal foxing but otherwise FINE AND BRIGHT. Very rare especially in such pristine state. <br/><br/> Chez Aubert / Le Charivari hardcover
