435 résultats
94736Paris Aux Bureaux du Journal des Dames et des Modes 1914. . First edition number 22 of 415 copies on arches paper; folio 39 x 52 cm; half-title title 4 pp. introduction index 12 colour pochoir plates; two small defects to blank margin of last plate; contemporary half vellum title in black and red and vignette painted on spine upper wrapper bound in; slightly rubbed lower margin of wrapper slightly cut. <br /><br /> A fine example complete with a full set of 12 engraved plates by Reidel after Brunelleschi depicting theatrical characters including Harlequin Scaramouche and Pierrot. The colourful costumed characters are shown on the foreground against imaginative stage sets with the outlines of luxurious Florentine palaces and gardens.<br /><br />This is an early work by the Italian painter and stage designer Umberto Brunelleschi 18791949 who was also well known for his illustrations in the Gazette du Bon Ton and the Journal des Dames et des Modes.<br /> Colas 1499; Hiler 740. Paris, Aux Bureaux du Journal des Dames et des Modes, 1914. hardcover
191447637Paris.: Journal des Dames et des Modes. 1914. Loose as issued in original publisher's printed wrappers publisher's marbled board portfolio with flaps and original slipcase. Oblong folio. 382 x 515 mm. 12 colour plates with pochoir colour executed by Reidel after Brunelleschi's originals. The most spectacular of the books illustrated by the painter and stage designer Umberto Brunelleschi and a beautiful example of Art Deco pochoir production.From the edition limited to 415 numbered copies with this one of 400 on grand vélin d'Arches.Brunelleschi in addition to his work as a painter and set designer also worked extensively as a book illustrator and fashion designer especially for the famous Art Deco publishers Gazette de Bon Ton and Journal des Dames et des Modes. Journal des Dames et des Modes. unknown
13765BRUNELLESCHI Les masques et les personnages de la Comédie Italienne. Expliqués par GERARD D’ HOUVILLE et interprêtés par BRUNELLESCHI en douze estampes coloriées. A Paris aux bureaux du journal DES DAMES ET DES MODES éditeur 1914. Edition numérotée :Un des Exemplaire sur vélin d'Arches, numéroté à la plume à la plume. Faux titre en rouge, au verso justification du tirage, titre 5 pages, dont 4 d’introduction par GERARD D’ HOUVILLE « celles dont le portait n’est pas là » et Suite de douze estampes superbement coloriées au pochoir d’après BRUNELLESCHI gravées par REIDEL. 1) Arlequin 2) le docteur Balanzone 3) Brighella 4) Coralline 5) Florindo 6) Giacometta 7) Mezzetin et colombine 8) Pantalon 9) Rosauro10) Scaramouche 11) Tartaglia 12) Trivellino. Chemise avec titre imprimé- portefeuille cartonné à rabats, l’ensemble dans un étui cartonné pièce de titre imprimée en long contrecollée. Fermoirs à rubans absents. 510x380mm fermé- 105x380 ouvert. Quelques traces d’usures à l’étui. Cet ouvrage a été chevé d’imprimer pour le Journal des Dames et des Modes le 10 mars 1914, par les soins de MM. BRAUN pour les estampes GRENIN Gaine Fils & Cie pour les coloris POZZOLI pour la typographies qui a été exécutée avec les caractères M OLDIER & Cie. Chef d’œuvre emblématique de BRUNELLESCHI.
1921004659Paris: Édition de la Guirlande 1921. Limited Edition. Half Morocco. Marbled Boards. Near Fine. No 273 of 275 copies this one on Vergé D'Arches. 4to. 27.5 by 18.5 cm. Unpaginated about 155 pages. With 12 pochoir plates and 93 color vignettes dispersed through the text. The pochoir was done by Jean Saudé. The story concerns princes in exile hopping from one grand hostelry to another a louche lifestyle brought on by the overturning of the old order by the First World War and the Nouveau Riches and gold-digging Flappers they encounter in the new age of faster automobiles and the like. The illustrations glamorize the new silhouette and streamlined fashions and capture the rage for the fox trot and tango and as always. As always Brunelleschi shows an affinity for the exotic and a kind of Orientalism. Original wraps are bound in to lovely half-morocco binding. Minor light foxing on the fore-edge. Minimal sunning of the spine. Otherwise a clean bright and very handsome copy. <br /><br /> Édition de la Guirlande hardcover books
1921004659Paris: Édition de la Guirlande 1921. Limited Edition. Half Morocco. Marbled Boards. Near Fine. No 273 of 275 copies this one on Vergé D'Arches. 4to. 27.5 by 18.5 cm. Unpaginated about 155 pages. With 12 pochoir plates and 93 color vignettes dispersed through the text. The pochoir was done by Jean Saudé. The story concerns princes in exile hopping from one grand hostelry to another a louche lifestyle brought on by the overturning of the old order by the First World War and the Nouveau Riches and gold-digging Flappers they encounter in the new age of faster automobiles and the like. The illustrations glamorize the new silhouette and streamlined fashions and capture the rage for the fox trot and tango and as always. As always Brunelleschi shows an affinity for the exotic and a kind of Orientalism. Original wraps are bound in to lovely half-morocco binding. Minor light foxing on the fore-edge. Minimal sunning of the spine. Otherwise a clean bright and very handsome copy. Édition de la Guirlande unknown
1930143011930 P., LEstampe Moderne, 1930, 1 vol. in-4° (270 x 195 mm), reliure postérieure en plein maroquin bleu, dos lisse, auteur, titre, illustrateur et date dorés, tête dorée, gardes et contreplats de daim bleu ciel, couvertures conservées, chemise à dos et rabats de même maroquin, étui bordé, (TH. ROUX), de (4) ff. ( faux-titre avec justificatif au verso, titre et 2 ff. bl.) - 324 pp. - (4) ff. (fin de la table, achevé dimprimer et 2 ff. bl). La première couverture a été reliée après la page de titre.Légères brunissures sur les bords de la couverture, très bel exemplaire.
900840Editions De La Guirlande Paris 1921 Petit in-4 ( 285 X 200 mm ) en feuilles sous couverture de papier Japon gravée et rempliée, chemise et étui ivoire ( Présentation signée de Yves RAMEAU ). Premier tirage des 12 hors-textes gravés sur cuivre et 96 figures reproduites dans le texte de BRUNELLESCHI tous coloriées au pochoir avec des rehauts d'or et d'argent dans les ateliers de Saudé. Tirage à 275 exemplaires numérotés l'un des 25 du tirage de tête sur papier du Japon impérial ( N° 17 ), enrichi d'un MAGNIFIQUE DESSIN ORIGINAL gouaché, légendé et SIGNE de BRUNELLESCHI, intitulé "Phili 44 le précurseur des Zazous", et d'une suite des compositions et des hors-texte en noir tirés sur papier de Chine. Bel exemplaire de l'un des plus beaux livres illustrés par BRUNELLESCHI. Très rare en grand papier.Monod, 5975.
022302Paris 1913 and 1912: L'Edition d'Art H. Piazza. Limited Edition. Quarto. Two volumes presentation copies by the illustrator Umberto Brunellesch. The first volume: La Nuit Venitienne is limited to 500 copies on Japon paper. The present copy is number 307 inscribed and signed by the artist dated 1914 to Morris Kerztein Should have been spelled Herztein. Illustrated with 20 tipped-in full color plates by Brunelleschi with printed tissue guards. Laid in is a two page autographed letter from Margaret Andrews of San Francisco dated 1944 to Sidney M. Ehrman who was to become the recipient of these two volumes. Margaret Andrews acquired them from the late Dr. Herzstein. The letter explains the gift of the two volumes signed by Umberto Brunelleschi Alfred de Musset’s La Nuit Venitienne and Contes du temps Jadis which as she writes:. "were very personal possessions of the late Dr. Morris Herzstein. They came from the San Francisco Costume Ball of 1944. These point to the fine friendship of the Ehrman and Hellman families and makes one believe it is appropriate to request your acceptance for your library for the pleasure of your family and greetings to you for Mrs. Ehrman". Sidney M. Ehrman 1873-1974 was a prominent San Francisco lawyer with the firm of Heller Ehrman White & Mcauliffe. He also served as a regent of the University of California Berkeley whose gift in 1932 of $200000 to the University established a Professorship in the name of his son Sidney Hellman Ehrman 1905-1930 that brought the distinguished James Westfall Thompson to the University. Since his son had just finished his graduate work at King’s College Cambridge he also underwrote a scholarship there. He owned the mansion which is known by his name that was designed by Lewis P. Hubert architect in 1915-1916. It is now owned by the state of California where it has become a state monument. He was a friend of Moshe Menuhin son of Yehudi Menuhin and when his controversial book was published The Decadence of Judaism in Our Time he underwrote the purchase and distribution of 100 copies of the book which was banned in San Francisco bookstores though Paul Elder’s and the Emporium refused to submit to the ban. Many prominent Jews came to his defense though the extreme pro-Zionist elements attempted to censor the book as they did with Ben Hecht’s Perfidy. He also was an opponent of the loyalty oath which drove a number of professors from the University of California to Princeton. The donor was Margaret Andrews of San Francisco. She was a participant and planner of the San Francisco Costume Ball and lived at 1201 California Street in San Francisco. The second volume: Contes Du Temps Jadis is limited to 400 copies on Japon paper the present copy is #290 illustrated by Brunelleschi with 20 full color plates tipped in with printed tissue guards. Inscribed and signed. Both volumes bound in full brown leather flat spines decorated in gilt black leather spine labels gilt marbled endpapers both volumes with the original wrappers bound in and housed within matching slipcases rubbed around the edges. A very nice set. L'Edition d'Art H. Piazza unknown
191219390AB1912. Paris Piazza 1912. 30 : 14 cm. 122 pages 2 leaves 20 tipped in coloured plates by Umberto Brunelleschi. Redbrown crushed morocco opulently gilt ornamented oval center piece on booth boards front board with title surrounded by gilt frames spine lavishly giltwith floral ornaments and title in goldtop edge gilt inside dentelles red brown and gilt endpapers original illustrated covers bound in signed Durvand. One of 400 numbered copies imprint signed by Brunelleschi bound in a signed master binding. Printed on Japon paper. Contains five fairy tales: La Belle aux cheveux d'or - L'Oiseau bleu - Gracieuse et Percinet - L'adroite Princesse - Le Prince chéri. With striking colour ilustrations by Umberto Brunelleschi 1879-1949 active as fashion costume and stage designer in Paris. The beautiful master-binding correspond with the lovely illusstrations. The binder Lucien Durvand 1852-1924 operated one fo the finest workshops in turn-of-the-century Paris. In 1900 he was awarded a silver medal for his bindings at the Universal exhibition and according to Flety he was devoted to improving the craft of binding rightup to his death. An almost untouched breathtaking copy of this splendid book. Umberto Brunelleschi was a brilliant Italian painter book illustrator and fashion designer probably best known nowadays for his erotica. Here though he applies his bold flair with color and his puissant imagination to fairy tales and resulting is something truly extraordinary! This material would seem his true calling for here his sensual proclivities are expressed with none of the lurid excess that one might find in some of his other work. And the images are sheer delight which enchant and arrest the eye. The costuming and elegance of the figures depicted are evocative of dance and the images surely benefit from Brunelleschi's fashion career. And there is still the languid androgyny that spills forth the erotic sensibility. This and the immersion in atmospherics make the pictures also squarely belong to the high Art Nouveau fancy an association reinforced by the foliate borders which curiously have a formal lineality not necessarily affiliated with that fin-de-siecle aesthetic movement. What is most conspicuously Art Nouveau it should be recognized is the panache of the whole book production represented here. This is truly a book that in and of itself is artwork. hardcover
EXE-153Paris, la Guirlande, 1921. in-4°, demi-maroquin brique, couverture et dos conservés. 105 compositions coloriées au pochoir par Jean Saudé, avec rehauts d'or et d'argent, dont 12 à pleine page gravées sur cuivre. Tiré à 275 exemplaires, celui-ci sur vergé d'Arches.
1926002903Paris, Mornay, 1926
8282Paris, Éditions Mornay, MCMXXVI [1926]. Fort in-8° (29,5 x 23,5 cm), illustré de 12 compositions hors-texte de Brunelleschi, gravées sur cuivre par Gorvel et dornements tahitiens de Maurice LHoir, le tout mis en couleurs par [Jean] Saudé. Reliure plein chagrin bleu roi, plats décorés aux angles dun fleuron doré reliés par un filet doré, dos à 4 (faux) nerfs formant deux caissons pour lauteur et le titre dorés, millésime en queue du dos, fleuron doréau centre. Les contre-plats sont bordés du même cuir, avec fleuron doré aux angles, encadrant un tissu moiré turquoise, gardes de même moire, doubles gardes de papier marbré. Couverture et dos conservés.Le dos a légèrement pâli. Édition originale tirée à 425 ex numérotés (et 38 H.C.). Un des 20 exemplaires sur Japon impérial (second papier, après 12 ex. sur Japon ancien) contenant un croquis préalable de Brunelleschi (ici, une gouache préparatoire signée pour une des illustrations hors-texte) et une double suite en noir, une sur Japon, une sur Chine. Notre exemplaire est enrichi de 4 gouaches originales de Maurice LHoir, ornements de 4 en-têtes de chapitres. Il faut noter que lillustration de couverture, également gravée et rehaussée au pochoir, est supplémentaire aux 12 illustrations annoncées. Elle ne fait pas partie des suites en noir. Livre art déco peu commun en tirage de tête avec une gouache originale dUmberto Brunelleschi.
8282Paris, Éditions Mornay, MCMXXVI [1926]. Fort in-8° (29,5 x 23,5 cm), illustré de 12 compositions hors-texte de Brunelleschi, gravées sur cuivre par Gorvel et dornements tahitiens de Maurice LHoir, le tout mis en couleurs par [Jean] Saudé. Reliure plein chagrin bleu roi, plats décorés aux angles dun fleuron doré reliés par un filet doré, dos à 4 (faux) nerfs formant deux caissons pour lauteur et le titre dorés, millésime en queue du dos, fleuron doréau centre. Les contre-plats sont bordés du même cuir, avec fleuron doré aux angles, encadrant un tissu moiré turquoise, gardes de même moire, doubles gardes de papier marbré. Couverture et dos conservés.Le dos a légèrement pâli. Édition originale tirée à 425 ex numérotés (et 38 H.C.). Un des 20 exemplaires sur Japon impérial (second papier, après 12 ex. sur Japon ancien) contenant un croquis préalable de Brunelleschi (ici, une gouache préparatoire signée pour une des illustrations hors-texte) et une double suite en noir, une sur Japon, une sur Chine. Notre exemplaire est enrichi de 4 gouaches originales de Maurice LHoir, ornements de 4 en-têtes de chapitres. Il faut noter que lillustration de couverture, également gravée et rehaussée au pochoir, est supplémentaire aux 12 illustrations annoncées. Elle ne fait pas partie des suites en noir. Livre art déco peu commun en tirage de tête avec une gouache originale dUmberto Brunelleschi.
1926140948149Paris: Mornay 1926. First Edition. Near Fine. First edition. Number 172 of 468 copies printed on Holland van Gelder paper from a total edition of 500 copies. Text in French. Bound in publisher's pictorial wraps with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. Near Fine with lean to binding and light creases to spine. Foxing to edges occasional offsetting from illustrations. A striking production filled with pochoir illustrations by famed Art Deco illustrator Brunelleschi best known for his elaborate fashion plates and costume designs. Mornay unknown
194311388Paris: F. Guillot 1943. One of only 3 copies on Japon imperial numbered 23 to 25 this no.24 the total edition was 525. With an original watercolour signed by Brunelleschi. 12 full page illustrations 3 headpieces and 3 initials by Brunelleschi vibrantly coloured in pochoir by Vairel. 4to. original printed wrappers housed in the original chemise with blue lettering on spine and card slipcase. An extremely good bright and unopened copy the slipcase has a little wear.A tale of two childhood friends set on the Ile de France Mauritius which was published in 1788 and supported the philosophy of Rousseau. Although Paul and Virginie do own slaves the book does argue for the emancipation of slaves. <br>The watercolour is particularly striking being a strong full length portrait of a Mauritian slave. A fine display of pochoir with an original signed watercolour of a Mauritian slave by Brunelleschi F. Guillot unknown
1920204761920 1 Aquarelle, encre de Chine et quelques rehauts de gouache, signée en bas à droite, (1920), 31.5 x 23.5 cm, encadrée.
99346Paris L'Edition d'Art H. Piazza 1913. . Quarto 300 x 225 mm.; 20 splendid tipped-in colour plates by Umberto Brunelleschi illustrations decorative title in blue & brown and borders in blue; bound in dark blue morocco by Stikeman & Co. of New York covers with gilt-ruled borders and corner-pieces spine gilt in compartments with five raised bands grey morocco doublures ruled and tooled in gilt with small purple morocco onlays cream moiré silk flyleaves signed at foot of rear turn-in top edge gilt others uncut original decorative upper wrapper bound in at end very slight wear to head of spine slip-case a little rubbed.<br /> A handsomely bound example of Brunelleschi's illustrated edition of three works by the French dramatist poet & novelist Alfred de Musset known almost as well for his works which have musically inspired artists ranging from Georges Bizet to Celine Dion as for his relationship with the novelist 'George Sand'. Musset is also believed to be the anonymous author of Gamiani ou deux nuits d'excès 1833 a lesbian erotic novel also believed to be modelled on Sand.<br /> Paris, L'Edition d'Art H. Piazza, [1913]. hardcover
2012100289Phaidon Press. New. 2012. Paperback. 1780750013 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 412 pp. ; 358 illus. -- with a bonus offer-- . Phaidon Press paperback
1998101202Konemann. New. 1998. Hardcover. 3829002416 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 120 pages. -- with a bonus offer-- . Konemann hardcover
200070785Walker & Company; Et Al. New. 2000. Hardcover. 0802713661 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 208 pp. With 26 ills. 23 x 16 cm. -- with a bonus offer--; 0.9 x 8.86 x 6.3 Inches . Walker & Company; Et Al hardcover
206Paris: Mornay. 1st Edition. Soft cover. Fine. LIMITED EDITION one of only 468 numbered copies on Holland van Gelder out of a total edition of 500 copies with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. One of the most highly regarded books illustrated by Brunelleschi. Paris: Mornay 1926. Octavo original pictorial wrappers; glassine. A beautiful fine copy. $1900. Mornay paperback
206Paris: Mornay. 1st Edition. Soft cover. Fine. LIMITED EDITION one of only 468 numbered copies on Holland van Gelder out of a total edition of 500 copies with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. One of the most highly regarded books illustrated by Brunelleschi. Paris: Mornay 1926. Octavo original pictorial wrappers; glassine. A beautiful fine copy. $1900. Mornay paperback books
5012Paris, Au moulin de Pen Mur, 1947.25 x 19,5 cm, 437 pp. Relié plein veau bleu roi janséniste, titre et auteurs dorés au dos, tête dorée, couvertures et dos conservés, étui bordé. Très bel exemplaire. Un des 23 exemplaires de tête avec une aquarelle originale signée, une suite en couleurs et une suite en noir. Monod, 8522.
5012Paris, Au moulin de Pen Mur, 1947.25 x 19,5 cm, 437 pp. Relié plein veau bleu roi janséniste, titre et auteurs dorés au dos, tête dorée, couvertures et dos conservés, étui bordé. Très bel exemplaire. Un des 23 exemplaires de tête avec une aquarelle originale signée, une suite en couleurs et une suite en noir. Monod, 8522.
290Paris, L'Estampe moderne, 1926. In-8 broché. 27 compositions de Umberto Brunelleschi, dont 15 gravées à l'eau-forte, coloriées au pochoir avec rehauts d'or. Tiré à 500 exemplaires, tous sur vélin.
