BORGET, AugusteBiblio.com
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112117London Tilt and Bogue 1842. . First London edition; folio; additional pictorial lithograph title dated 1842 32 tinted lithograph views on 25 sheets by Eugene Ciceri after Borget list of plates and 11 pages of descriptive letterpress marginal light spotting publisher's moiré fine ribbed cloth rebacked brown morocco a very good copy.<br /> Borget's fine lithographic views of China including five of Hong-Kong and others relating to Macao and Canton. <br /><br />The plates are remarkable for the lack of that 'feeling of superiority of the Chinese so characteristic of accounts from the 1840s. The artist observes with a fresh eye' Lust. An important and early record of the landscape and people of Hong Kong Macao and Canton. Borget who was a pupil of Jean-Antoine Gudin and a close friend of Honoré de Balzac journeyed around the world in 1836 travelling through South America and Hawaii before reaching the China coast in August 1838. In the autumn of 1838 fellow artist William Prinsep went sketching with Borget in Macao remarking that he found the Frenchman's portfolio 'rich with scenes from South America Sandwich Islands and China and he was a pleasant fellow into the bargain.' He continued his circumnavigation in July 1839 with a visit to Manila and then sailed for India via Singapore and the Straits of Malacca eventually returning to Paris in the summer of 1840.<br /> Abbey Travel 540; Cordier I 79-80; Lust 211. London, Tilt and Bogue, 1842. hardcover
2303SB006<p>Instituto Cultural de Macau. 1990.</p>_x000d_<p>De 55x39 cm. Com 60 52 págs. Encadernação do editor com a lombada em percalina e as pastas em tecido com gravações a ouro. Acondicionada em caixa própria de cartão.</p>_x000d_<p>Ilustrado com 33 estampas sobre folhas de papel couché muito encorpadas e protegidas por papel vegetal. São reproduções das gravuras da edição original litografadas por Eug. Cicéri e impressas por Lemercier Benard & C.</p>_x000d_<p>Exemplar de uma tiragem de 1000.</p>_x000d_<p>Texto bilingue em português e chinês.</p>_x000d_<p>Reedição de um conjunto de 32 litografias publicadas pela primeira vez em Paris em 1842 realizadas a partir dos desenhos executados por Borget durante a sua estadia de dez meses em Macau entre Outubro de 1838 e Julho de 1839.<br />Após o prefácio de José de Bettencourt são apresentados fragmentos de cartas inéditas de Borget traduzidos em português e chinês que traçam uma memória explicativa dos desenhos e das ocasiões que possibilitaram a sua execução. Estes textos correspondem à primeira numeração do livro seguindo-se as reproduções na segunda.</p>_x000d_<p>MagnÃfica obra que retrata com grande beleza os paradigmas estéticos e culturais das civilizações orientais.</p>_x000d_<p>Auguste Borget Issoudun 1808 - Bourges 1877 foi aluno de Boichard pére e de Théodore Gudin. A sua obra espalhada por muitos museus da Europa América e Ãsia foi inspirada por longas viagens efectuadas pelo artista. Estreou-se no Salão de 1836 onde continuou a expor com grande êxito até 1859. No fim da vida tornou-se Irmão de São Vicente de Paulo e viveu retirado em Bourges.</p>_x000d_<p> </p> M-grande formato-4/5-6 unknown
184571202Par Old Nick, ouvrage illustré par Auguste Borget, E.O., 1 vol. in-8 relié demi-chagrin noir, filet doré en mors, H. Fournier, couvertures conservées, Paris, 1845, VI pp (faux-titre, titre et tables des sommaires) et 396 pp. avec 50 planches hors texte, y compris le frontispice et un fac-similé sur papier rouge.
295972Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 15" x 21 5/8". Image measures 16" x 10".<br/><br/> This print depicts an area referred to as the "Thirteen Factories" along the Pearl River of southwestern Guangzhou China - also known as Canton. On September 20 1838 the artist wrote "On landing at Canton a stranger is struck beyond measure at the singular effect produced by the buildings of the European factories in the midst of Chinese houses. The space allotted to the factories consists merely of a strip of land gained from the river. In front of each factory at the top of a high mast is displayed the national flag - English French American Dutch &c." This striking drawing shows the scene in incredible detail. The local inhabitants are shown aboard small boats along the docks and on terraces of houses lining the river bank. The artist successfully portrays the architectural styles of the European factories contrasting those of Chinese construction.The print is in very good condition with wide margins as issued. Very minor wear to margins not affecting the image.<BR><br>The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographics by Eugene Ciceri and published in 1942 in a book titled Chine et les Chinoise China and the Chinese. Bourget visited the region between 1838 and 1839 as part of a world tour aboard the ship "Psyche" and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/><br/> Goupil & Vibert unknown books
295983Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 15" x 21 5/8". Image measures 16" x 10".<br/><br/> This lovely drawing depicts a Chinese boat anchored in the Hong-Shang river with smaller boats surrounding - presumably for trade. In the background are more small boats lining the river bank traditional buildings standing behind a series of walls and in the distance a tall pagoda sits at the top of a hill. On September 9 1838 the artist described the scene; "At last day broke as we cast anchor before the Custom House of Hong-Shang . and boats began to arrive in great numbers. By and bye many pushed off from the shore and so great was the movement in the part of the river where we were stationed that I took it for the market-place of the city which stretches itself on both sides of the river. The most important part situated on the left bank is built on a hill crowned by a fine tall pagoda."<br>The print is in good condition with wide margins as issued. Minor foxing and stains. Very minor wear to margins not affecting the image.<BR><br>The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographics by Eugene Ciceri and published in 1942 in a book titled Chine et les Chinoise China and the Chinese. Bourget visited the region between 1838 and 1839 as part of a world tour aboard the ship "Psyche" and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/><br/> Goupil & Vibert unknown books
295998Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 14 7/8" x 21 5/8". Image measures 9 1/4" x 16 1/4"<br/><br/> The title translating to "Temple Pagoda and Village On The Canals of the Interior from Macau to Canton" this print depicts a serene cityscape from the entrance into Canton Guangzhou along a canal. The artist wrote "we passed close by a temple built on a little jetty which was reached by a stair descending into the river." Figures are seen rowing boats in the canal and sitting along the jetty. On the opposite bank appears to be a village and a tall pagoda. Further down the canal we can see larger ships docked. <br>The print is in good condition with wide margins as issued. Stains at corner margins and one chip to bottom left corner not affecting the image.<BR><br>The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographs by Eugene Ciceri and published in 1942 in a book titled La Chine et les ChinoisChina and the Chinese. Bourget visited the country aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839 as part of a world tour and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/><br/> Goupil & Vibert unknown books
295963Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 15" x 21 5/8". Top image measures 6 3/4" x 11 1/2". Bottom image measures 8" x 11 1/4".<br/><br/> An interior from Macao and a vista of Hong Kong are included together.<br>The top image features the interior view of the Great Temple of Macao of which Borget writes "It is so difficult to describe Chinese objects in European language that I have not yet dared to speak to you of the great temple of Macao - the greatest marvel which I have yet seen. Almost daily I visit this temple - the Chinese name of which Neang-ma-ko signifies the Old Temple of the Lady." The temple is known in the present-day as A-Ma Temple from which the name Macao is thought to be derived". In his writings Borget vividly describes the architectural details of the temple as visible in the image. <BR>The bottom image depicts an ornate tomb with a small village visible in the background. The village sits on "a neck of land" separating the Hong Kong bay from the Kowloon bay both of which can be seen in Borget's drawing. The bays are surrounded by lush vegetation rolling hills and the mountains of Hong Kong in the distance.<br><br>The print is in good condition with wide margins as issued. Chips and tears to the margins stains upper right and left not affecting the image.<BR><br>The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographs by Eugene Ciceri and published in 1942. Bourget visited the country as part of a world tour and found it to be one of his favorites. He traveled aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839. Hard to find.<br/><br/> Goupil & Vibert unknown books
295983Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 15" x 21 5/8". Image measures 16" x 10".<br/> <br/> This lovely drawing depicts a Chinese boat anchored in the Hong-Shang river with smaller boats surrounding - presumably for trade. In the background are more small boats lining the river bank traditional buildings standing behind a series of walls and in the distance a tall pagoda sits at the top of a hill. On September 9 1838 the artist described the scene; "At last day broke as we cast anchor before the Custom House of Hong-Shang . and boats began to arrive in great numbers. By and bye many pushed off from the shore and so great was the movement in the part of the river where we were stationed that I took it for the market-place of the city which stretches itself on both sides of the river. The most important part situated on the left bank is built on a hill crowned by a fine tall pagoda."<br> The print is in good condition with wide margins as issued. Minor foxing and stains. Very minor wear to margins not affecting the image.<BR> <br> The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographics by Eugene Ciceri and published in 1842 in a book titled Chine et les Chinoise China and the Chinese. Bourget visited the region between 1838 and 1839 as part of a world tour aboard the ship "Psyche" and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/> <br/> Goupil & Vibert unknown
301535Lithograph. Image measures 12.5" x 17'. Sheet measures 15" x 21.75".<br/> <br/> This print depicts the courtyard of the Hoi Tong Monastery a Buddhist temple in Guangzhou China. At the time of the artists visit this temple sometimes called the Sea Screen Temple had recently been ceded to the British in the aftermath of the First Opium War. Monks are scattered around the grounds some sitting in the shade and others attending to the temples famously fat pigs. Far in the background a group of monks may be practicing kung-fu which was taught at the monastery. The Sea Screen Temple was one of Auguste Borgets favorite Chinese sites to visit and his delicate yet active rendering of the scene conveys the peaceful quality of the courtyard he loved so much. I have visited the great temple several times he wrote the noise outside the temple was so great and the silence inside the temple was so solemn that I believed myself transported to another world.<BR> <BR> This print is in very good condition with wide margins as issued. Minor chips to the lower margin and some corners not affecting the image. Bright white paper makes for a lovely and clear image.<BR> <BR> The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographs by Eugene Ciceri and published in 1842 in a book titled La Chine et les Chinois China and the Chinese. Bourget visited the country aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839 as part of a world tour and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/> <br/> unknown
295998Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 14 7/8" x 21 5/8". Image measures 9 1/4" x 16 1/4"<br/> <br/> The title translating to "Temple Pagoda and Village On The Canals of the Interior from Macau to Canton" this print depicts a serene cityscape from the entrance into Canton Guangzhou along a canal. The artist wrote "we passed close by a temple built on a little jetty which was reached by a stair descending into the river." Figures are seen rowing boats in the canal and sitting along the jetty. On the opposite bank appears to be a village and a tall pagoda. Further down the canal we can see larger ships docked. <br> The print is in good condition with wide margins as issued. Stains at corner margins and one chip to bottom left corner not affecting the image.<BR> <br> The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographs by Eugene Ciceri and published in 1942 in a book titled La Chine et les ChinoisChina and the Chinese. Bourget visited the country aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839 as part of a world tour and found it to be one of his favorites. This print evidences his love of the country and its culture.<br/> <br/> Goupil & Vibert unknown
295963Paris: Goupil & Vibert. Tinted lithograph. Sheet measures 15" x 21 5/8". Top image measures 6 3/4" x 11 1/2". Bottom image measures 8" x 11 1/4".<br/> <br/> An interior from Macao and a vista of Hong Kong are included together.<br> The top image features the interior view of the Great Temple of Macao of which Borget writes "It is so difficult to describe Chinese objects in European language that I have not yet dared to speak to you of the great temple of Macao - the greatest marvel which I have yet seen. Almost daily I visit this temple - the Chinese name of which Neang-ma-ko signifies the Old Temple of the Lady." The temple is known in the present-day as A-Ma Temple from which the name Macao is thought to be derived". In his writings Borget vividly describes the architectural details of the temple as visible in the image. <BR> The bottom image depicts an ornate tomb with a small village visible in the background. The village sits on "a neck of land" separating the Hong Kong bay from the Kowloon bay both of which can be seen in Borget's drawing. The bays are surrounded by lush vegetation rolling hills and the mountains of Hong Kong in the distance.<br> <br> The print is in good condition with wide margins as issued. Chips and tears to the margins stains upper right and left not affecting the image.<BR> <br> The French artist Auguste Borget 1809-1877 exhibited often in the Paris Salon but he is best known for his drawings of China made into lithographs by Eugene Ciceri and published in 1842. Bourget visited the country as part of a world tour and found it to be one of his favorites. He traveled aboard the ship "Psyche" to Canton and the surrounding regions in 1838 and 1839. Hard to find.<br/> <br/> Goupil & Vibert unknown
5663Moulins, P.-A. Desrosiers, s.d. [1852] ; album petit in-4 oblong. Titre lithographiée-12ff. de texte et 10 planches lithographiées. Cartonnage de papier blanc d'éditeur, plat sup. illustré de la même estampe que sur le titre. Couverture présentant des frottements, coins usés. Intérieur frais malgré quelques rousseurs sans gravité.
184520214Paris, H. Fournier, 1845. In-8 de VI-396 pages, plein chagrin rouge cerise, dos et plats richement ornés, tranches dorées, couverture polychrome conservées.
a97232Paris 1845 first edition. H. Fournier. In French. Hardcover. Lg.8vo. 396pp. text illustrations plates by Auguste Borget. Original gilt and turquoise blue decorated wraps are present and are bound in. Hardcover binding - appears to be late 19thc binding . Original tiny bookseller label inside front cover of H. Samuel in Paris. 3/4 brown cloth with brown and red marbled boards. Mounted black leather spine label with gilt lettering. VG. hinges secure and unbroken; text clean. Some light cover wear cover tips frayed and bent slightly inward. Nice condition for this highly desirable book. Pictures available on request. . paperback
184577377Paris: H. Fournier 1845. H. Fournier unknown
16-5686Moulins: P.-A. Desrosiers s.d. 1852 . 25 x 31cm. 9 of 10 3-color lithographs. contemmpory hald cloth and marbled boards with leather label.Best known for his work in China.In-4 oblong reliure bradel demi-percaline grise pièce de titre en mar. bleu sur le plat.Couverture illustrée d'une vignette reproduite en fac-similé. 4 pp. introduction 9 sur 10 joliesplanches lithographies et 10 ff. de légende. Manque la planche de l'Allée de Mesdames.Petites rousseurs éparses. --Chaque planche dessinée et lithographiées par Borget est précédée d'un texte rédigé par le peintre dans lequel il évoque sa découverte du paysage ou du lieu qu'il représente et donne quelques rensignements historiques sur ces derniers : Portail de l'Inspection des eaux - rue Lucas ; Pont suspendu sur l'Allier ; Fontaine des Célestins ; Ruines des Célestins ; Vallée de l'Allier depuis les Célestins ; Source de l'Hôpital ; Etablissement thermal ; Source de la Gande Grille ; Bords du Sichon ; Vallée du Sichon près des Grivats ; Paysage dans les Malavaux vallée du Jolan. Moulins: P.-A. Desrosiers, s.d. [1852] hardcover
185217711852 Moulins, P.-A. Desrosiers éditeur, sans date (1852), volume in-4 oblong, reliure cartonnage recouvert de papier blanc reprenant l'illustration de la page de titre, 12 pages non chiffrées et 11 lithographies (dont la page de titre), plats fortement frottés, mais interieur en bon état, quelques rousseurs claires, bon état
2611Paris, H.Fournier, Editeur, 1845. 1 volume in-8, VI-396 pp., reliure demi-chagrin rouge, plats toilés insolés, dos à nerfs, titre doré, tranches dorées, enrichi de multiples illustrations in et hors-texte, 50 planches et 160 gravures d'après les dessins d'Auguste Bourget, auteur de la Chine et des Chinois. Bon état général.
4457Paris, H.Fournier, Editeur, MDCCCXLV. 1 volume in-8, VI-396 pp., enrichi de multiples illustrations in et hors-texte, 50 planches et 160 gravures d'après les dessins d'Auguste Bourget, auteur de la Chine et des Chinois. Reliure demi-chagrin, dos à nerfs et à caissons ornés. Quelques épidermures sur la reliure et les rousseurs habituelles dans le texte, sinon bon exemplaire.
4680Paris, H.Fournier, Editeur, 1845. 1 volume in-8, VI-396 pp., reliure demi-chagrin brun, plats cartonnés marbrés, dos lisse orné de fleurons, enrichi de multiples illustrations in et hors-texte, de 50 planches et 160 gravures d'après les dessins d'Auguste Bourget, auteur de la Chine et des Chinois. Bon état général.
6965Paris, H.Fournier, Editeur, 1845. 1 volume in-8, VI-396 pp., reliure demi-chagrin vert, plats toilés, dos orné de caissons, enrichi de multiples illustrations in et hors-texte, de 50 planches et 160 gravures d'après les dessins d'Auguste Bourget, auteur de la Chine et des Chinois. Bon état général. Un autre exemplaire, demi-chagrin rouge à coins est vendu au même prix.
feb59410Used. For more details please contact me unknown
In-8 (mm. 230x145), bella legatura editoriale in tela nera, cornici a secco e figura in oro e rosso ai piatti, titolo e ricca decorazione oro e rossa al dorso (abrasioni alle cerniere), tagli dorati, pp. VI,(2),396, interamente illustrato nel t. da affascinanti immagini, anche a p. pagina, e da 50 tavole f.t. di Auguste Borget, inc. su legno: vi è inclusa la tavola su fondo rosso che riproduce il “fac-simile d’une enveloppe de lettre d’invitation ou d’une carte de visite du jour de l’an”, spesso mancante. Pittoresca e appassionata descrizione della Cina, sotto forma di un giornale di viaggio: “Voyage de l’étudiant Ping-si - Les études du Sieou-Tsai - Le Fan-Kouei a’ Pe-King”. Il francese “Auguste Borget (1809-1877), peintre de compositions à personnages, voyagea beaucoup en Extrème-Orient, Australie, Amérique, Inde et surtout en Chine, d’où il rapporta les scènes de la vie populaire, traitées avec vivacité.. On lui doit les vignettes de "La Chine ouverte", ouvrage signé de Old Vick, pseudonyme de P.E. Forgues, le polygraphe ami de Gavarni”. Così Benezit,II, p. 567. Aloni marginali e fiorit. su quasi tutto il testo. .
3838381041.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3107Paris, Bibliothèque d'Education et de Récréation, non daté (1880?). 1 volume in-8, 376 pp., reliure pleine percaline verte un peu frottée, dos à caissons dorés, coins émoussés, toutes tranches dorées, bon exemplaire sans rousseurs. L'ouvrage est surtout intéressant par ses multiples illustrations de A. Borget et L. Benett. En fin de volume, figure le catalogue des ouvrages publiés par Hetzel.
