41 résultats
D15467Paris: Émile Durand. Limited Edition. Hardcover. Near Fine. Folio. Contents loose in slipcase. This is copy number 170 of only 251 copies. illustrated with 23 original aquatints by Chimot. A Thick portfolio 10-1/2 by 13 1/2 inches original pale green paper wrappers 39 loose gatherings as issued uncut and unopened; original marbled slipcase and chemise. An erotic fantasy of Jacques dArdance for his lost Hélène numbered and initialed in ink by the author on the limitation page. This copy is additionally inscribed by Chimot and dated 1958. Chimot illustrated with a sensual erotic angle many books of classic literature. Text in French. A bit of foxing at the end but still a very nice copy in worn slipcase. A lavish production. <br/><br/> Émile Durand hardcover
192644185Paris: Éditions de l'Intermédiaire du Bibliophile 1926. Limited edition. Softcover. vg. 1/705. Quarto 9 x 7". 220 4pp. Uncut and unopened. Original glassine over printed dust-jacket and blind wrappers. Tissue-guarded etched frontispiece in two states. Publisher's device on title page. <br /> <br /> "Le Spleen de Paris" is a collection of 50 short prose poems by Charles Baudelaire the iconic author of "Les Fleurs du Mal" The Flowers of Evil. <br /> <br /> The collection was published posthumously in 1869 and is associated with the modernist literary movement. <br /> <br /> This limited edition is splendidly illustrated throughout with 10 tissue-guarded etchings by Édouard Chimot. <br /> <br /> One of 705 numbered copies of which this is No. 622. Some age-toning to glassine. Text in French. Dust-jacket wrappers and interior in very good condition. Éditions de l'Intermédiaire du Bibliophile unknown
1919080551Paris: L'Edition 1919. Full decorated morocco by Magnier stamped Leroy depicting Le Moulin Blute-Fin / Galette with a decorative border of vine leaves and flowers inner dentelles raised bands top edges gilt in very good condition some light spotting in places containing 14 tissue guarded etchings by Edouard Chimot from the Hollande edition of 50 121-170 a superb example. Hardcover. Very Good. Illus. by Chimot Edouard . Small Folio. L'Edition Hardcover
34787Couverture rigide. Bon/1916. in-8. Paris 1916 in-8 358pp reliure demi-chagrin Très bel exemplaire illustré par les meilleurs artistes! Musique originale par Massenet. unknown
57637Paris La renaissance du livre 1916. 8° Fronti. XVI 358 S. 326 Textabb. 8 farb. Tafeln.compl. Privat-HLdr. d. Zeit goldgepr. Rücken m. 5 Zierbünden Farbkopfschnitt marmor. Schmuckvorsatz. Min. gebrauchsspurig sonst gutes Exemplar. Text frz. Mit erotischen Zeichnungen v. Raphaël Kirchner Chimot Jean Dardier Maurice de Lambert. Mit einem Lied nach der Melodie v. Massenet mit Vignetten v. Benedictus Morin Orazi Fabius Lorenzi. 010 Paris, La renaissance du livre, 1916 unknown
193074957Paris: Editions Lapina 1930. Fine. Editions Lapina Paris 1930 16 x 23 cm relié First edition one of 50 numbered copies reimposed on Japan Imperial paper ours being one of the few hors commerce copies deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan. Illustrated work as frontispiece with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot black roulettes on headcaps black fillet frame on wood-effect paper boards wood-effect paper endpapers and pastedowns covers and spine preserved top edge gilt perfect unsigned binding. Very handsome copy perfectly executed and complete as stipulated in the justification page with the double state of Edouard Chimot's drypoint with remarques 1 proof of the cancelled plate and 1 suite of the lithographs on Japan. Editions Lapina hardcover
14108Dimensions ˆ vue : 252 x 202 mm. Sous cadre en bois. Joli dessin ˆ la mine de plomb avec rehauts de crayons et de gouache figurant le dÂŽlicat portrait d'une jeune fille. SignÂŽ Chimot. DatÂŽ 1918. ''Chimot fut ÂŽlÂve de l'Ecole des Arts dÂŽcoratifs de Nice puis de l'Ecole des Beaux-Arts de Lille et qui trÂs t™t se spÂŽcialisa dans la reprÂŽsentation du nu fÂŽminin. . D'autres maisons prÂŽfÂrent au livre le carton d'estampes et Devambez fait appel ˆ Chimot pour qu'il dessine de ces morbides images fÂŽminines o il excelle sur quelques psychoses ou nÂŽvroses.'' Louis ChÂŽronnet citÂŽ in Osterwalder. Osterwalder II Dictionnaire des illustrateurs p. 248 - BÂŽnÂŽzit III Dictionnaire des peintres p. 2. DiscrÂtes rousseurs. Nonobstant trÂs belle condition. b42961 unknown
76-0537Paris: French Publisher 1930s. Color etching and aquatint on Arches wove paper. 33.5 x 25.5 cm sheet. Signed in the plate. Very Good some light specks of foxing. [Paris: French Publisher, 1930s]. unknown
76-0535Paris: French Publisher 1930s. Etching and aquatint on wove paper. 29 x 22.5 cm sheet. Initialed in pencil and annotated ‘5th Etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
192747879Paris.: Les Editions d'Art Devambez. 1927. Loose as issued in original publisher's cream printed wrappers with titles to front cover and spine in black blue faux leather-backed marbled board chemise with title labels and matching slipcase. Large 8vo. 290 x 196 mm. Half-title with justification verso original colour etching by Chimot as frontispiece printed title and Magere's text illustrated with 17 original etching 9 full-page 'Table des Poèmes' 'Table des Illustrations' and final leaf with colophon and achevé d'imprimer; each of Chimot's etchings is present in two states: as published and in monochrome with remarques. 'Les Belles de Nuite' with additional suite and a signed original drawing by Chimot.From the edition limited to 446 numbered copies with this one of 75 on Japon Impérial with the etchings in two states 'état définitif' and 'état avec remarque' and with an original signed drawing by Chimot.Chimot's original drawing a head and shoulders portrait of a woman executed in pencil charcoal and with colour crayon highlights on a sheet of Arches is signed in pencil at lower right.Also included loosely inserted is an additional etching one of four issued only with the first 20 copies of the book. Les Editions d'Art Devambez. hardcover
194147759Paris.: Le Livre du Bibliophile Georges Briffaut Editeur. 1941. Loose as issued in original publisher's printed wrappers with titles in red and black to front cover and spine burgundy board chemise with paper label with titles to spine and matching slipcase. Small folio. 330 x 254 mm. Half-title with justification verso inserted leaf with original colour etching by Chimot as frontispiece printed title in red and black dedication to Théophile Gautier 'Au Lecteur' and Baudelaire's verse illustrated with 20 etchings in colour by Edouard Chimot frontis. included 'Table des Matières' and final leaf with achevé d'imprimer From the edition limited to 500 numbered copies with this one of 26 from the édition de tête on Japon Impérial with five planches refusées in three states an original signed drawing for one of the plates and two additional suites of the plates each with remarques.The material with this set includes:1. 20 colour etchings as published.2. 20 colour etchings with remarques.3. 20 monochrome etchings with remarques.3. 5 planches refusées each in 3 state.4. Original signed drawing for one of the prints. Le Livre du Bibliophile, Georges Briffaut, Editeur. unknown
1951D15468Paris: Éditions Éryx 1951. Limited Edition. Hardcover. Near Fine. Copy 215 of 429 copies total. 15 original color etchings by Edouard CHIMOT. With an extra suite of illustrations in black and white in a separate folder. The illustrations depict attractive willowy women in various poses. The contents of the illustrations and the text in French is fine. The slipcase spine is foxed as are the outer edges of the box. <br/><br/> Éditions Éryx hardcover
76-0536Paris: French Publisher 1930s. Color etching and aquatint on Devambez wove paper. 30.5 x 25 cm sheet. Initials in pencil and annotated ‘3e etat’. Very Good. [Paris: French Publisher, 1930s]. unknown
19274984Paris: Devambez 1927. A very nice copy of an etching by Chimot with a brief comment and initialled by him to the bottom edge. This was taken from the work "Le Belle de Nuit" by Maurice Magre. It was published in various states by Devambez. The 75 copies on Japon paper came with the illustrations in two suites / states. One was that as shown in the book the other was the proof copies with remarks by Chimot. In addition to the printed remark to the base this copy is also initialled in pencil. A nice impression heavily printed image. The backing paper has considerably darkened over time. It would seem that not all of the proof copies were signed. We attach to this listing a photograph of one of the Japon copies where the two states can be seen ours to the right but in this example there is no annotation or initial by Chimot. Engraving area is 21.5cm x 16cm. The sheet is 30.5cm x 23cm. . Très bel exemplaire d'une eau-forte de Chimot accompagnée d'un bref commentaire et paraphée par lui sur le bord inférieur. Elle est tirée de l'ouvrage "Le Belle de Nuit" de Maurice Magre. Elle a été publiée en divers états par Devambez. Les 75 exemplaires sur papier Japon sont accompagnés des illustrations en deux suites / états. L'une est celle qui figure dans le livre l'autre est celle des épreuves avec les remarques de Chimot. En plus de la remarque imprimée à la base cet exemplaire est également paraphé au crayon. Une belle impression une image fortement imprimée. Le papier de soutien a considérablement noirci avec le temps. Il semblerait que toutes les épreuves n'aient pas été signées. Nous joignons à cette liste une photographie d'une des copies du Japon où les deux états peuvent être vus le nôtre à droite mais dans cet exemple il n'y a pas d'annotation ou d'initiales de Chimot. La surface gravée est de 215 cm x 16 cm. La feuille mesure 30.5cm x 23cm. Devambez unknown
193120861941931. Argenteuil R. Coulouma and Paris Cerbellaud & Jonnart for the artist and Devambez May 25 1931. Large 4to c. 330 x 250 mm. Loose and entirely uncut in the original printed wrappers; pp. 4 blank 2 half-title and limitation 2 blank 2 title printed in red and black 147 3 23 full-page etchings with aquatint some colour-printed or tinted in the text; spine of wrappers a little rubbed and worn remnants of contemporary half-calf folder and slipcase; a few leaves with marginal blue ink spots.Privately printed number XVI of the 23 copies on japon ancien reserved for the artist total printrun 198 copies with Chimot's aquatint etchings in the first state second state printed in sanguine with remarques the second state with remarques printed in black the final state and one plate in all states dossier limitation signed by the artist a few manuscript notes in the artist's hand on folder of the dossier.This set not only comprises the additional versions of the illustrations but in the dossier complet d'une planche all stages of the plate to Prologue d'un livre including the copper plate a first charcoal and bistre study the pencil drawing for the etching signed by the artist an early proof of the etching combined with the text altogether apart from the copperplate and the print in the book 14 different stages of this particular plate.The French artist book illustrator printmaker exclusively etchings and editor Edouard Chimot 1880-1959 rented a studio in Montmartre haunted by 'jeunes et jolies femmes' his models. He began to illustrate texts; however the First World War interrupted his career. After the War he was able to rent Renoir's old atelier where he produced etchings alongside decadent literature as well as Henri Barbusse. From 1923 to 1931 as artistic director of Les Editions d'Art Devambez he oversaw the production of many outstanding illustrated private press books but reserved some texts for his own art as etcher and printmaker among them this collection of erotic poetry by the symbolist poete maudit Verlaine which had been published first in 1889 and ever since has tempted book illustrators to publish their art alongside the poems. During the roaring '20s in Paris Chimot became a central figure of the Jazz age with many connections to artistic and literary circles including the Surrealist movement. He even embarked on film-making in 1924. Parallelement is his last French limited edition artistic book production; the Wall Street Crash of 1929 had eliminated the economic basis for such productions for a long time. He later settled in Spain and continued illustrating books. unknown
1931132689Paris: Éditions d'Art Devambez 1931. Signed by the illustrator First edition thus artist's copy number G of 15 copies on different types of paper reserved to the collaborators and signed by Chimot on the justification page. Édouard Chimot 1880-1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books. His own artistic work occupies a characteristic place and his editorial role was extremely important in bringing together some of the outstanding talents of that distinctive period in French art. With the Wall Street Crash of 1929 wiping out the market for fancy limited editions the present work was the last of Chimot's productions for Devambez. A rare survival: Library Hub lists only 1 copy held institutionally at the Bibliothèque nationale de France. Folio 325 x 248 mm. 23 full-page aquatint etchings in different states on 75 plates including the extra suite of 23 plates in two states some in bistre with remarques or in black; and 17 large in-text illustrations by Édouard Chimot. Near-contemporary red morocco by Trinckvel gilt titles on spine "ERS" tooled in gilt on front board marbled paper boards heightened in gold top edge gilt others uncut marbled endpapers heightened in gold original printed wrappers preserved printed in red and black. Early ink inscription dated 1932 to one of the preliminary blanks. Light wear to extremities light foxing throughout a near-fine copy. OCLC 458495941. hardcover
1949D15469Paris: Georges Guillot 1949. Hardcover. Fine. Tall 4to. A deluxe edition this being copy 59 of only 300 printed. 15 bright full-color etchings of beautiful mostly naked women by Chimot. A lovely example with contents loose as issued printed on very fine paper and housed in lightly worn publisher's slipcase. <br/><br/> Georges Guillot hardcover
193810551Paris: Francis Guillot 1938. One of 214 copies on Velin d’Arches specially made for this edition this no.175. 12 lithographs by Edouard Chimot with an extra erotic lithograph inserted loose. 4to. in the original wrappers with the original chemise and slipcase. A little shaken spine of chemise faded and slipcase worn at extremities otherwise a very good copy.Paul Geraldy’s beautiful ‘naive’ poems following the course of a love affair first appeared in 1912. With an additional erotic lithograph by Chimot Francis Guillot unknown
78900ca 1930. 33 x 25 cm 28 x 22 cm Plattengrösse Papier min gebräunt sonst tadell. Édouard Chimot 26 November 1880 – 7 June 1959 was a French artist illustrator and editor whose career reached its peak in the 1920s in Paris through the publication of fine quality art-printed books 010 ca 1930. unknown
1951095777Paris: Deux-Rives 1951. Limited edition. Hardcover. Edouard Chimot. Loose gatherings in card covers and glassine jacket in hard-covered sheath with a rose-coloured gilt-lettered velvety spine - and in a matching velvety slipcase. Colour illustrations throughout. A few spots here and there to contents some sunning and scuffing to velvet. No. 837/975. Text in French. Deux-Rives hardcover
192975240Paris: Editions d'Art de l'Intermédiaire du Bibliophile 1929. Fine. Editions d'Art de l'Intermédiaire du Bibliophile Paris 1929 25 x 33 cm relié sous étui Edition illustrated with 16 original color etchings by Edouard Chimot one of 25 copies on Imperial Japan paper deluxe copy after 46 other Japan copies variously enhanced. Full red morocco binding spine with four large raised bands set with gilt fillets burgundy watered silk endpapers and pastedowns frame of triple gilt fillets on the pastedowns following endpapers of marbled paper all edges gilt original wrappers preserved slipcase with red morocco entry moiré-effect paper boards marbled paper interior superb full morocco binding signed Vaissière relieur castrais. Our copy contains the three states of the 16 plates hors-texte and an original color drawing signed by Edouard Chimot as indicated in the justification page. Fine copy perfectly established in a signed full morocco binding with an original color drawing by Edouard Chimot. Editions d'Art de l'Intermédiaire du Bibliophile hardcover
195177666Paris: Deux-Rives 1951. Fine. Deux-Rives Paris 1951 17.50 x 22.50 cm en feuilles sous chemise et étui Complete first edition illustrated with 26 original lithographs by Edouard Chimot one of 900 numbered copies on B.F.K. de Rives laid paper. Spine of the chemise slightly faded. Handsome copy. Deux-Rives unknown
195675013Paris: Presses de Pierre Gaudin 1956. Fine. Presses de Pierre Gaudin Paris 1956 24.50 x 32.50 cm relié sous étui Illustrated edition with 12 original color compositions by Edouard Chimot one of 50 numbered copies on Rives wove deluxe issue after 23 other copies on Rives wove. Half orange-red morocco over corners smooth spine illustrators name gilt at foot gilt fillet framing on vellum-style paper boards marbled endpapers and pastedowns original covers preserved all edges gilt slipcase edged in orange-red morocco with marbled paper panels and interior binding signed Vassière binder in Castres. This copy includes the additional suite of the illustrations in black as stated in the colophon. A fine copy handsomely bound. Presses de Pierre Gaudin hardcover
192666486Paris: Editions de l'intermédiaire du bibliophile 1926. Fine. Editions de l'intermédiaire du bibliophile Paris 1926 22 x 26 cm broché Edition illustrated with 10 original etchings by Edouard Chimot one of 25 numbered copies on Japon imperial paper deluxe copy. The work is also illustrated with typographical ornaments by Paul de Pidoll. Handsome full-margined copy. The first gathering tends to come slightly loose. Our copy like all copies printed on Japon imperial paper contains the complete suite of 10 original compositions by Edouard Chimot in triple state. Editions de l'intermédiaire du bibliophile unknown
195475313Paris: Editions des Deux rives 1954. Fine. Editions des Deux rives Paris 1954 17.50 x 22.50 cm relié Edition illustrated with 30 original compositions 19 lithographs and 11 drawings printed in sanguine by Edouard Chimot one of 75 numbered copies on Annonay laid paper. Full red shagreen binding smooth spine pebbled paper endpapers and pastedowns covers preserved top edge gilt. Handsome copy well complete as indicated in the justification page with its original drypoint the compositions finished in colors and a suite in black of the illustrations. Editions des Deux rives unknown