Theophile GAUTIER - Paul GAVARNIBiblio.com
105 résultats
184651690Paris: Hetzel 1846. Fine. Hetzel Paris 1846 17 x 27 cm relié New edition revised corrected and newly classified by the author. Half brown shagreen binding spine with four false raised bands decorated with triple compartments stamped in blind Suite of captioned engravings accompanied by notices at the head of each series by MM. Théophile Gautier & Laurent-Jan. Hetzel hardcover
18326931832. Lithograph. 265mm by 205mm sheet. Pour justifier sa presence chez la femme d'un dentiste ce pauvre Adolphe se fait arracher une dent par le mari' roughly translates to 'To justify its presence in the wife of a dentist poor Adolphe had a tooth by the husband. <br /> French lithograph from 'Musee pour rire' published by Aubert in Paris Text on reverse a few small marks in the margins. unknown
186050808Paris Morizot n.d. ca. 1860. Royal8vo. Bound in one full well-preserved calf. Profusely gilt spine and covers. The cover design in gold signed "Damote" in one of the lower frames on both covers. Inner gilt border. All edges gilt. 2 frontispieces one engraved one lithographed. 23982;4400 pp. 98 17 lithographed plates and many woodcut illustr. in the text by Gavarni. Internally clean and fine. unknown
188135083Paris: Calmann Lévy 1881. Fine. Calmann Lévy Paris 1881 22 x 31 cm reliure de l'éditeur First edition and first issue of Gavarni's illustrations. Publisher's full red boards binding smooth spine very slightly faded boards decorated with gilt decorative motifs small corner stains on front board. Work illustrated with 100 large compositions by Gavarni. A pale marginal dampstain on the title page diminishing and disappearing through the following pages otherwise pleasant interior condition. Calmann Lévy hardcover
184525971845. Lithograph. 355mm by 250mm sheet. Original lithograph by Gavarni published in Paris 1845. Signed in the image. From a series titled Le Eloquence de la Chair which was published in the French magazine 'Le Charivari'. <br /> Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier 1804-1866 a French caricaturist born in Paris. He began life as an engineer's draughtsman but soon turned his attention to his proper vocation as a cartoonist. Most of his best work appeared in Le Charivari.Folds as issued text on the reverse as issued. Some off-setting. unknown
184449301Paris: A. Royer 1844. Fine. A. Royer Paris 1844 - relié First edition illustrated with a frontispiece 37 lithographed plates and numerous vignettes by C. Nanteuil Gavarni Français J.P. Schmit De Beaumont Bertand. Half havana brown morocco binding with corners spine with five raised bands decorated with gilt compartments gilt date and monogram at foot red morocco title label gilt fillet frame on marbled paper boards marbled endpapers and pastedowns one corner slightly bumped top edge gilt elegant binding signed by Petit. Foxing. A. Royer hardcover
184077055Paris: Léon Curmer 1840. Fine. Léon Curmer Paris 1840-1842 18 x 26.50 cm 11 volumes reliés Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle Le Prisme with Les Anglais peints par eux-mêmes The French painted by themselves The English painted by themselves Léon Curmer Paris 1840-1842 18 x 265 cm 11 volumes in half morocco First edition one of the grand papier deluxe copies with two states of the illustrations for the 8 volumes of Les Français peints par eux-mêmes: one in black on tinted paper and one enhanced by hand using the so-called coloris gommé technique with watercolour and varnish on white paper. Les Anglais peints par eux-mêmes includes the engravings in black. No deluxe copies in colour have been made for this rare set of Les Français. Bound in half brown morocco spine in five compartments enhanced with stipple engraving and double gilt panels richly decorated with gilt floral motifs framing a mosaic medallion of green morocco with a gilt rose stamped in the center cartouches at the top decorated with a gilt garland framing the place and publication date some light minor rubbing on some compartments gilt fillets on the marbled paper boards comb-patterned endpapers top edges gilt. Elegant late nineteenth century bindings signed Durvand-Thiret. Complete with all engravings along with added engravings i.e. 930 engravings including 415 in colour. Title pages dated 1841 for all volumes of Les Français except for volume 5 of Les Parisiens and volume 3 of La Province dated 1842. Les Français peints par eux-mêmes has 415 engravings in black including that of Napoleon on horseback instead of the 405 announced and 415 in colour including a double page map of France in volume III of the Province. The English volume illustrated by Kenny Meadous is complete with 100 plates in black. This unique set contains in total almost a thousand black and coloured engravings and more than 1500 in-text illustrations. Famous gallery of woodcut portraits depicting the social classes of the 19th century by the greatest artists of the time: Gavarni Daumier Delacroix Grandville Johannot Bellangé Charlet Daubigny etc. The portraits are all accompanied by original texts from the most famous Romantic authors including: Balzac Nodier Gautier Nerval Gozlan Janin Karr etc. Scarce foxing affecting mainly the Prism and the Anglais. The texts and illustrations of the book paint a lively picture of inhabitants and their trade in metropolitan France and its colonies. It sets the tone for panoramic literature a new genre coined by Walter Benjamin in Charles Baudelaire. A lyric poet at the height of capitalism. In addition to these portraits of the Français the contribution of a whole areopagus of great and small authors and illustrators S. Le Men La 'littérature panoramique' dans la genèse de la Comédie Humaine: Balzac et Les Français peints par eux-mêmes L'Année balzacienne 2002/1 No. 3 CAIRN includes some of the most renowned authors and cartoonists of the time each of whom made an original creation for the project. This protean fresco was directed by editor Léon Curmer already known for the publishing success of Paul et Virginie between 1836 and 1838. Curmer is represented here by an article L'éditeur in volume IV written by Elias Regnault. The latter takes example in Louis-Sebastien Mercier's Tableau de Paris published in 1781 whose vision is even further extended by the representation of French provinces in Les Français. Thanks to Curmer the work finds an even deeper meaning: the editor has widened his frame and instead of letting a few fleeting portraits get lost in the immense daily whirlwind that engulfs all things he has sought to bring together the most salient physiognomies of that time. S. Le Men Ibid. Curmer selected the authors and illustrators closest to the ones they depict: It is therefore a question of calling upon authors and illustrators who are wel Léon Curmer hardcover
1880e019.0241880. Plates have FRENCH TEXT. 280 x 180 mm. Roughly 197 black and white engravings about half of which have very slight spotting and the remainder with some spotting and a few heavily spotted. Bound in old marbled boards with cloth spine and black title label reading OEUVRES DE GAVARNI. There is no accompanying text or title page. The plates probably date to the late 19C. Tightly bound but somne wear to covers. Book is in good double plus condition with noticeable signs of wear and/or age. . Hardback. G/No DW. Hardcover
183786929Paris: Galerie Vero Dodat 1837. Fine. Galerie Vero Dodat Paris 1837 25.50 x 35.50 cm relié Rare suite of 21 lithographs including the complete set of 18 engravings of the Maris Vengés Avenged Husbands including 3 in double state the second state in colors the third in two states with two different hand-colored printings. In total 8 hand-colored lithographs. To assemble this complete collection of the series the collector naturally took those published only in the periodical Le Charivari nos. 13 14 and 16. All engravings bear the same publisher's address 'Chez Aubert Galerie Vero Dodat'. and are numbered from 1 to 18 except one hand numbered and the last bearing no number. Modern binding lovely imitation of a contemporary binding in half-green cloth the boards of oiled cloth with numerously ruled in blind. Gilt title on spine and upper board. 8 engravings mounted on leaves corresponding to the size of the largest loose engravings. Nos. 1 and 4 show some browning the others quite fresh all on thick paper except for those taken from Le Charivari. A handsome copy. Galerie Vero Dodat hardcover
183982101Paris: Imprimerie d'Aubert 1839. Fine. Imprimerie d'Aubert Paris s. d. 1839 26.40 x 34.50 cm une feuille Original lithograph heightened in colors and gum arabic for Le Charivari printed on fine paper. Armelhaut and Bocher 904. Plate uniformly shaded. Imprimerie d'Aubert unknown
1857918P52Paris: Paulin et Lechevalier 1857. First edition. Leather. Very Good. 8" by 5.5". Paul Gavarni. The first edition of this comical series of witty caricatures by Paul Gavarni in the original French. The first edition.In the original French.Bound in a half morocco binding with marbled paper to the boards. Original wraps are bound in. A comical work by Paul Gavarni containing a series of small caricature engravings alongside witty commentary on the personalities of those depicted. Subjects illustrated included artrices lorettes gentilshommes etudiants artistes and more. Paul Gavarni was a French illustrator the pen name of Sulpice Guillaume Chevalier. He is known for his sharp and witty drawings contributed to magazines such as 'Journal des Modes' and 'Le Charivari'.Bookplate of Ruben J. Dussaut to the front paste down. Four pages of adverts to the rear. In a half morocco binding with marbled paper to the boards. Externally smart. Small patch of worming to the front joint. A few light marks to the boards and spine. Spine is faded. Minor bumping to the extremities. Spots to the fore edge. Front hinge is starting a little but remains firm. Bookplate to the front paste down. Internally firmly bound. Pages are bright and generally clean with scattered spots. Very Good Paulin et Lechevalier hardcover
185724103Paris: Paulinet Lechevalier 1857. Fine. Paulin et Lechevalier Paris 1857 13 x 19 cm relié Edition from the year of the first edition published by the same publisher but with a different collation 248 p. including 28 pages of catalogue of Gavarni's work. A frontispiece and numerous vignettes. Half burgundy sheep binding smooth spine decorated with blind fillets dots and gilt fillets. Headcaps and spine rubbed occasional light foxing two small lacks not touching text on two leaves. Paulinet Lechevalier unknown
184578015Paris: Hetzel 1845. Fine. Hetzel Paris 1845-1848 17.70 x 26.80 cm 4 volumes reliés First edition and first printing of the engravings. Contributions by Théophile Gautier Laurent-Jan Léon Gozlan Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others. Contemporary publisher's binding in full black shagreen. Smooth spine decorated with 3 ornate compartments blind and gilt fillets. Large rocaille composition on boards thick triple fillet frame. Interior frieze. White watered silk endpapers. All edges gilt. Perimeter of watered silk endpapers brown-stained. Tailcap of volume 2 with a loss. Traces of rubbing. Thin scratch on the upper board of volume 1 lower board of volume 2. Some very occasional foxing on clean white paper. The binder inverted volumes 1 and 2 and volumes 3 and 4 the error stemming from the fact that the 4 series are not numbered by volume. Very handsome copy. Work illustrated with a general frontispiece 14 vignettes including one repeated and 320 plates all wood-engraved. References: Vicaire III 953-955; Brivois pp.168-171; Carteret III-260-264: ""Cet ouvrage est fort rare en belle condition."" Remarkable copy of superb freshness in full contemporary Romantic binding. Hetzel hardcover
184669223Paris: J. Hetzel & Cie 1846. Fine. J. Hetzel & Cie Paris 1846 - 1848 18 x 26.80 cm 4 tomes en 2 volumes reliés First edition and first printing of the 320 wood engravings. Publication of the 4 volumes from 1846 to 1848 which explains why they are found separately. Contributions by Théophile Gautier Laurent-Jan Léon Gozlan Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others. Contemporary half black shagreen bindings. Flat false raised bands spine decorated with ornate compartments. Gilt titles and volume labels. Gilt edges. Blind ruling frame on boards. A. Gaillard at foot. Roulettes on bands. Very fine gold and grey decorative endpapers. Pale scattered foxing on very white paper. Work illustrated with a general frontispiece 14 vignettes including one repeated and 320 plates all engraved on wood. References: Vicaire III 953-955; Brivois pp.168-171; Carteret III-260-264. ""Important work presenting an original work drawn anew by the artist from his lithographs; the whole gives a good idea of Gavarni's talent and the customs of his time. This work is very rare in fine condition."" Carteret. J. Hetzel & Cie hardcover
184636836Paris: J. Hetzel. Good with no dust jacket. 1846-1848. Hardcover. B&W Illustrations; 7.5" x 10. 25" x 3". Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier. Most of his best work appeared in Le Charivari Punch. A French illustrator born in Paris. 100's of illustrations. Volumes one and two only of four eventually published Bound in full decorative green morocco leather with gilt designes. Front covers detached. 9 pounds. Each has a title pg=age in front and a second one about half way through. . J. Hetzel hardcover
185091065Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm ENGLISH DESCRIPTION ON DEMAND Edition originale exemplaire du tirage de luxe illustré d'un frontispice et de 16 planches rehaussées finement à l'aquarelle de Gavarni gravées sur acier par Geoffroy dans d'élégants encadrements découpés en dentelles et montés sur papier rose. Impression sur beau velin. Reliure en plein cartonnage historié de l'éditeur gardes et contreplats de papier jaune d'origine un peu salis en marge coins inférieurs émoussés coiffes frottées avec d'infimes manques à la percaline. Rousseurs. Bel exemplaire. Les textes de Méry sont des nouvelles autour d'une pierre précieuse ou d'un bijou. Les gravures illustrent divers parements féminins dans le premier volume autour des joyaux perle reliquaire pendentif rosaire saphir bracelet. dans le second volume le châle le manchon la mantille le turban le bouquet la couronne. G. de Gonet unknown
185077587Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 19 x 28.50 cm relié First edition illustrated with a repeated frontispiece and 30 steel-engraved plates by Gavarni engraved by Geoffroy on China paper laid down. Printed on fine white wove paper. Blue or neutral tissue guards. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lavender morocco binding with corners and long grain signed Mercier 1920 at the top of the first endpaper in Romantic style. Spine with false raised bands richly decorated with two complex mirrored tools in each compartment blind fillets and rolls on the bands. Separation fillets on the boards. Uncut copy full-margined. Perfect paper freshness. Light rubbing traces impact at foot of the Parures volume with a dent of 0.8cm. Very handsome copy rare in this condition. Blue leather bookplate P. Villeboeuf with his gilt monogram also at top of pastedowns. Méry's texts are short stories centered around a precious stone or jewel. G. de Gonet hardcover
185079613Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm 2 volumes reliés First edition illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lemon yellow morocco binding with corners late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of the upper cover. Uncut copy shorter titles in margins. Some occasional foxing. Handsome copy. Méry's texts are short stories centered around a precious stone or jewel. The engravings illustrate various feminine adornments in the first volume around jewels pearl reliquary pendant rosary sapphire bracelet. in the second volume shawl muff mantilla turban bouquet crown. G. de Gonet hardcover
184084312Paris: Léopold Pannier et Cie 1840. Fine. Stunning and rare suite by a great illustrator from the Romantic era Léopold Pannier et Cie Paris s. d. 1840-1850 25.50 x 34.50 cm 25 lithographies reliées en un volume First collective edition of this complete series of 25 original lithographed plates printed on thick vellum. Mounted engravings preceded by a title page bringing together three series: Souvenirs de Carnaval 6 plates Les bals masqués 7 plates Costumes historiques 12 plates. Each of these series first appeared in other journals: under the title 'Souvenirs de Carnaval' in Ritner et Goupil 'Les bals masqués' in La Caricature and 'Costumes historiques' in Charivari. Engravings in third state according to Vicaire. Some foxing. Red half straight-grained morocco Bradel binding smooth spine decoratively tooled and lettered in gilt with a rich ornamentation of repeated floral motifs marbled paper pastedowns and endpapers binding signed Victor Champs. Very rare collection in a deluxe edition printed on thick vellum elegantly bound. Léopold Pannier et Cie hardcover
185188076Paris: L. Curmer& V. Lecou 1851. Fine. L. Curmer & V. Lecou Paris 1851 19 x 28.50 cm relié Edition illustrated with 8 hors-texte color plates under tissue guards with captions as well as 150 wood engravings in the text after Adolphe Steinheil Ernest Meissonier Paul Gavarni Charles-François Daubigny and Hercule Louis Catenacci. Discreet pen annotations by a previous owner in upper left corner of one endpaper. Half green morocco-grained shagreen binding with corners spine with five raised bands decorated with gilt floral motifs marbled paper boards combed paper endpapers and pastedowns top edge gilt binding signed by Mercier. Handsome copy attractively presented. L. Curmer& V. Lecou hardcover
184275626Paris: Au bureau central des publications nouvellesVictor Magen 1842. Fine. Romantic Paris in a painted binding Au bureau central des publications nouvelles Victor Magen Paris 1842 - 1843 16.50 x 26 cm 2 volumes reliés First edition illustrated with wood engravings in the text by Gavarni Daumier D'Aubigny. Bradel binding in full beige percaline smooth spine with a black paper label front cover decorated with an oil painting after the frontispiece signed lower right ""A. Dangleterre d'après document d'époque"". Headcaps and joints skillfully restored. A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses office flower sellers baths streetlamps pavements theatre outings beards and moustaches the Luxembourg Gardens the Opera Ball the auctioneers hall lorettes and courtesans Alexandre Dumas restaurants and cheap eateries the pawnshop Monographie de la presse parisienne Balzac Jockey Club etc. ""A very important work remarkable for the fine gathering of writers and artists of the Romantic period who contributed to it."" Carteret Le trésor du bibliophile romantique et moderne. Au bureau central des publications nouvellesVictor Magen unknown
185079132Paris: G. de Gonet 1850. Fine. G. de Gonet Paris s. d. 1850 18 x 27 cm relié First edition and first issue illustrated with 16 hors-texte engravings by Paul Gavarni engraved on steel by Charles Geoffroy and heightened in colors. Each plate features lace-cut decorative borders standing out against a pink paper background. Publisher's full pictorial boards original yellow paper endpapers and pastedowns somewhat soiled at margins as usual. Some corners slightly rubbed as well as the headcaps; rear joint very slightly opened. Scattered foxing more pronounced on certain leaves. Very handsome publication preserved in its romantic pictorial boards. G. de Gonet hardcover
184468289à Paris: Chez A. Royer 1844. Fine. Chez A. Royer à Paris 1844 16.50 x 26 cm relié First edition illustrated with a frontispiece drawn by Schmit and engraved by Hilaire Guesnu with 37 color plates hors-texte instead of 38 and vignettes by Schmit Gavarni Nanteuil and Schlesinger. Half green shagreen binding faded spine with four raised bands set with gilt cartouches and gilt compartments decorated with typographical corner motifs double gilt fillets framing the green boards yellow paper endpapers and pastedowns edges gilt. Some occasional foxing one gathering entirely yellowed pages 26 to 35 one color plate and one gathering foxed one color hors-texte engraving is missing. Handsomely illustrated first edition. Chez A. Royer hardcover
184455454à Paris: Chez A. Royer 1844. Fine. Chez A. Royer à Paris 1844 15 x 25.50 cm relié First edition illustrated with a frontispiece drawn by Schmit and engraved by Hilaire Guesnu 38 plates and vignettes by Schmit Gavarni Nanteuil and Schlesinger. Full green shagreen binding spine with four raised bands set with gilt dentelle compartments decorated with quadruple gilt framing fillets and cold-stamped fillets double fillets and dotted gilt rolls at head and foot fine hatchings on headcaps cold-stamped fillets and multiple gilt fillets framing the boards gilt rolls framing the pastedowns gilt fillet on leading edges. Some foxing. Handsomely illustrated first edition. Chez A. Royer hardcover
1842123046Paris: L. Curmer 1842. First edition of this collection which Carteret considers to be one of the most important illustrated books of the 19th century. Octavo elaborately bound in full red morocco with elaborate gilt titles and tooling to the spine in six compartments within raised gilt bands elaborate gilt ruling and stamping to the front and rear panels gilt turn-ins and inner dentelles elaborately decorated green morocco doublures hand-stitched patterned endpapers all edges gilt with intricate botanical carvings illustrated with eleven frontispiece titles by Trimolet Charles Jacque Penguilly etc. and numerous vignettes throughout the text. In fine condition. Rare and desirable. This collection of ten short narratives mostly Gothic or exotic from the literatures of several countries is one of the most charming books of the Romantic period" Ray. L. Curmer unknown
