19 571 résultats
184620214Leipzig, Verlag von Carl B. Lorck, 1846. Kl.-8°. Mit 4 Tafeln. 134 S. Leinenband der Zeit mit Blind- und Goldprägung.
1969127953-1Hamburg, Hoffmann u. Campe 1969. Gr.8°. 279 S. Mit vielen Abb. Original-Leinenband
1936199277London, 1931-1936. M. einigen Abb. Hlwd. m. goldgepr. Rtit. Nr. 103 lose beilieg. M. mehr. St.
1912ABE-1120332162924 PAGES FORMAT 22 CM X 30 CM-LA CHRONIQUE DE NOS JOURS,2P PAR ERNEST DAUDET-NOTRE DETTE A CHATEAUBRIAND,3P PAR C.LECIGNE,JULES LEMAITRE-DICKENS A PARIS-"PEGASE",3P PAR JACQUES DES GACHONS-UN LIVRE PAR SEMAINE,LES DERNIERES ANNEES DE MME DE MAINTENON,3P PAR D'HAUSSONVILLE-LE PAIN CHER SOUS LA TERREUR,2P PAR PIERRE RAIN-UN ARCHEOLOGUE CHRETIEN L'ABBE COCHET,2P-CAUSERIE SCIENTIFIQUE,L'INTOXICATION PAR LE GAZ D'ECLAIRAGE
1912ABE-157225859112625,5 CM X 33 CM-EN COUVERTURE: "SUR LA COTE D'AZUR" PAR DAVRIL (2 FEMMES, BORD DE MER, ARBRES EN FLEURS), COULEURS-EN COUVERTURE INTERIEURE: M.L'AMIRAL BOUE DE LAPEYRERE, MALTE-JEANNE D'ARC ET L'IDEE NATIONALE, PAR RAYMOND POINCARE, 1P-L'INCIDENT FRANCO ITALIEN, "CARTHAGE", "MANOUBA", 1P, 7 PHOTOS-LE DERNIER VOYAGE DE LA DUCHESSE D'AOSTE DANS L'AFRIQUE EQUATORIALE, 2P, 3 PHOTOS-PELERINAGE D'AMOUR, PAR PIERRE LOTI, 3 PAGES, 2 PHOTOS-DICKENS ACTEUR A PROPOS DE SON CENTENAIRE, PAR H.DE FELS, 1P, 2 GRAVURES-COMMENT ON TRANSPORTE UN AEROPLANE, PAR RICHARD CLAIN, 1P, PHOTO WAGON-LE VERITABLE INVENTEUR DE L'AEROPLANE, PAR RAYMOND DE PASSILLE, 1P, 3 PHOTOS-LA MAISON DE DUGUAY TROUIN A SAINT MALO, 1P, 3 PHOTOS
1970ABE-1714289264732 PAGES 34,5 CM X 50 CM-LA ROUMANIE OU LA VOIE ETROITE II UN PAYS EN VOIE DE DEVELOPPEMENT RAPIDE, PAR MANUEL LUCBERT, CARTE-L'AMENAGEMENT DU QUARTIER DES HALLES-LES VARIETES PAR CLAUDE SARRAUTE: MARUJA GARRIDO-BECKETT EN SES VERTES ANNEES, DESSIN DE CARELMAN-BECKETT OU L'HORREUR D'ETRE NE, PAR E.-M. CIORAN-CENTENAIRE: LE PHENOMENE CHARLES DICKENS, 2P, CARICATURE PAR ANDRE GIL-LA SCIENCE FICTION A L'USAGE DU PUBLIC FRANCAIS, PAR JACQUES GOIMARD
1945ABE-16971359876456 PAGES-43 CM X 60 CM-POUR LA JOIE DE VIVRE, PAR CLAUDE MORGAN-A MON REVEIL, CHAQUE 19 AOUT., PAR GEORGE ADAM-MARCEL PRENANT FRANC-TIREUR ET PARTISAN, PAR DOMINIQUE AURY, ILL-LE CHEMIN DU PORTALET, PAR LOYS MASSON-PROCES PETAIN, TIERS DE PAGE 2 DESSINS DE GASSIER-DESSIN DE JEAN EFFEL-ACTUALITE DE DICKENS PAR DENIS MARION-LA POESIE DE NERVAL, PAR ALBERT BEGUIN-DE LA TRAGEDIE GRECQUE AU ROMAN POLICIER, PAR LOUIS PARROT-LES ARTS, PAR LEON DEGAND: LA BONNE SCULPTURE ET LA MAUVAISE, MARCEL GIMOND-CINEMA, PAR GEORGES SADOUL: LES ENFANTS DU PARADIS, DESSIN JEAN LOUIS BARRAULT, FALBALAS, DESSIN RAYMOND ROULEAU-COMPLET
1973191086-1(Quickborn), Europa (ca. 1973). 12" (30 cm). Schallplatte (Vinyl). Mit Schutzhülle und Orig.-Cover.
19756042522London, New York, Sotheby Parke Bernet 1975. 4°. XVI, 299 pp. mit zahlreichen Abbildungen. Signaturschild auf Rücken. Stempel verso Titel. Sonst ordentlich.
1839mon0001612620A.&W.GalignaniParis. 1839. Hardcover. Good. . This is a rare early Octavo edition.Top of leather spine and corners scuffed.Boards in fair condition.Hinges and binding firm.Text clear with foxing. A.&W.Galignani,Paris. hardcover
183754320London, Chapman and Hall, 1837. 8vo. In contemporary half calf with black leather title-label with gilt lettering to spine. Front board partly detached and wear to extremities. Plates with miscoloured margins, otherwise internally fine. XIV, (2), 609 pp.
185857749London, Bradbury & Evans, 1858. 8vo. Uncut in the original printed, illustrated wrappers, which are slightly dusty. Traces of wear to spine. Slight loss to capitals. Small stain to front wrapper. Previous owner's signature erased from front free endpaper. Internally clean.
184046893London, Chapman and Hall, 1840-1841. Bound in 3 uniform contemporary half calfs with gilt lettering and ornamentation to spines. Hinges with minor wear and a few nicks to the leather on the boards, otherwise a fine and clean copy.
184160153London, Chapman & Hall, 1840-1841. A complete run of the 20 monthly parts, uncut in the original blue green pictoral wrappers. Two parts with previous owner's name to top of front wrapper. A few of the parts with brownspots to wrappers. An overall fine set. Housed in a slipcase. Collation corresponds to Hatton and Cleaver with the following exceptions: Part 1, lacking first advertisement (out of 3), beginning with ""Rippon & Burton" Part 10, lacking advertisements" Part 11, lacking advertisements.
185055231London, Bradbury & Evans, 1850. Contemp. red hcalf. Gilt spine (line-borders). Broad raised bands, the bands gilt. Titlelabel with gilt lettering. very light wear along edges. Engraved frontispiece and engraved title. Printed title. (VII-)XIV,(2-errata leaf),624 pp., 38 engraved plates. A few minor brownspots. The plates with some browning and foxing.
1951555j0185Nashville Tennessee: Acuff-Rose Publications. Good. 1951. First Edition. Paperback. Includes piano sheet music guitar chords and lyrics for these songs: Bring Your Broken Heart to Me; Cold Feet; Cool Green Swanee; Crazy Game of Love The; Gee but It's Lonesome Out Tonight; Gotta Find me Somebody to Love; Honest as the Day Is Long; I Got a Cinder in My Eye; I Sure Would Like to Sit a Spell with You; I Wish I Had a Nickel; I Wish You Didn't Love Me So Much; I'm in Love Up to My Ears; I'm Little but I'm Loud; Me Too; No Thanks; Sea of Broken Dreams; Take an Old Cold 'Tater and Wait; That Wild Black Engine; What's the Use to Take You back Again; You'll Have to Talk It Over with My Yeart. 48 pages. Includes four pages of nice black and white photos plus a biography of Jimmy. Clean and unmarked with moderate wear. Binding intact. A quality vintage copy.; 4to . Acuff-Rose Publications paperback
18439393.3London: Wiley & Putnam 1843. 1st edition NCBEL III 822; Gimbel H490; Kitton 534. Late 19th C. 3/4 green morocco binding by Riviere & Son with marbled paper boards. Elaborate gilt decorated spine. TEG. Spine panel mildly sun-darkened. Bookplate of "C. E. Stewart". A handsome VG copy. 392 pp. 8vo. <br/><br/>Wood's attempt to make a 'splash' using as a foil Dickens' account of his trip to the US in 1842 which was seen as less than flattering on this side of the Atlantic. According to Gimbel & the NCBEL the London edition precedes the US edition. Wiley & Putnam hardcover books
1838cd-27London: Richard Bentley. VG : in very good condition. Rebound by Thomson of Exeter with marbled eps and edges. Light shelfwear to edges and corners. Age-toning within and occasional spotting impacting on some plates. Half title pages absent also ads. 1838. First Edition. Full leather marbled calf rebind with floral gilt tooling to spines. 200mm x 130mm 8" x 5". xix 288pp; ix 263pp. 12 plates by George Cruikshank including frontis in vol 2. Frontis portrait in vol 1 by Greatbatch after Raven. Second state with grotesque border around 'The Last Song'. . Richard Bentley hardcover
18839570London: J. W. Jarvis & Son 1883. 1st edition NCBEL III 789. Green cloth binding; original grey wrappers bound in. VG bpt/front hinge starting - lower 3"/bump to center edge of rear board. Pailthorpe etching of Sam Weller as frontis. 8vo. <br/><br/> J. W. Jarvis & Son hardcover books
2013AIB126_BR002113_126Shanghai Translation Publishing House 2013-02-01. hardcover. New. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.HardCover. Pub Date :2013-02-01 Pages: 584 Language: Chinese Publisher: Shanghai Translation Publishing House . Dickens not set: Boz closeup collection is Dickens 's famous for . is his earliest works published in book form . a collection of his early published in various newspapers and on the close-up and short stories twenty-seven . plus unpublished eight . a total thirty-five . Dickens Collected : Boz closeup collection was demonstrated in all aspects of social life in London . for the dep. Satisfaction guaranteedor money back. <br/><br/> Shanghai Translation Publishing House hardcover
189803042BEAUTIFUL STORIES ABOUT CHILDREN retold by his Grandaughter and Others Scull 1898 first edition last 2 blank leaves and title page with tears else a vg copy in blue red and gold-gilt pictorial boards with illustrations in color two tone and black & white. Scull 1898 hardcover
193712267CHARLES DICKENS' 1842 VISIT TO OHIO Toledo Blade 1937 first edition some wear and tear and soiling to the covers else a near vg copy in wraps as issued. A detailed account of the authors visit to the cities and towns of Ohio in 1842. Quite scarce the OCLC listing a single copy !!! Toledo Blade paperback
1844ST20685-2London: T. C. Newby 1844. FIRST EDITION. 170 x 102 mm. 6 3/4 x 4". 1 p.l. xiii 3 205 1 pp. 1 leaf ads.Preface by Charles Dickens. <br/> VERY PLEASING GREEN CRUSHED MOROCCO BY RIVIERE & SONS stamp-signed on front turn-in covers framed with gilt rules densely tooled cornerpieces with floral sprigs on a stippled ground raised bands spine panels lavishly gilt with a starburst of floral tools emanating from a central medallion all on a stippled ground gilt lettering turn-ins gilt ruled with floral garlands at the corners all edges gilt original tan cloth wrappers bound in at rear. Title page printed in blue and red. Eckel pp. 146-47; Podeschi B-121. Sheila M. Smith "John Overs to Charles Dickens: A Working-Man's Letter and Its Implications" Victorian Studies 18 no. 2 1974: 195–217. Spine just slightly sunned though hard to tell because of the heavy gilt a few trivial spots internally but A VERY FINE COPY in quite a pretty binding.<br/> <br/> This attractively bound volume of a working class poet's verse and prose represents one of Dickens' charitable efforts in the spirit of social reform. A carpenter by trade John Overs 1808-44 had become acquainted with Dickens in 1839 when he submitted poetry for publication in "Bentley's Miscellany" then under Dickens' editorship. Over the next several years Dickens became a literary mentor and something of a friend to Overs providing writing advice lending books and helping Overs to secure a position at Drury Lane Theatre when his tuberculosis became too severe to continue his work as a carpenter. Literary scholar Sheila M. Smith has suggested that Overs may have served as an influence for "The Chimes" Dickens' penultimate Christmas book; she writes that Overs "was neither a political agitator nor a trade unionist. . . yet he was bitter and exulting in the idea of social revolution. A working man of this kind goaded to such feelings would have aroused Dickens's sympathy at a period when the novelist was experiencing his most violent indignation about his country's poor." To whatever degree that sympathy proved a literary inspiration for Dickens it directly led to the publication of the present work. When it was clear by the spring of 1844 that Overs would not survive his illness Dickens suggested to him that he publish a collection of his writings to help provide for his family after his passing. And so the present anthology was published only months before Overs' death on September 28 1844 with the proceeds from the book along with an additional charitable collection taken up by the publisher allowing his widow to make a living by opening a small milliner's shop. T. C. Newby unknown
1870ST18330London: Chapman and Hall 1870. FIRST EDITION in book form. 215 x 140 mm. 8 1/2 x 5 1/2. vii 1 blank 190 pp. Without the leaf of publisher's ads. <br/> VERY ATTRACTIVE SCARLET CRUSHED MOROCCO BY CEDRIC CHIVERS stamp-signed on rear turn-in ca. 1911 covers framed by one blind and two gilt fillets upper cover with INLAID PAINTED VELLUCENT ESCUTCHEON with the arms of the city of Rochester within a "tiled" gilt frame the inlay enclosed by Art Nouveau floral design incorporating a heart motif an onlaid citron morocco heart at the foot of the design three raised bands dividing the spine into two small compartments slightly larger compartment with gilt titling and an elongated compartment with inlaid vellucent and gilt escutcheon displaying the arms of the county of Kent within similar Art Nouveau tooling featuring an onlaid citron heart turn-ins ruled in gilt with dot cornerpieces leather hinges red watered silk endleaves all edges gilt. Frontispiece portrait engraved vignette title and 12 plates as called for by S. L. Fildes EXTRA-ILLUSTRATED with reproductions of a black & white portrait of Fildes and an engraved portrait of John Forster both taken from contemporary publications a reduced reproduction of the original green paper wrapper cover all three of these mounted in heavy stock frames additional calligraphed title page noting extra-illustrations 16 ORIGINAL ILLUSTRATIONS FOUR OF THESE WATERCOLORS 13 dry-point all but one mounted in heavy stock frames one drawn directly on heavy stock all captioned and all with tissue guards. Front flyleaf with embossed ex-libris of Dana C. Bradford. With "The Last Book" a seven-page excerpt from Forster's "Life of Dickens" mounted in frames at rear following a handwritten section title page. ◆Slight rippling of some of the inserted leaves text faintly yellowed because of paper stock as no doubt in all copies perhaps a whisper of wear to the binding but still and easily a very fine copy.<br/> <br/> In terms of content illustration binding and condition this item is obviously of very considerable appeal. Dickens' final unfinished novel "Edwin Drood" is a murder mystery that remains unsolved to this day. Set in a lightly fictionalized version of Rochester near which Dickens was living the plot involves a marriage engagement between the two orphans Drood and Rosa Budd made by their parents and distasteful to both of them. When Drood disappears suspicion falls heavily on Neville another orphaned young man who is in love with Rosa. Neville has the reader's sympathy and we can only hope that Drood's sinister and scheming uncle Jasper is the culprit. A distinguished artist who did many famous portraits in his later years Samuel Luke Fildes 1844-1927 began as an illustrator known especially for powerful black and white images of social realism; his career was measurably advanced by his selection as the artist to execute the plates in "Edwin Drood." Cedric Chivers opened his Bath bindery in the 1880s producing various kinds of fine decorative bindings but specializing in a "vellucent" binding based on the 18th century painted vellum work of Edwards of Halifax. Here he has used the vellucent technique to create the shields with the arms of Rochester and Kent inlaid on the cover and spine. The anonymous watercolors here are extremely attractive being skillfully done in pleasing colors. They are mostly depictions of the novel's localities generally in Rochester. Chapman and Hall unknown
1930312928London: George G. Harrap & Co 1930. Color plate illustrations by C.E. Brock. xx 687 pp. 1 vols. 8vo. Full brown morocco for Asprey of London upper cover centered with large illustration in multi-color morocco onlay after a plate in the book spine lettered in gilt with gilt device of Samuel Pickwick in four panels a.e.g. gilt inner dentelles marbled endpapers. Fine. Brock C.E. Color plate illustrations by C.E. Brock. xx 687 pp. 1 vols. 8vo. George G. Harrap & Co unknown