(Gavarni, Paul)Biblio.com
953 résultats
1a5306MM. Aug. Marc Paris circa 1870. 1 Bl. 100 lithographische Tafeln original Halbleder-Rücken mit 4 Schmuckbünden und Goldprägungen Goldschnitt Folio Kanten etwas berieben und bestoßen/alter Besitzername auf Vorsatz/teils stockfleckig. unknown
18431836Paris: Lavigne 1843. Hardcover. Very Good. Gavarni. 8vo. xix 522pp. Original wraps bound in. Quarter leather with ornate spine gilt with gilt title. Head of spine at corners a bit rubbed green mottled paper boards with light edgewear. All edges speckled green. First edition with illustrations by Gavarni finely engraved on wood by Breviere and Nouvion. A very good copy despite some foxing and spotting throughout. Some plates lightly numbered in pencil. Tissue guards to each plate. Tight and square copy. Very good. Lavigne hardcover
B09524-3Paris/Leipzig G. de Gonet/ Charles Twietmeyer n.d. 1850. 2 300pp. Frontispiece and 15 steel engraved plates hors texte the whole finished by hand in colors and the plates themselves printed on doilies tipped onto pink guards the pink visible throughout the elaborately full percaline elaborately gilt and colored with designs on both covers and spine. 4to. Publishers original full percaline elaborately gilt and colored identically on each companion volume. A.e.g. Tissue guards. Later protective chemise. Together with: Les joyaux. Fantaisie par Gavarni. Texte par Méry. Minéralogie des dames par Cte. Foelix. Perles et Parues. 2 316pp. Frontispiece and 16 steel-engraved plates hors texte the whole finished by hand in colors and the plates printed on doilies in the same format as the foregoing. These books contain thirty-two engravings on steel by Geoffroy after Gavarni. They are studies of beautiful women fashionably attired for the most part which were drawn in London. Méry wrote the fantasy accompanying them to fit Gavarnis designs. Gordon Ray. After mentioning the ordinary edition of the work Ray proceeds to discuss this far more appealing.special edition in which the steel engravings are printed and delicately colored on paper with borders cut to various lace patterns. So presented Gavarnis designs became fashion plates of the first order. Intermittent light foxing mostly on the tissue guards and not the plates; a very desirable set the original bindings still brilliant. Paris/Leipzig (G. de Gonet/ Charles Twietmeyer), n.d. [1850]. unknown
