Gavarni

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Gavarni, Paul (1804-1866).Biblio.com

Physionomies Parisienne: Papier a Lettres.

GAVARNI (Sulpice-Guillaume Chevallier). Mery, Joseph and Le Cte FoelixBiblio.com

Perles et Parures: Les Joyaux Fantaisie. Minéralogie des Dames. &: Les Parures Fantaisie. Histoire de la Mode.

185047343Paris / Leipzig.: G. de Gonet Editeur . &c; Chez Charles Twietmeyer. 1850. Original publisher's midnight blue percaline with elaborate polychromatic decoration front boards with elaborate gilt decorative oval titles to surround central vignettes matching gilt vignettes to rear covers smooth spines with elaborate decorative tooling and titles in gilt all with additional colour heightening cream glazed endpapers vol. 1 and yellow vol. 2 a.e.g. 2 vols. Large 8vo. 270 x 184 mm. Half-titles with printer's credit verso engraved pictorial titles with additional colour by hand printed titles to each vol. and text illustrated with 31 engraved plates by Gavarni each with additional colour by hand and with the margins cut 'à la dentelle' and backed with pink paper final leaf of each vol. with 'Table des Matières'. The most desirable issue of 'Perles et Parures' with the hand-coloured plates on vélin 'découpés en dentelles' and in the original polychromatic percaline bindings.Published under the collective title 'Perles et Parures' these first editions of 'Les Joyaux Fantaisie' with 'Minéralogie des Dames' and 'Les Parures Fantaisie' with 'Histoire de la Mode' are here in the most desirable form with Gavarni's plates printed on vélin delicately hand- coloured and with the leaves stencil-cut to a lace pattern to form delicate frames and backed with pink paper. The two volumes contain jewel- and fashion-inspired texts with matching illustration as stated by Ray: 'They are studies of beautiful women fashionably attired . which were drawn in London'.' . more appealing than the normal edition is this special edition in which the steel engravings are printed and delicately colored on paper with borders cut to various lace patterns. So presented Gavarni's designs become fashion plates of the first order.' Ray.'La réunion des deux ouvrages avec les gravures à marges de dentelles est assez rare à recontrer.' Carteret.Ray 209A / 210; Carteret III 460 / 461. G. de Gonet, Editeur ... &c; Chez Charles Twietmeyer. hardcover

Sims Reed Rare Books · Royaume-Uni3 500,00 £GB≈ 3 996,30 €

GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]; [pseudonym of Guillaume Sulpice Chevallier]Biblio.com

Paris le Matin bound with La Boite aux Lettres

05959Paris: Caboche Gregoire / Chez Aubert 1838-1839. Two Incredibly Scarce Gavarni Albums Bound Together A Total of Forty-Three Marvelous Hand-Colored Lithographs GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le Matin. Paris: Chez Aubert 1838-1839. bound with La Boite aux Lettres. Paris: Caboche Gregoire / Chez Aubert 1839. First editions. Folio 13 1/8 x 9 5/8 in; 334 x 245 mm. Paris le Matin with twelve and La Boite aux Lettres with thirty-one of thirty-four hand-colored lithographed plates; a total of forty-three plates most heightened with gum arabic. Bound to contemporary French style c. 1920 in quarter black morocco over marbled boards. Smooth spine ruled in blind and lettered in gilt marbled endpapers top edge gilt others uncut. A very fine copy of two extremely scarce Gavarni albums. ABPC Index 1923-present records no copies of Paris le Matin at auction within the last eighty-eight years. Only one copy of La Boite ux Lettres has come to auction within the last thirty-six years and it contained only fourteen of the called-for thirty-four plates. Only one copy of Paris le Matin is found in institutional collections worldwide at the Getty Research Library. OCLC records only five copies of La Boite aux Lettres in libraries throughout the world. Paris le Matin Paris Morning and La Boite aux Lettres Mailbox are typical - if exceedingly scarce - examples of Gavarni turning his satiric eye on the customs and manners of the French petit bourgeoisie. Paris le Matin limns the morning activities of Parisians; La Boite aux Lettres is a charmingly amusing survey of writing sending and receiving letters in Paris of the era. La Boite aux Lettres lacks the last three plates XXXI XXXIII and XXXIV. The institutional copies appear to be incomplete as well but it seems that the copy under notice is as complete as has ever been seen within our lifetime and is likely to remain so for many years to come. Armelhault & Bocher 902-913 Paris le Matin. Armelhault & Bocher p. 88 11 unnumbered 348-397. Paris: Caboche Gregoire / Chez Aubert, 1838-1839 unknown

David Brass Rare Books, Inc. · États-Unis6 500,00 $US≈ 5 499,65 €

GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]Biblio.com

Paris le matin And: Paris le soir

06172Paris: Chez Bauger and Chez Aubert 1839. Paris in the Morning" and "Paris at Night" GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le matin. Paris: Au Bureau du Charivari n.d. 1839. Twelve numbered lithographed plates depicting Parisian life in the morning. Plates printed by Aubert & Cie. and Paris le soir. Paris: Chez Bauger and Chez Aubert n.d. 1840. Twenty-five numbered lithographed plates depicting Parisian life at night. Plates printed by Aubert & Cie. Large quarto 13 3/8 x 10 1/2 inches; 340 x 267 mm. Thirty-seven fine lithographed plates complete. A few plates with light foxing to blank margins. Bound by Thierry sc. de Petit-Simier stamp-signed in late nineteenth century quarter red diced calf over marbled boards smooth spine decoratively tooled and lettered in gilt marbled endpapers. Joints expertly repaired. A fine example. "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation" Ray The Art of the French Illustrated Book p. 217. Armelhault & Bocher 902-913 & 914-933. Paris: Chez Bauger [and] Chez Aubert, 1839 unknown

David Brass Rare Books, Inc. · États-Unis2 250,00 $US≈ 1 903,73 €