GavarniBiblio.com
953 résultats
55-0052Paris: Le Charivari 1839. Lithograph. Image: 16.5 x 19.5 cm. Sheet: 36 x 24 cm. Armelhault & Bocher no. 236. Published in Le Charivari text verso. Foxing in margins. Paris: Le Charivari, 1839. unknown
185724517Paris: Chez Aubert & Cie 1857. Very good condition. Magnificently hand colored lithograph highlighted with gum arabic by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. <br /> <br /> Depicting an actress admiring her appearance dressed in military trousers as her maid describes additional gifts brought from other suitors. Signed in the print at the lower left. Paper size approximately 9 1/2 x 12 1/2" Chez Aubert & Cie unknown
18434895Paris: Aubert & Cie 1843. Two actresses speak to each other in the wings. The title "Les Coulisses" means Behind the Wings and are a series of humorous theatrical sketches. First edition. A lovely hand coloured edition of this caricature by Paul Gavarni 1804-1866. pseudonym of Guillaume Sulpice Chevallier. In excellent condition with fractional darkening to the sheet but overall in good clean condition. Nice hand colouring to the images. Printed area is 24.5cm x 18cm. The sheet is 36cm x 28cm. . Deux actrices se parlent dans les coulisses. Le titre "Les Coulisses" signifie Derrière les ailes et constitue une série de sketches théâtraux humoristiques. Première édition. Belle édition coloriée à la main de cette caricature de Paul Gavarni 1804-1866. pseudonyme de Guillaume Sulpice Chevallier. En excellente condition avec un petit assombrissement à la feuille mais dans l'ensemble en bonne condition propre. Les images sont joliment coloriées à la main. La surface imprimée est de 245 cm x 18 cm. La feuille mesure 36 cm x 28 cm. Aubert & Cie unknown
68-3891Paris: Aubert & Cie. 1843. Lithograph. Image size: 18 x 15 cm. Very Good. Paris: Aubert & Cie. 1843. unknown
04-1746Paris: Aubert 1846. Lithograph. Image: 17.5 x 20.5 cm. Sheet: 26 x 32 cm. Armelhault & Bocher Gavarni no. 1014. Paris: Aubert, 1846. unknown
1842123046Paris: L. Curmer 1842. First edition of this collection which Carteret considers to be one of the most important illustrated books of the 19th century. Octavo elaborately bound in full red morocco with elaborate gilt titles and tooling to the spine in six compartments within raised gilt bands elaborate gilt ruling and stamping to the front and rear panels gilt turn-ins and inner dentelles elaborately decorated green morocco doublures hand-stitched patterned endpapers all edges gilt with intricate botanical carvings illustrated with eleven frontispiece titles by Trimolet Charles Jacque Penguilly etc. and numerous vignettes throughout the text. In fine condition. Rare and desirable. This collection of ten short narratives mostly Gothic or exotic from the literatures of several countries is one of the most charming books of the Romantic period" Ray. L. Curmer unknown
71-6683Paris: Rittner & Goupil 1837. Hand-colored lithograph. 28 x 21 cm sheet. Very Good light specks of foxing minor surface soiling sheet trimmed to the image.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Rittner & Goupil, 1837. unknown
71-8626Paris: Thierry Freres circa 1853. Lithograph. 32.5 x 24.5 cm sheet. Very Good light specks of foxing toning along sheet edges. Paris: Thierry Freres, circa 1853. unknown
19955Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19953Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19954Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19956Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18395976Paris: Chez Aubert 1839-40. First edition. 27 cm; 3 volumes in two. 150 lithographs including 45 by Daumier among them 27 from "Croquis d'expression" and 42 by Gavarni. Half titles present. Plates not colored in. Bound in recent green crushed morocco over marbled boards ruled in gilt; spines titled in gilt. Marbled edges. Endleaves foxed; some scattered toning. Overall a clean copy. References: Ray #164 "one of the freshest and most attractive of romantic illustrated books"; Carteret III 426-27. <br /> <br /><br />The great Parisian caricaturists of the mid-19th-century: Daumier Gavarni Grandville Travies and others represented with original lithographs illustrating short prose pieces by Alhoy Huart and Philipon. Chez Aubert hardcover
18394726Chez Aubert 1839 Three volumes bound in one. First Edition. 4to 11 x 8.75 inches 150 b/w lithographic plates Bound in three-quarter calf and marbled paper boards spine lettered and decorated in gilt. Light scattered foxing throughout with occasional spots of minor soiling leather binding rubbed and worn at extremities corners scuffed with tearing to surface of the leather ¼-inch tear to the upper edge of front joint. Hardcover. Very Good. Chez Aubert hardcover
71-8641Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge. Paris: Chez Aubert, 1839. unknown
71-8642Paris: Chez Aubert 1839. Lithograph. 22 x 27.5 cm sheet. Text in French on reverse. Very Good light specks of foxing in the margins short tears along top sheet edge water stain at lower left sheet corner. Paris: Chez Aubert, 1839. unknown
185228466AB1852. Paris Imp. Lemercier 1852. Gr.-4°. 12 lithographierte Tafeln nach Gavarni. Leinenband der Zeit mit goldgepr. Deckeltitel fleckig berieben und bestossen. Lipperheide II Xe 238. Diese Folge von 12 Lithographien erschien für die Zeitschrift "l'Eclair" 1842-1843. - Im Falz gebrochen. Kleiner Buchhandlungskleber verso fliegendem Vorsatz. Durchgehend stärker stockfleckig und mit Wasserfleck am oberen Blattrand. unknown
184585453Paris: Paulin 1845. Fine. Paulin Paris 1845 18.50 x 27.50 cm 4 volumes reliés en 2 First edition superbly illustrated by Gavarni with 83 hors-texte plates as well as 600 in-text vignettes. Between pages 254-255 of the third volume our copy is complete with the folding map showing the Progressive March of Cholera Morbus in Asia and Europe from 1817 to 1832. Half-brown shagreen bindings spines slightly faded with four raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards marbled endpapers and pastedowns. Some foxing as usual. Le juif errant is one of the greatest bestsellers of the 19th century published just after Les mystères de Paris. To the narrative qualities of Les mystères de Paris Le juif errant adds the intervention of the supernatural and the fantastic represented by the legendary vagabond who gives his name to the book. Preceded by cholera which inspired Eugène Sue to write anthology pages the legendary Jew returns from beyond the seas and beyond the centuries to prevent the Society of Jesus from seizing a fabulous fortune by eliminating its heirs one by one. Le juif errant being an adventure novel taking place in the four corners of the world. It triggered an anti-Jesuit movement in France. If Eugène Sue is more or less forgotten today he was not only one of the most famous novelists of the 19th century but the most read in Europe and even Dostoevsky was a regular reader of his work. Few writers of this era benefited from the editorial qualities demonstrated by Les mystères de Paris and Le juif errant abundantly and superbly illustrated. He was Dumas's main competitor and the latter thought he would even outlive him. Paulin hardcover
18451379DB1845. 4 Bde. Paris Paulin 1845. 4°. 4 331 S.; 4 332 S.; 4 327 S.; 4 352 S. Mit 83 Tafeln u. zahlr. Textillustr. nach Paul Gavarni u. 1 gest. gef. Karte. Lederbde. d. Zt. mit Rückenvergoldung berieben u. bestossen. Vicaire 687. - Erste illustrierte Ausgabe des erstmals 1844 erschienenen Werks des franz. Schriftstellers Eugène Sue eig. Marie-Joseph Sue 1804-1857 der vor allem durch "Les mystères de Paris" berühmt wurde. - Mit Besitzerstempel auf fl. Vorsatz. Vorsätze leimschattig. Stellenweise stockfleckig. unknown
56-0169Paris: Thierry Frères 1844. Lithograph. Sheet: 8 x 11 inches. Image: 10-3/4 x 14 inches. Armelhault & Bocher 391. Paris: Thierry Frères, 1844. unknown
56958Paris J. Hetzel 1857. 4° 79 Abb. Privat-Ldr.-Bd. geprägt. Etwas berieben ein Bl. m kleinem Riss min. stockfleckig gutes Exemplar. Album für die Abonnenten des Figaro.Ceintures dorées: 10 Abb; Présenteurs et Présentés: 10 Abb.; Hommes et femmes de plume: 4 Abb.; Politiqueurs: 8 Abb.; En Carnaval: 4 Abb.; Silence du cabinet: 1 Abb.; L’argent: 2 Abb.;Revenus d’ailleurs: 1 Abb.; Bourgeois: 13 Abb.; Drames boureois: 2 Abb.; Populaire: 6 Abb.; Les petits mordent: 6. Abb.; A coups de pieds: 1 Abb.; Philosophes: 2 abb.; Artistes: 9 Abb.;Die einzelnen Serien teilweise nicht vollzählig. Untertitel franz.Paul eigentlich Hippolyte-Guillaume-Sulpice Chevalier französischer Grafiker 1804 -1866 schuf zahlreiche beissende Karikaturen in denen er seinen Zeitgenossen einen Spiegel vorhält. Hat durchaus heute noch Gültigkeit. 010 Paris, J. Hetzel, 1857 unknown
184525971845. Lithograph. 355mm by 250mm sheet. Original lithograph by Gavarni published in Paris 1845. Signed in the image. From a series titled Le Eloquence de la Chair which was published in the French magazine 'Le Charivari'. <br /> Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier 1804-1866 a French caricaturist born in Paris. He began life as an engineer's draughtsman but soon turned his attention to his proper vocation as a cartoonist. Most of his best work appeared in Le Charivari.Folds as issued text on the reverse as issued. Some off-setting. unknown
71-9758Paris: La Caricature circa 1841. Lithograph. 24.5 x 36 cm sheet. Signed in the stone. Very Good light specks of foxing in the margins vertical center fold. Paris: [La Caricature], circa 1841. unknown
1845300821845. Paris J. Hetzel 1845. Un fort vol. au format in-4 265 x 188 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. xxxii - 380 pp. Reliure de l'ÂŽpoque de demi-veau olive dos ˆ nerfs ornÂŽ de filets gras en noir doubles filets dorÂŽs roulette dorÂŽe sur les nerfs piÂce de titre de maroquin rouille titre dorÂŽ filet en pointillÂŽs dorÂŽs en tÂte et queue tranches mouchetÂŽes. Edition originale agrÂŽmentÂŽe de trÂs nombreuses gravures sur bois dans le texte venant illustrer cette vasque fresque de Paris et des Parisiens sous le 2nd Empire. Le texte trÂs variÂŽ est dž aux plus grands ÂŽcrivains de l'ÂŽpoque. Un des plus cÂŽlÂbres illustrÂŽs de la pÂŽriode romantique. Lequel ''ne devait comprendre ˆ l'origine qu'un seul volume''. in Carteret. Il sera suivi en 1846 par la parution d'un second ouvrage formant le complÂŽment du prÂŽsent volume. Vicaire III Manuel du Libraire et de l'amateur de livres 242-243 ; Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme siÂcle 124-128 ; Carteret III Le TrÂŽsor du bibliophile romantique et moderne pp. 203-207. Quelques altÂŽrations superficielles affectant la reliure. Quelques rousseurs dans le texte. Deux feuillets prÂŽsentent quelques t‰ches claires. Du reste bonne condition. b42961 unknown
18463650Paris: J. Hetzel 1846. First edition. Two large octavo volumes 10 3/8 x 6 7/8 inches; 263 x 175 mm. Contemporary half black hard-grain morocco ruled in gilt over black morocco-grain paper over boards. Smooth spines decoratively tooled in gilt and blind and lettered in gilt. Marbled edges and endpapers. Minor rubbing to extremities head of spine of Volume II expertly and almost invisibly repaired front hinge of Volume I cracked but sound. Minimal foxing and soiling. Small area of surface abrasion to upper blank margin of plate Artistes -6 facing page 160 in Volume II where it was once adhered to the facing page. Bookplate Bibliothèque de A. Vautrain on front pastedown of each volume. Collating 4 xxxii 380; 4 lxxx 364. Wood- engraved title vignette in each volume 212 wood-engraved plates 208 after Gavarni and four after Bertall with tissue guards and numerous wood-engraved head- and tail-pieces vignettes and initials. This copy with a duplicate of the plate facing in Volume I. Music. Overall an excellent copy.<br /> <br /> "The book appeared in part-issues at the rate of one or two a week between April of 1843 and December of 1845. The major attraction of Le diable à Paris resides in Gavarni's plates which are of even greater interest than the 320 wood engravings of his Oeuvres choisies 207. The engraving is superior for the most part and they are new conceptions not versions of his lithographs. He limits himself almost entirely to single figures or pairs evoked with his usual concentration and psychological subtlety. He had a free hand with his subjects since his designs are quite unrelated to Hetzel's text. As usual he arranged them as series some of which those devoted to writers and politicians for example are largely unprecedented in his previous repertory. He invaded Daumier's world with success in the fifteen plates of 'Bourgeois' exampled in the self-satisfied worthy reproduced II 328" Ray.<br /> <br /> Hiler 237. J. Hetzel unknown
