Deroy, FrancoisBiblio.com
92 résultats
1032377Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1758. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1032378Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1758. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
6131506760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1771325Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1827. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1771326Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1827. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1771324Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1827. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1771323Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1827. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19879381ELLERT & RICHTER 1987. 1. softcover. ELLERT & RICHTER paperback
1850015220Blois : Arthur Prevost 1850. No published date circa 1850. Book measures 26.5x16.5.cm. 24 coloured plates. Bound in original publishers embossed cloth with gilt lettering on top cover. Cloth lightly rubbed wear loss on head and tail of spine. Binding in good clean condition. Internally previous owners bookplate tanning to endpapers occasional minor spotting. Plates in good clean condition. A nice copy. . Cloth. Near Very Good. Oblong 8vo. Arthur Prevost Hardcover
STLB0029Paris Jeannin s.d. ca 1860. ANSICHTENWERKE - gr.-querfolio 29 x 358 cm. Titel 20 lithographische Tafeln Halbfranzband Ecken u. Rücken etw. berieben. Die Tafeln breitrandig teils etw. stockfleckig Die Tafeln von Deroy 1797-1886 nach der Natur gezeichnet u. eigenhändig lithographiert Größe der Darstellung ca 23 x 27 cm zeigen: 1. Rom Piazza Navona. 2. Rom Trinita di Monti. 3. Rom Arco di Settimio Severo. 4. Rom Foro Romano. 5. Rom Ponte Rotto. 6. Rom Campo Vaccino. 7. Rom Castel e Ponte S. Angelo. 8. Rom Colonna Trajana. 9. Rom S. Pietro. 10. Rom Veduta del Tempio della Pace. 11. Rom Arco di Constantino. 12. Rom Avanzi del Tempio di Giove Statore. 13. Rom Avanzi del foro di Nerva. 14. Rom Arco di Tito. 15. Rom Pantheon. 16. Rom Tempio di Antonino e Faustina. 17. Lago di Como. 18. Milano Arco della Pace.19. Milano Corso di Servi. 20. Milano Il Duomo. - Differenzbesteuert Paris, Jeannin s.d. [ca 1860]. unknown
51-4180Paris: L'Artiste 1834. 4to. 27 x 20.5 cm. 2 vols. Elaborate contemporary Romantic binding with gilt and blind stamping. 308 308 pp. about 108 of 110 original graphic works. Missing appear to be 1834-1 Clerget and 1834-68 Alophe. Among the other works is the original lithograph by Delacroix: Le jeune Clifford trouvant le corps de son père 1834-104; Delteil no. 99 first state of 3; Young Clifford Finding the Body of his Father image of Shakespeare King Henry VI Part IICatalogued in "Les Estampes de L'Artiste 1831-1904" by Pierre Sanchez and Xavier Seydoux nos. 1834- 2 to 1834-110. Textes des grands écrivains romantique tel que Gérard de Nerval Théophile Gautier qui est rédacteur en chef de 1856 à 1859 Jules Janin Étienne Eggis Théodore de Banville Henri Murger Charles Monselet Champfleury Charles Baudelaire Joseph Méry Eugène Sue Alphonse Esquiros Hector de Callias entre autres.Illustrés de lithographies et de gravures sur bois des plus grands artistes de l'époque puisque le fondateur Hector Brame fut l'associé de Durand-Ruel et que le repreneur de la revue n'est autre qu'Armand Houssaye qui a voulu faire de cette revue un véritable musée de la gravure. Nos volumes comptent des gravures de :Thomas Gavarni Prout Deveria Alophe Préault Dessain Deroy Beaume Noël Johannot Debacq Roqueplan Gsell Livet Champin Perrières Perlet Champmartin Bellange Dreux Charlot Boulanger Guët Delaroche Raffet Brume Scheffer Carrier Newton Peroy Vernet Decamps Leroy Grenier pour le premier volume et Giraud Alophe Noël Roqueplan Debacq Lerac Grenier Decamps Lebreton Pingret Leroy Francis Dauzat Cattemole Gavarni Provost Jaime Frey Gigoux Gintrac Delacroix Leclerc Boulanger Bourge Charlier Wilkie. Le second volume est incomplet d'une gravure page 48. Par contre il contient deux gravures d'Eugène Delacroix. .Fondée en 1831 aux plus beaux jours de la révolution romantique la revueL'Artiste connut une longue vie se transformant et se renouvelant plusieurs fois au cours du XIXe siècle pour ne s'éteindre définitivement que dans les toutes premièresannées du XXe siècle. C'est dire que durant ses soixante-quatorze ans d'existence cetterevue porte un témoignage direct sur l'évolution des mouvements artistiques etlittéraires ayant joué souvent un rôle actif soit dans la légitimation de la modernité et de l'innovation soit au contraire dans la défense des principes proclamés et propagés par les organes officiels de l'Institut et du gouvernement. Paris: L'Artiste, 1834. unknown
042148no publisher no date. Lithograph. Very Good. La Motte St. Jean Lithograph by Deroy. Condition Very good. Litho paper about 8.5x6.5"includes gilt and green frame glass and marbled matting frame 13x11x1". Artist Isadore Laurent Deroy. From 19th century. Professionally framed slight wear to edges of frame. no publisher unknown
71-0985Paris: Chez Coron circa 1830. Lithograph. 33.4 x 25 cm. sheet. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Some light foxing sheet corners trimmed. [Paris: Chez Coron, circa 1830]. unknown
16-4903Paris: Aumont and London: Ch. Tilt circa 1831. Small folio. 25.5 x 34.6 cm. Contemporary gilt roan. Title page by Victor Adam and 38 plates with 2 lithographs per page on rag paper by Adam and others. Light foxing. Very rare. Nont in OCLC.Inventaire du fonds français après 1800. Tome premier Abbéma-Beaumont Reprod. en fac-sim. / Bibliothèque nationale Département des estampes ; par Jean Laran. 1930.________________________________________Extract 1 : La Variété nouveau recueil de croquis par divers artistes chez Aumont et chez Tilt 1831 : 1e Lon n° 3 Le Bac Le taureau échappé.Album de lithographies comportant de sujets divers. Paysages bateaux animaux sauvages métiers et scènes animés.Superbes tirages en lithographie le tout sur beau papier.Titré et 38 planches superbement imprimées par la Maitre de la lithographie LEMERCIER.Volume in-folio reliure du temps en maroquin vieux rouge Paris: Aumont and London: Ch. Tilt, circa 1831 unknown
182862279<p>lithograph. EXTREMELY RARE view from 'Album Pittoresque de la Fregate La Thetis et de la Covette L'Esperance'. Condition: with paper loss barely affecting plate with some smudges and water stains paper a bit wavy.</p> Vicomte de la Touanne / Bulla, Editeur, Paris.
192460316Paris : Pierre Roger 1924. 240x185mm. reliure demi-basane. Dos ˆ faux-nerfs piÂce dÕauteur et de titre au dos guirlandes dorÂŽes plats papier marbrÂŽ accroc sur la coiffe supÂŽrieure. 883 Pierre Roger unknown
0331709279.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1925791A83Paris : Pierre Roger 1925. Paperback. Very Good Indeed. 9.5" by 6.5". Not Stated . A history of one of the largest medieval French royal chateau by Leon Deroy an early printing of 1925 complete with sixteen full page plates. A charming volume exploring the history of Chateau de Fontainebleu one of the largest French royal chateaux. A medieval castle and subsequent palace which served as a residence for the French monarchs from Louis VII to Napoleon III it became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for the beautiful unique architecture and historical importance. By Leon Deroy in the original French. Illustrated with sixteen full page plates. Collated complete. In the original publisher's decorative wraps. With a home made dust wrapper with the bookseller's sticker internally to the rear wrap. Acquired from the sale of Paul Gallico's library American novelist and short story and spots writer best remembered for The Snow Goose and The Poseidon Adventure. In the original publisher's decorative wraps. Externally very smart with minor shelf wear only. Internally. firmly bound with the hinges only slightly tender to page 1. The pages are bright and clean only minor faint spotting to the fore edge affecting the occasional margin and leaf faintly. Illustrated with sixteen full page plates. Collated complete. With a tide mark to the protective tissue of plate V and VII slightly cockling the leaf of plate not affecting other leaves. Very Good Indeed Pierre Roger paperback
1968100100958Edizioni dell'Ateneo / Roma 1968. Bon état jaquette ternie bords un peu frottés intérieur propre bonne tenue. in4. 1968. Cartonné. iconographie en noir et blanc graphiques en couleurs Edizioni dell'Ateneo / Roma unknown
1878310241878. Paris Librairie. illustrÂŽe / Librairie M. Dreyfous s.d. 1878. Un fort vol. au format in-4 287 x 193 mm de 1 ff. 2 pp. n.fol. 1 grande planche dÂŽpliante 796 pp. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ vert-bronze dos ˆ nerfs ornÂŽ de filets gras ˆ froid filet en pointillÂŽs dorÂŽs sur les nerfs doubles caissons d'encadrement dorÂŽs larges fleurons dorÂŽs titre dorÂŽ filet et filet en pointillÂŽs dorÂŽs en tÂte et queue tranches mouchetÂŽes. Edition originale de cette exhaustive ÂŽtude consacrÂŽe ˆ l'Exposition de 1878 ; agrÂŽmentÂŽe d'une abondante iconographie. Exemplaire - agrÂŽablement reliÂŽ - complet de sa grande planche dÂŽpliante. Le palais du TrocadÂŽro aussi appelÂŽ Palais de pierre est construit pour l'occasion par l' architecte Gabriel Davioud et l'ingÂŽnieur Jules Bourdais. Les statues des Continents qui ornent alors la faÂade du palais du Trocadero ont ÂŽtÂŽ depuis lors rÂŽinstallÂŽes devant le musÂŽe d'Orsay. Au rang des principales attractions : la tÂte de la statue de la libertÂŽ est exposÂŽe au Champ-de-Mars l'aquarium est amÂŽnagÂŽ sur le site abandonnÂŽ d'anciennes carriÂres de pierre ˆ b‰tir situÂŽ ˆ flanc de la colline de Chaillot l'inventeur Henri Giffard construit un ballon captif de 25 000 m3 capable dÕemporter 40 ˆ 50 passagers. On dit alors que ce ballon situÂŽ aux Tuileries fit voler en deux mois autant de personnes que depuis le dÂŽbut de lÕaÂŽrostation. ParallÂlement au ballon captif la machine servant ˆ produire le gaz permet de gonfler de nombreux ballons libres permettant des ascensions variÂŽes parfois par groupes jusquՈ trois ballons simultanÂŽment. C'est d'ailleurs l'une des attractions phare de l'exposition o 35 000 personnes volÂrent ainsi dans la nacelle. Enfin et pour l'anecdote la maison de Champagne Mercier expose un foudre de vin de Champagne d'une contenance de soixante-quinze mille bouteilles. Ce tonneau est pourtant battu en gigantisme par celui de la dÂŽlÂŽgation de l'Autriche-Hongrie. Lequel contient cent-mille litres ! Angles et coupes ÂŽlimÂŽs. Quelques claires rousseurs dans le corps d'ouvrage. DÂŽchirure en marge gauche de la planche dÂŽpliante. Du reste belle condition. b42961 unknown
16-5586Paris: Motte 1831. Original wrappers with lithograph; title page with lithograph; map: Cours de la Seine. 40 x 32cm. Paris: Motte, 1831 unknown
184017230Paris: V. Turgis editeur 10 rue Serpente 1840. Tinted lithograph with original hand colouring. Printed on wove paper. In excellent condition. Image size: 12 3/8 x 17 5/8 inches. A picturesque view of Lyon from the Guillotiere after a drawing by the celebrated French painter Nicolas-Marie Joseph Chapuy.<br/> <br/> Chapuy has chosen to depict Lyon from the Guillotiere neighborhood with the winding river running through the middle of the image. The docks next to the bridge are scattered with large stones and lumber and many small boats are moored along the banks. The bridge is crowded with pedestrians who make their way across the busy thoroughfare. Domes and spires crowd the horizon and two large boats hurry down the river. This sweeping view is a wonderful example of Chapuy's considerable talents and picturesque eye and a beautiful glimpse of Lyon in the early decades of the nineteenth century. Nicolas-Marie Joseph Chapuy was born in Paris in 1790 and in his early life became an officer in the Navy. An accomplished architect and landscape painter Chapuy is perhaps best known for his stunning lithographs. He exhibited regularly at the Salon and in 1833 won a third class medal for his lithography. He produced a wide array of lithographs which varied in subject from historical scenes to architectural views. Yet it was his landscape prints which received the most praise and garnered him his celebrated reputation. This impressive view of Lyon is a fantastic example of Chapuy's talents. The image includes a numbered key at the bottom of the sheet which lists all the principal buildings and monuments in the image and provides their exact location.<br/> <br/> Benezit. Dictionnaire Critique et Documentaire Des Peintres Sculpteurs Dessinateurs et Graveurs Vol. 3 p. 487. V. Turgis, editeur, 10 rue Serpente unknown
19521202812PN. New. 1952. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
1861P2517Paris: L. Turgis c. 1861. Some discolouration of the margins otherwise in very good condition. Notes: View of Jerusalem taken from the Mount of Olives. Image Size : 380x498 mm 14.96x19.61 Inches Platemark Size : Paper Size : 458x628 mm 18.03x24.72 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Holy Land & Palestine; L. Turgis unknown
006761Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur;. Blindstamped Cloth. Very Good. N.d. circa 1860. Oblong 8vo 21 by 30 cm. 30 hand-colored plates of Paris and its surroundings. Basically two series of plates combined the first 24 drawn by Collette or Eichot and published by Imp. Marie with Dutot and R. Lebrasseur given as "editeurs" and the second group of six based on Deroy paintings and published by Lemercier. The collection of plates in this album were semi-standard with the binding itself and its title "Paris sous Napoleon III" being used for similar but not necessarily identical groups of plates. 30 plates in all was something of a standard number with some sets having a smaller number but obviouslly the binding is tailor-made for 30. Sets could be hand-colored or uncolored with colored plates the more desirable. It also appears quite common to combine plates from the Collette/Eichot series which are numbered 1 to 24 with Lemercier plates which are numbered but from the non-chronological numbering in this and other sets selected more randomly to reach a complement of 30. Plates are generally of the better known more magnificent sights in and around Paris with typically people horses coaches and other horse-drawn vehicles providing additional interest and perspective. Condition: some not all plates have darker age toning around the edges along with some foxing and thumb smudges. In our judgment half a dozen plates are marred by the soiling and/or ripples in the paper with the other plates clean or with non-disconcerting amounts of soil issues. The binding itself has some wear including rubbing some fading of the color and the like but remains more than passable and even attractive. Imp. Marie; Imprimerie Lemercier. Editeurs: Dutot; R. Lebrasseur; unknown
