(GRANDVILLE). LA FONTAINE :Biblio.com
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183966023Paris 1839. 8vo. 1800-talls røde skinnryggbind med opphøyde ryggbånd og ryggforgylling. Helt gullsnitt. Marmorerte dekler. Gravert frontispiece. 2 XXVIIII 292 ; 312 s. Illustrasjoner utenom pagineringen. 8vo. 1900th century red half calf raised bands spines richly gilt a. e. g. Marbled boards. Engraved frontispiece. 2 XXVIII 292 ; 312 pp. Profusely illustrated throughout. H. Fournier Ainé Éditeur. Fransk. <br/><br/><em>Meget pent sett. Very nice set. </em> hardcover
6j2095H. Fournier Aine Paris 1839. XXVIIII/292/12/312 Seiten mit je einem gestochenen Hoklzschnitttitel und Druck 237 Holzschnitttafeln 14 mitpaginierte Holzschnitt-Zwischentiteln und zahlreichen Textholzschnitten nach Grandville goldgeprägte braune Halbledereinbände mit dunkelgrünen Rückenschildchen etwas berieben und fleckig/Band 2 etwas randfleckig. - Viaire IV 900/Sander 406. Nachdruck der ersten von Grandville illustr. Ausgabe von 1838. Gut erhaltene Original-Ausgabe/Nouvelle edition. 2 Tomes Paris Fournier 1839 - unknown
dola958Nancy: 1986. Published in conjunction with an Exhibition. 4to. pp. xvi 423 1. profusely illus. some colour. biblio. wrs. 2 short tears at upper edge of front wr. Very good copy. dola958 [Nancy: 1986] unknown
63-3003Berlin: Count von Kosel und Count von Grandville ca. 1885. Stamped Wax Seal on piece of paper 2 x 2 cm. Good with minor losses. [Berlin?]: [Count?] von Kosel und [Count?] von Grandville, [ca. 1885?]. unknown
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
1836375399Paris: Aubert 1836. Quarter-bound brown calf and silk jacquard decoratively stamped in gilt on covers and spin. Shelf worn with edge wear to margins and corners some chipped. Foxing to interior pages. Reimpression of the 1829 edition with the same 71 plates framed here in double black lines but missing the original preface as well as the extra two Belgian plates issued in 1830 and afterward censored.<br /> <br /> Scathingly funny and wildly inventive each of the illustrations feature human figures with animal avian or pescatory faces in scenes ranging from looking through telescopes shopping and delivering babies to getting haircuts sauntering the streets dancing and fishing among other common everyday activities. Grandville's aim in creating the prints was to satirize the bourgeois middle class of Parisian society and thereby expose people for the beasts they really are. Aubert unknown
1853197Paris: Marescq et Compagnie et Gustave Havard 1853. Later edition. 12 x 8 in. pp. Marescq et Compagnie, et Gustave Havard unknown
16453Paris Garnier frères 1867. 2 volumes in/4 reliures demi-chagrin à coins dos à nerfs à titres dorés fleurons et titres dorés doré sur tête planches par Grandville aquarellées à la main : tome 1 : 29 planches hors-texte dont un frontispice 339 pages ; tome 2 : 25 planches dont un frontispice et deux en noir botanique 324 pages. Textes par A. Karr Taxile Delord Cte Foelix. Dos insolés et rousseurs éparses sur les pages de texte. Première édition de cet ouvrage en 1847. Biblio Carteret p. 286. unknown
51-2839Paris: Chez Aubert au grand Magasin de Caricatures et Nouveautés 1830-1831. A complete run of the first 25 issues 4 novembre 1830 to 28 avril 1831- each with two original lithographs. 33 x 26 cm. New half Sokoto goat binding by the artisan binder Sasha Mosalov. Pages and plates repaired by the binder. Includes 48 of 53 lithographs nos. 1-52 lacking nos. 19 25 30 32 33. Some pages and prints torn but complete. A number of the prints have original handcoloring. All the prints are reproduced in ISBN 9781556603488. Paris: Chez Aubert, au grand Magasin de Caricatures et Nouveautés, 1830-1831. unknown
3-58398Paris Perrotin 1854 8vo grande 245 x 165 cm. solida e pregevole rilegatura coeva in mezza pelle con angoli rinforzati dorso a cinque nervi con titoli dorati piatti marmorizzati taglio superiore dorato segnacolo copertina originale illustrata conservata all'interno pp. 10 292 di trascrizioni musicali su pentagramma 80 tavole xilografiche di Grandville e Raffet fuori testo. Rare fioriture nel complesso un ottimo esemplare. unknown
3-58397Paris Garniers Frères s.d. 1869 8vo grande 235 x 18 cm. solida e pregevole rilegatura coeva in piena pelle rossa dorso a cinque nervi fregi e titoli dorati vignetta allegorica al frontespizio pp. 8 344 di trascrizioni musicali su pentagramma numerosissime tavole xilografiche in nero fuori testo di Grandville ispirate ai personaggi e alle vicende delle composizioni di Berangér raccolte nel volume. Rare fisiologiche fioriture nel complesso un'ottima copia. unknown
3-58399Paris H. Fournier Ainé 1836 opera completa in tre volumi in-8vo 235 x 16 cm. solida e pregevole rilegatura coeva in mezzo marocchino verde con quattro nervi fregi e titoli dorati ai dorsi piatti marmorizzati un grande ed elaborato Ex-Libris applicato a ciascun contropiatto anteriore una tavola xilografica ad ogni antiporta pp. 4 LXXXI 375 4 399 4 4 400 con numerosissime 349 illustrazioni in nero fuori testo di Grandville molte delle quali 229 protette da velina. Completo dei facsimile di due lettere dell'A. e Grandville allegati al vol. I e vol. III. Fioriture diffuse ma ottima copia. unknown
1840RBEROEV00efH. Fournier 1840. Very Good. Beranger Pierre-Jean. Oevres Completes de Beranger. Grandville illustrator J. J. Paris: H. Fournier 1840. 462pp. Indexed. Illustrated. 8vo. Book condition: Very good with rubbed boards exposed corners and cracked front hinge. Former owner's bookplate on first page. Pages and illustrations have light foxing. Newspaper clipping of a poem hand-dated December 1847 is mounted to last page. French language. H. Fournier hardcover
1840273111840. Paris J. Desmalis 1840. Un vol. au format in-4 ÂŽtroit 168 x 173 mm de 1 frontispice gravÂŽ n.fol. 2 ff. n.fol. et 507 pp. Reliure de l'ÂŽpoque de plein veau glacÂŽ olive filet gras et maigre dorÂŽs encadrant les plats lesquels s'ornent d'un important dÂŽcor de fleurons romantiques dorÂŽs dos lisse ornÂŽ d'un filet d'encadrement dorÂŽ larges fleurons romantiques dorÂŽs titre dorÂŽ jeu de petits filets dorÂŽs aux extrÂŽmitÂŽs de chacune des coupes dentelle intÂŽrieure dorÂŽe. Exemplaire revÂtu d'une dÂŽlicate reliure du temps de plein veau glacÂŽ ornÂŽ de larges fleurons romantiques. Il s'ouvre sur un frontispice gravÂŽ tirÂŽ sur Chine appliquÂŽ figurant l'auteur et recÂle en outre - en premier tirage - 18 sur 18 planches hors-texte par Grandville Tony Johannot et Achille DevÂŽria. L'iconographie est complÂŽtÂŽe par des vignettes dans le texte ainsi que 5 titres dont 4 en cama•eu gravÂŽ sur papier fort. Boileau est au XVIIÂme l'un des principaux thÂŽoriciens de l'esthÂŽtique classique en littÂŽrature ce qui lui vaudra plus tard le surnom de ÇÊlÂŽgislateur du ParnasseÊÈ. Il est l'un des chefs de file du clan des Anciens dans la querelle des Anciens et des Modernes une polÂŽmique littÂŽraire et artistique qui agite l'AcadÂŽmie franÂaise ˆ la fin du XVIIe siÂcle et qui oppose deux courants antagonistes sur leurs conceptions culturelles. Comme poÂte Boileau entreprend de dÂŽfinir le gožt et cherche ˆ fixer d'une maniÂre claire et prÂŽcise les lois et les ressources de la poÂŽsie classique. Prenant modÂle auprÂs des grands poÂtes de l'AntiquitÂŽ qu'il dÂŽfend et qu'il admire il travaille avec une lente rigueur et cherche ˆ ne pas Âtre injuste dans ses satires. MalgrÂŽ la prÂŽvention des philosophes du xviiieÊsiÂcle Boileau est aujourd'hui encore souvent pris comme rÂŽfÂŽrence scolaire pour la justesse la soliditÂŽ et le gožt l'art de conserver ˆ chaque genre la couleur qui lui est propre l'objectivitÂŽ dans ses tableaux comme dans ses jugements l'art de faire valoir les mots par leur arrangement de relever les petits dÂŽtails d'agrandir son sujet d'ench‰sser des pensÂŽes fortes et ÂŽnergiques dans des vers harmonieux mais toujours dominÂŽs par la raison. Mme de SÂŽvignÂŽ dit de lui "qu'il n'ÂŽtait vraiment cruel qu'en vers". Renonciat La Vie et l'oeuvre de Grandville p. 296 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 62 - Vicaire I Manuel de l'amateur de livres du XIXÂme 831 - Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 97. Angles ÂŽlimÂŽs. Petites pertes de colorations ÂŽparses et discrÂtes altÂŽrations superficielles affectant la reliure. Petit dÂŽfaut en marge de la page de titre ainsi que du premier feuillet. Du reste trÂs belle condition. b42961 unknown
184236268London: Willoughby and Co. 1842. First British edition. Hardcover. Fair-Good. Quarto. XXXIV 2 352pp. Contemporary 3/4 calf over marbled paper covered boards with gold lettering and tooling on spine. Top edge gilt. Frontispiece. Illustrated head- tail chapters and initials. Delightful work being an homage to the Fable genre with text from Aesop La Fontaine Nivernois Lessing Dodsley Gay Croxall Yriarte Goldsmith Florian Addison Sir Roger L'Estrange and others. The charm of the various fables is greatly heightened by the numerous in-text and full-page illustrations engraved from the designs of Grandville. Age wear on binding with spine and edges heavily rubbed with abrasion to leather. Title and presentation page creased at upper corner. Moderate age toning along paper margin. Binding in overall poor to fair interior in good plates in good to very good condition. Willoughby and Co. hardcover
185872030906Tours Ad Mame et Cie Imprimeurs-Libraires MDCCCLVIII 1858 Hardcover. Fair. Covers & some front & back text partially waterstained back cover partially detached from book block along spine plate margins & adjacent pages foxed book block sound: a Reading copy nice if rebound. 8vo. Illustre par Grandville. 8 paste down engravings 4"x7" hors texte 22 other drawings. All edges gilt. Brown cloth & leather back. Marbled white satin endpapers. TEXTE EN FRANCAIS. TEXT IN FRENCH. Uncredited Translation. Ad Mame et Cie Imprimeurs-Libraires hardcover
1858119121858. Tours A. Mame et Cie 1858. Un vol. au format pt in-4 ÂŽtroit 242 x 153 mm de 1 f. bl. 1 frontispice n.fol. viii - 552 pp. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ chocolat filets gras et maigres ˆ froid encadrant les plats dos ˆ nerfs ornÂŽ de filets gras ˆ froid filets et filets en pointillÂŽs dorÂŽs quintuples caissons d'encadrement gras et maigres dorÂŽs caissons d'encadrement gras ˆ froid titre dorÂŽ toutes tranches dorÂŽes. Edition complÂte en un volume ainsi que de ses 8 planches hors-texte gravÂŽes contrecollÂŽes sur Chine signÂŽes de Grandville. L'iconographie est complÂŽtÂŽe par de nombreuses compositions dans le texte du mÂme. ''Don Quichotte est la premiÂre des Ãuvres modernes puisquÕon y voit la raison cruelle des identitÂŽs et des diffÂŽrences se jouer ˆ lÕinfini des signes et des similitudes; puisque le langage y rompt sa vieille parentÂŽ avec les choses pour entrer dans cette souverainetÂŽ solitaire dÕo il ne rÂŽappara”tra en son Âtre abrupt que devenu littÂŽrature; puisque la ressemblance entre lˆ dans un ‰ge qui est pour elle celui de la dÂŽraison et de lÕimagination. La similitude et les signes une fois dÂŽnouÂŽs deux expÂŽriences peuvent se constituer et deux personnages appara”tre face ˆ face. Le fou entendu non pas comme malade mais comme dÂŽviance constituÂŽe et entretenue comme fonction culturelle indispensable est devenu dans lÕexpÂŽrience occidentale lÕhomme des ressemblances sauvages. É Ë lÕautre extrÂŽmitÂŽ de lÕespace culturel mais tout proche par sa symÂŽtrie le poÂte est celui qui au-dessous des diffÂŽrences nommÂŽes et quotidiennement prÂŽvues retrouve les parentÂŽs enfouies des choses leurs similitudes dispersÂŽes.Michel Foucault - Les Mots et les choses p. 62.'' Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 138 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 90 pour l'ÂŽdition de 1848 ''trÂs rare'' et qui comportait deux volumes - Vicaire II Manuel de l'amateur de livres du XIXÂme 159. Angles ÂŽmoussÂŽs. TrÂs lÂŽgers frottements affectant le dos. InÂŽgales rousseurs et t‰ches dans le texte. Du reste bonne condition. b42961 unknown
184728438New York: R. Martin 1847. 1st edition. Leather. Very Good. 1847-1849 1st American edition. 3 titles bound in 2. A Very Good set. 4to. Vol.1 385; Vol.2 iii 152 8pp. illustrated with 50 hand-colored steel engravings and 2 uncolored. Uniformly bound in period full black leather with boards double-ruled and decorated in gilt; owner's name stamped in gilt on the board of both volumes. a.e.g. Light edge wear mostly at the tipsSome foxing mostly light except the preliminary pageswhebre it is a bit heavier. Text moderately age-toned. A Very Good set in attractive binding. First American edition with the plates cut from the Paris original in New York with New York florists added to the "Flower Market" plate. R. Martin unknown
1391690079.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390859320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
71167Couverture rigide. Bon/1872. in-8. Paris 1872 in-8 432pp reliure demi-chagrin Très bel exemplaire illustré par Grandville unknown
15884London: London Willoughby And Co Not Dated 1840. Very Good. Hardcover. Black leather boards to spine and corners scuffed and rubbed to extreme edges some chipping to top and bottom of spine orginal covering to the front and rear board 'G E Twiggs Age 19 Xmas Day 1894 ' preliminary title page and the page adjacent are illustrated both are in reasonable condition The preliminary title page shows Crusoe with a large parasol made from leaves surrounded by a jungle of plants the main title page is plain stating that there is a Memoir of the Author and the book is Embellished by three hundred engravings after designs by J J Grandville Preliminaries --i-xxii include Memoir of De Foe and The Remarkable History of Alexander Selkirk 1-486 pages The first full page engraving on page 1 shows 'The Encampment ' the title is on pages 2 with two accompanying vignettes. The book is copiously illustrated in throughout the text 40 large engravings. Size 8.5 x 5.5 inches approx. . London, Willoughby And Co, Not Dated (1840) hardcover
2006Q-0140455248Penguin Classics 2006-08-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
0262541459.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20032-0262541459Mit Pr 2003. Paperback. New. new edition edition. 473 pages. 8.50x6.50x1.00 inches. Mit Pr paperback
