1 228 résultats
184743618Paris.: Gabriel de Gonet. 1847. Oblong 4to. c.375 x 300 mm. Nine original engraving plates each engraved recto only with two images and titles blindstamp verso 'MOREAU ET LEROY / A PARIS'. A collection of original etching plates for the first edition of Grandville's Les Fleurs Animées.Les Fleurs Animées one of Grandville's last books and one of his own personal favourites was published by Gabriel de Gonet in 1847 and illustrated with two colour frontispieces 50 colour plates and two botanical plates in black and white. Each of the plates presented here features two of Grandville's anthropomorphic flowers; a second edition of the work was printed in chromolithography rather than the colour engravings that were issued with the first edition.The plates presented here each with two images consist of the following flowers: 'LAURIER / MYRTE' 'CAPUCINE / AUBEPINE' 'CAMELLIA / BELLE-DE-NUIT' 'FLEUR DE PECHER / CACTUS' 'EGLANTINE / SOLEIL' 'PERUENCHE DESSECHE / HORTENSIA COURONNE IMPERIALE' 'CHEVREFEUILLE / NENUPHAR' 'VERVEINE / LILAS' and 'LIN / MYOSOTIS'.'Though the images in the book are of Grandville's time his manner of proceeding is that of an artist of the modern movement exploring the same subject through a sequence of slight but significant variations . His first biographer wrote in the preface to Les étoiles pp. viii - ix: 'The Fleurs animées are the very thought of Grandville; they were his favourite work the work into the execution of which he put all that was in him of poetic and gracious originality of dexterity of mind and observation of that prodigious perspicacity which made him divine affinities hitherto unperceived by anyone and discover new worlds'.' Ray The Art of the French Illustrated Book 1700 to 1914.Ray 198. Gabriel de Gonet. unknown
184447349Paris.: H. Fournier Libraire-Editeur. 1844. Original publisher's green morocco-backed green percaline the front board with large central pictorial vignette reproducing the frontispiece beneath the pictorial title vignette rear board with gilt vignette from 'Petites Misères de la Vie Humaine' banded green morocco spine with elaborate gilt tooling and titles in five compartments marbled endpapers green silk placemarker t.e.g. Large 8vo. 272 x 212 mm. Half-title in red with pseudo-privilège verso also in red leaf with frontispiece verso printed title in red and printed text illustrated with 36 hors-texte wood-engraved plates all with additional colouring by hand and 146 wood-engravings in the text final two leaves with 'Table' 'Explication' and 'Errata' verso. PROVENANCE: With the contemporary printed bookplate in red and black of 'Louis. Charles. Adolphe. Chicora' 1806 - 1883 with the text 'Conseiller au conseil des mines' to front pastedown. Grandville's finest book and magnum opus an extraordinary imaginative tour de force in a highly unusual variant of the publisher's binding.'Un nouveau monde est né; que Grandville soit loué.' Max Ernst.Grandville's most remarkable book an expansive flight of inspirational fantasy and a remarkable precursor. It is clear that the influence of this work extends onward in the nineteenth and well into the twentieth centuries and beyond. A remarkable work of sui generis imaginative verve Grandville produced the illustration which was then 'illustrated' with a commissioned text. The tale of three demi-gods 'Dr. Puff' 'Dr. Krackq' and 'Dr. Hahblle' their created worlds and travels. The work a descendant of the works of Swift and Goya inspired in passing Lewis Carroll 'La Battaille des Cartes' Max Ernst the Surrealists in general as well as later caricaturists such as Steadman and Scarfe.The binding for the present copy not cited by Carteret is likely unique. As for the very few other known copies in variant bindings the front board reproduces the frontispiece showing 'la Charge et la Fantaisie passant de l'ancien monde à l'autre' signed by Liebherre beneath another tool with the title on a cloth or scarf held by a female figure in water flanked by a mermaid on a cushion and a swimming woman partially eclipsing a sun. The rear board most usually blank or displaying the same stamp here features another taken from the 'Petites Misères de la Vie Humaine'.'In this remarkable book of the boldest possible originality Grandville dared to reveal his dream to the public.' Ray.The full title - which gives a good indication of the enormously broad scope of the work - reads as follows: 'Un Autre Monde: Transformations visions incarnations ascensions locomotions explorations pérégrinations excursions stations cosmogonies fantasmagories rêveries folâtreries facéties lubies métamorphoses zoomorphoses lithomorphoses métempsycoses apothéoses et autre choses.'Ray 196; SR / BF 76 / 77; Carteret III 285; Rebeyrat 287. H. Fournier, Libraire-Editeur. unknown
184447440Paris.: H. Fournier Libraire-Editeur. 1844. Original publisher's midnight blue percaline with elaborate polychromatic decoration front board with large central pictorial vignette reproducing the frontispiece with additional colour in red white green and blue signed Liebherre beneath an additional title vignette heightened in blue gilt pictorial vignette to rear board titles and elaborate gilt decoration heightened with colour to spine additional decoration in blind yellow glazed endpapers a.e.g. Large 8vo. 266 x 200 mm. Half-title in red with pseudo-privilège verso also in red leaf with frontispiece verso printed title in red and printed text illustrated with 36 hors-texte wood-engraved plates all with additional colouring by hand and 146 wood-engravings in the text final two leaves with 'Table' 'Explication' and 'Errata' verso. An excellent copy of Grandville's finest book and magnum opus an extraordinary imaginative tour de force in the original publisher's polychromatic binding.'Un nouveau monde est né; que Grandville soit loué.' Max Ernst.Grandville's most remarkable book an expansive flight of inspirational fantasy and a remarkable precursor. It is clear that the influence of this work extends onward in the nineteenth and well into the twentieth centuries and beyond. A remarkable work of sui generis imaginative verve Grandville produced the illustration which was then 'illustrated' with a commissioned text. The tale of three demi-gods 'Dr. Puff' 'Dr. Krackq' and 'Dr. Hahblle' their created worlds and travels. The work a descendant of the works of Swift and Goya inspired in passing Lewis Carroll 'La Battaille des Cartes' Max Ernst the Surrealists in general as well as later caricaturists such as Steadman and Scarfe.'In this remarkable book of the boldest possible originality Grandville dared to reveal his dream to the public.' Ray.The full title - which gives a good indication of the enormously broad scope of the work - reads as follows: 'Un Autre Monde: Transformations visions incarnations ascensions locomotions explorations pérégrinations excursions stations cosmogonies fantasmagories rêveries folâtreries facéties lubies métamorphoses zoomorphoses lithomorphoses métempsycoses apothéoses et autre choses.'Ray 196; SR / BF 76 / 77; Carteret III 285; Rebeyrat 287. H. Fournier, Libraire-Editeur. unknown
184247346Paris.: J. Hetzel et Paulin Editeurs. 1842. Original publisher's maroon morocco boards ruled in blind with matching gilt vignettes to front and rear boards and spines titles gilt to spines cream moiré endpapers two original part wrappers retained a.e.g. 2 vols. Large 8vo. 270 x 194 mm. Each vol. with half-title title and frontispiece and a total of 199 hors-texte monochrome plates as well as numerous monochrome vignettes all engraved by Brevière after Grandville. The first edition of Grandville's anthropomorphic masterpiece in the deluxe publisher's binding.This exceptional copy bound in full maroon morocco features all of the plates in the first issue as per Carteret and the first issue of the binding incorporating the special tools after Grandville's designs but without the additional decorative tools to the corners of the central panels of the front boards. The legend 'Badigeonographie générale des murailles de la France et de l'étranger' to the frontispiece later removed by the censor is present and four of the original yellow paper part wrappers the two volumes were issued in 100 parts are retained. Grandville's inspirational illustrations were engraved on wood by Brévière coted by Ray as 'the one craftsman whose renderings of his work Grandville refused to criticize'.The twenty-nine tales by various authors of the Scènes de la Vie Privée et Publique des Animaux are accompanied by J. J. Grandville's wonderful anthropomorphic illustrations. The tales themselves are by the foremost authors of the day with four by Honoré de Balzac Peines de Coeur d'une Chatte Anglaise Guide-Ane à l'Usage des Animaux qui Veulent Parvenir aux Honneurs Voyage d'un Lion d'Afrique à Paris and Les Amours de Deux Bêtes as well as tales by George Sand Voyage d'un Moineau à Paris Paul Bernard Les Animaux Médecins Charles Nodier Jules Janin Paul de Musset and so on. The majority of the stories and text is by P.-J. Stahl who wrote the Preface to the first volume. In contrast to all of the other plates the final plate in volume two depicts human figures - the authors themselves - as animals in the Jardin-des-Plantes in Paris regarded by spectating animals while being sketched by Grandville himself.'Through Grandville's animals Hetzel and his colleagues the authors offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century . Returning to the 'têtes-de-bêtes' of 'Les métamorphoses du jour' Grandville provided 323 illustrations about two-thirds of which are full-page plates . '. Ray.'Il a été exécuté pour les SCÈNES DES ANIMAUX des reliures et cartonnages artistiques qui sont parmi les plus beaux dans ce genre.' Carteret.Ray 194; SR / BF 63 / 64 / 65; Carteret III 552 - 559; Rebeyrat 289 / 190. J. Hetzel et Paulin, Editeurs. hardcover
183047366Paris.: Chez Bulla et Che Aubert. 1830. Loose as issued with the original lithograph cover. Oblong small folio. 272 x 364 mm. Lithograph title / wrapper with monochrome vignette by Grandville on pink wove paper 348 x 268 mm and nine monochrome lithographs on cream wove paper with printed caption / title beneath and numbered at upper right each with additional colouring by hand and heightened with gum arabic all the lithographs save the first are signed J. Grandville. The complete series of Grandville's very scarce unfinished suite of satirical and moralistic hand-coloured lithographs.Planned originally to have 23 plates the publisher Bulla stopped publication after the ninth plate because of the political events of July 1830. As noted by Clive Getty: 'Comme dans 'Les Métamorphoses du Jour' Grandville a probablement glissé quelques caricatures politiques parmi les planches moralisantes du 'Voyage pour l'Eternité où apparaissent vraisemblablement des personnages du gouvernement de Charles X.'Grandville took the idea for this set from Holbein's 'Dance of Death' series bringing the scenes up to date. Here according to Grandville death works in a pharmacy mixing drugs in the army as a prostitute chef chimney sweep and so on.Honoré de Balzac wrote see 'La Silhouette' Vol. 2 Livraison 4 pg. 28: 'De la profondeur philosophique et de la caricature voilà ce qu'on ne fait qu'en France et qu'a Paris. M. Grandville avait donné de la bêtise aux hommes de l'esprit aux animaux il vient de donner de la gaieté à la mort.'The plates are titled as follows:No. 1 - 'C'est ici le dernier relais'.No. 2 - 'Vais-je bien . vous avancez horriblement!'No. 3 - 'Monsieur le Baron on vous demande . Dites que je n'y suis pas.'No. 4 - 'Soyez tranquille j'ai un Garçon qui ne se trompe jamais.'No. 5 - 'Voilà Messieurs un plat de mon métier.'No. 6 - 'Voulez vous monter chez moi mon petit Monsieur vous n'en serez pas faché aller.'No. 7 - ' . pour une Consultation docteur j'en suis j'vous suis . '.No. 8 - 'Oui Madame ce sera bien la proménade la plus délicieuse! . une voiture dans le dernier goût! . un Cheval qui fend l'air et le meilleur Groom de France! . '.No. 9 - 'Première Etape.'Rahir 447; Rebeyrat 292; SR / BF 14; see Getty 152. Chez Bulla et Che Aubert. unknown
18421697391842. GRANDVILLE J.J. Scènes de la vie privée et publique des animaux. Two volumes. 8 386 6; 4 390 6 pp. with 201 engraved plates and 120 vignettes illustrating the text. Large 8vo 261 x 180 mm. uniformly bound in contemporary black half morocco. Paris: Hetzel et Paulin: 1842-1844. A splendid copy of a Grandville masterpiece accompanied by two original watercolours by Grandville and a long autograph letter from the publisher Hetzel. A fantastic example of anthropomorphic illustration and an important precursor of surrealism. These illustrations represent some of Grandville's most memorable creations. Many of the plates are of single figures but there are also satirical scenes of everyday life monsters animals looking at politicians caged at the zoo etc. The texts contained herein were written by such notable authors as Balzac Charles Nodier George Sand Louis Viardot and even J. Hetzel the publisher under the pseudonym of P.J. Stahl. Hetzel was the motivating force behind this work which he undertook in order to "give words to Grandville's marvellous animals and to join our pen with his pencil thereby coming to his assistance in criticizing the aberrations of our epoch and by preference among these aberrations those which are of every period and every country." Gordon N. Ray writes: "Through Grandville's animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities." Some slight edge wear one of the drawings with spotting else fine. PROVENANCE: Jacques Crepineau with his bookplate. Ray 194. Carteret III 552-59. Rebeyrat Catalogue bibliographique et bibliophilique in: J.J. Grandville 1985 pp. 289-90. unknown
18441729971844. GRANDVILLE J.-J. Un Autre Monde. Transformations visions incarnations. et autres choses. By Taxile Delord. 4 295 1 pp. Half-title and title-page printed in red. Illustrated with 133 woodcut vignettes 15 full-page woodcuts and 36 hand-coloured plates. Large 8vo. 268 x 196 mm bound in contemporary half morocco with the original front and rear wrappers preserved. Paris: H. Fournier 1844. First edition of Grandville's masterpiece. One of the spectacular surreal illustrated books of the nineteenth century. "In this remarkable book of the boldest possible originality Grandville dared to reveal his dream world to the public" Ray. The illustrations expose an imagination which was unlike anything that appeared in print before. Ray points out that the designs of Grandville certainly influenced Tenniel when he created the characters for Lewis Carroll's Alice in Wonderland. An exceptionally fine copy with just the occasional minor spot on a few text pages but overall an outstanding copy in a contemporary binding preserving the front and rear wrappers. Extremely rare thus. Carteret III 285 with reproduction. Ray French 196 with reproduction. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville p. 287. Sello Grandville: Das Gesamt Werk 1167-1351. unknown
05707Paris: Neuhaus & Aubert 1835. J.J. Grandville's Types Modernes<br /> A Fine Example in the Original Wrappers<br /> <br /> GRANDVILLE J.J. Types Modernes. Observations Critiques: Le dedans de l'Homme expliqué par le dehors. 1re livraison. Modern Types. Critical Observations: The inside of Man explained by the outside. Paris: Neuhaus & Aubert 1835-38.<br /> <br /> Oblong folio 12 3/4 x 18 7/8 inches; 324 x 480 mm. Nine loose sheets as issued including frontispiece all with superb and fascinating lithographs on papier de chine laid onto paper sheets. A few minor edge tears not affecting the illustrations on papier de chine.<br /> <br /> Publishers pale green wrappers lithographed front cover with title and large vignette by Grandville. Wrapper spine expertly and almost invisibly repaired.<br /> <br /> Housed in a quarter orange morocco over marbled boards chemise which in turn is housed in an orange morocco edged over marbled boards slipcase.<br /> <br /> The first six plates including the frontispiece are from the first printing published by Neuhaus in 1835. The last three bear a plate number the mark of the second printing published by Aubert around 1838.<br /> <br /> The frontispiece shows God assisted by Cuvier Lavater and Gall on the day of the Last Judgment. "Men will be resurrected in flesh and blood in frock coats or tailcoats with their habits their gestures their canes their umbrellas their ties their hats and even their boots. And women will also be resurrected in the flesh in corsets with their combs their bracelets hanging from their ears and with their twists because otherwise the Lord himself would not be able to untangle anything." The other eight plates show: Phrenological and col-logical study of the French in 1834:<br /> 19th century hat making; Variety of canes; Variety of snuffers; Variety of pipes; Animalomania 2 plates; The lay people of Paris.<br /> <br /> According to Annie Renonciat Types Modernes was published between "décembre 1834 décembre 1836".<br /> <br /> Exceptionally Rare. OCLC & KVK locate just one copy in libraries and institutions worldwide: The Donaueschingen copy at the University of N. Carolina Chapel Hill NC US. We have been unable to trace any copies at auction over the past 100 years.<br /> <br /> The Plates:<br /> <br /> 1. Frontispiece - God assisted by Cuvier Lavater and Gall on the day of the Last Judgment<br /> 2. Varieté des Priseurl - Varieties of Snuff<br /> 3. Etude Phrènologique et Col-logique des Francais en 1834 - Phrenological and Logical Study of the French in 1834<br /> 4. Variètè des Pipes et de leurs Fumeurs - Variety of Pipes and their Smokers<br /> 5. Chapellerie au XIXe. Siècle 1re Série Chapeaux civils - Millinery in the nineteenth. Century 1st Series Civil Hats <br /> 6. Variètè des Cannes - Variety of Canes<br /> 7. L'Animalomanie la prèdilection sympatico logico-physique de l'homme pour la bete. Planche 1ère<br /> Animalomania the sympatico logical-physical predilection of man for the beast. Plate 1st<br /> 8. L'Animalomanie la prèdilection sympatico logico-physique de l'homme pour la bete. Planche 2me<br /> Animalomania the sympatico logical-physical predilection of man for the beast. Plate 2nd<br /> 9. Les Laire de Paris au 19me Siècle année 1837. - The Lay people from Paris in the 19th Century year 1837.<br /> <br /> Jean Ignace Isidore Gerard 1803-1847 "was a prolific 19th century French illustrator and caricaturist who published under the pseudonym of Grandville. He has been called "the first star of French caricature's great age" and Grandville's book illustrations described as featuring "elements of the symbolic dreamlike and incongruous and they retain a sense of social commentary." "His perverse vision sought the monster in everyone and took delight in the strangest and most pernicious transfigurement of the human shape ever produced by the Romantic imagination.<br /> <br /> Grandville Philipon and Daumier achieved a level of celebrity status among factions of the public as much for their defiant opposition as their cartoons. His political cartoons enjoyed great popularity with the public and were held in high regard by many. Publishers and editors such as Edouard Charton of Le magasin pittoresque as gave Grandville the freedom to choose his own subjects and create his images. The business of caricaturing was financially tenuous. The papers typically paid cartoonist by the print and artist considered themselves lucky to receive a contract for drawing on a regular basis. Grandville had made his earlier lithographs himself but after he started producing cartoons for the periodicals about 1831 and his later book illustrations he typically turned his original drawings over to publishers who had lithographers and woodcut engravers copy his images for printing." <br /> <br /> Renonciat pp. 99-102 104 108 112 134 & 213. Paris: Neuhaus [&] Aubert, 1835 unknown
1834137271834 P., Perrotin, 1834, 1857, 1860 et 1865, Les Marchands de Nouveautés, 1866 (Supplément), 6 ouvrages en 7 volumes in-8° (242 x 151), 1/2 maroquin vert foncé à coins, filets dorés, dos à nerfs orné, tête dorée, non rogné (V. CHAMPS) de (2) ff. (faux-titre et titre) - XCV-320 pp. ; 413 pp. (faux-titre et titre inclus) - (1) f. (avis au relieur) ; 411 pp. (faux-titre et titre inclus) - (1) f. (avis au relieur) ; (3) ff. (« A Joseph Bernard ») - 397 pp. (faux-titre et titre inclus) - (1) f. (avis au relieur) - 43 pp. (titre inclus) (« Dix chansons, complément des éditions publiées avant 1847 ») - 4 pp. (catalogue de léditeur) - 159 pp. (faux-titre et titre inclus) (« Chansons de Béranger - Supplément ») ; (2) ff. (faux-titre et titre) - III-374 pp. - (1) f. (catalogue de léditeur) ; (2) ff. (faux-titre et titre) - 416 pp. - (1) f. (avis au relieur) ; (2) ff. (faux-titre et titre) - 344 pp. + 1 f. (156 bis et 217 bis au verso) - 8 pp. (catalogue de léditeur).Dos passés. Transferts de quelques gravures, très bel ex. en reliures uniformes de Victor Champs
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
51-2839Paris: Chez Aubert au grand Magasin de Caricatures et Nouveautés 1830-1831. A complete run of the first 25 issues 4 novembre 1830 to 28 avril 1831- each with two original lithographs. 33 x 26 cm. New half Sokoto goat binding by the artisan binder Sasha Mosalov. Pages and plates repaired by the binder. Includes 48 of 53 lithographs nos. 1-52 lacking nos. 19 25 30 32 33. Some pages and prints torn but complete. A number of the prints have original handcoloring. All the prints are reproduced in ISBN 9781556603488. Paris: Chez Aubert, au grand Magasin de Caricatures et Nouveautés, 1830-1831. unknown
04602Paris & Leipzig : G. De Gonet Éditeur & Chez Charles Twietmeyer 1849. Grandville's "Last Fairy-Tale" <br/>In a Superb Inlaid Binding by Charles Meunier<br/><br/>GRANDVILLE J.J. illustrator MÉRY Joseph. MEUNIER Charles binder. Les Étoiles. Dernière féerie par J.-J. Grandville. Texte par Méry. Astronomie des dames par le Comte Foelix. Paris: G. De Gonet Éditeur & Leipzig: Chez Charles Twietmeyer 1849. <br/><br/>First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards.<br/><br/>Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br/><br/>"The compositions of this ‘last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville. They show that his powers remained unimpaired to the end of his short career. Grandville told his wife on the day he began these designs: ‘for too long I have kept my eyes lowered to the earth; now I want to lift them to the heavens' p. ix. The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br/><br/>This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. <br/><br/>Charles Meunier 1865-1940 began his apprenticeship as a bookbinder at age eleven. Five years later at age sixteen he joined master binder Marius-Michel's workshop. He soon grew weary of producing traditional bindings and established his own bindery in 1885 at the tender age of twenty years old. CM was thought to be innovative and instinctive with great reserves of energy and undeniable artistic talent. Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding p. 194.<br/><br/>Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. Paris [&] Leipzig : G. De Gonet, Éditeur [&] Chez Charles Twietmeyer, 1849 unknown books
18441675781844. GRANDVILLE J.J. Un Autre Monde. Transformations visions incarnations. et autres choses. By Taxile Delord. 4 295 1 pp. Half-title and title-page printed in red. Illustrated with 133 woodcut vignettes 15 full-page woodcuts and 36 hand-coloured plates. Large 8vo. 270 x 195 mm bound in contemporary full decorated morocco with the original front and rear wrappers preserved. Paris: H. Fournier 1844. A desirable copy of the first edition of Grandville's masterpiece. One of the spectacular surreal illustrated books of the nineteenth century. "In this remarkable book of the boldest possible originality Grandville dared to reveal his dream world to the public" Ray. The illustrations expose an imagination which was unlike anything that appeared in print before. Ray points out that the designs of Grandville certainly influenced Tenniel when he created the characters for Lewis Carroll's Alice in Wonderland. In this copy all the hand-coloured plates have captions in white letter as per Rebeyrat except for that of the "Bal Masqué" and "Apocalypse du Ballet" which are in black letter. Despite some staining and foxing to the text pages throught this is still an outstanding copy in a contemporary binding preserving the rare celebrated front and rear wrappers. Exteremely rare thus. Carteret III 285 with reproduction. Ray French 196 with reproduction. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville p. 287. Sello Grandville: Das Gesamt Werk 1167-1351. unknown books
18421675771842. GRANDVILLE J.J. Scènes de la vie privée et publique des animaux. Two volumes. 8 386 6; 4 390 6 pp. With 201 engraved plates and 120 vignettes illustrating the text. Large 8vo. 261 x 180 mm uniformly bound in publisher's full decorated cloth binding with gilt vignettes of Grandville designs on the covers and spine. Paris: Hetzel et Paulin: 1842. First Edition of a Grandville masterpiece bound in the publisher's elaborate polychrome decorated binding. A fantastic example of anthropomorphic illustration and an important precursor of surrealism. These illustrations represent some of Grandville's most memorable creations. Many of the plates are of single figures but there are also satirical scenes of everyday life monsters animals looking at politicians caged at the zoo etc. The texts contained herein were written by such notable authors as Balzac Charles Nodier George Sand Louis Viardot and even J. Hetzel the publisher under the pseudonym of P.-J. Stahl. Hetzel was the motivating force behind this work which he undertook in order to "give words to Grandville's marvellous animals and to join our pen with his pencil thereby coming to his assistance in criticizing the aberrations of our epoch and by preference among these aberrations those which are of every period and every country." Gordon N. Ray writes: "Through Grandville's animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities." A fine set rare in the publisher's decorated bindings and internally pristine. Ray 194. Carteret III 552-59. Rebeyrat Catalogue bibliographique et bibliophilique in: J.-J. Grandville 1985 pp. 289-90. hardcover books
184747439Paris.: Gabriel de Gonet Editeur. 1847. Original publisher's navy blue percaline with elaborate gilt decorative floral and foliate tool to front board by Peau after by Grandville smaller vignette within foliate frame and tooling in blind to rear board smooth spine with gilt titles and elaborate tooling to match cream glazed endpapers a.e.g. 2 vols. 8vo. 274 x 188 mm. Half-titles with printer's credit verso elaborate engraved pictorial titles with additional colouring by hand and printed titles to each vol. printed text and 50 engraved plates all with additional colour by hand; the two parts of the supplement 'Botanique et Horticulture des Dames' with introduction by Karr and text by 'le Comte Foelix' with the two additional uncoloured engraved plates are also present. Grandville's 'Les Fleurs Animées' an excellent copy in the first publisher's cartonnage.The first issue with continuous pagination for the two volumes.'After 'Un Autre Monde' the fifty-two coloured engravings of 'Les Fleurs Animées' are the chief example of Grandville's efforts to penetrate to the meaning of objects like an 'intellectual miner' . Though the images in the book are of Grandville's time his manner of proceeding is that of an artist of the modern movement exploring the same subject through a sequence of slight but significant variations . A little world is created governed by its own laws . full of significance for Grandville and hence . the reader . '. Gordon Ray.'Les cartonnages et surtout les reliures de l'editeur . sont à rechercher.' Carteret.SR / BF 93 / 94 / 95; Ray 198; Rebeyrat 287; Carteret 286. Gabriel de Gonet, Editeur. unknown
51-6058Paris: Chez Bulla rue St. Jacques no. 38 et chez Martinet rue du Coq circa 1829. Oblong folio. 35 width x 26 cm. Bound without a cover or text. Suite of 70 period-colored lithographs.Plates 1 to 43 have the caption in French and English the only ones published with the double caption the others are in French.Most plates with this inscription lower right: 'Lith. de Langlumé'; lettered beneath the lithograph with publication details: 'chez Bulla rue St. Jacques N.38.' and 'et chez Martinet rue du Coq.' Some foxing and dampstaining. Beraldi. VII pp. 214 -215 and Carteret III . p. 282-284 mention 73 lithographs in a smaller format without giving sizes. OCLC Number 54163954 is about the same size as ours and implies that plates 71-73 were added afterwards. British Museum: "'Les Métamorphoses du Jour' is one of the most successful series of lithographs that Grandville made. The first edition was published by Bulla and Martinet between 1829 and 1830. Since the publication of the first plates the success was so remarkable that Bulla and Martinet decided in 1829 to publish a bilingual edition French and English although the first French edition was not yet entirely published. The present print is part of the biligual edition of 1829." Paris: Chez Bulla, rue St. Jacques, no. 38 et chez Martinet, rue du Coq, circa 1829 unknown
184747800Paris.: Gabriel de Gonet. 1847. Poster. 448 x 277 mm. Single sheet of unwatermarked cream wove paper with printed text and hand-coloured illustration recto only traces of folds printer's credit at lower right. The original publicity poster with a hand-coloured vignette for Grandville's 'Les Fleurs Animées'.A very good example of this very scarce poster announcing the forthcoming publication of Grandville's remarkable anthropomorphic series 'Les Fleurs Animées'. As with many of Grandville's illustrated books 'Les Fleurs Animées' was published as a serial with each 'livraison' available for 50 centimes 'coloriée'.The vignette for the poster within a frame 130 x 110 mm corresponds to Grandville's 'Tulipe' the hand-coloured illustration for 'La Sultane Tulipia' in volume I of the book; for the poster the earlier version the vignette also coloured by hand is smaller and reversed to the book version but with subtle differences to the later version. The poster illustration is credited in the image to Grandville and to 'PORRET. BLANADET.' who did also the pictorial title for volume 1 while the book version is credited to Grandville and to Charles Geoffroy.The poster printed in Paris by Imprimerie Lacour et Cie. in rue St-Hyacinthe-St-Michel who also printed the livraisons provides all detail: 'UN BEAU VOLUME / grand in-8º. / PUBLIÉ PAR / LIVRAISONS COLORIÉES / à 30 centimes. / L'OUVRAGE COMPLET / formera 60 à 70 livraisons / IL PARAIT / UNE OU DEUX LIVRAISONS PAR SEMAINE.'The poster itself is announced in the Bibliographie de la France ou Journal Général de l'Imprimerie et de la Librairie &c.' for 1846 as: 'Les Fleurs animées par J. J. Grandville affiche: dessin destiné à être affiché dans l'intérieur des établissements de librairie pour annoncer la publication d'un ouvrage ayant le même titre.'Antoine-Auguste Renouard's collection of 'affiches de libraire' featured a poster for 'Les Fleurs Animées' but we have been unable to ascertain whether it was this poster. Another poster for 'Les Fleurs Animées' was certainly issued likely at a later date as it announces '100 livraisons' each priced '25 centimes'. Gabriel de Gonet. unknown
184747353Paris.: Gabriel de Gonet Editeur. 1847. Original publisher's midnight blue percaline with elaborate polychromatic decoration and decoration in blind front boards with elaborate gilt decorative borders to surround large central vignettes with design 'Le Lin' page 237 after Grandville rear board with stylised vignette with anthropomorphic flower with snail and caterpillar smooth spine with elaborate gilt tooling yellow glazed endpapers a.e.g. 2 vols. 8vo. 268 x 182 mm. Half-titles with printer's credit verso elaborate engraved pictorial titles with additional colouring by hand and printed titles to each vol. printed text and 50 engraved plates all with additional colour by hand; the two parts of the supplement 'Botanique et Horticulture des Dames' with introduction by Karr and text by 'le Comte Foelix' with the two additional uncoloured engraved plates are also present. Grandville's 'Les Fleurs Animées' a very good copy in the second publisher's cartonnage.The second issue with separate pagination for each volume.'After 'Un Autre Monde' the fifty-two coloured engravings of 'Les Fleurs Animées' are the chief example of Grandville's efforts to penetrate to the meaning of objects like an 'intellectual miner' . Though the images in the book are of Grandville's time his manner of proceeding is that of an artist of the modern movement exploring the same subject through a sequence of slight but significant variations . A little world is created governed by its own laws . full of significance for Grandville and hence . the reader . '. Gordon Ray.'Les cartonnages et surtout les reliures de l'editeur . sont à rechercher.' Carteret.SR / BF 93 / 94 / 95; Ray 198; Rebeyrat 287; Carteret 286. Gabriel de Gonet, Editeur. hardcover
185447345Paris.: Gustave Havard. 1854. Original publisher's midnight blue percaline with elaborate polychromatic decoration front board with title 'MÉTAMORPHOSES' and credit 'Par J. J. Grandville' large gilt stamp reproducing plate XXXVI 'Ma femme est sortie ma petite chatte . ' with additional colour rear board with plate XXIV 'Oh! le monstre d'homme . ' spine with elaborate gilt decoration and titles elaborate tooling in blind to boards and spine yellow glazed endpapers a.e.g. Large 8vo. 268 x 178 mm. Half-title with printer's credit verso printed title with monochrome vignette by Grandville 13 leaves with biographical notice leaf with 'Oeuvres de Grandville' and 70 engraved plates by Grandville each with additional colouring by hand final two leaves with 'Table'. The posthumous first edition in book form with accompanying text of Grandville's 'Les Métamorphoses du Jour' in the original publisher's binding.Sixty-seven of these plates - three are added from other series by Grandville - originally appeared in album form in 1829 and this version published 17 years after Grandville's death is both the first edition in octavo and the first to be accompanied with text. The plates were engraved on wood by Desperet for the first oblong folio edition the plates were lithographs with additional colouring by hand and then 'illustrated' with a satirical text inspired by Grandville's plate by one of a number of authors. The pantheon of 'illustrators' were: Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet and Julien Lemer; Charles Blanc's biographical notice is accompanied by a bibliography of Grandville's illustrated books.''Les Métamorphoses du Jour' ont été l'idée mère de toutes les créations humano-bestiales dont on a tant abusé depuis et resteront incontestablement comme le chef-d'oeuvre de Grandville . Nous a offrons au public une oeuvre qui entre pour la première fois dans le domaine de la librairie une oeuvre inconnue de la génération nouvelle . '. From the original prospectus for hte work.Carteret III 284 / 285; Rebeyrat 288; SR / BF 104. Gustave Havard. hardcover
1847988New York: R. Martin 1847. First Edition. Hardcover. 3 vols. in 1. 1st American edition in English. Exceptionally detailed bespoke contemporary full morocco signed on the cover by Jill Smith intricately inlaid white silk moiré framed endpapers bearing a gilt inscription from a husband to his wife on their wedding day Jan. 1 1859 probably dating the binding as 1858 all edges gilt light wear to covers neatly rebacked small chips to the corners of the vignette title page a trace of foxing but printed on paper vastly superior to what was general on American books in 1847 and still near fine. 50 unprecedented engraved plates of anthropomorphic plants simultaneously poetical and satirical dressed in flower and leaf enhanced French couture of the day when seamstresses were independent hired individually and came to the customer. The 50 plates are professionally and in this copy artistically hand colored the publisher’s choice of the painters he employed varies from copy to copy with 2 additional botanical plates in black and white all as called for and as issued. Complete with the errata the contents the Modern Botany for Ladies The Cultivation of Flowers Ladies Horticulture and the Supplement to Ladies Botany. The book is a famed one the binding on this copy is an additional beautification. It’s the quality sometimes seen on French editions of Grandville’s works but not encountered on his translations into English. And for a mid–century binding on an American book it’s extraordinary. Collation: 385pp. 152p. 8p. In these illustrations Grandville followed in the steps of the likes of Bosch Bruegel and Goya as ancestors in the first hazy light before sunrise of what became the grotesque in surrealism more evident to me in the 2nd of the 3 plates opposite page 136 the one opposite page 230 the one opposite page 252 and that opposite page 261. And these were 18 years before Tenniel’s assault on reality in Alice in Wonderland and 70 years before surrealism was named when it hatched out of Dada in the 1920s. Grandville’s other major works including The Animals and Another World combined with this one to express the varieties and possibilities of the concept and marked him as an inventive genius without peer in his time. R. Martin hardcover
1854167495<p>1854. GRANDVILLE J.J. Les Métamorphoses du Jour. 4 xxviii 283 pp. with 70 hand-coloured wood engravings after designs by Grandville. Large 8vo 262 x 163 mm. bound in publisher's illustrated polychrome boards. Paris: Havard 1854. First edition in book form comprised of 67 designs from the excessively rare 1829 suite 2 lithographs from La Silhouette and 1 woodcut from the Musée Philipon. The Métamorphoses du Jour was the work which established Grandville's reputation as a brilliant satirical critic of social manners institutions and prejudices. "Throughout the series Grandville's choice of beastheads is inspired and the force of his conceptions and the wit of his captions rarely falter. Occasionally he produces a design of universal application that calls Goya to mind" Ray. Charles Blanc described the Métamorphoses du Jour as "the most original and most remarkable series in Grandville's oeuvre." The text for this edition was contributed by Alberic Second Louis Lurine Clément Caraguel Taxile Delord and others. In fine condition with the binding exceptionally fresh but with some insignificant spotting or foxing throughout not affecting the plates. An exceptionally clean copy in the rare polychrome binding. Carteret III 282. Brivois 179. Ray French 132 1829 suite. Rebeyrat p. 288.</p> hardcover
18491675811849. GRANDVILLE J.J. Les Etoiles. By Joseph Mery. 4 xvi 252 pp.; 4 186 2 pp. With 15 hand-colored engravings. 8vo. 255 x 176 mm bound in the original publisher's wrappers in a new blue half moocco folding box. Paris: G. de Gonet 1849. A fine copy of this charming work Grandville's last book of illustrations preserved as issued in the originalillustrated wrappers. It actually consists of two parts each having its own title-page but the parts are always found together. There are fifteen steel engravings by Grandville all with delicate original hand-coloring. Despite occasional foxing the impressions are extremely clean--an unusual state for French books of this type from this period. "The compositions of the `last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville. They show that his powers remained unimpaired to the end of his short career" Ray. Despite damage to the fragile original spine this is a wonderful fresh copy with just insignificant foxing to a couple of pages. Extremely rare in the original wrappers. Ray 200. unknown books
007957Paris; Brussels: Chez Bulla; Chez Borella. 1st Edition . No Binding. Very Good. Folio - over 12 - 15" tall. GRANDVILLE J. J. LANGLUME Pierre 1790-. THE VERY RARE FIRST EDITION OF GRANDVILLE'S METAMORPHOSES 1828-1829. First edition of this famous series of plates oblong quartos sixty two of seventy three hand coloured lithographed plates with French titles captions and imprints lacking Plates 8 16 39 43 46 47 51 66 69 71 and 72. Without title and Achille Comte's single leaf preface often lacking. Completely uncut and loosely laid into contemporary blue paper wrappers very minor marginal browning damp staining or spotting to a few places not affecting images small margin repaired tear pl54. With vividly coloured plates 26 with titles in French the remainder in French & English. Housed in a blue cloth clamshell case. 367274 mm. Vicaire V cols. 775-780. Ray The Art of the French Illustrated Book 132. This famous album which established Grandville's early style of bitter burlesque has become rare. Indeed it is known to many of his admirers only through the greatly inferior volume of seventy wood engraved reproductions published by Havard in 1854. Lust gluttony anger and the other deadly sins are stigmatised now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humours of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter. Perhaps his most terrifying plate is 'Menagerie' no 67 which shows four prison cells. In the first are complacent commercial offenders enjoying all the comforts of home; in the second violent criminals sly or stupid; in the third murderers one with the countenance of the utmost ferocity; in the forth political prisoners quiet and despondent. Grandville turned to direct political satire in his final plates but the publication of his onslaughts on church 'Famille des scarabees' No 72 and state 'Une bete Feroce' No 73 was not permitted in France Ray. This set contains one Une bete feroce No 73 of the two particularly rare suppressed plates containing the Brussels imprint of Borella. Lith. de Langlume. Overall a superb collection from this extremely scarce edition. <br/> <br/> Chez Bulla; Chez Borella unknown
18287462Paris, Baudouin frères, 1828. 4 volumes in-8 en demi-maroquin vert à grains longs, avec coins, dos lisse orné de fers romantiques, doubles filets dorés sur les plats, non rogné, avec les couvertures conservées des 10 livraisons de l'édition de Baudouin, mais également les couvertures - verte et jaune de 6 de livraisons de l'édition des vignettes chez Perrotin, avec un envoi autographe de ce dernier. Belles reliures Pastiches dues au maître du genre, Bernasconi. La reliure est signée par Bernasconi.
183448679Paris. 1834. Watercolour over sepia ink with areas of highlight in black ink annotations to verso in pencil and purple collector's stamp mounted to larger sheet of stiff card. Image size: 155 x 185 mm; sheet size: 325 x 380 mm. PROVENANCE: By descent from Louise Fischer sister of Henriette Grandville's wife. Grandville's original preparatory watercolour sketch for the print 'L'amour croise des races. Agence matrimoniale' published in Le Charivari January 9th 1834.Grandville's original watercolour differs only very slightly from the published image but the changes - the closing of the beak of the figure on the right of the image the closer grouping of all three figures and the difference in the text on the poster at right: 'Traitement de la gourmet' in the watercolour version 'Joconde ou les courures d'aventure' in the final version - all suggest that the watercolour preceded the published version.The published version also features the caption: 'Ici on fait luire le flambeau de l'hyménée dans toutes les classes de la société. Assortiment varié de vieux célibataires de vielles douairières de fils de famille etc. etc. Zèle discrétion loyauté et bon gout.'Le Charivari founded and published by Philipon and Aubert was a daily newspaper which first appeared in 1832. Like La Caricature Le Charivari featured the work of Daumier and Grandville - Grandville contributed nearly forty images in the first few years of publication - but was at least in its initial form less controversial. It was also a means for Philipon and Aubert to offset some of the financial losses they accrued from the fines imposed by the government for their more political publications. Unlike La Caricature Le Charivari continued daily publication throughout the nineteenth-century and into the twentieth-century. In 1936 it switched to a weekly format before ceasing publication the following year.Sell 256. unknown