Rops, FelicienBiblio.com
294 résultats
1867711Brussels: J. Bouwens 1867. Etching with aquatint and engraving on laid Japan paper 9 3/4 x 6 1/2 inches 247 x 163 mm full margins. Fifth state of 5. Scattered moderate foxing. An illustration for "The Legend and the Adventures of Ulenspiegel and Lamme Goedzak" by Charles de Coster. An excellent impression with rich inking. <br /> <br /> Exteens 469. Félicien Victor Joseph Rops 7 July 1833 - 23 August 1898 was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter illustrator caricaturist and a prolific and innovative print maker particularly in intaglio etching and aquatint. Although not well known to the general public Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers authors and poets of his time. He provided frontispieces and illustrations for Jules Barbey d'Aurevilly Charles Baudelaire Charles De Coster Théophile Gautier Joris-Karl Huysmans Stéphane Mallarmé Joséphin Péladan Paul Verlaine Voltaire and many others. Best known today for his prints and drawings illustrating erotic and occult literature of the period he also produced oil paintings including landscapes seascapes and occasional genre paintings. J. Bouwens unknown
1896green154177Paris Bibliothque Artistique et Littraire. good. . Le Tombeau de Charles Baudelaire. Ouvrage publie avec la collaboration de Stephane Mallarme. Precede dune etude sur les textes des Fleurs du mal Commentaire et variantes par le prince Alexandre Ourousof et suivi duvres posthumes interdites ou inedites de Charles BaudelaireFrontispice de Felicien Rops Tire a 245 exemplaires publie sous legide de Stephane Mallarme numbered copy 185 edition with ONE FRONTIS 1/4 linen bound green boards bumped at corners clean copy no markings binding tight age toning to pages Professional booksellers since 1981 . 1896. Hardcover. Paris, Bibliothque Artistique et Littraire hardcover
1022282247.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51-4432Paris: Bibliothèque Artistique et Littéraire 1893. 8vo. Original wraps slightly time stained. 11.5 x 17.2 cm. 126 4pp. Etched drypoint frontispiece by Rops. Eugène Rouir no. 413. Reduced version of Rouir no. 662. Signed and presented by Vérola. Red stamp: "Service de Presse." OCLC Number: 162352066.Provenance: Estate of Thadée Natanson 1868-1951 le cofondateur directeur officieux et principal animateur de La Revue blanche. Expertise by Jean Lequoy Librairie Giraud-Badin 22 rue Guynemer 75006 Paris Paris: Bibliothèque Artistique et Littéraire, 1893 paperback
EEzz3245Paris Dentu 1887. 108 nn. S. Mit einem Porträt des Verfassers von F. ROPS 9 ganzseitigen Lithographien in Rotdruck auf Taf. v. J. CHERET und zahlr. Illustrationen im Text. Vorangebunden sind die lithogr. Illustr. des OUmschlags. Seidenband d.Zt. mit mehrfarbigem floralem Aufdruck etw. abgegriffen. Paris, Dentu 1887. unknown
1864D1234Paris: E. Dentu 1864. First Edition. Hardcover. Very Good. Original wraps bound in quarter black morocco and marbled paper gilt-stamped lettering and border on spine 4 raised bands; with 24 etchings and a frontispiece. A little scuffing along joints and edges of boards. Small spot of soiling on original front wrap otherwise internally bright and clean. <br/><br/> E. Dentu hardcover
186473511paris: E. Dentu 1864. Fine. E. Dentu paris 1864 11 x 17.20 cm relié First edition illustrated with a frontispiece and 24 etchings on chine collé by Félicien Rops and Emile Thérond the frontispiece and 18 of the vignettes are indeed by Rops. Contemporary half brown shagreen binding. Spine with raised bands decorated with fillets. Some rubbing. 2 corners slightly bumped. One of Auguste Poulet-Malassis's first productions in Brussels the F. Rops frontispiece is a heliogravure reworked with etching and drypoint. Monograph of all Parisian balls a fashion particularly followed by all social classes at the time. E. Dentu hardcover
1977165790Tallandier 1977. Très Bon Etat. in8. 1977. Relié. Tallandier unknown
1906189471Paris: A. Blaizot 1906. 59/116. Softcover. VG light wear to wraps pages are clean and clear illustrations are crisp. Tan wraps with black and red lettering; 82 uncut and untrimmed pages; color frontispiece by Felicien Rops and original lithograph by Adolphe Willette. Printed in edition of 116 copies this being number 59. Text is in French. The Painters of the Integral Woman: Felicien Rops and A. Willette. A. Blaizot paperback
51-7199Dijon Imprimerie Darantiere Chez la plupart des libraires Paris 1888. 4to. 16.4 x 23.4cm. Original wraps with new spine. One of 200 copies.OCLC Number / Unique Identifier:457252941.A collection of 37 erotic and humorous poems written by the French physician and poet Georges Camuset 1843–1905 published in 1884. The work is renowned for its preface—or rather a facsimile of an autograph letter—by Charles Monselet and contains erotic illustrations notably by Félicien Rops and Georges Clairin.The literature is very confused about the two Rops' illustrations which are not etchings but héliogravures: "Ecchymosesm " Exsteens no 537 and "Auscultatio" Exsteens no. 538."Ornée d'un frontispice gravé par Clairin d'une eau-forte par Félicien Rops et du fac-similé sur chine d'une lettre de Charles Monselet. ".OCLC Number / Unique Identifier:457252941 Dijon, Imprimerie Darantiere) Chez la plupart des libraires, Paris, 1888 paperback
188444846Dijon: Imprimerie Darantière 1884. First Edition. Hardcover. Very Good. Small Quarto. 4to 250 x 157mm. Modern marbled paper boards original printed wrappers bound in. Les Sonnets du Docteur. Paris: chez la plupart des libraires colophon: Imprimé par Darantière à Dijon 1884. Half title etched frontispiece by G. Clairin facsimile letter from Charles Monselet etched plate by Felicien Rops Rouir no. 492.5; Exsteens no. 502 at the end text within single rule border with varying typographical headpieces throughout some very light mainly marginal spotting and staining. Limited to 500 copies per colophon. One of 25 copies on Japon impérial. A unique copy containing 43 fine original watercolors in the margins by Emile Delphes Chabod comprising 29 in watercolor and 14 pen-and-wash drawings in bistre with several signed by the artist. The illustrations range from the decorative and charming to the ribald and bawdy reflecting the nature of a number of the sonnets: Massage Maladies Secretes Preservatifs Bonbon Laxatif and Constipation and several with sexual and gastronomic themes. Vicaire II 38; Carteret IV p. 86. Chabod was a pupil of Émile Signol and Jean-Léon Gérôme and exhibited regularly at the Salons between 1868 and 1881 see Bénezit. Imprimerie Darantière hardcover
188471340Paris: Chez la plupart des libraires Imprimerie Darantière 1884. Fine. Chez la plupart des libraires Imprimerie Darantière Paris 1884 16 x 25.50 cm relié First edition published anonymously one of 125 copies on simili-Japan paper. Bradel binding in turquoise half cloth with corners smooth spine decorated with gilt fleuron double gilt fillet and gilt date at foot tan morocco title label marbled paper boards marbled endpapers and pastedowns original wrappers preserved contemporary binding. Handsome copy. Our copy is complete with the China paper facsimile of Charles Monselet's letter which shows heavy foxing as is usual with China paper. Work illustrated with an original etching frontispiece by Georges Clairin and at the end of the volume an original etching by Félicien Rops. Chez la plupart des libraires( Imprimerie Darantière) hardcover
188455230Paris Dijon: Chez la plupart des libraires Imprimerie Darantière 1884. Fine. Chez la plupart des libraires Imprimerie Darantière Paris Dijon 1884 16.50 x 25.50 cm broché First edition published anonymously one of 125 copies on simili-Japon paper. Work illustrated with a frontispiece by Clairin an etching by Félicien Rops and a facsimile on China paper of a letter by Charles Monselet. Two lacks at head and foot of spine handsome interior condition despite small foxing at head of the facsimile on China paper. Chez la plupart des libraires( Imprimerie Darantière) unknown
185072904s. l. Paris: S. n. 1850. Fine. S. n. s. l. Paris 1850 1890 11 x 18 cm broché sous chemise et étui First edition one of 50 copies printed anonymously on papier japon. First edition one of 50 copies printed anonymously on papier japon. Illustrated with an erotic frontispiece by Félicien Rops on chine. Custom chemise and slipcase in half morocco and paper boards signed Boichot some discreet restorations to the spine and covers some discreet restorations to the top margin of the frontispiece not affecting the engraving. La Présidente honorary nickname given to Apollonie Sabatier alias Aglaëe Savatier her real name was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who composed his most mystical poems in Les Fleurs du Mal in her honor. The other artists who frequented the apartment on Rue Frochot during her famous Sunday dinners had more licentious feelings for this woman of surprising wit and beauty. The sculptor Clésinger portrayed her in his lascivious woman stung by a snake; Flaubert wrote sensual letters to her ending with the very sincere affection of one who alas only kisses your hand; she has long since been recognized as the model for Gustave Courbet's scandalous The Origin of the World. Gautier sent her this letter in 1850. Sabatier made copies which she never published but privately distributed to her guests: In October 1850 Gautier sent her this very long letter farcical and obscene from Rome commenting with Rabelaisian exaggeration what himself and his friend Cormenin had learned regarding sexuality during their travels. Gautier knew that his freedom of expression would not offend Madame Sabatier. He had long since accustomed her to it and he prided himself on his smut to brighten up the friendly social gatherings of the Rue Frochot. Dictionnaire des uvres érotiques Honored indeed by this priapic attention La Présidente' gave copies to all her guests and the reading of Gautier's indecent prose became a popular event at Parisian soirées. However the letter was ultimately published luxuriously but confidentially after the recipient's death in 1890. After this first edition of 50 copies on papier japon a second edition on papier vélin followed a few months later with a larger print run and without the Rops frontispiece. A rare beautiful and very sought after copy. S. n. hardcover
196784153Bruxelles: Maurice Kunel 1967. 33 x 19.5 cm paperback wrappers 36 pages partly uncut Text in French minor wear very good condition see picture. Presented by Maurice Kunel. Félicien Rops 18331898 was a Belgian symbolist artist and printmaker. Maurice Kunel paperback
1926931Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1893-02. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1926930Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1893-02. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1926932Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1893-02. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1926933Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1893-02. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186773Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186760Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186758Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186771Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186761Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2186772Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
