43 résultats
194715234AB1947. Paris Editions de la Galerie Charpentier 1947. 34 : 26 cm. 127 pages 1 blank leaf with 16 9 full-page original etching by Dignimont. Contemporary dark-blue morocco boards and spine richly gilt boards withn inlead red decoration deltelles and inside deltelles blue silk endpapers edges gilt original wrappers bound in One of 250 numbered copies on velin teinté du Marais. Bound in a wonderful decorated morocco binding. - In perfect condition. hardcover
51-4102Paris: Les Amis de Colette Atelier de Daragnès 1935-1936. 4to. 31 x 24 cm. 4 volumes. Original wraps and glassine. Very good. in-4 broché. Copies uniformly numbered no. 11 of 175 printed for la princesse Edmond de Polignac née Winnaretta Singer. Collection complète contenant :- N°1 : Clouk et Chéri ornés de 6 eaux-fortes hors texte de Dignimont.- N°2 : Notes marocaines et La Décapitée ornés de 6 eaux-fortes hors texte de Daragnès.- N°3 : En tournée et Music-Hall ornés de 6 lithographies hors texte de Luc-Albert Moreau.- N°4 : Portraits et Paysages ornés de 6 eaux-fortes hors texte de Dunoyer de Segonzac. .Tirage à 175 exemplaires tous signés par l'auteur ceux-ci imprimé pour la princesse Edmond de Polignac.Princesse Edmond de Polignac :The Queen of Paris’s Lesbian Community!Winnaretta Singer had married Prince Louis de Scey-Montbéliard to gain access to Paris’s elite artistic circles but everybody knew that she preferred the company of women. Not surprising their marriage went unconsummated and was annulled in 1892. One year later Winnaretta married Prince Edmond Melchior Jean Marie de Polignac an aristocrat and amateur composer 30 years her senior. He was openly gay and both had a deep passion for music. He died eight years after their marriage and Winnaretta never remarried although she had plenty of affairs with married women. On one occasion an enraged husband yelled up at Winnaretta’s apartment “If you are half the man I think you are you will come out here and fight me.â€Monod nos. 2982-2985 Paris: Les Amis de Colette [Atelier de Daragnès] 1935-1936, paperback
1930LD5793Paris: Emile Hazan & Cie 1930. Limited Edition. Paperback. Very Good. Original wraps in glassine dust jacket; 4to; with full-color frontipiece and plates untrimmed edges. Total limited edition of 833 copies with variations. This copy number 12 from a limited edition of 25 on Hollande van Gelder paper with an additional suite of 6 plates in b/w and 1 in full-color these loose in fine condition and suitable for framing. Covers a little wrinkled along the edges; small chips at spine tips. Glassine torn along spine. Internally simply lovely. <br/><br/> Emile Hazan & Cie paperback
1925LD5782Paris: Collection des Arts Les Editions G. Cres & Cie 1925. Hardcover. Fine. Original morocco and leather endpapers in folder and slipcase; 4to; with 84 in-text illustrations in pochoir by Dignimont. Number 291 from a limited edition of 350 copies on Rives paper. First published in 1904. Very fine illustrations remain exceptionally fresh. <br/><br/> Collection des Arts, Les Editions G. Cres & Cie hardcover
194756087Paris: Les Editions de la Belle Page 1947. Fine. Les Editions de la Belle Page Paris 1947 14.50 x 23 cm broché First edition one of 50 numbered copies on Arches paper ours specially printed for André Dignimont illustrator of the book deluxe edition after 5 Japan variously enriched. Illustrated book frontispiece original dry-point André Dignimont. Precious autograph signed by Pierre Mac Orlan: ""A Dignimont artist friend to the old Dig his friend Pierre Mac Orlan. Beautiful copy exceptionally enriched in 6 states of the frontispiece. Les Editions de la Belle Page unknown
19509120Paris: André Sauret 1950. First Thus. Hardcover. Fine. This collection of bohemian poems by the French Fantaisiste poet Francis Carco was first published in 1912. It proved to be a popular text for livres d'artiste and illustrated versions appeared in 1927 1943 1950 this and 1974. This version illustrated by Dignimont may have been the most successful paring of artist and poet.<br /> <br /> This example of the Carco-Dignimont edition is the copy reserved for the artist's wife with "Exemplaire réservé à Madame Dignimont" printed on the colophon. This copy matches the contents of the 12 copies on vélin de Rives with the finished book accompanied by three extra suites of plates: one in color without the text "une suite en couleurs" a suite of single color lithographs "une suite dans le ton du dessin" and one of rejected designs "une suite de lithographies refusées". The book and extra suites of plates are unbound being loose sheets laid into the printed covers with a vellum-backed chemise. The two chemises fit into a two-compartment box.<br /> <br /> The colophon is signed by Carco and Dignimont. A fine copy complete with all plates. Signed by Carco and Dignimont and additionally inscribed by Carco to Mme. Digninmont with a small self-portrait drawing. André Sauret hardcover
192731182Paris: Editions De La Roseraie 1927. 1st Edition. Soft cover. Dignimont. Dignimont. 1st Edition. Soft cover. Signed. Bernard Tristan. Illustrated by André Dignimont. AMANTS ET VOLEURS. Paris: Editions De La Roseraie 1927. Limited 350 numbered copies on Vélin de Rives of 420 copies this being a Hors Commerce copy lettered A/C & signed by the editor. Illustrated with 16 original Dignimont eaux-fortes en coleurs with a second suite of engravings in black. Original brown wrappers in the original glassine & patterned copper paper covered box. A fine copy showing light use. Folio 217pp. Benezit 3 584. Carteret. Livres Illustres Moderne IV 70. The best of Bernard Amants et Voleurs remains his most acclaimed books. Tristan Bernard 1866 - 1947 French playwright novelist journalist & lawyer prolific author of plays short stories novels & radio scripts. Amants et Voleurs was published several times during the first two decades of the 20th century but only once in a deluxe limited edition. André Dignimont 1891 - 1965 Noted French painter illustrator & engraver - certainly one of the great book illustrators of the 20th century. A superb production with extraordinarily fascinating coloured engraving by the artist. Editions De La Roseraie unknown
13886Dimensions ˆ vue : 310 x 243 mm. Sous cadre. Superbe gouache originale sur fond noir avec rehauts de pastel figurant une dÂŽlicate composition florale signÂŽe d'AndrÂŽ Dignimont. La prÂŽsente oeuvre dÂŽnote de l'habituelle production de l'artiste en effet davantage versÂŽ dans la figuration de ''milieu'' que de celle de nature morte. ''Les dessins de Dignimont sont les carrefours o se retrouvent tous les mauvais garÂons et les bonnes filles et ces couples qui croissent sans multiplier paraissent heureux dans le cadre de ses compositions''. Gaston Paris citÂŽ dans 5.000 dessinateurs de presse. ''Etroitement liÂŽ au milieu littÂŽraire de son ÂŽpoque l'artiste qui exposa au Salon d'Automne et au Salon des Tuileries se manifesta pleinement au Salon de l'AraignÂŽe fondÂŽ par Gus Bofa dans le dessin prÂŽcis de renouveler l'art de l'illustration. Dignimont s'est complu ˆ l'ÂŽvocation du ''milieu'' celui des mauvais garÂons et des filles. Francis Carco a soulignÂŽ avec enthousiasme le caractÂre d'un art si proche du sien''. in BÂŽnÂŽzit. BÂŽnÂŽzit III Dictionnaire des peintres p. 584 - 5.000 dessinateurs de presse p. 235. Quelques rousseurs affectant le passe-partout. Du reste trÂs belle condition. b42961 unknown
193075000Paris: Emile Hazan 1930. Fine. Emile Hazan Paris 1930 20.50 x 26.50 cm relié Edition illustrated with 8 original etchings by André Dignimont one of 25 numbered copies on Holland paper deluxe issue after 8 different Japan papers. Bound in full red morocco shagreen spine with five raised bands set with gilt fillets decorated with double gilt compartments ornamented at their centers with gilt floral motifs triple gilt fillet frame on boards moiré-effect paper endpapers and pastedowns gilt dentelle frame on pastedowns covers and spine preserved top edge gilt on deckled edges binding signed Barth fils. Our copy contains the complete suite in black of the illustrations as stipulated in the justification page. Handsome copy attractively bound. Emile Hazan hardcover
1927152674to. Orig. wrappers in orig printed portfolio with ties. Portfolio a lilltle worn at hinges. Uncut. No 387 of 360 "sur vélin blanc Montgolfier d'Annonay" numb. 71-430 a total of 430. With 26 etchings by Dignimont. The frontispiece is coloured. unknown
194845692Paris: L'originale 1948. Fine. L'originale Paris 1948 18.50 x 24 cm en feuilles First edition one of 60 numbered copies on Rives vellum ours one of the few hors commerce copies the only printing with 10 on Arches. The work illustrated with 4 original etchings by André Dignimont. Minimal loss to head of spine. Rare and handsome copy. L'originale hardcover
193545959Paris: Ferenczi 1935. Fine. Ferenczi Paris 1935 12 x 19 cm broché First edition on ordinary paper from which only 5 Holland and 20 vellum deluxe copies were printed. Precious signed autograph inscription from Francis Carco to his friend the Montmartre painter André Dignimont: "" à mon vieil ami André Dignimont en souvenir de la chanson des Bat' d'Af' / très affectueusement / Francis Carco."" ""to my old friend André Dignimont in memory of the song of the Bat' d'Af' / most affectionately / Francis Carco."" Spine lightly sunned without gravity. Ferenczi hardcover
192624551Paris: Éditions Mornay 1926. Dignimont Joseph. Original printed wrappers glassine cover; slight lean otherwise fine. One of 90 copies on Hollande total edition of 628. Truffé with one original watercolor signed in pencil for the illustration appearing on page 104. Éditions Mornay unknown
194326971Paris: Edition de la Galerie Charpentier 1943. First edition. Loose signatures in paper wrappers in portfolio. Small tear to heel of spine of paper wrappers attached glassine wrappers a bit soiled with a small tear in a worn paper- covered card portfolio with some splits at the joints but quite solid. Illus. with 14 of 15 watercolors and 24 of 27 drawings. Plus one original drawing laid in. Folio. One of 23 copies with an original drawing 14 had original watercolors of a run of 1042. Lacking one folded leaf of four pages containing one watercolor and three drawings. Andre Dignimont 1891-1965 was a French painter draftsman decorator and book illustrator perhaps most famous as the last having illustrated the works of Colette P. Louys Margaret Mitchell and many others. Scarce even lacking the plate. OCLC shows only one copy and the BN 3. Edition de la Galerie Charpentier unknown
192615408Small 4to. All orig. wrappers. No 41 of 321 "tous sur vélin de Rives". With 22 fine original etchings in colours by André Dignimont. unknown
19272003290004Paris: Editions De La Roseraie 1927. First Edition. Hardcover. Very Good. Signed. Lovers and thieves: Inscribed and signed by the illustrator Andre Dignimont. Early 20th-century French Erotica. Limited edition of 420 copies. Quarto 29.7 x 23.5 cm. Loose as issued. Held in publisher's color portfolio chemise and patterned copper paper covered box. Purple wraps. Printed on rives vellum paper. 16 plates in 3 states two in porchoir color and one in black and white. This copy unnumbered. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Paris: Editions De La Roseraie hardcover
192618011Editions Mornay Paris 1926. Hardback full purple morocco with horizontal strip of black morocco across foot of boards and spine and ruled in gilt by Kaiga. 25.5 x 19.5cm. 228pp 2. Number 14 of 18 copies on Japon ancien with 4 original signed watercolours loosely inserted from an edition limited to 628 with pochoir-coloured plates and illustrations by Andre Dignimont. Original printed wrappers bound in t.e.g. others uncut spine a little faded. Slight foxing and a few leaves with old worm damage to lower margins. Limited. Hard Cover. Good. Editions Mornay, Paris Hardcover
192615589Small 4to. Fine hmorocco richly gilt back top-edge gilt uncut. Bound with all orig. wrappers. No 531 of 490 numb. 139 a 628 "sur Rives" a total of 678 copies. Colour-illustrations pochoir by Dignimont. unknown
193015608Paris Émile Hazan 1930. Small 4to. Bound with all orig. wrappers in a fine hmorocco Anker Kyster 1942. No 226 of 800 "sur velin D'Arches.fabrique specialement pour cette edition" a total of 873 copies. With 6 fine etchings in colour by Dignimont. unknown
194215688Small 4to. Bound uncut with all orig. wrappers in a fine hmorocco gilt back Anker Kyster 1942. No 243 of 800 "sur vélin D'Arches" a total of 873 copies. With 6 fine etchings in colour by Dignimont. unknown
194915325Royal8vo. All orig. wrappers uncut. With dedic: "á Karin et John Drumm entout amitié. J.V. Pellerin". No 157 of 300 "exemplaires sur papier fil Lama" total of 330. With 7 original lithographs in colour. unknown
19241451Paris: Les Bibliophiles du Palais 1924. Fine/Near fine. André Dignimont 1891 - 1965. 8vo 10 1/4 x 7 inches 260 x 178 mm; 96 8 pp. printed in black and red on Arches paper; wood engravings by André Digimont tissue guards some pages unopened signatures loosely stitched. Folded grey paper cover with title in black and Bibliophiles du Palais logo and spine title in red; original glassine overcover. Chemise and slipcase in marbled paper grey paper spine label printed in black; chemise and slipcase in very good condition with some sunning; interiors in perfect condition.<br /> Copy VIII specially printed for Monsieur Agostino Soldati as stated on the individual limitation page out of an edition of 200 numbered I-L and 1-150.<br /> <br /> Carteret IV 51; BNF31756713. Recognized as an "Edition estimée" by L. Carteret in his fundamental 5 volume work "Le trésor du bibliophile romantique et moderne 1801-1875 Paris 1948 this edition was commissioned by the Bibliophiles du Palais a society made up of members of the Council of State senior magistrates lawyers solicitors notariesand forensic doctors. It was established in 1924 and selected from a diverse array of authors from Aristophnes to Colette from Montesquieu to Verlaine for publication refined and illustrated works in editions of 200 copies. Carteret Vol. 2 pp. 229-230. <br /> <br /> This novella is part of Balzac's series of novels or Roman-fleuve known as La Comédie humaine The Human Comedy which depicts and parodies French society in the period of the Restoration 1815-1830 and the July Monarchy 1830-1848. Originally published in Le Constitutionnel was adapted for six different motion pictures including two silent films. <br /> <br /> This edition is richly illustrated with woodblock prints by André Dignimont 1891 - 1965 an illustrator engraver painter a notable figure in Montmartre's art scene known for his delicate illustrations of female beauty. Les Bibliophiles du Palais unknown
51-5698Paris: Les Arts et le Livre1926. . 23 etchings with remarques. 24.5 x 19.7 cm. 1 duplicate . Unbound in utilitarian chemise. Ref: Luc Monod no. 7538.Le Chant de l'équipage 1918: Le thème est celui bien connu de l'île au trésor. Mais la fortune ne se trouve pas là où on l'attendait tandis que le fantastique s'invite au rendez-vous. En fait avec Le Chant de l'équipage Mac Orlan montre quels dangers guettent l’aventurier passif qui quitte son cabinet de lecture pour franchir le pas de l'aventure active.Le début de ce roman plutôt documentaire prend une certaine originalité en s'installant dans une ambiance très particulière : la vie quotidienne sur la côte des rias cornouaillaise pendant la Première guerre mondiale. Le souvenir des peintres de l'École de Pont-Aven demeure vivace ; on perçoit l'atmosphère lourde du pays privé d'hommes jeunes et la jalousie suscitée par ceux qui ne sont pas au front ; on fantasme sur les sous-marins allemands dont les officiers paraît-il descendent parfois boire un verre dans les auberges de la côte en se faisant passer pour britanniques ; on imagine le petit monde des combines et des trafics rendus possibles par l'état de guerre. Et puis tout s'emballe… Dans l'hôtel Ploedac où vivent nos héros on serait tenté de voir la fameuse pension Gloanec de Pont-Aven dont l'hôte le plus célèbre fut Gauguin. Mais dans Le Mémorial du petit jour Mac Orlan se souvient des séjours que lui-même fit en ces lieux entre 1910 et 1914 : "À Brigneau-en-Moëlan… il existait à l'entrée de la cale qu'elle dominait une petite auberge de pêcheurs. Elle était posée sur le roc comme une carcasse de tourteau entre les tonneaux de boëtte et les détritus de crustacés… dans cette auberge vivaient les peintres Maurice Asselin et Jacques Vaillant Ricardo Florès et Jourdan. …" On les retrouve encore dans Les Poissons où il évoque les circonstances dans lesquelles la mobilisation d'Août 1914 le surprit ici en pleines vacances. En venant aujourd'hui à Brigneau on n'aura aucun mal à retrouver l'esprit du Chant de l'équipage surtout si on arrive à pied par le chemin des douaniers.Dominique Le Brun In: Mac Orlan Romans maritimes Ed. Omnibus [Paris: Les Arts et le Livre,1926.] unknown
71-8540Paris: Votre Chance circa 1940. Color lithograph on Arches paper printed by Fernand Mourlot Paris. 51 x 37.5 cm sheet. Very Good light toning along sheet edges. Paris: Votre Chance, circa 1940. unknown
192709199Editions de La Roseraie 1927-01-01. First Edition. Paperback. Good. #314/350 printed on Velin de Rives. Paperbound wraps rebound in old lavender paper with original front cover affixed to the paper. String bound fine interior. Fifteen full page engravings. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Editions de La Roseraie paperback
