1 238 résultats
SLIVCN-9781984863508Ten Speed (12/2024)
SLIVCN-9781839944628Nosy Crow (10/2023)
SLIVCN-9781409181590Trapeze (9/2018)
SLIVCN-9781398537156Simon & Schuster UK (9/2025)
SLIVCN-9782017896272Hachette heroes (4/2026)
SLIVCN-9781409173922Trapeze (11/2017)
SLIVCN-9781631178436NOVA SCIENCE PUBLISHERS INC (6/2014)
SLIVCN-9782925416555La Peuplade (6/2025)
Z37749DLWEDITION 1977. Relié sous jaquette bon état .Contenu propre . Jaquette jaunie abîmée . 1977. 179 pages . PHOTOS SUR DEMANDE
SLIVCN-9782725625911Retz (11/2006)
200210366Syndicat des professeurs et professeures de l'UQAM Grand in-8 Couverture souple Montréal 2002
197928296Presses socialistes internationales Couverture souple Montréal 1979
1972GG092711972 17 volumes of sections (many different topics), one volume of abstracts/resumes, the third circular, symposia 1 and 2 (Earth Sciences and the Qualityof Life / Earth Science Aid to Developing Countries), Program, General Proceedings, List of Registrants (Participants). In all 24 paperbound volumes.
1971PC127061971 40 p., 12 pls, 4to, wrps. Published in: Mém. Soc. Géol. France #115.
1967PC190831967 28 p., 8 figs, 8 pls, roy. 4to, paperbound. Mémoires de la Société géologique de France, 106.
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
195426378London Neville Spearman 1954
19401470Wilkes Barre, PA: The Collins Press 1940 Couvertures en papier agrafé crème avec titres et décorations rouges (avec une gravure du Christ crucifié). Détails de l'éditeur au dos de la couverture. Chacune des stations est accompagnée d'un verset et d'une réponse, d'une description et d'une brève réflexion. Il n'y a pas d'imprimatur et la couverture indique que l'ouvrage ne doit être utilisé que pour la dévotion privée. Le livret est d'une propreté irréprochable, à l'intérieur comme à l'extérieur, et ne présente aucune marque significative. COPAC cite cet ouvrage comme une autre édition de Social Justice and the Stations of the Cross, et donne la date de publication comme étant 1940. 16 pages. 145 x 90 mm (5Ÿ x 3œ pouces).
SLIVCN-9780008720674Harper Collins UK (4/2025)
VV062231956 (5th ed.) xiv, 249 p., several figs, 20 (many col.) pls, cloth (plastified).
NG062241956 (5th ed.) 112 p., num. figs, 1 plate, 3 maps, 4to, paperbound (unsewn).
4142David & Charles, Newton Abbot, 1968. In-8, cartonnage éditeur, titre doré sur le dos, 112 pp. Exploration : The harbour that made Plymouth. - The Hawkins family. - Great Elizabethans. - The Pilgrim Fathers. - To the South Seas. - First Atlantic flight. - The Eddystone light. - Earning a Living : fish and wine. - ...
199734142Hurtubise-HMH Couverture souple Montréal 1997
200035231Guérin Couverture souple Montréal 2000
