2 421 résultats
19901589104920797Eusk-78, Publicaciones Fher, Bilbo 1990
196748967Trumansburg N.Y.: NEW / BOOKS 1967. 1st Printing. Grey paper covers with front cover printed with large graphic of a young man. Original price sticker to rear cover. Modest wear small glue stain to rear cover still VG. 38 ll printed french-fold. 8-5/8" x 5-1/2" <br/><br/>Author's first book. NEW / BOOKS unknown books
1996Q-0812215907University of Pennsylvania Press Anniversary Collection 1996-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! University of Pennsylvania Press Anniversary Collection paperback
190831472London: John Hogg The Macmillan Company 1908. Hardcover. Stated "Second Edition Revised." 4.75 x 7.5in. xxxii. 510pp. "8pp. examples in red & black and 24pp. of collotypes." Publisher's quarter buckram over paper-covered boards. Signed and inscribed by the author Edward Johnston at the half-title page: "Given to H.C.D.C. by E.J. 14. June 1908." Directly above the inscription is the former owner's initials in gold leaf designed cut and "worked in" by Johnston himself. The former owner Henry C. D. Chorlton 1887-1929 was an artist and member of the Northern Art Workers Guild who visited Johnson at his home in Hammersmith. His bookplate at the front paste-down briefly details the visit and Johnston's extraordinary gift of a monogram in manuscript. An extraordinary copy of the masterpiece by the father of modern calligraphy which remains the definitive history and manual of the art. VERY GOOD. Shows an additional small bookplate noting this book at one time bequeathed to Chorlton's niece at the back paste-down bookplates for the Athenaeum Graphic Club and Baylis House the book itself with slight handling and shelf wear marginal shelf rubbing of the extremities fore-edge alone is lightly foxed slightly over-opened at the signature otherwise the binding is strong and tight the text is clean and unmarked and the boards remain bright and distinct. As pictured. John Hogg | The Macmillan Company hardcover
19992-0333719522Palgrave Macmillan 1999. Paperback. New. 224 pages. 8.50x5.43x0.59 inches. Palgrave Macmillan paperback
1937ABE-1702413353665J.M. Dent & Sons Ltd 1937. 1st Edition. Hardcover. Near Fine/Near Fine. 8vo yellow buckram cloth with gilt titles 141pp. First Edition. Unclipped dust jacket Seven & Sixpence. Dust jacket mildly rubbed and toned sunning to spine. Foxing to top edge of text block. Firmly bound with clean contents. A collection of essays expounding principles of Catholic distributism treating of art and aesthetics in relationship to modern industry and work. Illustrated with 12 pictures by Denis Tegetmeier. Typography and design by Gill. A handsome copy in mylar. J.M. Dent & Sons Ltd hardcover
193726288London: J.M. Dent 1937. First edition. Hardbound in very good condition in a very good dust jacket. Illustrations by Denis Tegetmeier; 141 pages. J.M. Dent unknown
1935D7560London: Faber & Faber 1935. First Edition. Hardcover. Good/Good. Publisher's red cloth lettering stamped in blue on spine; in blue dust jacket lettered in red; small 8vo; pp. 142. Spine tips and edges of boards lightly scuffed; cloth split along front joint but holding just fine; some pencilled underlinings. Dust jacket a little soiled; tanned along spine; and chipped along the edges; not price-clipped and in mylar. Sold as is. Three lectures given at University College Bangor in November 1934. <br/><br/> Faber & Faber hardcover books
19359173London: Faber and Faber 1935. First edition. Hardcover. Orig. red cloth. Very good. Gill Eric. 144 pages. 18 1/2 x 13 1/2 cm. Title page illustration by Gill. GILL 31. Backstrip chipped at extremities. Covers a bit rubbed. Faber and Faber hardcover books
193542801London: Faber & Faber. Very Good in Very Good dust jacket. 1935. First Edition. Hardcover. Red cloth titled in blue. First edition. Contains foxing mostly to edges and endpages. Firm and square. The DJ in mylar is toned to spine and edges. Flap price 5s net. ; 8vo 8" - 9" tall; 142 pages . Faber & Faber hardcover
1935D7560London: Faber & Faber 1935. First Edition. Hardcover. Good/Good. Publisher's red cloth lettering stamped in blue on spine; in blue dust jacket lettered in red; small 8vo; pp. 142. Spine tips and edges of boards lightly scuffed; cloth split along front joint but holding just fine; some pencilled underlinings. Dust jacket a little soiled; tanned along spine; and chipped along the edges; not price-clipped and in mylar. Sold as is. Three lectures given at University College Bangor in November 1934. <br/><br/> Faber & Faber hardcover
19359173London: Faber and Faber 1935. First edition. Hardcover. Orig. red cloth. Very good. Gill Eric. 144 pages. 18 1/2 x 13 1/2 cm. Title page illustration by Gill. GILL 31. Backstrip chipped at extremities. Covers a bit rubbed. Faber and Faber hardcover
1937622395London: J.M. Dent 1937. Hardcover. Very Good/Very Good. First edition. 141pp. Black and white illustrations. A small stain on the top page edge and toning on the boards thus very good in a very good dust jacket with toning and some spotting. J.M. Dent hardcover
19378271London: Printed by Hague & Gill for J.M. Dent & Sons 1937. 12 illustrations from line drawings by Denis Tegetmeier Gill’s son in law. Pp. vi 141 1. 8vo. 13 x 19 cms original maize buckram gilt lettering to spine. Spine slightly darkened a few spots to edges lacking the dust jacket.Eight essays by Eric Gill including ‘Man Politics’ ‘Art in Relation to Industrialisation’ ‘Art nad Revolution’ ‘What is Art and Does it Matter’ ‘The Value of Creative Faculty in Man’ ‘Architects and Builders’ ‘Work & Property’ and ‘The End of Fine Arts’.<br>Evan Gill Eric Gill Bibliography 33. Printed by Hague & Gill for J.M. Dent & Sons hardcover
19377798London: printed by Hague & Gill for J.M. Dent & Sons 1937. 12 illustrations by Denis Tegetmeier Gill’s son in law. Pp. vi 141. 8vo. original beige cloth gilt lettering on spine. Spine rather darkened occasional very light spotting without the dust jacket.Eight essays by Eric Gill including ‘Architects & Builders’ with the booklabel of the noted architect Austen St Barbe Harrision engraved by Eric Gill and of David Potter engraved by Reynolds Stone.<br>The noted architect Harrison spent a great deal of his working life in Jerusalem and it was there he collaborated with Eric Gill in building the Rockefeller Museum where 10 bas-reliefs by Gill can be seen in the inner courtyard see also<em> From a Jerusalem Diary </em>published in 1952 which shows Gill’s work for the museum. <br> From the library of Gill’s friend and collaborator in Jerusalem the architect Austen St Barbe Harrison printed by Hague & Gill for J.M. Dent & Sons hardcover
1991Q-0521369886Cambridge University Press 1991-08-30. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
199868-01164Clarendon Press 1998-04-23. Hardcover. New. In shrink wrap. Clarendon Press hardcover
1997Q-0965982009Enneas Pubns 1997-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Enneas Pubns hardcover
1980WRCLIT74764Verona: Plain Wrapper Press 1980. Quarto. Open-sewn decorated boards. Posthumously contrived bookplate of a collector otherwise fine. First edition. One of 155 press "numered" copies printed on English handmade paper signed by the author. Published as "Quartus III." Decoration and binding paper after designs by Fulvio Testa. Errata sheet laid in. SMYTH 29. Plain Wrapper Press hardcover books
1980136281Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. Foot of spine bumped else a fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
198057744Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. A fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br /> <br /> An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br /> <br /> ___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br /> <br /> ___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br /> <br /> ___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown
1996Q-0806913347Sterling Publishing 1996-06-30. Paperback. New. In shrink wrap. Looks like an interesting title! Sterling Publishing paperback
192424032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. <br /> <br /> This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. <br /> <br /> The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. <br /> <br /> ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. <br /> <br /> ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. <br /> <br /> ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover
