166 résultats
193238256Paris: Les Editions du Balancier 1932. A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED ALL ON JAPON NACRE AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT LIKE NEW. Extremely rare. <br/><br/> Les Editions du Balancier paperback
1901D1713Paris 1901. Paperback. Very Good. Wraps; 13 lithographs printed in b/w with the occasional flourish of color. Staple-bound supplement laid in 8 pages of text. Tape repair along spine; some light soiling and chipping along the edges -- but overall a clean visually striking copy. Supplement is in fine condition. <br/><br/> paperback
1919329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine.<br/> <br/> Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon.<br/> <br/> Leon Pichon unknown
B171809-1Paris Léon Pichon 1919. 1 20 1ff. 20 full-page woodcut plates. Sm. sq. 8vo. Wraps. slightly dusty. One of 420 numbered copies on vergé à la cuve from the limited edition of 490 in all. Paris (Léon Pichon), 1919. paperback
58778Paris Léon Pichon 1919. Kl.-8° 4 Bl 20 Bl. Orig.-Holzschnitte 2 Bl. Broschur Nr. 288 von 490 Ex. auf Vergé à la cuve. René Georges Hermann-Paul 1864- 1940 franz. Maler u. Illustrator mit einem breiten Spektrum von Techniken wie Emaillack Wasserfarben Holzschnitten Lithographien Kaltnadelradierungen ÖL und Tusche. Hermann-Paul wurde neben Künstlern wie Vuillard Matisse und Toulouse-Lautrec ausgestellt. Daneben auch kritische Karikaturen der franz. Gesellschaft. 010 Paris, Léon Pichon, 1919 unknown
191958443Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 16 x 16.50 cm broché First printing of the 20 original woodcut by Hermann-Paul one of 50 numbered copies on vergé ancien du Japon deluxe edition after 20 grand vélin Turkey. Nice copy. Léon Pichon unknown
B174725-1Bayonne A. Foltzer n.d. 3ff. 30 plates. Oblong 4to. Dec. self-wraps. with front cover composition in color by the artist secured with cord as issued light wear. Bayonne (A. Foltzer), n.d. paperback
192124496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
B172875-1N.p. ca. 1895. 10 original lithographs on thin laid Japan paper. Sheet size: 416 x 316 mm ca. 16 1/2 x 12 1/2 inches. Contents loose as issued. Folio. Orig. printed chemise with list of the prints on the front cover artists monogram at foot. New fitted cloth clamshell case. The prolific illustrator Hermann Paul was noted for his simple caricature and satiric characterizations of the foibles of French society. Issued without justication. This copy is designated No. 78 in pencil at the foot of the cover next to the artists monogram. N.p., [ca. 1895]. hardcover
19044844Paris: Librairie Charpentier et Fasquelle 1904. A very nice copy of this first edition. Bound in a lovely Randeynes art nouveau binding with half leather gilt titles and blind stamped design to the spine. Marbled boards. The binding is a touch rubbed but overall in sound condition. Signed J.D. to the base of the spine. Binder's label to the verso of the marbled end paper. Original soft covers bound in. These are a touch darkened but sound. 87 numbered full page caricatures printed to recto of each leaf. René Georges Hermann-Paul 1864-1940 designed caricatures for L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. . Un très bel exemplaire de cette première édition. Relié dans une belle reliure art nouveau de Randeynes en demi-cuir avec titres dorés et motifs estampés à froid au dos. Les plats sont marbrés. La reliure est un peu frottée mais dans l'ensemble en bon état. Signé J.D. à la base du dos. Étiquette du relieur au verso du papier marbré de la fin de l'ouvrage. Les couvertures souples d'origine sont reliées. Elles sont un peu assombries mais en bon état. 87 caricatures à pleine page numérotées imprimées au recto de chaque feuille. René Georges Hermann-Paul 1864-1940 a dessiné des caricatures pour L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. Librairie Charpentier et Fasquelle paperback
190482816Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 14.50 x 22.50 cm relié First edition one of 50 copies on China paper printed specially for the bookseller Carteret ours bearing No. 1 the only deluxe copies. Work consisting of 87 plates of drawings by the author which he captioned in order to ridicule bourgeois marriage. Bradel binding in half green morocco with corners smooth spine slightly discolored gilt date at foot marbled paper sides covers and spine preserved endpapers and pastedowns of combed paper top edge gilt on deckled edges contemporary binding signed Durvand. Handsome full-margined copy agreeably bound in contemporary binding signed Durvand. Charpentier & Fasquelle unknown
190430684Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 13.50 x 20 cm broché First edition on ordinary paper. Inscribed by Hermann-Paul to Karl Boès. Illustrated with drawings by the author. Charpentier & Fasquelle unknown
B173116-1Paris Dorbon Aîné 1915. 5 color woodcut plates each with the artists stamp at lower right. Oblong folio. Publishers dec. portfolio wraps. with dec. woodcut title composition by the artist. New fitted cloth portfolio. An unnumbered copy on papier blanc apart from the numbered tirage of 250 thus from the limited edition of 300. This copy includes two subjects for Printemps one of which may have been meant to be suppressed for its particularly brutal character. This copy without the decorative woodcut title-page reprised here on the front cover of the portfolio. Paris (Dorbon Aîné), [1915]. hardcover
1905201511905. Paris Librairie FÂŽlix Juven s.d. 1905. Un vol. au format in-4 314 x 238 mm non paginÂŽ 2 ff. n.fol. 24 planches et 1 f. bl. brochÂŽ. Edition originale rare de ce recueil constituÂŽ de 24 planches lithographiÂŽes en couleurs. ''Peintre caricaturiste admirateur de Paul CÂŽzanne Hermann-Paul opte pour une carriÂre dans la presse. Ironique et violent se pose en redresseur de torts au graphisme sombre. Son trait volontaire solide et jetÂŽ dÂŽpasse bien des fois celui de Forain auquel on l'a fort souvent comparÂŽ''. in 5.000 dessinateurs de presse. ''On lui doit une satire de la bourgeoisie de son ÂŽpoque constituÂŽe par une suite de dessins prÂŽsentant dans leur ensemble une assez pÂŽnÂŽtrante ÂŽtude de moeurs''. in Osterwalder. ''Il est le peintre de la laideur morne de la mÂŽdiocritÂŽ satisfaite et soi et irrÂŽmÂŽdiable. Ses figures flÂŽtries de bassesse ont un achevÂŽ parfait dans leur voulu d'ÂŽbauche. Le rire sans joie d'un cynisme dÂŽnuÂŽ de courage la triste perpÂŽtuitÂŽ de la veulerie M. Hermann-Paul en dÂŽlimite en ses dessins toute la platitude et tout le dÂŽsespoir.'' Francis Carco. ''Artiste digne de mÂŽmoire''. in BÂŽnÂŽzit. Saint-Martin 5.000 dessinateurs de presse p. 408 - Osterwalder I Dictionnaire des illustrateurs p. 496 - BÂŽnÂŽzit V Dictionnaire des peintres p. 506. LÂŽgÂres marques d'usage affectant les plats. Petite restauration en marge infÂŽrieure et au revers du faux-titre. Plusieurs feuillets constellÂŽs de petites rousseurs. Du reste bonne condition. b42961 unknown
189538694Paris: Chez l'Artiste 1895. ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY a sardonic and desultory and yet subtly humorous portrayal in ten lithographs on fine Chinese paper of the life of "Madame Whoever" a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose as issued in the original lithographed folder with the series title and the titles of the individual lithographs printed lithographically on the front cover which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects else FINE AND BRIGHT. Very rare especially complete. <br/><br/> Chez l'Artiste unknown
16-6379France: Circa early 20th Century. Ink on paper. Matted. 20 x 16cm. Signed and dedicated.Rene Georges Hermann-Paul born in Paris he trained as a painter at both the Ecole des Arts Decoratifs and the Academie Julian. Hermann-Paul’s prints and caricatures established his reputation by the beginning of the twentieth century. His drawings for Le Courrier Francais starting in 1894 and for Le Rire as well as his active support of Alfred Dreyfus led to involvement with anarchist journals. A satirist of bourgeois values cynical abrasive and even rude in his depictions Hermann-Paul was an active social commentator for more than three decades although in his last years his politics moved decisively towards the right. Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. France: Circa early 20th Century unknown
B172874-1Paris Librairie de lEstampe n.d. 4pp. 13 plates each signed and numbered in pencil in the margins. Contents loose as issued. Oblong sm. folio. Publishers chemise with cover illustration by the artist. Glassine d.j. New fitted cloth clamshell case. Édition de tête: one of 50 hand-numbered copies on Japon from the limited edition of 250. This copy complete with the suppressed thirteenth plate scène de viol". Paris (Librairie de lEstampe), n.d. hardcover
B172961-1Paris Léon Pichon 1926. 4pp. single sheet folding 4 original color woodcuts. Contents loose as issued. Sm. folio. Publishers portfolio boards 3/4 cloth with supralibros title. New fitted cloth clamshell case. One of 99 copies on vélin dArches reserved for the Société Les Exemplaires signed and numbered in ink in the justification by the artist from the limited edition of 109. Presentation copy with a dramatic signed half-length watercolor sketch on the title-page of a helmeted skeleton inscribed by the artist to Madame Goffin. Also laid in the membership list of the Société in which Hermann-Paul appears as Vice-President. Paris (Léon Pichon), 1926. hardcover
191337466Paris.: Chez l'Auteur. 1913. Original publisher's blue paper wrappers with titles and large vignette illustration to front cover in black titles to spine and vignette to rear cover black endpapers later blue cloth box. Folio. 474 x 408 mm. Half-title with justification verso printed title with large monochrome vignette matching the front cover 51 leaves each with mounted reproduction drawing after Hermann-Paul with printed title beneath and numbered 1 - 51 final leaf with list of illustrations recto and vignette verso matching that for the rear cover; the present example see below includes all of Hermann-Paul's original drawings for the book inserted loose as appropriate each mounted to grey blue paper initialled 'HP' in pencil and numbered and titled beneath in ink as for the printed versions. An exceptional copy marked 'Hors Tirage' and including all of Hermann-Paul's original drawings.From the edition limited to 300 copies with this unique example inscribed 'hors tirage originaux' and including all of Hermann-Paul's original drawings for the work each initialled 'HP' in pencil.As well as all 51 of the drawings for the book executed in ink and initialled by Hermann-Paul in pencil many of these also feature pencil attributions as to place by the artist the imprint for the cover has been effaced and marked 'Chez / l'Auteur' presumably by Hermann-Paul himself the justification has been altered to reflect this unique copy marked 'Hors tirage originaux' as above and the title imprint has been effaced; the original illustrations for the covers have also been included together with a version of the title itself executed in ink.The vignette for the rear cover is inscribed in pencil by Hermann-Paul as follows: 'croquis pour le cul de lampe de l'album 'Sur le Rhône' / c'est le St. Nicolas patron des bateliers du Rhône qui est au / Musée d'Arles. / Hermann-Paul'. Chez l'Auteur. hardcover
0656133953.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
196Lithograph. Numbered in pencil. B.N. #9. Image: 9¼ x 7¼. Margins: 15¼ x 11 . unknown
B175423-1Paris n.d. 25 woodcuts each signed and numbered 7/25 in pencil by the artist printed on lightweight simili-Japon . Sheet: 257 x 331 mm. ca. 10 1/8 x 13 inches. Each with the Hermann-Paul estate sale stamp on the verso Vente Galerie de Chartres 23-10-2000. Oblong 4to. Later paper chemise. Subjects in this unidentified series include clients at art galleries elderly men and their mistresses dissolute figures in waiting rooms confrontations with the war-wounded and others. [Paris, n.d.]. unknown
189348437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
7565218-nnew. unknown
7565218like new. unknown