HERMANN-PAULBiblio.com
166 résultats
191958443Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 16 x 16.50 cm broché First printing of the 20 original woodcut by Hermann-Paul one of 50 numbered copies on vergé ancien du Japon deluxe edition after 20 grand vélin Turkey. Nice copy. Léon Pichon unknown
B174725-1Bayonne A. Foltzer n.d. 3ff. 30 plates. Oblong 4to. Dec. self-wraps. with front cover composition in color by the artist secured with cord as issued light wear. Bayonne (A. Foltzer), n.d. paperback
192124496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
51-3816Paris: Georges Crès & Nancy : Berger-Levrault : 1915-1916. 4to . Sheets loose as issued in original wraps. No. 11 with 8 of 9 lithograpphs lacking the Hansi. Vol. 13 with 8 lithographs.These issues not listed in OCLC and Gallica. Paris: Georges Crès, & Nancy : Berger-Levrault : [1915-1916] paperback
B172875-1N.p. ca. 1895. 10 original lithographs on thin laid Japan paper. Sheet size: 416 x 316 mm ca. 16 1/2 x 12 1/2 inches. Contents loose as issued. Folio. Orig. printed chemise with list of the prints on the front cover artists monogram at foot. New fitted cloth clamshell case. The prolific illustrator Hermann Paul was noted for his simple caricature and satiric characterizations of the foibles of French society. Issued without justication. This copy is designated No. 78 in pencil at the foot of the cover next to the artists monogram. N.p., [ca. 1895]. hardcover
1921ST12683-014Paris: Léon Pichon 1921. Edition Nouvelle. No. 353 OF 967 COPIES. 283 x 222 mm. 11 1/8 x 8 3/4". 180 1 pp. colophon. <br/> Publisher's brown paper wrappers uncut edges spine and fore edges very neatly reinforced with Japanese rice paper. In a slightly scuffed marbled paper slipcase. With 105 woodcut head- and tailpieces woodcut initials and printer's device by Hermann-Paul. Half title page and title page printed in red and black as are the initials chapter headings printed in red. ◆Occasional faint offsetting from woodcuts otherwise a fine copy internally in a solid and very clean binding.<br/> <br/> Striking Modernist woodcuts by French artist René Georges Hermann-Paul enliven our edition of this comic masterpiece in which Rabelais ca. 1494-1553 uses the giant Gargantua and his son Pantagruel to satirize scholastic education the monastic system which Rabelais knew from his time as a monk the papacy French magistrates and considerably more. Hermann-Paul 1864-1940 was a French artist who produced a great many illustrations for magazines and newspapers and his works of fine art found themselves displayed in galleries next to those by some of the great names of the Impressionist age. Léon Pichon unknown
19722080502106501808Kodansha 1972. Soft Cover. Fine. Number of books: 2 Kodansha paperback
192838255Paris: Editions Mornay / Les Beaux Livres 1928. A livre d'artiste illustrated with 12 ORIGINAL WOODCUTS BY HERMANN-PAUL of the masters of the technique. Edition limited to 1000 numbered copies of which this is ONE OF ONLY 38 COPIES PRINTED ON FINE DUTCH LAID PAPER WITH AN EXTRA SUITE OF THE WOODCUTS ON JAPANESE PAPER. Large squarish 8vo. Original wraps ENTIRELY UNCUT WITH HUGE MARGINS. Minimal traces of wear to wraps else FINE AND BRIGHT. <br/><br/> Editions Mornay / Les Beaux Livres paperback
191952226Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 25 x 35 cm en feuilles Edition illustrated with 20 original wood engravings by Hermann-Paul one of 35 numbered copies on Japan paper deluxe printing after 1 grand vélin De La Rue. Our copy is complete with its suite of 20 wood engravings. Front cover detached. Two small tears at head and foot of spine which has a slight lack at head foxing on front cover back cover and flaps marginally sunned handsome interior condition. Léon Pichon unknown
17684Le Rire Paris 1902-03. In/4 broché reliure factice belle ensemble 51 numéros In/4 broché illustrations en noir et en couleur. N° 422 déchiré sans manque - le n°6 mars 1903 : spécial Cake-walk a sa couverture déchirée avec manques le poster d'A. Faibvre a souffert de quelques "grignotage" sur une pliure le numéro 13 manque de papier en couverture et déchirure du numéro - manque le N°14. Revue satirique actualité sociale et politique moeurs illustrée par Caran d'Ache Forain Léandre Willette Cappiello Faivre Métivet Vallotton Rabier Roubille Poulbot. unknown
192839057Paris: Manuel Bruker 1928. A charming livre d'artiste illustrated with color woodcuts by Hermann-Paul. From a total edition of 305 numbered copies this is one of 275 copies on extremely fine Arches wove paper. Large 4to. Original wraps. FINE AND BRIGHT. <br/><br/> Manuel Bruker paperback
192879184Paris:: Manuel Bruker 1928. First edition; No. 25 of 25 copies on Japon Imperial total edition 350 copies; inscribed and signed by Dr. Lucien Grauz on the colophon page and again on the front free endpaper. publisher's printed wrappers in glassine. Short closed tear at the top of the rear joint; otherwise a very fine copy partially unopened in glassine wrapper with a little damage in the same location as the wrapper. 4to. Gravures dur Bois de Hermann - Paul. Manuel Bruker, unknown
192866472Paris: Manuel Bruker 1928. Fine. Manuel Bruker Paris 1928 23.50 x 28.50 cm broché First edition one of 275 numbered copies on Arches vellum the only printing along with 5 Madagascar and 25 Japan. Work illustrated with original color woodcuts by Hermann-Paul. Handsome copy despite two slight sunning marks at head and foot of spine. Manuel Bruker hardcover
192850766Paris: Manuel Bruker 1928. Fine. Manuel Bruker Paris 1928 23.50 x 28.50 cm broché First edition one of 275 numbered copies on Arches laid paper the only printing with 5 Madagascar and 25 Japan. Work illustrated with original colored woodcuts by Hermann-Paul. Endpapers lightly shadowed handsome copy. Manuel Bruker unknown
19044844Paris: Librairie Charpentier et Fasquelle 1904. A very nice copy of this first edition. Bound in a lovely Randeynes art nouveau binding with half leather gilt titles and blind stamped design to the spine. Marbled boards. The binding is a touch rubbed but overall in sound condition. Signed J.D. to the base of the spine. Binder's label to the verso of the marbled end paper. Original soft covers bound in. These are a touch darkened but sound. 87 numbered full page caricatures printed to recto of each leaf. René Georges Hermann-Paul 1864-1940 designed caricatures for L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. . Un très bel exemplaire de cette première édition. Relié dans une belle reliure art nouveau de Randeynes en demi-cuir avec titres dorés et motifs estampés à froid au dos. Les plats sont marbrés. La reliure est un peu frottée mais dans l'ensemble en bon état. Signé J.D. à la base du dos. Étiquette du relieur au verso du papier marbré de la fin de l'ouvrage. Les couvertures souples d'origine sont reliées. Elles sont un peu assombries mais en bon état. 87 caricatures à pleine page numérotées imprimées au recto de chaque feuille. René Georges Hermann-Paul 1864-1940 a dessiné des caricatures pour L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. Librairie Charpentier et Fasquelle paperback
190482816Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 14.50 x 22.50 cm relié First edition one of 50 copies on China paper printed specially for the bookseller Carteret ours bearing No. 1 the only deluxe copies. Work consisting of 87 plates of drawings by the author which he captioned in order to ridicule bourgeois marriage. Bradel binding in half green morocco with corners smooth spine slightly discolored gilt date at foot marbled paper sides covers and spine preserved endpapers and pastedowns of combed paper top edge gilt on deckled edges contemporary binding signed Durvand. Handsome full-margined copy agreeably bound in contemporary binding signed Durvand. Charpentier & Fasquelle unknown
190430684Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 13.50 x 20 cm broché First edition on ordinary paper. Inscribed by Hermann-Paul to Karl Boès. Illustrated with drawings by the author. Charpentier & Fasquelle unknown
B173116-1Paris Dorbon Aîné 1915. 5 color woodcut plates each with the artists stamp at lower right. Oblong folio. Publishers dec. portfolio wraps. with dec. woodcut title composition by the artist. New fitted cloth portfolio. An unnumbered copy on papier blanc apart from the numbered tirage of 250 thus from the limited edition of 300. This copy includes two subjects for Printemps one of which may have been meant to be suppressed for its particularly brutal character. This copy without the decorative woodcut title-page reprised here on the front cover of the portfolio. Paris (Dorbon Aîné), [1915]. hardcover
1905201511905. Paris Librairie FÂŽlix Juven s.d. 1905. Un vol. au format in-4 314 x 238 mm non paginÂŽ 2 ff. n.fol. 24 planches et 1 f. bl. brochÂŽ. Edition originale rare de ce recueil constituÂŽ de 24 planches lithographiÂŽes en couleurs. ''Peintre caricaturiste admirateur de Paul CÂŽzanne Hermann-Paul opte pour une carriÂre dans la presse. Ironique et violent se pose en redresseur de torts au graphisme sombre. Son trait volontaire solide et jetÂŽ dÂŽpasse bien des fois celui de Forain auquel on l'a fort souvent comparÂŽ''. in 5.000 dessinateurs de presse. ''On lui doit une satire de la bourgeoisie de son ÂŽpoque constituÂŽe par une suite de dessins prÂŽsentant dans leur ensemble une assez pÂŽnÂŽtrante ÂŽtude de moeurs''. in Osterwalder. ''Il est le peintre de la laideur morne de la mÂŽdiocritÂŽ satisfaite et soi et irrÂŽmÂŽdiable. Ses figures flÂŽtries de bassesse ont un achevÂŽ parfait dans leur voulu d'ÂŽbauche. Le rire sans joie d'un cynisme dÂŽnuÂŽ de courage la triste perpÂŽtuitÂŽ de la veulerie M. Hermann-Paul en dÂŽlimite en ses dessins toute la platitude et tout le dÂŽsespoir.'' Francis Carco. ''Artiste digne de mÂŽmoire''. in BÂŽnÂŽzit. Saint-Martin 5.000 dessinateurs de presse p. 408 - Osterwalder I Dictionnaire des illustrateurs p. 496 - BÂŽnÂŽzit V Dictionnaire des peintres p. 506. LÂŽgÂres marques d'usage affectant les plats. Petite restauration en marge infÂŽrieure et au revers du faux-titre. Plusieurs feuillets constellÂŽs de petites rousseurs. Du reste bonne condition. b42961 unknown
192631596Paris: Editions Mornay 1926. Near Fine. Paris: Éditions Mornay 1926. First Edition Limited to 360 copies on Arches paper of which this is no. 292. Small quarto; mid-century three-quarter brown crushed morocco over marbled paper boards gilt spine in five compartments top edge gilt marbled endpapers original wrappers bound in; 300pp.; illus. throughout. Very light shelf wear to leather margins spine slightly sunned spotting to half title faint offsetting from illustrations else a Very Good to Near Fine example. Editions Mornay unknown
189538694Paris: Chez l'Artiste 1895. ONE OF THE UNDISPUTED MASTERPIECES OF 1890s LITHOGRAPHY a sardonic and desultory and yet subtly humorous portrayal in ten lithographs on fine Chinese paper of the life of "Madame Whoever" a typical woman of the Parisian bourgeoisie. Even as her life passes before our eyes her face is never revealed to us. Each lithograph measures 41 x 31.5 cm. They are loose as issued in the original lithographed folder with the series title and the titles of the individual lithographs printed lithographically on the front cover which is also numbered in pencil and SIGNED by the artist with his monogram. Minor marginal defects else FINE AND BRIGHT. Very rare especially complete. <br/><br/> Chez l'Artiste unknown
16-6379France: Circa early 20th Century. Ink on paper. Matted. 20 x 16cm. Signed and dedicated.Rene Georges Hermann-Paul born in Paris he trained as a painter at both the Ecole des Arts Decoratifs and the Academie Julian. Hermann-Paul’s prints and caricatures established his reputation by the beginning of the twentieth century. His drawings for Le Courrier Francais starting in 1894 and for Le Rire as well as his active support of Alfred Dreyfus led to involvement with anarchist journals. A satirist of bourgeois values cynical abrasive and even rude in his depictions Hermann-Paul was an active social commentator for more than three decades although in his last years his politics moved decisively towards the right. Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. France: Circa early 20th Century unknown
0484893041.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
44595872-nnew. unknown
44595872like new. unknown
