Giannini, LucianoBiblio.com
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6208586933.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9786208586911Paperback / softback. New. paperback
ria9786208586911_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The research analytically investigates in the context of a digital social network the extent to which the way an institution's persona is presented and the relationship established between those who encode and those who decode the mes paperback
ria9786208586935_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1175317500.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1149828323.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961RO40061593LES EDITIONS MONDIALES / COLLECTION INTIMITE. 1961. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Quelques rousseurs. Environ 220 pages. Annotations sur les contreplats.. . . . Classification Dewey : 850-Littératures italienne, roumaine, rhéto-romane
197811125No Place: Jays Hill Press 1978. First edition. Paperback. Fine. First edition. One of 100 copies printed of this scarce poetry chapbook. INSCRIBED by the author and with numerous hand corrections and notes from the poet. Fine copy. <br/><br/> Jays Hill Press paperback books
BRUNO MALINVERNI CIVITAS ANTOLOGIA DEGLI SCRITTI PIù SIGNIFICATIVI APPARSI DAL 1919 AL 1925 SULLA RIVISTA CIVITAS FONDATA E DIRETTA DA FILIPPO MEDA EDIZIONI CINQUE LUNE 1963 841 PP. SOVRACCOPERTA STANCA E CON QUALCHE TAGLIETTO QUA E Là, COME DA FOTO, SEGNI DEL TEMPO, OTTIME CONDIZIONI, CONSIDERATI I 50 ANNI DEL VOLUME
1964RO40061595LES EDITIONS MONDIALES / COLLECTION INTIMITE N°217. 1964. In-12. Broché. Etat d'usage, Couv. convenable, Dos frotté, Quelques rousseurs. Environ 220 pages.. . . . Classification Dewey : 850-Littératures italienne, roumaine, rhéto-romane
108930N.pl., Soc. Arch. Viterbese 'Pro Ferento', (1970).
ill., br. Questo libro propone un'ulteriore lettura di "Carosello napoletano" che dalla Palma d'oro al Festival di Cannes del 1954 scivola nelle silenziate pagine della cinematografia italiana: un film che, grazie al recente restauro, ci offre lo scenario di una creatività che anima l'immediato dopoguerra italiano. L'autrice focalizza il suo sguardo su Ettore Giannini e Léonide Massine, sul rapporto danza e cinema all'alba del musical in un'analisi che, partendo dal valore assoluto del corpo, dal suo movimento nello spazio, arriva alla metamorfosi in immagine riflessa sullo schermo grazie al cinema, per completarsi con lo studio della genesi e della ricostruzione del film, attraverso immagini e documenti in gran parte inediti.
081618069Script Format reprint. Like New. / 1993 2ND REVISED DRAFT/THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADSSHIPS WITHIN 24HRS!! unknown
1023774542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1023769948.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1144365201.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1145605567.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390738000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391795369.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1932056134San Francisco Ca: Bank Of America 1932. 1st Edition . Hardcover. Fine. Single Sheet Folded Twice To Make 6 Papges. The Text Of A Radio Address July 23 1932 From Radio Stations Kfi And Kgo Concluding Bank Of America's "Back To Good Times" Programs. Fine Scarce. Per Wikipedia Amadeo Pietro Giannini 1870 -1949 Was An Italo-American Banker Who Founded The Bank Of Italy Which Became Bank Of America. Giannini Was The First Son Of Luigi Giannini 1840-1877 And Virginia Née Demartini Giannini 1854-1920. Luigi Giannini Immigrated To The United States To Prospect In Response To The California Gold Rush Of 1849. Giannini Attended Heald College But Realized He Could Do Better In Business Than At School. In 1885 He Dropped Out And Took A Full-Time Position As A Produce Broker For L. Scatena & Co. He Married Clorinda Cuneo 1866-1949 Daughter Of A North Beach San Francisco Real Estate Magnate In 1892 And Eventually Sold His Interest To His Employees And Retired At The Age Of 31 To Administer His Father-In-Law's Estate. Giannini Founded The Bank Of Italy In The Jackson Square Neighborhood Of San Francisco On October 17 1904. The Bank Was Based In A Converted Saloon As An Institution For The "Little Fellow". It Was A New Bank For The Hardworking Immigrants Other Banks Would Not Serve. The 1906 San Francisco Earthquake And Fires Leveled Much Of The City. In The Face Of Widespread Devastation During The Period After The Fire Giannini Was One Of The Few Bankers Who Could Satisfy Withdrawal Requests And Provide Loans Operating From A Plank Across Two Barrels In The Street. Giannini Made Loans On A Handshake To Those Interested In Rebuilding. Branch Banking Was Introduced By Giannini Shortly After 1909 Legislation That Allowed Branch Banking In California. Its First Branch Outside San Francisco Was Established In 1909 In San Jose. By 1916 Giannini Had Expanded And Opened Several Other Branches. He Bought Banks Throughout California And Eventually Bank Of Italy Had Hundreds Of Branches Throughout The State. Giannini Began Investing In The Bank Of America Los Angeles Because Conservative Business Leaders In Los Angeles Were Less Receptive To The Bank Of Italy Than San Franciscans Had Been. Upon Finalizing The Merger Of Their Banks Giannini And Orra Monnette Concurred That The Bank Of America Name Idealized The Broader Mission Of The New Bank. By 1929 The Bank Had Over 400 Banking Offices In California. The New Institution Continued Under Giannini's Chairmanship Until His Retirement In 1945; Monnette Retained His Board Seat And Officer's Position. Giannini Helped Nurture The Motion Picture And Wine Industries In California. He Loaned Walt Disney The Funds To Produce Snow White The First Full-Length Animated Motion Picture To Be Made In The Us. During The Great Depression He Bought The Bonds That Financed The Construction Of The Golden Gate Bridge. During World War Ii He Bankrolled Industrialist Henry Kaiser And His Enterprises Supporting The War Effort. After The War He Visited Italy And Arranged For Loans To Help Rebuild The War-Torn Fiat Factories. Giannini Also Provided Capital To William Hewlett And David Packard To Help Form Hewlett-Packard. Giannini Founded Another Company Transamerica Corporation As A Holding Company For His Various Interests Including Occidental Life Insurance Company. Giannini Had Long Been A Republican But With The Collapse Of The Republican Party In The Great Depression He Concerned Himself With Democratic State Politics. In The 1934 California Gubernatorial Election Giannini Worked Hard To Block Left-Wing Novelist Upton Sinclair From Winning The Primary For The Democratic Nomination. He Failed And With Support From The White House He Endorsed And Helped Finance The Republican Candidate Incumbent Frank Merriam Who Did Defeat Sinclair. <br/> <br/> Bank Of America hardcover
RO50065589SEMI. Non daté. In-8. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 4 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
1963135885Couverture rigide. Cartonnage de l'éditeur. 24 pages. Nom sur la page de titre. Gribouillé au stylo-bille sur toutes les pages.
24035Ca. 143 x 96 mm.<br/><br/>Minor creasing to upper right corner; signature and inscription slightly smudged but legible. Dusolina Giannini "made her operatic début at Hamburg as Aida in 1925. Subsequent engagements took her to Berlin Vienna and Covent Garden as well as to Salzburg 1934-6 where she sang Donna Anna under Walter and Alice Ford under Toscanini. In 1938 she created the part of Hester Prynne in The Scarlet Letter an opera by her brother Vittorio Giannini. Her career at the Metropolitan began with Aida in 1936 and lasted until 1941 during which period she also played Donna Anna Santuzza and Tosca. After appearing in Chicago 1938-42 and San Francisco 1939-43 she took part in the first season of New York City Opera 1943 as Tosca at the opening and then Carmen and Santuzza. She retired some 20 years later and devoted herself to teaching. Giannini's voice was a true dramatic soprano backed by strong temperament and impeccable musicianship as revealed by her recordings notably her Aida. She was also a noted concert singer." Max de Schauensee in Grove Music Online. unknown books
63-5702Florence Italy: Giulio Giannini E Figlio ca. 1990. Business Card. 14 x 11 cm. Letterpress on wove black and red ink Very Good . Florence, Italy: Giulio Giannini E Figlio, [ca. 1990?]. unknown
Milano, Società Editrice Astra, domenica 19 gennaio 1947, un numero, in-folio, pp. 4.
