265 résultats
193435220Paris Editions Excelsior 1934 In-8, maroquin noir, premier plat orn dans un caisson central d'une composition originale signe de Louis Icart, ralise en box model et mis en couleurs, reprsentant Don Quichotte sur son cheval pouss par Sancho Pana, escaladant la France dispose sur un globe terrestre; dos quatre nerfs; larges encadrements intrieurs orns de filets au palladium, doublures et gardes de soie moire verte, doubles gardes de papier marbr mauve, tranches dores sur brochure, couverture illustre. Chemise, tui (Louis Icart inv. - Maylander rel. dor.).Edition originale du seul livre de Louis Icart, dans lequel l'artiste transpose l'histoire de Don Quichotte sous la forme d'une pice de thtre. Dans le cinquime et dernier acte, Don Quichotte ressuscit part en croisade en France contre les maux de la socit moderne: le Veau d'Or tal... l'Argent-pour-l'Argent... le rgne du mesquin... du "petit" ... du mchant... le triomphe, en un mot, de la Muflerie. Les ailes des moulins vent sont remplaces par les ailes des avions porteuses de craintes et d'espoirs. Tirage sur grand papier limit un exemplaire sur japon et 20 exemplaires numrots sur auvergne. Exemplaire sur auvergne (n1) offert par l'artiste son pouse avec sur le faux titre cet envoi autographe sign : A toi - pour toi - par toi ! Louis Icart. Exemplaire enrichi d'une maquette dessine au crayon par l'artiste pour le faux titre et la page de titre, monte en tte du livre et portant cet hommage: A Fanny, ma femme. ... De chez Vronse et de chez Watteau tu es venue chez moi... - Et j'ai peint. ... Tandis que prs de toi j'Suvrais tu m'as lu "Cervants"... - Et j'ai crit ceci... En hommage, je t'offre ce fruit de mes penses, de mes veilles et de mon amour. Louis Icart. La couverture du livre est illustre d'une grande composition de l'artiste reprsentant Don Quichotte levant les bras au ciel devant une nue d'ailes de moulins se transformant en avions. Cette couverture n'a pas t coupe et se dplie en tte de l'ouvrage. Trs prcieux exemplaire dans une reliure exceptionnelle orne sur le premier plat d'une composition originale modele et colore de Louis Icart. C'est notre connaissance la seule reliure dcore par cet artiste.
1938007690Paris: Le Vasseur & Cie 1938. First Limited Edition. Presentation Copy. Slipcase with Vellum edging paper pastedown elsewhere. Quarter Vellum Portfolio. Near Fine. Inscribed and signed by Icart as follows: "Respectueusement à Madame Marcel Claude en hommage affectueux et en souvenir" dated September 11 1938. No. 50 of 200 copy limitation printed on Papier d'Auverne à la main. This is the second tranch numbers 6 to 50. Calligraphy and imagery on 45 "monotypes gravés" -- monotype engraving -- by Icart. Folio. 34 by 28 cm. Title gathering -- a folded sheet with three pages half title limitation page and title page followed by 93 pages then a colophon or description of the limitation tranches. Of the 93 pages 45 of them pictorial plates consisting of Icart engravings. Included also is a second set of Icart's engravings contained in a folded paper folder. The second suite of engravings is solely pictorial without the overlay of text. Also included is the actual copper plate for one of Icart's pictures. The printed text throughout reproduces Icart's calligraphic hand both as appears on the pictorial plates and the pure text pages. Capital letters on the text pages plus the page numbers are rendered in red and red is used as a contrasting color on the title page as well. Fuller color appears in a Gothic stained glass window vignette surrounding the first letter of the text. Portfolio with moderate wear by the flaps. Slipcase has light wear. Vellum touches with light soil. Le Vasseur & Cie unknown
1940003000Paris: L.I. Louis Icart 1940. Book. Fine. Hardcover. Pierre Louys adaptation of the Greek myth of Leda and the Swan. One of only 4 copies on Japon with extra suites of the 1st state proofs and the 2nd state proofs and the original copper plate used for the etching on page 7. Numbered from II to V. This is copy number IV. From a total edition of 147. With 16 drypoint engravings printed in blue by Louis Icart of which 5 full page and 11 in-text. The etchings were printed by French masterprinter Manuel Robbe. The 32 full page 1st and 2nd state proofs are printed in black. All prints protected by tissue guards. Loose folded sheets in wrappers with silver title. In publishers marbled chemise and slipcase. 23 text pages. Sheets measure 29 x 215 cm. Extremely rare copy with the extra suites and the original copper plate. Spine of chemise a bit sun faded lightest wear to corner tips of slipcase. A very fine copy in collectors condition. . L.I. (Louis Icart) Hardcover
98001Paris Éditions Excelsior 1926. . Limited edition number 307 of 425 numbered copies; 4to; 20 colour plates by Icart and a facsimile letter by Colette on blue paper tipped-in opposite the limitation page text in French near-contemporary binding by A. Szekely in half morocco over marbled boards gilt marbled endpapers and top edge gilt a little rubbed at extremities otherwise very good. <br /> <br /> Paris, Éditions Excelsior, 1926. hardcover
2002102967Schiffer Publishing Co. New. 2002. Hardcover. 0764315846 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 245 pages; 510 color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Schiffer Publishing Co. hardcover
194010949Paris: Charles Meunier 1940. One of 125 copies on vélin crème this no. 64 of a very small total edition of 147 copies. 15 gently erotic colour aquatint engravings by Louis Icart. Each page with a gold border. Pp. iv 28. 4to. loose as issued in the original wrappers with original gold-printed glacine housed in the original chemise and slipcase of gold highlighted marbled paper covered boards. A very good bright copy the slipcase is a little rubbed at the extremities and the chemise has very subtle reinforcing of the spine.Chrysis forms the subject of Louys’s best known erotic book Aphrodite. Set in Alexandria the book follows the fortunes of the courtesan Chrysis who is known for her beauty and her skill at winning the devotion and servility of men and her ambition of love with the sculptor Demetrios. Louys was writing to espouse his philosophy that nudity human sexuality and pleasure should all be embraced in the pursuit of perfect love. Carteret Tresor du Bibliophile Vol IV p.252 Charles Meunier hardcover
2002C102967Schiffer Publishing Co. As New. 2002. Hardcover. 0764315846 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 245 pages; 510 color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Schiffer Publishing Co. hardcover
194555427Paris Georges Guillot 1945 Petit in-4, en feuilles, couverture imprime (embotage de l'diteur).Pendant les longues annes de ma carrire de mdecin (...) il m'a paru fort intressant de rechercher s'il n'existait pas quelques rapports entre leur caractre, leur destine et certaines conformations que prsentait leur corps. Les seins surtout m'ont paru rpondre cela (...) j'ai pu dduire de leur tude les observations que j'expose ci-aprs, sous le titre : "Nature et destine de la femme par l'observation de la forme de ses seins". 30 eaux-fortes originales de Louis Icart, dont une vignette de titre, 5 sur double page, 10 hors-texte et 14 culs-de-lampe. Tirage limit 200 exemplaires numrots. Un des 130 exemplaires sur arches.
19513128Scripta et Picta, Paris 1951. In-folio (365 x 275 mm), 230 pp. + fnch., en feuilles sous couverture rempliée, chemise-étui en percaline verte de l'éditeur. 58 LITHOGRAPHIES ORIGINALES EN COULEURS DE VAN DONGEN. Tirage limité à 210 exemplaires tous sur vélin de Lana. Van Dongen dessina les illustrations directement sur pierre (Une pierre par couleur !). Les lithographies ont été tirées par Mourlot Frères. L'ouvrage en feuilles tel que paru dans son emboîtage éditeur, en parfait état. (From Manet to Hockney n°126, Monod n°4944, Bailly-Herzberg p. 325, Juffermans)
1920210221920 Pastel sur papier, signé en bas à gauche, 42 x 33 cm. (1920), cadre argenté Art-déco au motif de vagues.
1945106691945 1 Impression deux tons, texte en noir, double filet et motifs d'encadrement en carmin ; les lettrines sont en noir sur fond vieux-rose. Paris, Egix, 1945, in-4° en feuilles sous couverture blanche imprimée et rempliée, chemise et étui cartonnés recouverts de papier à la colle, vignette de titre au dos de la chemise ; rousseurs aux serpentes et aux 3 derniers feuillets, chemise et étui légèrement frottés, étui fragilisé par la présence des suites.
1940101611940 1 P., L.I., 1940, in-4° de 5 ff.n.ch.-28 pp.-1 f.n.ch., relié demi-chagrin à coins rouge cerise, titre or sur dos lisse, tête dorée, gardes marbrées, couvertures muettes de la chemise d'origine conservées.
1945007951Paris: Éditions Egix 1945. Limited Edition. Stiff Wraps around novel. With Glassine DJ. Hardcover Folder outside Wraps. This with marbled paper pastedown on boards. Slipcase with same marbled paper pastedown on its boards. Near Fine/Fine. No. 13 of 20 copies on Vélin B.F.K. with 2 additional suites of plates coloured and uncoloured this being the second of four tranches from an edition limited in total to 295. Folio 33.5 by 25.5 cm. 154 pp. Pagination begins at 13 the first page of the novel with the first gathering containing the limitation or "Justification du Tirage" and one plate and the title page and "Premiere Partie" pages of the second gathering as well as several blanks counted in the pagination but not paginated. 21 pochoir plates and text illustrations these about a third of the page and placed variously on their pages. All pages have lovely ruled borders decorative letters for the beginning of sections and other ornamental touches. The additional suites are separate from the loosely bound text. All of the leaves in the additional suites have their own tissue guards just they do in the book proper. Slipcase is missing top edge panel and has some general wear. The hardcover folder/cover of the book proper has moderate wear as well especially along its joints. The book proper and the two additional suites are clean and bright and one could say Like New. The tissue guards are slightly browned along the edges and have some creasing here and there and more frequently along their edges as to be expected given their peskiness and tendency not to stay in place. Overall this is a beautiful copy of the work with Icart's evocative louche illustrations. Éditions Egix hardcover
1946145961946 P., Georges Guillot, éditeur, 1946, 1 vol. in-folio (330 x 257 mm) en feuilles sous couverture rempliée, boîte à châsse cartonné avec dos toilé rose, de (4) ff. (faux-titre, titre et à propos) 162 pp. (1) f. (justificatif).Très bel exemplaire.
47483Pointe sèche;aquatinte signée.Icart (1888-1950),était un peintre,illustrateur français.Cadre ovale d'époue,verre.44 cm de haut et et 32,5, hors marges et cadre. Ravissant.Quelques piqùres.légère marque de mouillure en marge gauche.
LIQ-3460P. Edition Excelsior S.d. In-4° broché, sous couverture imprimée.
19251398452Paris: Les Graveurs Modernes 1925. Ink on paper. In Good condition in a Good Minus wood and gilt frame. Exposed paper measures w. 15.5 in. by h. 19.5 in. Frame measures w. 21.25 in. by h. 25.5 in. Moderate wear and scratching to frame paper backing torn exposing non-archival cardboard backing. Toning and soiling to paper consistent with age. Marked "Copyright 1925 by les Graveurs Modernes 194 Rue de Rivoli Paris" in upper left corner. Pencil numbered "278" in lower left corner. Signed "Louis Icart" in graphite in the lower right corner. PG consignment. Shelved Dupont. 1398452. Arts & Antiques. Les Graveurs Modernes unknown
194322172Paris: Le Vasseur & Cie. 1943. Loose plates. Near fine. Twenty-four black and white etchings and one full color etching 5 by seven inches on pages measuring seven by nine inches. The color etching has an old tape repair on the reverse of the upper margin not affecting either the image of the plate impression else these are in fine condition. Each etching is signed in pencil by Icart at the bottom right. Protected in a custom clamshell box.<br /> <p><br /> Icart created these illustrations foe a 1943 edition of Goethe's Faust published by Le Vasseur et Cie. We cannot tell if these are from one of those copies but doubt it as the suite of illustrations in the copies we have seen are not signed.<br /> <p>. (Le Vasseur & Cie.) unknown
52193.Paris.LI.1940.14 gravures sur 15 par Louis Icart.Ex.99.En feuilles,sous chemise.Gravures sous serpentes.BE.(Monod 7397).
989928Editions Egix Paris 1945 In-4 ( 330 X 255 mm ) de 154 pages, plein maroquin caramel, dos à nerfs orné de filets dorés droits et perlés, double filet doré d'encadrement sur les plats, tête dorée, couverture et dos conservés, étui ( Reliure signée de J. LAMBERTI ). Edition originale et premier tirage des 21 eaux-fortes en couleurs de Louis ICART ( dont un frontispice et 10 hors-texte ). Texte dans un encadrement de double filet rouge, lettrines et ornements typographiques en rouge. Tirage limité à 325 exemplaires, celui-ci 1 des 125 numérotés sur vélin B.F.K. ( N°68 ) troisième papier numéroté 32 à 156. Très bel exemplaire, fort bien relié.
193654046Sous étui cartonné. Reliure plein chagrin marron. Dos à nerfs ornés de filets dorés. Filets et guirlandes dorés encadrant les plats. Tête dorée. Couverture et dos conservés. Intérieur propre. Illustré de 60 compositions en couleurs par Louis ICART. La suite libre des 16 eaux-fortes en tiré à part, manque.
19401026LParis: L. I. Louis Icart 1940. 1st edition limited to 147 copies. in original wrappers marbled folder and slicpcase. very good. Louis ICART. LOUYS Pierre - ICART Louis: <br /> CHRYSIS. Tale of Pierre Louÿs illustrated with Fifteen etchings by Louis Icart. IN FRENCH. Publisher: L. I. - 1940 2 sheets 28 pages 2 sheets. With 15 5 full-page colored etchings by Louis Icart. Nearly all with tissue guards. Text and plates loose as issued. Pages slightly browned and foxed. Quarto 11.25 x 8.375 inches; 29 x 20.5 cm .-.<br /> <br /> Printed in 147 copies; this one n° 97 of 125 on cream vellum copies numbered from 23 to 147. Cover with undamaged original pergamine cover very slightly browned and foxed inserted in original undamaged marbled cardboard folder in original marbled cardboard slipcase edges rubbed. Paris Monod 7397. -- Edition published under the direction of Charles Meunier with the etchings of Louis Icart printed in intaglio by the master printer Manuel Robbe.<br /> <br /> - "Icart's etchings have a worldwide reputation and it is believed that he created more than 500 in his lifetime. He also illustrated more than 30 books many highly erotic and became an accomplished painter. His paintings are more personal and less commercial than his etchings and reflect the fact that they were created largely for his own pleasure and not intended for a public audience. He died in Paris in 1950" Albany Fine Art. L. I. (Louis Icart) unknown
16-5241Paris: Éditions Excelsior 1926. Large 4to. 26 x 33.5 cm. Original paper wraps time stained as usual One of 546 numbered copies with 20 color etchings by Icart.Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3011.With a facsimile of a letter by Colette: : “De deux romans Minne et Les égarements de Minne qui ne portèrent pas ma signature j’en ai fait un seul : l’Ingénue libertine. La première partie trouve encore grâce à mes yeux ; je suis plus sévère pour la deuxième et dernière mot rayé superflue et qui sent le travail. Cette libertine aurait bien dû en rester à l’ingénuité. — Coletteâ€Broché sous couv. rempliée 33.5 x 26.5 cm.Édition limitée à 546 exemplaires celui-ci un des ex. num. du tirage principal survergé à la forme de Rives BFK. Le texte de Colette est illustré de 20 eaux-forteshors texte de Louis Icart 1888-1950 quelques-unes à caractère érotique et mises en couleur au pochoir et d’un fac-similé d’une lettre de Colette. Défauts mineurs. Paris: Éditions Excelsior, 1926 paperback
19436032321943. Louis Icart in black fountain pen ink on his 6 rue Jadin letterhead Paris March 31 1943. 5 3/8 in x 7 in lettersheet with stamp postmark and address on the verso. Very good. Text is in French. Icart's letters are scarce. To Leon Deffoux at Journal L'Oeuvre Paris I'm not so confused as to have made a mistake since in short you think like Pierre Varenne! The pen may get the address wrong but not the heart! . In the end have you and I and all of those who love what we love not always stayed connected by that silken 'Thread of Ariadne' left in the wake of the radiant Juliette Drouet - To make it short: I won't take back my 'thank you' and I fondly shake your hand. Louis Icart. Louis Icart 1888-1950 French artist and illustrator master of the Art Deco movement best remembered for his fashion etchings many of them of an erotic nature. Signed by Authors. Soft cover. Very Good. paperback books
1936778791936. Fine. 1936 18 x 23 cm une feuille Original signed drawing in color created in 1936 for the illustration of Rabelais' works by Le Vasseur & Cie. Watercolor and pencils on vellum. This drawing was undoubtedly reserved for one of the 29 deluxe copies on Japon nacré paper. hardcover