Albert CalbetBiblio.com
21 résultats
ria9783031761201_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; "Plankton in a Changing World: The Impact of Global Change on Marine Ecosystems" invites readers to explore the microscopic hidden world beneath the waves. This book unravels the fundamental concepts of plankton ecology and their releva paperback
B9783031802478Hardback. New. <p>Explore the captivating world of plankton with this hands-on guide perfect for students educators hobbyists and citizen scientists alike.</p> hardcover
3031802500.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199682183Casal de l'Espluga de Francolí 1996. paperback. Bueno. Tarragona 1996. Casal de l'Espluga de Francolí. Rústica. 344 pp. 24x17. Texto en catalán. Casal de l'Espluga de Francolí paperback
4874Couverture rigide. Bon/1937. in-8. Paris 1937 in-8 311pp broché Très bel exemplaire illustration de Calbet! unknown
1868020519Barcelona: Imprenta de la V. é H. de Gaspar 1868. Quinta edición estereotipada. Tapa dura. Good. 70 pp. Tablas de los logaritmos de 1 a 1000000. 18 x 25 cm. TABLAS LOGARÃTMICAS DE Números naturales Hiperbólicos y los de las LÃneas trigonométricas Senos Cosenos Tangentes y Cotangentes seguidos de un apéndice que contiene varias tablas ausiliares para los usos de la Navegación. Buen estado. Imprenta de la V. é H. de Gaspar hardcover
3031507657.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20241-3031507657Springer Nature 2024. Paperback. New. 170 pages. 8.27x5.83x0.51 inches. Springer Nature paperback
48401185-nnew. unknown
11616Calmann Lévy éditeurs 1937. In/8 reliure demi-basane à coins rouge dos à nerfs à titres dorés couvertures et dos conservés illustrations au pochoir de A. Calbet : hors-texte et vignettes 311 pages. unknown
4867Couverture rigide. Bon/1936. in-8. Paris Rombaldi 1936 in-8 137pp broché Exemplaire en parfait état de l'édition numérotée. Non coupé. superbement illustré de cinq compositions originales en couleurs de Calbet reproduites en héliogravure. unknown
01-1301Paris: L'Estampe Moderne ca. 1940s. Color etching. 208 x 304 mm. Signed in pencil and numbered "65." Mounted on cardboard. Paris: L'Estampe Moderne, ca. 1940s. unknown
18997463Paris: Librairie Borel 1899. First illustrated edition. Softcover. g. Octavo. 188 pp. Original decorative glassine over illustrated wrappers with blue lettering on front cover. Frontispiece. Illustrated title page. One of the great novels about obsessive love "La Femme et le Pantin" The Woman and The Puppet was first published in 1898 by Mercure de France and is considered Louys' masterpiece. It has inspired five film versions including von Sternberg's in 1935 and Bunuel's in 1977. This novel - which drew some of its inspiration from Bizet's Carmen as well as a particular episode in Casanova's Memoirs - is a distillation of decadent themes that holds good from one fin-de-siecle to another a cautionary tale whose title acknowledges that for a woman to be fatale requires the complicity of a male puppet. The novel opens during the boisterous Seville Carnival of 1896 during which André Stevenol an amorously-inclined young Frenchman succeeds in attracting the attention of the alluring Concha Perez. A rendezvous is arranged but before it can take place André meets Don Mateo who in a long monologue recounts his affair with Concha and seeks to dissuade the younger man from becoming embroiled with the 'worst of women' who had teased ridiculed and humiliated him. First illustrated edition with plates in two states the second suite printed in red. Illustrations by A. Calbet and J. Dodina 15 headpieces 13 tailpieces and 15 full-page plates. Glassine partly torn and missing on spine and at upper front joint. Sporadic closed tears along edges of wrappers. Spine creased. Head of spine slightly chipped. Front hinge starting. Minor and sporadic foxing along paper margin. Text in French. Glassine in overall poor to fair wrappers in good- to good interior in good condition. Librairie Borel unknown
1922143279Albin Michel 1922. Limited . Paperback. Good. Edition limited to 580 exemplars--this is no. 75; 222 p. clean and unmarked on strong paper of finest quality; occasional foxing; 75 ill. 20 of them full-page plates with tissue guards some in color most of them nudes; sewn binding tender; wrappr sunned with a few faint stains at edges quite abraded at crown and foot of spine. This exquisite volume deserves fine binding. 4to. Extra postage. Albin Michel paperback
1896LOUYSPIE002126Librairie Borel Paris. 1896. First illustrated edition. Small octavo. pp viii 392 4. Numerous illustration by Calbet. Period binding of half black morocco with raised bands marbled boards and endpapers retaining the original wrappers.Presentation copy from the author inscribed by him on the half-title page: ''A Andr� de Lorde mon ancien camarade - Pierre Lou�s''. The recipient was a prolific playwright who was chiefly responsible for the Grand Guignol plays from 1901 to 1926.Covers slightly rubbed at the edges. Very good indeed. Librairie Borel, Paris. hardcover
16-5243Paris: Albin Michel 1922. Large 4to. Original wraps. 25.5 x 33cm. One of 500 numbered copies.183 p. 20 bl. pl. : ill. ; 34 cm.OCLC Number : 67963156.CALBET Antoine ill. & RÉGNIER Henri de. La Pécheresse. Broché sous couv. rempliée 33 x 25.5 cm. Édition limitée à 544exemplaires celui-ci un des ex. num. du tirage principal sur vélin d’Arches à laforme. Le texte d’Henri de Régnier est illustré de 20 compositions originales auxcrayons de couleur hors texte sous serpentes légendées et de 14 gravures en noirdans le texte par Antoine Calbet 1860-1942.Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 9561 Paris: Albin Michel, 1922. paperback
1937463Paris: Rombaldi Éditeur 1937. Limited Edition. Near fine. Antoine Calbet 1860-1944. 8vo 7 5/8 x 5 3/4 194 x 156 mm. pp: 4 vii 242. Five color lithographs including the frontispiece. Copies printed on Voiron laid paper are numbered. Previous owner's name in ink on first free flypaper dated Paris 1937. Bound in half red morocco with four raised bands and gilt titling; marbled boards and end papers; original wrappers printed in black and red bound in; t.e.g. Spine lightly sunned and with minor abrasions but binding is tight and square pages bright. This work is part of the publisher's series "Les Contemporains."<br /> BNF32396591. "Aphrodite: Ancient Manners" is a description of courtesan life in Alexandria by French poet and writer Pierre Louÿs 1870 - 1925 who is best known for the classical and lesbian themes in some of his writings. The book became an instant success when in was published in 1896 and became the subject of several editions including this limited edition accompanied by the five lovely and "piquant" illustrations by Antoine Calbet. Calbet was known for his colorful youthful somewhat risqué pictures of women had won medals at several of the Paris Salons 1863 1880 1891 1892 1893 and the Paris World Exhibition in 1900. He was a prolific illustrator of books Zola Barres and magazines and his best know commission is probably the luxurious Train Bleu restaurant at Paris's Gare de Lyon where he painted delightful panels depicting the cities of Nice Evian Nîmes and Grenoble. Rombaldi Éditeur unknown
189773957Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 22 x 36 cm une feuille Rare original lithograph executed by Antoine Calbet for L'Estampe Moderne series number 5 published in September 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on the verso light marginal foxing. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was published in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in Belle époque style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189773956Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1897 22 x 36 cm une feuille et une serpente Rare original color lithograph executed by Antoine Calbet for L'Estampe Moderne series number 5 published in September 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe edition on the verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem by Henri de Régnier; and another blank tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was published in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in Belle époque style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1914287851914. Paris SociÂŽtÂŽ du livre moderne 1914. Un fort vol. au format pt in-4 258 x 198 mm de 222 pp. Reliure de l'ÂŽpoque de plein maroquin ˆ grains longs incarnat plats agrÂŽmentÂŽs d'un dÂŽcor en relief d'inspiration vÂŽgÂŽtale avec petites piÂces de mosa•que ÂŽbÂne se prolongeant au dos dos lisse titre dorÂŽ tranches dorÂŽes la tÂte sur tÂŽmoins doubles gardes de pleine moire anthracite puis de plein papier marbrÂŽ sous chemise de demi-maroquin ˆ bandes incarnat et ÂŽtui bordÂŽ couvertures et dos conservÂŽs. ''Belle publication cotÂŽe''. in Carteret. Exemplaire revÂtu d'une spectaculaire reliure de plein maroquin ; qui est malgrÂŽ l'excellence de son exÂŽcution dÂŽpourvue de toute signature. Tirage unique ˆ 150 exemplaires seulement ; la plupart hors-commerce et rÂŽservÂŽs aux membres seuls de la SociÂŽtÂŽ des amis du Livre moderne. Exemplaire imprimÂŽ nominativement pour Monsieur Paul Gavault. Outre les dÂŽlicieuses compositions hors-texte par Antoine Calbet qu'il se doit de contenir l'exemplaire recÂle en outre une suite en deux tons de chacune desdites compositions. L'iconographie est complÂŽtÂŽe par de larges bandeaux figuratifs en couleurs ainsi que de nombreux ornements typographiques du mÂme. ''Calbet fut l'ÂŽlÂve de Michel de Cabanel et de Marsal'' in BÂŽnÂŽzit. ''Calbet fut membre de la SociÂŽtÂŽ des Artistes franÂais et exposa portraits et scÂnes de genre. Connu aussi pour sas aquarelles lorsque l'illustrateur Ludek Marold s'en retourna ˆ Prague c'est Calbet qui lui succÂŽda dans ses travaux ˆ Paris''. in Osterwalder. ''Calbet produisit des oeuvres inspirÂŽes des scÂnes galantes du XVIIIÂme''. in Bailly-Herzberg. Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 336 - MahÂŽ RÂŽpertoire des ÂŽditions de luxe p. 39 - BÂŽnÂŽzit IIDictionnaire des peintres p. 453 - Osterwalder I Dictionnaire des illustrateurs p. 206 - Bailly-Herzberg Le Dictionnaire de l'estampe en France p. 55. Dos de la chemise trÂs lÂŽgÂrement solarisÂŽ. Nonobstant trÂs belle condition. b42961 unknown
192311578Paris: Albin Michel Les Grands Livres du XXe Siecle n.d. 1923. One of 500 copies on velin d’Arches. 75 colour collotype illustrations by Calbet. Folio in a special signed binding by Rene Kieffer binder’s label on flyleaf full red leather with gilt blocking onlays on both sides depicting Aphrodite looking into a mirror in purple teal citron tan orange and flesh pink morocco stamped in gilt and with the monogram of the artist Antoine Calbet who designed the image turn-ins with a single gilt fillet and gilt floral tooling in the corners decorated red and silver endpapers original wrappers bound in. Housed in the original marbled paper covered slipcase. Front joint a little rubbed otherwise very good. René Kieffer 1876-1963 was a Parisian bookbinder publisher and bookseller who trained with Marius Michel and began as a finisher at the Chambolle-Duru bindery. In 1903 he set up his own atelier at 99 boulevard St-Germain. After a couple of moves he ended up in rue Seguier in 1910. In the 1920s he began to publish books himself after beginning to publish before the war with the dealer Auguste Blaizot producing titles in deluxe as here with the extraordinary silk printing or semi-deluxe editions using his own binding techniques so the collector could receive a specially bound copy of a René Kieffer edition generally a deluxe publisher’s binding was created by blocking a design in blind onto calf but collectors could also order personalised bindings which involved gilt blocking onto morocco rather than calf. Albin Michel, Les Grands Livres du XXe Siecle hardcover
