421 résultats
1922nc1410Corrard Pierre Modes et manières d'aujourd'hui Inconnu 1922 "UNE PROVENANCE EXCEPTIONNELLE. AN EXCEPTIONAL ORIGIN. Bon exemplaire de cette septième et dernière chemise de la collection ""Modes et manières d'aujourd'hui"", la publication du meilleur de la mode du début du XXe siècle, par les artistes l'ayant faite, au plus haut de leur art. Le projet est porté par Pierre Corrard, écrivain et éditeur de grand talent. Afin d'accompagner la révolution artistique et vestimentaire des années folles, il publie, en 1912, une première chemise, avec des illustrations de Georges Lepape. Devant l'accueil fait à cette première publication, il décide, chaque année, de proposer une chemise identique, avec des auteurs et des artistes différents. Après six volumes (un volume en 1912, un en 1913, un en 1914, un volume de guerre, couvrant les années 1914 à 1919, un volume en 1919 et un en 1920), il faut attendre 1922 pour que le septième et dernier volume soit publié. Sur un texte de Paul Valéry, Fernand Siméon propose, en 12 planches, sa vision de la mode de l'époque, en ocre jaune, bistre et noir. Cette chemise se présente comme toutes les autres de la série : sous un cartonnage fort, dont le premier plat est frappé des seuls titres et années, avec, en son centre, une illustration couleurs, les planches prennent place dans un ensemble de quatre rabats fait du même papier que celui illustrant la contre garde, et dont le motif a été dessiné par l'artiste réalisant les planches intérieures. L'ouvrage, en feuilles, débute par une page de titre reprenant l'illustration de couverture. Puis viennent les pages proposant le texte, et, après le colophon, les planches illustrées. La provenance de notre exemplaire est exceptionnelle: il provient directement de la famille Corrard. Stocké dans leur résidence, notre exemplaire est dans un bel état. Le ruban est absent. Cristal d'origine. La coiffe supérieure est malheureusement légèrement déchirée le long de l'articulation sur 1 cm, c'est à peine visible sous le cristal. Mais visible de l'intérieur. Notre exemplaire est un des 271 exemplaires numérotés sur Vélin à la cuve (sur un tirage total à 300 exemplaires). Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
194124.0483México: Editorial Cima 1941. 1ª ed. Encuadernación especial en piel encargado por el autor para su biblioteca particular. Cabeza del lomo reparada. 15x20. Editorial Cima unknown
192415164Paris, Editions d'Art Edouard Pelletan / Helleu et Sergent, éditeurs 1924. Deux volumes in -8 brochés, en feuilles, à marges de 325 et 368 pages au format 17 x 21,5 cm. Dos resté carré, légèrement jaunis, comme les bords des plats. Petites rousseurs intérieures. Frontispice, bois originaux, en-têtes et culs-de-lampe par Fernand Siméon. Edition en deux volumes qui compose le septième tome des Oeuvres de Charles Baudelaire. Un des 25 exemplaires numérotés sur chine et paraphés par l'éditeur ( n° 18 ), après 15 japon, complet de la suite en noir des illustrations, tirée sur chine, non indiquée au justificatif de tirage. Edition originale illustrée.
192074956Plon | Paris 1920 | 16 x 26 cm | relié sous étui
192365018Editions Mornay | Paris 1923 | 17.50 x 22 cm | broché
1920107376Paris Chez André Coq 1920 1 vol. Relié gr. in-8, plein maroquin à gros grain gris parme, dos lisse orné d'un décor doré d'encadrement en long, trois jeux de doubles filets dorées en encadrement des plats avec motifs enchâssés aux angles, bordure intérieure ornée d'un triple filet doré, double filet doré sur les coupes, coiffes guillochées, tranches dorées sur témoins, couvertures conservées (La Haye), 65 pp. Édition originale ornée de 26 ravissantes compositions (dont 8 à pleine page) et 9 lettrines gravées sur bois par Siméon qui évoquent le monde de l'enfance à la Belle Époque. Tirage limité à 550 exemplaires, celui-ci un des 5 numérotés sur Chine, tirage de tête avec 5 Japon, accompagné d'une suite sur Japon en sépia, d'une suite sur chine en noir et d'un dessin original (le nôtre entre les pages 18 et 19). Quelques rares rousseurs, sinon bel exemplaires à grandes marges et fort bien relié.
1920107376Paris Chez André Coq 1920 1 vol. Relié gr. in-8, plein maroquin à gros grain gris parme, dos lisse orné d'un décor doré d'encadrement en long, trois jeux de doubles filets dorées en encadrement des plats avec motifs enchâssés aux angles, bordure intérieure ornée d'un triple filet doré, double filet doré sur les coupes, coiffes guillochées, tranches dorées sur témoins, couvertures conservées (La Haye), 65 pp. Édition originale ornée de 26 ravissantes compositions (dont 8 à pleine page) et 9 lettrines gravées sur bois par Siméon qui évoquent le monde de l'enfance à la Belle Époque. Tirage limité à 550 exemplaires, celui-ci un des 5 numérotés sur Chine, tirage de tête avec 5 Japon, accompagné d'une suite sur Japon en sépia, d'une suite sur chine en noir et d'un dessin original (le nôtre entre les pages 18 et 19). Quelques rares rousseurs, sinon bel exemplaires à grandes marges et fort bien relié.
1997202343Dayton KY: Biplane Productions Publisher 1997. 1st. Hardcover. VG/VG: In excellent condition. Clean pages strong clamshell box and sturdy binding. Exquisite binding. Clamshell box in 3/4 dark orange leather with silver gilt lettering. The fabric portion is tan. There are silver decals lining the fabric. There is a silver gilt lettered leather bookmark in a black pocket inside the clamshell box. The book is leather the same shade of dark orange as is on the box. The title is in silver lettering down a spine that has two raised ribs. There is a silver mounted coin in the center of the front cover. The free and pasted end pages are a heavy marbled yellow-orange. The book is signed by the author photographer and vice-president of the remington society. Pages: 17 xvi-xxi 2-331 1. Profusely illustrated with color images. This is copy #60 of 250 leather copies; copy #60 of 225 with the silver coin the other twenty-five were gold. Contents are as follows: Introduction -- Ch. 1. Remington supplies the gun trade: 1816-1860 -- Ch. 2. Remington's initial government contracts: 1846-1858 -- Ch. 3. Remington enters the revolver trade: 1856-1861 -- Ch. 4. Remington supplies the union with longarms: 1861-1865 -- Ch. 5. Remington serves the union army and navy revolvers: 1862-1865 -- Ch. 6. Remington revives its civilian market: 1863-1865 -- Ch. 7. Remington adapts to cartridges: 1866-1875 -- Ch. 8. Remington adopts rider's designs: 1865-1914 -- Ch. 9. Remington adds Hepburn's line: 1880-1907 -- Ch. 10. Remington's deringer pocket pistols: 1865-1935 -- Ch. 11. Remington eyes the western revolver trade: 1875-1900 -- Ch. 12. Remington serves the urban market: 1873-1888 -- Ch. 13. Remington repeating rifles: 1880-1906 -- Ch. 14. Remington enters the shotgun trade: 1866-1983 -- Ch. 15. Remington: arsenal for democracy in two wars: 1914-1945 -- Ch. 16. Remington experiments with the self loader: 1905-1935 -- Ch. 17. Remington slide action repeaters: 1907-1949 -- Ch. 18. Remington small bore rifles: 1931-1966 -- Ch. 19. Remington experiments with new materials: 1966-1980 -- Ch. 20. Remington after 150 years: 1966-1997 -- Acknowledgements. Biplane Productions Publisher hardcover
192074956Paris: Plon 1920. Fine. Plon Paris 1920 16 x 26 cm relié sous étui First edition one of 450 numbered copies on Holland paper. Work illustrated with 35 original woodcuts by Fernand Siméon. Full brown morocco binding smooth spine decorated with a vertical band of black mosaic morocco black roulettes on the headcaps slight rubbing to the upper headcap gilt title struck to the center of the first cover covers decorated with a large diamond and a wide horizontal band of black mosaic morocco endpapers and pastedowns of paper with gilt floral motifs and moiré effect frame of vertical and horizontal bands of black mosaic morocco on the pastedowns covers and spine preserved top edge gilt double black fillets on the leading edges slipcase with brown morocco entry covers of paper with gilt floral motifs and moiré effect perfect Art Deco binding signed A. Pinard-Lefort. Handsome copy perfectly executed in a beautiful Art Deco binding. Plon unknown
192365018Paris: Editions Mornay 1923. Fine. Editions Mornay Paris 1923 17.50 x 22 cm broché Edition illustrated with original etchings and woodcuts by Fernand Siméon one of 35 numbered copies on Holland paper ours being one of 24 hors commerce copies the most limited deluxe paper printing after a unique copy on old Japan paper. Handsome copy despite a small light dampstain at foot of front cover and on its rear flap verso. Our copy is complete as stipulated in the justification page with its suite of woodcuts on Japan paper and the proof before letters of the etchings. Editions Mornay unknown
197861465Illustrations de Jean Gradassi "Le Miniaturiste", un des 350 exemplaires numérotés de 351 à 700 (n° 520) enrichis d'une illustrations originale en couleurs et d'une suite en gris de payne des illustrations hors texte, 3 vol. in-4 reliure éditeur plein chagrin grenat estampé à froid et richement orné sous étuis bordés, tête dorée, Achevé d'Imprimer sur les Presses de de la Société Le Chant des Sphères sous la direction de Joseph Pardo, Editions Arts et Couleurs, Editions Sefer JP, Monte Carlo, 1978 - 1979
1909135601909 TOULOUSE, Imp. E. Privat - 1909, 1912 - 2 Forts Volumes In-4 - 2 tomes sur 4, T. III & IV - Débroché - 1 Plat illustré - Plats déchirés - Grande carte dépliante de la Seigneurie de Mirepoix (en parfait état et en couleurs: 42 x 50 cms) - 660 & 711 pages - Ex. non coupés - très frais intérieurement - Rare
1991046823Library Of Congress. Very Good with no dust jacket. 1991. Limited Edition. Hardcover. 0844406694 . Hardcover; Two volume hardcover set in a clamshell box. Limited edition of 500 copies this is #225. Haggadah volume is bound in brown leather with title in gold on front board and spine. Commentary volume is done in brown cloth with title and gold ruling on front board and spine. Small spot to front board. Previous owner's name on third free endpaper. Text pages are crisp and clean. Brown cloth clamshell case with gold ruling and titling in gold is in very nice condition with minor wear. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; Color Illus; 8VO . Library Of Congress hardcover
196750416London: George Allen & Unwin 1967. First printing. Near fine. First UK edition of Dahl's escapist fruit adventure - a beautiful copy. Originally published in the U.S. in 1961 and newly illustrated by Simeon for this first British edition JAMES AND THE GIANT PEACH was described in Allen & Unwin's foreword as Dahl's "first book for children" somewhat accurate if one disregards his earlier THE GREMLINS 1943 originally intended as the basis for a Disney film. <br /> <br /> Dahl's genius as a writer for all age groups lies in his refusal to strip his children's books of the pure unadulterated nastiness at the core of his most memorable adult short stories; sex is absent but the vulgarity and meanness in the darkness of the human heart is if anything greater and more fearsome here: for Dahl hatred of injustice is born early in a child's spirit and festers until it finds some awful Aunt-crushing catharsis. The gruesome revenges taken by the weak upon the strong are correspondingly satisfying unfettered by impulses to mercy and as deeply transgressive as ever: Dahl's works for children have often been objected to by adults and this particular book regularly features on lists of banned or challenged books in American libraries - but for many children it is the spark of fantasy within bleak settings that appeals to the imagination without becoming saccharine. Tim Burton famously told Dahl's widow he wanted to turn JAMES AND THE GIANT PEACH into a film because "it's the only book that ever gave me any hope when I was a child" D IS FOR DAHL. <br /> <br /> Given the laminate boards this book is extremely difficult to find in such lovely condition. 9.25'' x 6.5''. Original laminated pictorial boards. No jacket as issued. Illustrated by Simeon in black and white. 110 2 pages. Laminate beginning to pull a tiny bit near joints though entirely intact else sound and bright. Faint marginal toning to leaves. George Allen & Unwin unknown
199152807Washington: Library of Congress 1991. Limited edition. Hardcover. Fine condition. 92/500. The Library's most important Hebrew illuminated manuscript is known as the "Washington Haggadah" because of its location in Washington D.C. A Haggadah the plural is haggadot is a liturgical work that is recited in the home at the festive evening meal of Passover in order to fulfill the biblical injunction Exodus 13:8 to recount the story of the Exodus to each generation. Haggadot are often illustrated the theory being that this will keep the children interested and awake during the reciting of the text. <br /> <br /> Completed on January 29 1478 the Washington Haggadah was signed by Joel ben Simeon a well-known scribe and artist responsible for more than a dozen other Hebrew illuminated manuscripts found in collections around the world. In addition to the full text of the Passover night liturgy the Washington Haggadah features stunningly intricate illuminated panels and a series of Passover illustrations that include depictions of "The Four Sons" "The Search for Leaven" and "The Messiah Heralded." The enduring popularity of Joel ben Simeon's miniatures is reflected in the many reproductions of his work that have appeared over the years in anthologies of Jewish art and manuscript painting. <br /> <br /> In 1991 the Library of Congress published this facsimile edition of the Washington Haggadah accompanied by a companion volume with a detailed scholarly description analysis and assessment of the manuscript. This edition faithfully preserves the original text with the Hebrew facsimile appearing in the original right-to-left orientation. It will be read and treasured by anyone interested in Jewish history medieval illuminated manuscripts and the history of the Haggadah. The Haggadah itself is bound in leather. The commentary by Myron Weinstein is a separate volume bound in cloth with both volumes encased in a cloth covered clamshell box. Library of Congress hardcover
1910M11272Toronto: Janes & Minkler Land Brokers c.1910. Very Good backed on acid free tissue paper for long term preservation. Notes: Rare map showing the development of downtown Toronto Bloor Street Davenport Road area.<br>With an inset map: Sketch Shewing Position of Property. Size : 975x638 mm 38.39x25.12 Inches Coloring: Printed in Color Category: Maps Canada Ontario South Toronto; Janes & Minkler Land Brokers unknown
200018202Cumberland Rhode Island U.S.A.: Yale Univ Pr. New. 2000. Hardcover. 0300083483 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Yale Univ Pr hardcover
199930271Hatje Cantz Verlag. New. 1999. Paperback. 3775708332 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 460 pp. With 531 ills. 125 col. . 31 x 25 cm. -- with a bonus offer-- . Hatje Cantz Verlag paperback
198674026Museum. New. 1986. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 64 pp. With 54 ills. 28 x 22 cm. -- with a bonus offer-- . Museum paperback
1908122897London: Privately Printed at the Chiswick Press 1908. A proud Jewish father publishes for his children First and only edition. A truly sumptuous piece of private publishing produced as a gift for the author's children and grandchildren handsomely printed at the Chiswick Press and finely bound by an unnamed binder of real quality. Among the varied pieces is "A Dream by One who Dreamt It" a prose fantasy conceived at the time of the Dreyfus case of a Jewish state "a beautiful land of very vast extent" where Jews driven out from the civilized countries of Europe by "hatred and envy of the race" live in paradisal self-government. The volume carries the bookplate of Bernard Alexander Isaac 1871-1938. If he is one of the children for whom the book was printed then "Pater" was Frederick Simeon Isaac c.1829-1915. With his siblings Benjamin and Alexander Frederick was a partner in Isaac & Samuel a City of London firm with worldwide interests. He was also a director of several South American utility and finance companies. In the 1871 Census he was described as a "South American merchant" and in the 1901 Census as a "financial merchant". He left £630000 including a range of legacies to Jewish charities. The book is likely to have been printed in small numbers and is unsurprisingly rare. There are no copies listed on Library Hub and Library Hub lists only the Toronto Public Library copy. We were unable to trace any other copy in libraries or auction records. Tall octavo 247 x 184 mm. Photographic portrait of the author as frontispiece with tissue guard title printed in red and black decorative opening initials headpieces and culs-de-lampe. Finely bound in contemporary dark blue crushed morocco titles in gilt direct to spine gilt-ruled raised bands compartments and turn-ins ruled and richly decorated with foliate and circlet motifs in gilt boards panelled in single gilt rules with floral and repeat foliate motifs to corners green silk endpapers edges gilt unsigned but evidently quality work. Pictorial bookplate of Bernard A. Isaac to front pastedown. A few minor marks to covers else a fine copy printed on thick paper and handsomely bound. Toronto Public Library call number 828 P1283. hardcover
192223830Paris Société de la gravure sur bois originale 1922.1927 4 Paris, Annuaire de 1922. Six sonnets du XVIème, XVIIème siècle, Six pièces du XVIIIème siècle, 4 ouvrages en 1 volume in-4. Plein maroquin noir, havane et box Sienne au décor mosaïqué figurant une harpiste aux lignes Art-déco et filets blancs frappés d'or, dos au titre doré, contreplats de box Sienne, gardes de moire brune, double gardes façon bois, tête dorée, sous chemise demi-maroquin à bandes et étui bordé, (Robert Bonfils Relieur) .
