[Johnson, John H; Burns, Ben]; Booker, Simeon; Morris, Steve; Simmons, Art; Sanders, CharlesBiblio.com
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1968531Chicago: Johnson Publishing Co 1968. Wraps. Fair. 4-1/4 x 5-3/4" stapled photo-illustrated wraps printed in red black and white. 70 pages illustrated throughout. Covers scuffed and creased rear wrap reinforced on the inside with cellophane tape the first few pages with a tide mark at the fore-edge. Often imitated think BROWN HUE and OUR LIFE JET was founded by John Johnson in 1951 and was named for the airplane not the color because "In the world today everything is moving along at a faster clip". The magazine shot to national prominence in 1955 with its shocking and graphic coverage of the murder of Emmett Till and would remain an important voice in covering the Civil Rights Movement and in advocating for the rights of black and brown people. This issue is dedicated in its entirety to Martin Luther King Jr. his assassination the aftermath and the future of both the Civil Rights Movement and the United States as a whole. King's family is depicted on the cover with Coretta Scott King seated among her children. The copious photographs include personal snaps as well as now-iconic images and there are numerous interviews with both major players Mrs. King included and people who were there before during and after the assassination and funeral. A fascinating you-were-there tribute. Johnson Publishing Co unknown
19670908T626886AMS Press Inc. Good. 1967. Hardcover. Columbia Univ. Press 1950. Green cloth lightly marked edge worn. Tips bumped top tips blunted as if dropped. Not cracked.; Columbia University Studies In History Economics And Public Law No. 560; 420 pages . AMS Press, Inc. hardcover
2004Q-157912402XBlack Dog & Leventhal Publishers 2004-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Black Dog & Leventhal Publishers hardcover
2003Q-0929661796UNKNO 2003-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! UNKNO hardcover
Q-0929661524UNKNO. hardcover. New. In shrink wrap. Looks like an interesting title! UNKNO hardcover
DADAX0929661796UNKNO 0000-00-00. 1. hardcover. New. 8.20x2.00x10.30. Buy with confidence. Excellent Customer Service & Return policy. UNKNO hardcover
1995Q-0929661192Random House Inc 1995-04-18. Hardcover. New. In shrink wrap. Looks like an interesting title! Random House, Inc hardcover
1356814662.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2123869Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1912. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2123868Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1912. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2123867Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1912. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2123870Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1912. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
albe8c69516e7a58360L Shipbuilding 1986. You are welcome to reach out to us for a detailed description of the copies currently available. SKUalbe8c69516e7a58360. unknown
1928342923longmans 1928 first edition . near fine book very good jacket chipped at spine ends longmans unknown
2008AME_9783540774747Springer 2008. 1st. Hardcover. New/New. Springer hardcover
2008DBS-9783540774747Springer 2008. 1st. New. Springer unknown
2008DBS-9783540774747Springer 2008. 1st. New. Springer unknown
alb3d6f1173ced6f15bMinsk. Polymya. 1998. 428 You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb3d6f1173ced6f15b unknown
192585649Paris: Editions Mornay 1925. Fine. Editions Mornay Paris 1925 15.50 x 20.50 cm broché Edition illustrated with original woodcuts by Fernand Siméon one of 895 numbered copies on Rives paper. Light foxing to endpapers otherwise a handsome copy. Editions Mornay unknown
192575111Paris: Editions Mornay 1925. Fine. Editions Mornay Paris 1925 17 x 20.50 cm broché Edition illustrated with original wood engravings by André Deslignières one of 82 numbered copies on Japon impérial paper ours being one of 10 hors commerce and nominative copies the deluxe printing after 2 Japon ancien copies. Two small tears reattached at foot of spine. Fine full-margined copy. Editions Mornay unknown
75-1387Paris FR: Ch. Gavard 1838. f. Gravure. Very Good. 1pp. Black and white plate. From the book Galleries Historique De VersaillesText in French. Paris, FR: Ch. Gavard, 1838 unknown
192254971Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: 'In 1910' he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France.' Un grand éditeur d'art. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2738488455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192073139Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille Original color print advertising the Verlaine shop printed on laid paper. Two advertising vignettes on the reverse about Valaze and Dr Dys products. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full bloom of art deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metallic stencil technique heightened in colors and some outlined in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The success of the magazine is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These are the same illustrators who create the drawings for the advertisements of the Gazette. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of the fashion of the day. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic requirements and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""small dying journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
0364074248.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
