Auguste Francois-Marie GORGUETBiblio.com
10 résultats
189773971Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1897 19 x 25 cm une feuille et une serpente Rare original color lithograph executed by Auguste François-Marie Gorguet for L'Estampe Moderne series number 6 published in October 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature and date in the plate publisher's embossed stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard captioned with the artist's name title a poem and a presentation text; and another blank tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very great luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the artist's symbolist style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189773972Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1897 19 x 25 cm une feuille Rare original lithograph executed by Auguste François-Marie Gorguet for L'Estampe Moderne series number 6 published in October 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's embossed stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse light marginal foxing. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very great luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the artist's symbolist style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
71-7400Paris: L’Estampe Moderne 1897-1899. Color lithograph. 41 x 31 cm sheet. artist’s name in lower right of image ‘Aug. F. Gorguet’ with the blindstamp of L’Estampe Moderne Lugt 2790 printed by L’Imprimerie Champenois edited by Charles Masson and H. Piazza with the original tissue paper guard. Very Good sheet lightly toned along edges a few short tears along sheet edges. Paris: L’Estampe Moderne, 1897-1899. unknown
16-6176Paris: Stern Graveur 1896 . 4pp. 26.7 x 20 cm. Fête des Acacias donnée par le Comte et la Comtesse Boris de Castellan.Engraving printed in blue on cover. Musical program with the Opera orchestra and corps de ballet.Marie Ernest Paul Boniface comte de Castellane-Novejean puis marquis de Castellane dit Boniface de Castellane était un dandy et homme politique français il a été notamment député des Basses-Alpes aujourd'hui Alpes-de-Haute-Provence de 1898 à 1910. Provenance: Fond de l'Imprimerie STERN 47 passage des Panoramas à Paris.Le Graveur Stern ou Stern Graveur est une société française d’imprimerie et de gravure fondée à Paris en 1834 dans le passage des Panoramas bien connu pour ses gravures de haute qualité dont : les menus de repas de la haute société les titres de bourse les boutons de manchettes les médailles les billets de Banque les cartes de visites et autres passeports diplomatiques. Graveur imprimeur à Paris Stern Graveur atelier spécialisé dans la gravure de papier à lettre invitations faire-part monogrammes chevalières armoriées cartes de voeux.La Maison Stern et Aumoitte a été fondée en 1836 par Monsieur Aumoitte qui s'associe à un jeune graveur Moïse Stern. Cette association dure jusqu'à la fin des années 1850 puis Moïse Stern reprend la Maison. L'ex-libris de la Maison Stern devient un grand « S » dans lequel se loge un lion dressé la patte antérieure reposant sur le monogramme « MS » entrelacé. Une main brandissant un outil de graveur et deux pièces d'armure un gant et le casque complètent la composition. En 1867 et en 1889 la Maison Stern se voit décerner la Médaille d'Or lors de ces deux expositions universelles. Par la suite Moïse Stern sera occasionnellement membre du jury qui décerne cette médaille. Dans les années 1890 M.Stern associe son fils René à l'entreprise qui prend le nom de Stern et fils. René Stern reprend la boutique à son compte en 1904. Parmi ses prestigieux clients la Maison Stern a eu l'honneur de compter l'Elysée pour ses menus et ses invitations les ambassades la noblesse et les grandes entreprises françaises et étrangères. Chacun participe depuis longtemps au renom de la Maison. Depuis les générations se sont succédé avec aujourd'hui une volonté très forte de conserver et valoriser un savoir-faire et des techniques qui tendent à disparaître.Engraver and printer in Paris Stern Graveur was a workshop specializing in the engraving of letterheads invitations announcements monograms heraldic signet rings and greeting cards. The Maison Stern et Aumoitte was founded in 1836 by Mr. Aumoitte who partnered with a young engraver Moïse Stern. T.his partnership lasted until the late 1850s when Moïse Stern took over the company. The Maison Stern bookplate became a large "S" containing a rearing lion its foreleg resting on the intertwined monogram "MS." A hand brandishing an engraver's tool and two pieces of armor a glove and a helmet complete the composition. In 1867 and 1889 the Maison Stern was awarded the Gold Medal at these two World's Fairs. Moïse Stern would later occasionally serve as a member of the jury that awarded this medal. In the 1890s. Mr. Stern brought his son René into the business which took the name Stern et fils. René Stern took over the shop in 1904. Among its prestigious clients Maison Stern has had the honor of counting the Élysée Palace for its menus and invitations embassies the nobility and major French and foreign companies. Each has long contributed to the Maison's reputation. Paris: Stern Graveur, 1896 unknown
2008PMV402701AParis: Flammarion 2008. Trade paperback. Very good/Not issued. 231 x 282 x 44 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b> • Printed 2017 • No inscriptions. Flammarion paperback
188545136Ed. Monnier et Co. 1885. First Edition. Hardcover. Very Good. 8vo; 109 2 pages; Bound in light blue buckram with gilt lettering at spine with former owners initials at base "1885 / B.R.J."; pink marbled endpapers; original colored illustrated wrappers bound in; 10 full page plates with hand coloring 10 illustrated initials some colored and 10 tailpiece illustrations; top edges gilt. Quite nice condition but for two abrasions to original front wrapper. Auguste François-Marie Gorguet 1862 - 1927 was a lithographer painter illustrator; student of Gérôme Boulanger and Bonnat; he collaborated with several magazines such as Chat-Noir Figaro Illustré Revue Illustrée L'Illustration etc. Under the name of Auguste François Gorguet he exhibited at the Salon from 1885 and his work was awards in Chicago in 1892 and a silver medal at the Universal Exhibition of 1900. His work as a painter toiles panels ceilings is in the vein of the symbolist movement soon to be overtaken by the Art Nouveau. He was quickly brought into contact with the opera world illustrating many posters including Theodora reproduced in the magazine Les Maîtres de l'affiche. Joseph Pierre Fau 1808-1883 was a student of the Parisian painter Alexandre-Gabriel Decamps. He made his debut in 1831 at the Paris Salon and continued exhibiting there until 1877. He had sufficient wealth to build up an extensive art collection. PROVENANCE: B.R.J. -- Benny R. Jones noted book collector. . Ed. Monnier et Co. hardcover
191888792Paris: Librairie Hachette 1918. Third Edition. Quarto 29.5cm; gray cloth-covered boards with titling and illustrations stamped in gilt on spine and front cover; iv34-1871pp; colorful portrait frontispiece with colorful plate illustrations throughout. Text in French. Pencilled ownership with 1932 date to front pastedown. Modest shelf-wear with soil to covers and rubbing to board edges; Good. Biography of French fighter ace Georges Marie Ludovic Jules Guynemer. 88792. Librairie Hachette unknown
190266052Paris: Offenstadt frères 1902. Fine. Offenstadt frères Paris s. d. 1902 16.50 x 25.50 cm broché First edition on ordinary paper. Minor scratches of no consequence to the spine. Work decorated with 75 illustrations in black and watercolored with pochoir by Georges Bottini Auguste François-Marie Gorguet and Charles Lucas. Cover illustrated by Georges Bottini. Offenstadt frères unknown
190256775Paris: Offenstadt frères 1902. Fine. Offenstadt frères Paris s. d. 1902 16.50 x 25.50 cm broché first edition on the current paper. Precious autograph signed Felicien Champsaur Auguste François-Marie Gorguet who illustrated the book: ""In the master painter Gorguet his accomplice and friend ."" Book decorated with 75 illustrations in black and watercolor stencil Georges Bottini Auguste François-Marie Gorguet and Charles Lucas. Cover art by Georges Bottini. A lack leads the second flat restored tear on the back. Offenstadt frères unknown
191815717France pantheon de la Guerre 1918 1918. Paperback. Fair. VG set 9 large photographs of Montages Scenes Exhibits in this Temple of War USA Belgium Russia/Japan The Somme Temple of Death etc <br/> <br/> France pantheon de la Guerre 1918 paperback
