[Galanis; Carlègle; Ricardo Florès; Edouard Bernard; Cardona; Wagner; Kirchner et D'Ostoya].Livre Rare Book
325 résultats
14026paris A la Revue. 16 février 1907 1 Une revue de format in 4° de 20 pp., couverture comprise; entièrement illustrée par ces différents Illustrateurs.
Une revue de format in 4° de 20 pp., couverture comprise; entièrement illustrée par ces différents Illustrateurs. Bel état. Voir les photos.
192620996Le Livre 1926 Grand in-8 broché, couverture rempliée, 311 p. Compositions en noir dans le texte. Bon exemplaire.
20461Paris, Les Editions Pittoresques, 1931. In-4, broché, (20 x 28,5 cm), couverture imprimée, rempliée et illustrée, 230 pp.
Paris, Les Editions Pittoresques, 1931. In-4, broché, (20 x 28,5 cm), couverture imprimée, rempliée et illustrée, 230 pp. Illustrations en couleurs de Carlègle dans le texte. Tirage unique à 400 exemplaires. Un des 350 sur vélin de Rives. Nouvelle édition illustrée de ce roman gastronomique. (Le premier illustré est de 1926 par Falké).
1928LIQ-91P. André Plicque 1928. Petit in-4° broché (plats insolés).
1928LIQ-5082P. Georges Briffaut "Le Livre du Bibliophile" 1928. In-4° broché, couverture rempliée;
33687Paris, Xavier Havermans, 1929. Gr. in-8°, 50p. Broché, couverture rempliée.
1935836071935 Paris, Calmann-Lévy (Collection "Pour nos Enfants"), 1935, in 4°, cartonnage illustré en couleurs de l'éditeur, 34 pages.
1934823971934 Paris, Calmann-Lévy (Collection "Pour Nos Enfants"), 1934, petit in 4°, cartonnage illustré de l'éditeur, 32 pages ; petits frottis aux coins.
53268P., Chamotin, Société d'Edition "Le Livre" (Collection Didactique Inédite), 1928, in 8° broché, 251 pages ; couverture rempliée ; quelques rousseurs éparses, y compris à la couverture.
62384P., Editions Littéraires de France, sans date, in 8° broché, 243 pages ; couvetrure fanée.
42089Paris, Mornay (coll. "Les beaux livres"), 1929. In-8°, 291p. Broché, couverture illustrée rempliée.
42090Paris, Mornay (coll. "Les beaux livres"), 1930. In-8°, 240p. Broché, couverture illustrée rempliée.
1926LIQ-3220P. Le Livre 1926. Pet in-4° étroit broché, couverture rempliée.
1932LIQ-5678P. Georges Briffaut, Le Livre du Bibliophile 1932. In-8° broché, couverture rempliée.
EXE00523Paris, Léon Pichon, 1917 ; in-4° broché. 9 gravures originales sur bois par Carlègle. Tiré à 336 exemplaires, celui-ci sur vergé.
191443225Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris 1914 19.50 x 25 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: 'In 1910' he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France.' Un grand éditeur d'art. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
1917005716Paris: La Vie Parisienne 1917. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. René Vincent Jacques Lehmann Nam Carlegle Vald'Es Valvérane & D'Espagnat other uncredited . Paris: La Vie Parisienne 1917. Illustrations - ephemera from the an unassembled issue of September 22 1917 of La Vie Parisienne from its Golden Age by some of the forty or fifty great illustration artists who gained famed in large part for their work in that famed Society magazine. 8 pages remaining here from an unstapled and not fully assembled original copy of the issue. The included art is by René Vincent Jacques Lehmann Nam Carlegle Vald'Es Valvérane & D'Espagnat and others uncredited . Text in French. Illustrated wraps in the very large folio size 13.75" x 10.5" 8 glossy pages here of an original 19. As remaining ephemera these pages are in Very Good condition and more than suitable for framing or other applications; a touch of crinkle and very little fade. See scans. The apparent reddish stains on the black and white spreads is color scan-through from the color illustrations on the opposite side of the page. See all scans. The two-page spreads - of a folio size publication - are too large to be completely included on even a large-format scanner but you will get the idea. The conceits of Art Nouveau and Art Deco evolving one to the other at the time as those could be manifested through depiction of the wonders of French women may never have been more stunning than they were through the remarkable sensibilities of the coterie of artists who regularly contributed to La Vie Parisienne. These pages are from an original - and of course first and only edition - unassembled example of that unique publication. As such extraordinarily hard to replace whether in full issues or as surviving frame-able ephemera as here. l-eph2 <br/> <br/> La Vie Parisienne paperback
1918005718Paris: La Vie Parisienne 1918. First Edition . Illustrated Wraps. Very Good. 13.75" x 10.5. Chéri Hérouard Georges Léonnec Suzanne Meunier Carlegle others uncredited. . Paris: La Vie Parisienne 1918. Illustrations - ephemera from an unassembled issue of March 23 1918 of La Vie Parisienne from its Golden Age by some of the forty or fifty great illustration artists who gained famed in large part for their work in that famed Society magazine. 8 pages remaining here from a partly stapled but not fully assembled original copy of the issue; one seam is even unopened. The included art is by Chéri Hérouard Georges Léonnec Suzanne Meunier Carlegle and others uncredited. Text in French. Illustrated wraps in the very large folio size 13.75" x 10.5" 8 glossy pages here of an original 19. As remaining ephemera these pages are in Very Good condition and more than suitable for framing or other applications; a touch of crinkle some tiny seam chips and short closed edge cuts none of which show up well in the scans which see. The two-page spreads - of a folio size publication - are too large to be completely included on even a large-format scanner but you will get the idea. The conceits of Art Nouveau and Art Deco evolving one to the other at the time as those could be manifested through depiction of the wonders of French women may never have been more stunning than they were through the remarkable sensibilities of the coterie of artists who regularly contributed to La Vie Parisienne. These pages are from an unassembled original - and of course first and only edition - example of that unique publication. As such extraordinarily hard to replace whether in full issues or as surviving frame-able ephemera as here. l-eph2 <br/> <br/> La Vie Parisienne paperback
9729Lettre autographe signée datée du 13 janvier 1929. Il remercie Aelberts pour l’envoi de deux livres, l’un de Dévigne que Carlègle orthographie mal : « je viens de lire le livre de Desvignes qui est charmant, dès que j’aurai un instant, je lirai l’autre, mais je n’ai pas voulu attendre pour vous remercier de votre amabilité ». Une page in-8.
B174613-1Paris Librairie Payot et Cie. n.d. 301 1pp. 113 illus. Dec. illus. wraps. Glassine d.j. Paris (Librairie Payot et Cie.), n.d. paperback
B174834-1Paris Librairie Payot et Cie. n.d. 271 1pp. 107 illus. Frontis. portrait. Dec. wraps. Glassine d.j. Paris (Librairie Payot et Cie.), n.d. paperback
B174834-2Paris Librairie Payot et Cie. n.d. 271 1pp. 107 illus. Frontis. portrait. Dec. wraps. Glassine d.j. 5me mille. Light wear. Paris (Librairie Payot et Cie.), n.d. paperback
192217139Paris, L'Edition 1922. In-8 broché à l'Italienne de 58 pages au format 33 x 25,5 cm. Couverture avec titre imprimé en rouge et noir. Dos muet. Plats frais, légèrement insolés aux bords et avec petite auréole blanche au 4ème plat. Intérieur parfait. Préface de Léo Larguier. etoilé rouge. Reproduction en fac-similé des planches illustrées, légendées, par Charles Émile Egli dit Carlègle. Superbes illustrations en noir souvent teintées d'érotisme. Tirage sur vélin d'arches. Rare édition originale, surtout dans un tel état de fraicheur. Livre fragile
