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3470428Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1726. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1989032469Garnier, Nicole: Antoine Coypel (1661-1722). Paris: Arthena, 1989. 318pp with 24 colour plates plus 624 monochrome illustrations. Hardback. 29x22cms. With catalogues of paintings, engravings and drawings, chronology, family tree, iconography, concordances, list of wrongly attributed works, bibliography, list of exhibitions. Text in French.
1989032469Garnier, Nicole: Antoine Coypel (1661-1722). Paris: Arthena, 1989. 318pp with 24 colour plates plus 624 monochrome illustrations. Hardback. 29x22cms. With catalogues of paintings, engravings and drawings, chronology, family tree, iconography, concordances, list of wrongly attributed works, bibliography, list of exhibitions. Text in French.
PR120965Allegorical composition with Louis XIV or a Marshal of France standing before Religion who points at a shining triangle symbol of the Trinity; at left a fox and a female figure looking into a mirror and holding a snake Prudence; at right a lion and a female figure leaning on a pedestal.Signed at bottom: A. Coypel jnue. B. Picart Sculp. 1709. Etching on paper with some margin; plate mark: 72 x 120 mm total: 90 x 140 mm; despite some light rubbing in very good condition. Corners slighly folded. unknown
64942Susanna harassed by the elders.Beautiful composition with inscription below: 'Susanne surprise dans le bain par les deux veillards. // Ces deux infames scelerats / Ne pouvant assouvir leurs impudiques flames; / Veulent faire perir la plus chaste de femmes: / Mais Dieu punit leurs attentats.'Signed on bottom right: 'J.Gole fec: et exc: Amstelod. cum Privil.'Quite faded a number '8' on the bottom left on verso. Published in Amsterdam around 1650-1700. Mezzotint on paper trimmed close to plate mark; plate mark: 255 x 183 mm total: 275 x 201 mm; Hollstein 146. Very nice impression small stain on the right margin. Traces of previous mounting on verso. unknown
102288Paris Arthena 1989. 4° XXIV farb.Taf. 318 S. 624 s/w-Abb. OLwd. m. OU. OU min lädiert Buch tadell Text: franz.- Antoine Coypel 11. April 1661 in Paris; † 7. Januar 1722 ebenda war ein französischer Hofmaler. 010 Paris, Arthena, 1989 unknown
186019032106Prag Prague: Adolf Kuranda 1860. Hardcover. Very good. Quarto size 64 pp. text entirely in German. Charles-Antoine Coypel 1694-1752 served as "First Painter to the King" to the French court succeeding to that role in 1722 upon the death of his father who along with his father before him were both artists. This series of illustrations were drawn by Coypel as designs for a collection of tapestries for the Gobelins manufactory; the illustrations "were painted as cartoons for tapestries and were engraved and published in a deluxe folio in Paris in 1724" n.b. per Wiki.<br/><br/>According to some Coypel "was the first to illustrate Don Quixote in a sophisticated manner". We all know the story: Miguel de Cervantes 1547-1616 tells of the adventures of the nobleman Alonso Quixano who after reading many chivalric romances decides to set out on a quest to revive chivalry under the name Don Quixote de la Mancha; he imagines himself as a knight on a noble mission to fight for justice in the world even though the world he lives in no longer resembles his romantic fantasies.<br/><br/>This volume presents thirty-one of Coypel's irresistable illustrations of Cervantes' renowned novel with an excerpt from the text below in German this copy published in Prague likely in 1860 the copyright date. As of this writing there are two copies of this title online but published in Vienna with no copies of this Prague publication. Auction records locate a single copy of the Vienna publication and none from Prague; OCLC locates two copies of this Prague publication at the University of California Berkeley and the Huntington Library.<br/><br/>___DESCRIPTION: Bound in full aubergine cloth gilt lettering and decorations debossed on the front board blind-debossed decorative borders on both boards yellow coated endpapers the first leaf consists of the title page with a list of illustrations on the verso the following leaves with the illustrations and printing only on the recto; quarto size 11" by 8 5/8" pagination: 1-2 followed by thirty-one unnumbered leaves of illustrations. Please note that the text is entirely in German.<br/><br/>___CONDITION: Very good overall with a strong square text block with solid hinges the interior is clean the contents collate complete the only prior owner markings being on the front pastedown one small vintage label for "Friedrich Munchrath" in Sioux City Iowa and next to that a newer label with a name and address hand-written; we had a professional restorer name available upon request repaid the head and tail of the spine and the hinges which are now strong and sturdy; the volume shows overall exterior soil the corners are somewhat rubbed there is a vintage prior bookseller price of $2.00 on the upper corner of the front free endpaper and the interior shows toning foxing and the occasional small old dampstain.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Adolf Kuranda hardcover books
1994032470Lefrancois, Thierry: Charles Coypel. Peintre du Roi 1694-1752. Paris: 1994. 521pp with 30 colour plates and 380 monochrome illustrations. Cloth. 28x21cms. Published to celebrate the tercentenary of the painter's birth, this book presents an illustrated analysis of Coypel's career followed by a catalogue raisonnà arranged as follows: paintings and pastels; drawings; drawings known by Coypel's engravings but not included in the chronological catalogue; drawings mentioned; original engravings. With bibliography, index. Text in French.
1994032470Lefrancois, Thierry: Charles Coypel. Peintre du Roi 1694-1752. Paris: 1994. 521pp with 30 colour plates and 380 monochrome illustrations. Cloth. 28x21cms. Published to celebrate the tercentenary of the painter's birth, this book presents an illustrated analysis of Coypel's career followed by a catalogue raisonnà arranged as follows: paintings and pastels; drawings; drawings known by Coypel's engravings but not included in the chronological catalogue; drawings mentioned; original engravings. With bibliography, index. Text in French.
1994C102555Arthena. As New. 1994. Hardcover. 2903239185 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 521pages. 380 illustrations in black and white; 28 in color. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Charles-Antoine Charles Antoine -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Arthena hardcover
1994102555Arthena. New. 1994. Hardcover. 2903239185 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 521pages. 380 illustrations in black and white; 28 in color. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Charles-Antoine Charles Antoine Arthena hardcover
2015112266Collection. New. 2015. Hardcover. 0912114622 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Collection hardcover
17463897In’s Hage, By Pieter de Hondt, 1746. In-4 de XXVI, 420 p. Plein vélin ivoire, dos à nerfs, plats encadrés à froid et ornés d’un médaillon central à froid. Manque au dos, mors fendus, intérieur en bel état.
1746M2HB4ES5PXB4The Hague: Pieter de Hondt 1746. Contemporary richly gold-tooled dark red morocco by the so-called Van Damme bindery in Amsterdam sewn on 7 supports each board with Van Dammes typical hourglass- or vase- or flask-shaped central cartouche with a starry sky on a black ground here showing a short-stemmed chalice or goblet with fire or flame-like leaves like a snake plant Dracaena trifasciata in the cartouche and a basket of flowers topping the cartouche the whole in an elaborate frame built up from hundreds of impressions of numerous small tools the spine-title in gold on a black ground in the 2nd of 8 compartments each of the other 7 with flowers other decorations and a small flower in a pot gilt edges. With a tissue guard-leaf before each plate. Large folio 42 x 27 cm. Title in red and black with an engraved vignette Quixote and the windmill and 31 engraved illustration plates all coloured by a contemporary hand heightened with gold and set in in a gilt frame. Further with large woodcut initials and tailpieces and each text page in an ornamental frame built up from typographic ornaments the frames not in the 4to issue. Very rare large-paper copy of the first and only edition of a "free and joyous" Dutch translation of Cervantes's Don Quixote with 31 rococo style plates in spectacular contemporary hand colouring and with gold highlights. The plates have been engraved by leading Dutch artists Bernard Picart 12 Jacob van der Schley 13 Pierre Tanjé 5 and Simon Fokke 1 after paintings by leading French artists Antoine Coypel 25 Charles-Nicolas Cochin 2 Pierre-Charles Trémolières 2 François Boucher 1 and Jacques-Philippe le Bas 1. The impressions are crisp and the hand colouring is bright and of the highest quality with subtly graded tones and highlights in gold. Antoine Coypel 1694-1752 responsible for the design of most of the illustrations was one of the most important French history painters of the early 18th century. His Don Quixote paintings are highlights in his oeuvre and can be found in several museum collections.The Dutch edition was translated by Jacob Campo Weyerman 1677-1747 one of the foremost Dutch authors of the Enlightenment who was known for his merry style. He added to this edition a Dutch translation of the biography of Cervantes by Gregorio Mayans 1737 and explanatory texts to the plates. De Hondt issued the present edition in at least three formats: 4to folio on ordinary paper and folio on large paper. The present copy is the large-paper folio issue which is indeed very rare: several libraries have folio editions on ordinary paper usually about 35 cm tall but we have not located a copy of the large folio issue in any library. The only other large-paper copy we have been able to trace is slightly smaller.Cervantes's Don Quixote first published in Spanish 1605-1615 was first translated into Dutch in the early 17th century and went through several editions until 1732. Engraved prints after Coypel's famous Don Quixote paintings started circulating in 1734. De Hondt took this opportunity to publish a new Dutch translation with the Coypel illustrations and some others. He asked Weyerman who was already a famous writer but was imprisoned for slander to translate the text. He also commissioned new plates after Coypels paintings from the leading Dutch engravers. This came together in what became a masterpiece of rococo book production and the present hand-coloured copy of the large folio issue is the outstanding result.The Van Damme bindery was the "most important Amsterdam workshop of the 18th century" and is praised for the "high quality of its work" Storm van Leeuwen: 89 bindings are attributed to it. Although its earliest dated binding is from 1747 the present work and two others in similar Van Damme bindings in the British Library were printed in 1746 so these bindings may be among Van Dammes earliest work made in or soon after that year. Three of the six Van Damme bindings in the British Library as well as several examples in Storm van Leeuwen have a similar cartouche with a black interior but none includes the present vase or goblet of flames or flame-like leaves: we have not identified the patron.The boards are very slightly rubbed the corners and head and foot of the spine have been reinforced. A few small spots in the foot margin of the title page and slight browning of the paper of 2 quires. Otherwise in very good condition.l Arents Cervantes in het Nederlands 27: "Kneppelhout nr. 2587 gr. fol. rood verg. marok. verg. op sn. Zeer fraai ex. op gr. papier. Het titelvignet en de 30 prtn. allen alleruitmuntendst uit de hand gekl. en met goud afgezet. In oud-Holl. prachtbd. van rood marokyn. De rug verg. in afdeel. De platten met een zeer breed verguldsel randwerk en verg. middenfig. op zwart leder. Verg. op sn. Gekocht door Hr. Elte voor fl. 420."; Cohen & De Ricci 216 "superbes illustrations; livre tres recherche"; Van Gorp pp. 161-162; Mededelingen van de Stichting Jacob Campo Weyerman 18 1995 passim; Rius I 806; STCN 197115810 8 copies; Marleen de Vries Aanzet tot een bibliografie van Jacob Campo Weyerman 1990; cf. for the binding: Storm van Leeuwen I pp. 460-499. Pieter de Hondt, unknown
101976502X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428743129.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428762239.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428761585.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104733374.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1166037746.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
172821085A Amsterdam, chez R. & J. Wetstein, & G. Smith, 1728. 2 tomes in-12 en un volume de 210; 153-[3] pages, plein veau brun, dos à nerfs orné de filets et fleurons dorés, pièce de titre beige, tranches rouges.
51-5739Paris: Gregoire Dupuis 1719. 4to. 19 x 25cm. Contemporary calf with gilt spine.100 half-page etchings.xlii 358 6pp.OCLC Number :177708811:Splendid engraved frontispiece of the dedicatee the nine-year-old Louis XV sitting on Athena's knee as the figure of Fable points out a seductively naked Truth to the lad by Coypel and Tardieu. Engraved title vignette by Vleughels and Simoneau. .in-4 de XLII-358pp.-3ff. Plein veau époque dos orné pièce de titre de maroquin rouge Ce charmant ouvrage contient 100 fables d'Antoine Houdar de La Motte 1672-1731 imitées sur les fables de Jean de La Fontaine et d'Esope. Bien complet des 100 gravures sur cuivre à mi-page par Coypel Cochin Picart… « Très belle édition rare et recherchée. . Les vignettes sont jolies et spirituelles surtout celles gravées par Gillot" Cohen 594 "Jolie édition" Brunet III 801. Dacier considère cet ouvrage comme le "Premier Livre illustré au XVIIIe siècle ».Très belle édition rare et recherchée les vignettes sont jolies et spirituelles surtout celles gravées par Gillot. Cohen-594 Coiffe supérieure arrachée rousseurs mouillure marginale en fin. Paris: Gregoire Dupuis, 1719 unknown
51-5903Amsterdam: R. & J. Wetstein & G. Smith 1727. 12mo. 9.5 x 16cm. Contemporary vellum.2 vols in one: 210 2 156pp.2 tomes en un vol. in-12 vélin de l'époque.Quatrième édition illustrée d'un frontispice par Coypel et 99 planches. Légers frottements. Petites taches et rousseurs. Qq pl. légèrement plus courtes et une pl. déchirée sans manque.Cohen de Ricci p. 595 - Brunet III 801.OCLC Number / Unique Identifier:177711348: Only edition with the 99 engraved plates by Jongman in elaborate rococo arabesque borders" . I have waited ten years for one. Unlike the gracious large quarto original printing where the etchings served essentially as large headpieces introducing the fables this duodecimo's gemlique quality springs from the 'framing" of the fable cuts within wide engraved ornamental borders creating the illustion of a picture gallery filled with paintings in miniature: a marvelously effective conceit. The author's lengthy introductory essay on the classical structure of fables is significant and the editors added notes at the end elucidating the text for Dutch readers."--McKLandwehr: F 134 2xx. Fabula Docet no . 95 "Charakterisch für die Rokoko-Illustration stehen im Interesse des Zeichners weniger die Tiere als die graziös niedergeneigte höfische Dame". Brunet III: 801 Amsterdam: R. & J. Wetstein, & G. Smith, 1727 hardcover
1730005802Paris: Mercure de France 1730. First Edition First Printing. Etching and Engraving. Very Good. Intaglio. Etching and engraving with fine hand coloring; print on laid paper; dimensions of print: 26 cm x 16 cm. By Caylus after a composition by Charles Antoine Coypel depicting a woman in a pannier dress. Subject matter: Woman in pannier dress with two accompanying putti lounging below her and 4 oval vignettes depicting two gentleman and two ladies one per oval. Published in the October 1730 issue of the Mercure de France. Scarce especially with the fine hand coloring. Condition of print: Very good at least; some dustiness a tiny pinhole visible only when holding the print up to the light. Mercure de France unknown
1999ABE-1723925321670184 PAGES-23,2 CM X 28 CM-LA FEMINITE: SON SENS ET SA VALEUR BIBLIQUES-FIGURES FEMININES BIBLIQUES DANS LES MANUSCRITS ENLUMINES MEDIEVAUX-FEMMES DE L'ANCIEN TESTAMENT-CATALOGUE-BIBLIOGRAPHIE SOMMAIRE-INDEX DES OEUVRES ET DES FEMMES-(24E)