Nodier, Charles [Author]; Steinlen, Theophile [Illustrator]; France, Anatole [Introduction]Biblio.com
159 résultats
19001381584Paris: Édouard Pelletan 1900. Limited Edition #79/127. Softcover. Quarto xv 28 pages. In Good minus condition. Bound in publisher's tan illustrated covers. Heavy tearing and chipping to spine. Rubbing to edges and corners of covers. Heavy age toning and moderate staining to covers. Textblock completely detached from covers. Rear two gatherings detached from textblock. Previous owner's signature and penciling to front free endpaper. Light penciling to rear free endpaper. Mild age toning with scattered foxing and staining throughout textblock. DH Consignment. Shelved Case 11. 1381584. Shelved Dupont Bookstore. Édouard Pelletan unknown
18872948Paris Jules Lévy 1887 In-12 (13 x 19 cm.), 353 pp. broché, couverture illustrée par Jules Chéret. Illustrations dans le texte et hors-texte.
1898wx527Ernest Flammarion Editeur, 26 rue Racine près l'Odéon Album relié 1898 EDITION ORIGINALE. UN ALBUM ENTIER CONSACRE AUX CHATS. In folio (44,5x21 cm), demi-percaline grise de l'époque, plats illustrés, coins et coiffes émoussés, (1) f. de titre, (26) planches en noir, (1) f. de table. Paris, Ernest Flammarion Editeur, 26 rue Racine près l'Odéon. Edition originale de cet ouvrage consacré au chat, une histoire par planche ; Rousseurs sur la couverture, mors intérieur du premier plat en partie déchiré, papier légèrement jauni, mais intérieur frais. Bon exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
189820473Paris, Ernest Flammarion, [1898]. In-folio de [56]pages, demi-toile grise dos muet, premier plat illustré d'une lithographie en couleurs de Steinlen, le second, d'un elithographie en grisaille.
190065934Dessin de Steinlen, Willette, Léandre, Hermann-Paul, Couturier, Anquetin, Luce, 1 vol. in-8 reliure postérieure demi-chagrin noir, dos à 4 nerfs, couverture conservée, Société Libre d'Edition des Gens de Lettres, Paris, 1900, 305 pp. avec nomb. planches hors texte
18946586093 numéros sous 1 chemise et étui postérieurs in-folio demi-toile grise : Gil Blas illustré ( Ensemble sous chemise de 93 numéros de 1894 à 1897) Quatrième Année. Numéros 1 à 7, 13, 14, 35, 37, 17 novembre ; Cinquième Année : 2, 9, 10, 12, 14, 15, 16, 17, 18, 20, 21, 23, 25 à 29, 32, 34, 37, 42 à 44, 48 à 50, 52 ; Sixième Année : 1 à 18, 21, 24, 25 à 30, 32, 33, 37 à 40, 42, 43, 45 à 47, 50 à 52 ; Septième Année : 1 à 6, 9 à 17
18916585998 numéros sous 1 chemise et étui postérieurs in-folio demi-toile grise : Gil Blas illustré ( Ensemble sous chemise de 98 numéros de 1891 à 1893) Première Année. Numéros 5, 10, 12, 14 à 23, 25 à 27, Deuxième Année : Numéros 3 à 7, 9 à 21, 24 à 29, 31, 36, 37, 40, 41, 45 à 48 ; Troisième Année : Numéros 1 à 16, 18 à 20, 23 à 53
189866148Ernest Flammarion, éditeur 1898 In-folio 44,5 x 21 cm. Cartonnage, dos muet demi-percaline grise, dos muet, plats illustrés par Steinlen, le premier en couleurs, 28 ff., 26 planches en noir par Steinlen. Coins émoussés et frottés, coiffes et coupes frottées, forte mouillure au coin de pied du premier plat, rousseurs soutenues.
1894WRCLIT70815Paris: Galerie Bodinier 1894. 2393pp. 12mo. Decorated wrappers. Illustrations. Light crease to lower fore-edge four tape shadows from old wraparound small ownership stamp at lower edge of upper wrapper still a good to very good copy of this fragile item. First edition of the first major exhibition of Steinlen's work listing some 300 items with a facsimile of a letter by him and incidental decorations. Galerie Bodinier unknown books
19002854# AUTEUR: Nodier Charles # ILLUSTRATEUR: Steinlen # ÉDITEUR: Pellatan Edouard - Paris # ANNÉE ÉDITION: 1900 # ENVOI, BEAUX PAPIERS: Grand Vélin à la cuve des papeteries du Marais # COUVERTURE: Souple illustrée en couleurs - à rabats - # DÉTAILS: In 4° broché XV + 28pp.+1ff. N° 118 des 127 exemplaires sur grand Vélin à la cuve des papeteries du Marais. 25 compositions de Steinlen dont 5 hors texte en couleurs gravées par Deloche, E. Froment, Ernest et Frédéric Florian. Cette édition à été établie à l'occasion de l'exposition universelle de 1900. # PHOTOS visibles sur www.latourinfernal.com
189586612Reliure demi-maroquin à coins. Dos à nerfs, caissons ornés d'un décor floral mosaïqué, date dorée en queue. Tête dorée sur témoins. Couverture et dos conservés. Vignette ex-libris sur contreplat. Reliure signée R. ET R. MATIVET.
188915685Paris, Aristide Bruant, [1889]. In-12 de 207-[1] pages, couverture illustrée en couleurs, non coupée, demi-maroquin à la Bradel jaune à coins. Non rogné.In-12 of 207- [1] pages, cover illustrated in colors, uncut, half-morocco Bradel style in yellow with corners.
189814264Très beau dessin à l'encre, signé et légendé. Le dessin a été fait pour le magazine Le Rire dans lequel il est reproduit : numéro 181 du 23 avril 1898. En feuille Très bon Paris 1898 1 volume in-4°
189874859Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juin) 1898 | 34.50 x 21 cm | une feuille
190039119Paris: Edouard Pelletan 1900. AN EXCEPTIONAL COPY OF THIS IMPORTANT EXAMPLE OF FINE PRINTING AND WOOD-ENGRAVING. A livre d'artiste devoted to Gutenberg illustrated with 15 OUTSTANDING ORIGINAL WOOD-ENGRAVINGS by Deloche Ernest and Frédéric Florian Froment and Mathieu after G. Bellenger Bellery-Desfontaines F. Florian and Steinlen. From a total edition of only 113 numbered copies this is ONE OF ONLY 6 COPIES the best copies aside from the unique copy on real vellum printed on antique Japanese paper with two additional suites of the wood-engravings on Chinese paper and on antique Japanese paper. EACH OF THE WOOD-ENGRAVINGS IN THE SUITES IS SIGNED BY THE ENGRAVER. This copy printed for FELIX LESEUR a French doctor and atheist who mocked his devoted young wife's beliefs until she too became an atheist. She later recovered her faith and after she died he became a priest. Large 4to. BEAUTIFULLY BOUND BY GRUEL signed IN FULL JANSENIST CHERRY MOROCCO with quintuple gilt filets on the turn-ins. Original wraps and backstrip preserved. All edges gilt. FINE AND BRIGHT WITH NO DEFECTS inside and out. In the original morocco-lined slipcase. A GORGEOUS PRODUCTION BRINGING TOGETHER LEADING ARTISTS AND ENGRAVERS AND OF COURSE ONE OF THE GREAT BINDERS OF THE PERIOD. UNIQUE. <br/><br/> Edouard Pelletan paperback
189874859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
19002153# AUTEUR: Gallaud de La Pérouse Alphonse dit Zo d'Axa # ILLUSTRATEUR: Steinlen # ÉDITEUR: Imprimerie spéciale - vente en gros chez Hayard - Paris # ANNÉE ÉDITION: 1900 # COUVERTURE: 1/2 percaline rouge - dos lisse - titre en long doré sur percaline noire # DÉTAILS: In Folio relié ( 455x315) de 28 ff. Soit la collection complète des 25 feuilles dont 2 en couleurs, parues de octobre 1897 à mars 1899 (double pour les ff n° 11 et 12) + la feuille réclame de Steinlen 5c en vente partout imprimée chez Verneau. Dupont, Fétis, Lacour, Mateoda, Panvert et Polvliet sont les autres imprimeurs des feuilles. # PHOTOS visibles sur www.latourinfernal.com
189875859Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juin) 1898 | 19.50 x 36 cm | une feuille
189875859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189131052AB1891. 11 Bände. Paris. 18911891 Klein-Folio 395 x 28 cm. Mit über 800 meist farbigen Lithographien von Steinlen Bulluriau Guillaume und anderen Künstlern. Halbleinenbände. Vicaire III 978. - Jahrgänge 111 dieser schönen Zeitschrift der Jahrhundertwende mit Texten von Baudelaire S. Bernardt Bruant Colette Daudet France Maupassant Schwob Mallarmé Verlaine Zola und anderen Autoren. Die meisten Illustrationen stammen von Steinlen. Ohne die Nr. 44 aus Jahrgang 10. Vorgebunden sind 2 Vorläufernummern des Gil Blas. unknown
18964158Paris 1896. Large folio 17 x 12 inches image size on cream wove paper 13 x 20 inches. Paris 1896. Original lithograph poster printed in three colors: black pale green and gold. The scarce poster by Theophile Alexandre Steinlen 1859-1923 for the book “Chanson de femmes†which was issued in the same year as the poster 1896 Paris Enoch & Cie. Theophile Steinlen Theophile Steinlen Swiss-born French Art Nouveau painter illustrator and printmaker is best known for his iconic posters and depictions of Parisian life. He moved to Paris in the 1880s and became a key figure in Montmartre artistic scene associating with figures like Toulouse-Lautrec. His art combined realism with Art Nouveau influences making him a significant contributor to the Belle Epoque visual culture. A most delicate image. Extremely scarce thus. Fine. unknown
189486064Flammarion | Paris s. d. [1894] | 12 x 19 cm | relié
188531053AB1885. Jahrgänge 121. Paris. Directeur Aristide Bruant. 18851905. Quarto 275 x 14 und 375 x 275 cm. 190 von 194 Heften. Nummern 1142 ohne die Hefte 69 und 103m Serie 2: Nummern 130 Serie 3: Nummern 121 ohne die die Hefte 6 und 22. Lose Hefte mit meist farbigen Titeln in Lithographie von Toulouse-Lautrec und Steinlen. Fast vollständige Serie dieser seltenen Zeitschrift herausgegeben vom Pariser Chansonniert Aristide Bruat der zu dieser Zeit auf dem Montmartre ein Cabaret mit dem Namen "Le Mirliton" führte. - Die ersten 100 Nummern und alle der 3. Serie sind im Format 275 x 14 cm von Nummer 101 bis zum Schluss der 2. Serie im Format 375 x 275 cm. Ab dem Jahr 1895 erschien die Zeitschrift nur noch sporadisch. Zwischen Juni 1896 und Mai 1903 erschienen keine Ausgaben. Sehr seltene bis auf 4 Nummern komplette Folge dieser Jugendstil-Zeitschrift. unknown
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
18945215<p>Five small folio volumes. Contemporary half cloth over marbled paper-covered boards; three volumes disbound with covers still present. <i>Le Rire</i> was a successful French humor magazine published from October 1894 through the 1950s. Black and white and color illustrations copiously throughout. Artists who contributed to Le Rire include: Henri de Toulouse-Lautrec Théophile Steinlen Georges Goursat Hermann-Paul Juan Gris Georges Meunier Lucien Metivet Jean-Louis Forain Adolphe Willette Albert Guillaume Jules Grandjouan Abel Faivre and many others. Boards rubbed and scuffed board edges heavily abraded spine ends and corners bumped. Text blocks shaken with some sporadic gatherings and leaves loose leaves toned multiple places over-opened. Hinges in two volumes cracked. Large tear on page 7-8 of No. 49 in the first volume. Fifth volume with front cover detached. Backstrips separating on second and fifth volumes. </p><p>First volume: Nos. 1-50 1894-1895. Second volume: No. 51-100 1895-1896. Third volume: Nos. 209-260 1898-1899. Fourth volume: Nos. 261-312 with <i>Numero Special hors Serie </i>1899-1900. Fifth volume: Nos. 313-364 1900-1901. 2 vol: 9 1/2 x 12 inches // 3 vol: 9 1/2 x 13 inches</p> hardcover
