Steinlen, Theophile AlexandreBiblio.com
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19161346500Paris 1916. Original 1916 WWI benefit poster for the 1916 tri-annual exposition of French Art in Paris. Features art by Steinlen and measures 39 1/8in x 51 1/8in<br /> <br> <br /> <br> <br /> Poster currently sealed behind plastic; creasing wrinkling edge-wear and evidence of minor water damage to upper left corner. Shipping flat will likely be expensive--and risky--so plan on removing poster from plastic and shipping folded or rolled in sturdy tube unless buyer has specific shipping preferences. CX Consignment. Shelved in Rockville 1107. 1346500. Special Collections. unknown
19053003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
19201797AG1920. um 1920. Zeichnung mit brauner Tusche. Bildformat: 115 x 15 cm. Blattformat: 14 x 235 cm. Unten links mit monogramiertem Nachlasstempel. unknown
1915231041915. S.l. s.ÂŽ. s.d. circa 1915. Dimensions marges incluses : 697 x 497 mm. Grande planche lithographiÂŽe signÂŽe ˆ la mine de plomb ThÂŽophile Alexandre Steinlen en marge infÂŽrieure et numÂŽrotÂŽe 101/120. Epreuve tirÂŽe sur papier fort. ''Sorti des Beaux-Arts ˆ Lausanne Steinlen dÂŽbuta dans le dessin industriel pour le textile ˆ Mulhouse. ArrivÂŽ ˆ Paris en 1882 il frÂŽquenta aussit™t le cabaret du Chat noir et commenÂa alors ˆ dessiner pour de nombreuses revues ainsi que plusieurs ÂŽditeurs. A partir de 1898 il grava ˆ l'eau-forte et produisit des affiches qui le rendirent cÂŽlÂbre. Anatole France ÂŽcrivit de lui : ''DouÂŽ d'une sensibilitÂŽ subtile vive attentive d'une infaillible mÂŽmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen ˆ devenir le dessinateur et le peintre de la vie qui passe le ma”tre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attablÂŽs sur le trottoir les r™deurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est ˆ lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'‰me des foules irritÂŽs ou joyeuses a passÂŽ en lui. Il en a senti la simplicitÂŽ terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est ÂŽpique''. in Osterwalder. Osterwalder I Dictionnaire des illustrateurs p. 1014 - BÂŽnÂŽzit IX Dictionnaire des peintres p. 811. Oxydations affectant principalement la marge supÂŽrieure. Marge lÂŽgÂrement effrangÂŽe pouvant en outre prÂŽsenter d'infimes dÂŽchirures. Du reste belle condition. Peu courant. b42961 unknown
191888522Paris: s. n. 1918. Fine. s. n. Paris 1er avril 1918 21.3 x 29.5 cm Une feuille Autograph letter dated and signed by Théophile-Alexandre Steinlen 30 lines in black ink written from his Montmartre residence at 21 rue Caulaincourt addressed to his friends the Lefèvres.Folding marks inherent to mailing minor marginal tears.The painter inquires after the health of Madame Lefèvre who was unwell at the time and asks his correspondent to see that everything is put in order at their house in Saint Ay where his wife and model Massia would soon be staying.Steinlen is held back in Paris: ""Pour moi je ne se sais trop ce que je ferai en tout cas je ne puis quitter Paris avant le 15 - d'ici là des évènements peuvent survenir qui me bloqueront ici. ou ailleurs - s'ils ne s'arrangent pas de la façon que je souhaite St Ay ne me verra pas cette année."" s. n. unknown
190727750Paris: Bibliothèque Internationale d'Édition E. Sansot & Cie 1907. First Trade Edition. Quarto 24.5cm.; original grey pictorial wrappers; 207pp.; frontispiece & 14 tissue guarded plates; numerous text illus. throughout. Wrappers a bit worn especially at spine edges; preliminaries foxed else Very Good and sound overall. <br /> <br /> Bleak collection of stories following in the footsteps of Zola's naturalistic novel Germinal. Mostly set in the mines of northern France; beautifully albeit lugubriously illustrated by the Art Nouveau painter and printmaker Théophile Steinlen. CRAUZAT 639. Bibliothèque Internationale d'Édition, E. Sansot & Cie unknown
190382165Paris: Le canard sauvage 1903. Fine. Le canard sauvage Paris 2-8 Mai 1903 24.50 x 31.50 cm agrafé First edition of this issue dealing sometimes ironically with the Franco-English entente. Cover illustrated with a color drawing by Théophile Alexandre Steinlen ""La promenade des anglais"" back cover illustrated with a color drawing by Vallotton ""Le discours de bienvenue"". Texts by Tristan Bernard ""Têtes couronnées"" Charles-Louis Philippe ""Un roi"" Franc-Nohain ""L'idée d'Edouard VII"" Jules Renard ""Marthes Brandès à la campagne"" Alfred Jarry ""Cambronne et Edouard au Jockey-club"". Issue illustrated with drawings by Hermann-Paul Théophile Alexandre Steinlen Jean Villemot Roubille Abel Faivre. Le canard sauvage unknown
190216859AB1902. Paris Schwarz 1902. 305 : 24 cm. 14 pages with coloured illustrations by Steinlen. Coloured illustrated original wrappers. With double-page coloured lithographs by Steinlen. - Front wrapper a bit loosened. unknown
191666844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
1918181449France` 1918. Paperback. G age wear throughout.Cover has some tears. interior pages shwo some staining. French language edition. Brown paper wrap with B&W illustration with clera mylar cover. 52 pgs heavily illustrated. paperback
198479271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
19101720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. <br /> Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. <br /> <br /> Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding.<br /> Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. <br /> <br /> For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
1974100141636Cerf 1974. Bon état emboîtages un peu frottés intérieurs propres. in8. 1974. relié emboitage. 4 volumes. Cerf unknown
191348670Paris.: Société de Propagation des Livres d'Art. 1913. Unbound with original wrappers. 4to. With 11 originl prints 4 etchings and 7 lithographs.5 of the prints in 2 states and 6 of the prints in 3 states. Monochrome illustrations throughout. The catalogue of Steinlen's graphic work including his work in periodicals and other ephemera. From the edition limited to 500 copies with this one of 20 deluxe copies printed entirely on chine and reserved for members of Les XX group. Signed by both Steinlen and De Crauzat this deluxe copy has 11 original prints by Steinlen including four etchings and seven lithographs each present in two or three states. Several of the states include remarques. Société de Propagation des Livres d'Art. unknown
190619684Paris: Fayard 1906. Fine. Fayard Paris s. d. 1906 17 x 24.50 cm relié Edition illustrated with drawings after watercolors by Steinlen. Publisher's full sea-green paper boards smooth spine. Handsome copy. Fayard hardcover
1902047092Paris 1902. First Edition. Softcover. Very Good Condition. Illustrated throughout by Steinlein - chipped at edges covers slightly discolored spine torn at hinge and almost detached. Bright internally - remarkable images by Steinlein critiquing French colonialism and other horrors. Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; Inventory No: 047092. unknown
19015213<p>3 Portfolios containing approximately 165 individual issues of <i>L'Assiette au Beurre.</i> One cream full cloth portfolio with strap and buckle; another black quarter cloth over marbled boards with three black ties; lastly white paper boards and linen spine with strap and buckle. Occasional tears & soiling but overall in very good condition. Issues included: Nos. 1-7; ; No. 11; Nos. 14-17; Nos. 26-40; Nos. 44-47; No 49-50; Nos. 54-58; Nos. 62-63; No. 66; No. 69; Nos. 70-72; No. 74;; Nos. 337-342; No. 344; Nos 347-349; Nos. 351; No 353; Nos 355-357; Nos. 360-364; Nos. 367-368; Nos. 370-372; No. 374 Nos 377-382; No. 384; No. 387; Nos. 389-396; No. 398; No. 400; Nos. 408-409; No. 412; Nos. 415-417 Nos 419-421; No. 424; No 427; 429-430; No. 433; Nos 436-439; Nos 441; No 443; 445--450; No.454; Nos. 458-465; No. 474; Nos. 477-478; No. 482; No. 498; No. 509; No. 512 plus special issues. 10 1/4 x 12 3/4 inches.</p> Samuel Sigismond Schwarz paperback
198518914TANNER STAEHLIN 09/1985. 1. hardcover. TANNER + STAEHLIN hardcover
190374987Paris: Editions d'art Edouard Pelletan 1903. Fine. Editions d'art Edouard Pelletan Paris 1903 14.50 x 20.50 cm relié First edition of this exhibition catalogue held at 32 place Saint Georges in NovemberDecember 1903. Bound in contemporary chocolate brown morocco-backed marbled boards spine plain corners in matching morocco marbled endpapers gilt top edge original wrappers and spine preserved; signed binding by Lortic. Pasted on the rear pastedown is the invitation card to the exhibition illustrated by Théophile-Alexandre Steinlen. Preface by Anatole France. A handsome copy finely bound by Lortic son of Charles Baudelaires bookbinder. Editions d'art Edouard Pelletan hardcover
19163398Paris: D'Alignan Editeur; A. Vernant & E. Dolle Imprimeurs 1916. First Edition One of 400 sets printed on velin. All in Very Good to Fine Condition/Title and publisher label from the original folio have been preserved on the cover of a new wrap. Now preserved in an attractive matching clam shell of brown and beige marbled paper. Uncommonly found complete set as issued with all eighteen 18 lithos each is signed by the artist in pencil. Too often individual lithos have been seperated from the set for individual sale making complete copies quite rare. 3 3/4" x 5 1/4" lithographs on velin tipped on to 7" x 9" sheets. Croquis de Temps de Guerre "Sketches from Wartime" is Steinlen's major World War I print portfolio. The scenes depicted take place between 1914 and 1916 and are the head and torso studies from his larger series on Serbian refugees. Included is an upper torso preliminary of the most famous of these "La Poilue". D'Alignan was the director of the "La Guerre editions" and exclusive publisher of Steilen's work between 1915 and 1919. Steinlen was well known for his sympathetic eye in depicting the miseries of war. One can discern even from these small poignant drawings of face and torsos the suffering and burdens of war on especially the mothers and children. This was originally intended to be a series of four albums alas this is the first and only one published.<br /> <br /> Theoophile Steilen 1859 - 1923 was born in Switzerland. He initially studied Theology in Lausanne a precursor to his humanitarian sentiments as well as being a commited socialist and anarchist. He moved to Paris and in 1883 became part of the bohemian collective of Monmartre along with Henri Toulouse-Lautrec and Emil Zola. He was the primary illustrator of song books for Aristide Bruant and served as the resident illustrator for the magazine "Chat Noir". When not creating art the crew often gathered at the cabaret of the same name. HIs enduring best know creation is the "Tournee du Chat Noir" poster the iconic black cat advertising the cabaret which remains one of the most reproduced images in poster history. "Tout vient du peuple tout sort du peuple et nous ne sommes que ses porte-voix. Everything comes from the people everything comes out of the people and we are merely its mouthpieces." - T. A. Steinlen. D'Alignan, Editeur; A. Vernant & E. Dolle, Imprimeurs unknown
198145441Tokyo; Libro 1981. Reprint. Hardback. An exceptional copy - fine in the publisher's cloth-backed color-decorated boards and housed in a matching illustrated slip-case. An uncommon edition and scarce in such positive condition. ; 0 pages; Fine Facsimile Reprint of the 1897 Ernest Flammarion Paris ed. With a comprehensive introduction in Japanese. Description: 26 leaves : all ill. ; 31 cm. Unpaginated. Subject: Swiss drawings. Steinlen Th' Ophile-Alexandre. Cats--Caricatures and cartoons. Art Nouveau. Tokyo; Libro hardcover
1901114141Paris : Sevin et Rey 1901. 195x135mm. VIII - 100 planches en n/b demi-percaline. Auteur et titre dors au dos. Reli au dbut de lÕouvrage: Exposition dÕOuvrages Peints Dessins ou Gravs par Th.-A. Steinlen. Prface par Anatole France. Lausanne 1913 Librairie Gnrale du Grand-Pont Jean Biedermann diteur 11 ff. non pagin illustr de 3 hors texte et 4 illustrations in texte. 567 Sevin et Rey unknown
1901168104Paris 1901. paperback. fine. Black & white frontispiece 99 beautiful color illustrations. Tall 12mo original printed wrappers with wrap-around color illustration; original glassine; unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. A very fine unused copy.<br/> <br/> unknown
1901144556Paris: Piazza/Sevin et Rey 1901. paperback. very good. 100 black & white illustrations. Tall 12mo original printed wrappers illustrated on both sides and spine in color wrappers are lightly foxed and discolored at edges; one small stain at top center. Unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. Very good .<br/> <br/> Despite the title none of the 100 illustrations are printed in color.<br/> <br/> Piazza/Sevin et Rey unknown
190186266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
