Adolphe WilletteLivre Rare Book
100 résultats
1888112EdParis Le Pierrot 1888 In Folio ( 40 X 30 cm ) - Demi basane , dos à nerfs - mors frottés et fendu sur 6 cm - traces de Scotch ancien sur 3 pages - Chaque numéro compte 4 pages - Journal satirique dirigé et illustré par Adolphe Willette - 51 Numéros du 6 Juillet 1888 au 20 Mars 1891 . Personnage aux multiples facettes , Willette fut a la fois un infatigable animateur de la vie artistique à Montmartre et un antisémite notoire . Les deux derniers numéros parus après interruption sont plus rares que les précédents .
1888112EdParis Le Pierrot 1888 In Folio ( 40 X 30 cm ) - Demi basane , dos à nerfs - mors frottés et fendu sur 6 cm - traces de Scotch ancien sur 3 pages - Chaque numéro compte 4 pages - Journal satirique dirigé et illustré par Adolphe Willette - 51 Numéros du 6 Juillet 1888 au 20 Mars 1891 . Personnage aux multiples facettes , Willette fut a la fois un infatigable animateur de la vie artistique à Montmartre et un antisémite notoire . Les deux derniers numéros parus après interruption sont plus rares que les précédents .
189817642Paris Aux bureaux de La Plume, 1898 1 in-folio Paris, Aux bureaux de La Plume, (1898), in-folio, 10 planches en feuilles, sous porte-folio ocre.
189922336LE RIRE 1899 1 Le Rire, 1899, in-4, demi-chagrin rouge à coins, plats couleur ivoire, couvertures conservées.
189225949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
190023933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
189842080Paris, La Plume, (1898). 10 lithographies en feuilles (415 x 310 mm) sous cartonnage moutarde éditeur.
1897125454Paris Librairie de la Caricature 1897-1899 2 vol. reliés 86 numéros de 24 pages chaque, reliés en 2 vol. in-8, demi-chagrin bordeaux, dos à nerfs richement ornés de fleurons et petits fers dorés, pièces de titre et de tomaison de chagrin fauve, une couverture conservée en tête de chaque volume, non rogné. Collection complète de cette revue hebdomadaire rédigée en grande partie par Aristide Bruant (nombreuses chansons en argot), avec la collaboration de Georges Courteline, Paul Alexis, Willy, et des dessins par Steinlen, Charly, Borgex, etc. Bel exemplaire, très bien relié.
1897125454Paris Librairie de la Caricature 1897-1899 2 vol. reliés 86 numéros de 24 pages chaque, reliés en 2 vol. in-8, demi-chagrin bordeaux, dos à nerfs richement ornés de fleurons et petits fers dorés, pièces de titre et de tomaison de chagrin fauve, une couverture conservée en tête de chaque volume, non rogné. Collection complète de cette revue hebdomadaire rédigée en grande partie par Aristide Bruant (nombreuses chansons en argot), avec la collaboration de Georges Courteline, Paul Alexis, Willy, et des dessins par Steinlen, Charly, Borgex, etc. Bel exemplaire, très bien relié.
189112939Paris, Henri Tellier, [1891] - [1895]. 2 vol. in-4 (28,5x 19 cm). 94pp ; 96pp. Ensemble monté sur onglets dans un grand volume in-folio. Demi-chagrin rouge à coins, dos à nerfs, titre et auteur dorés, premières et dernières de couvertures conservés. [DURVAND].
189974842Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Avril 1899) | 23.50 x 30 cm | une feuille et une serpente
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
188529051885 reliure contemporaine pleine toile gris clair (contemporary cloth-bound) petit in-quarto, dos long (spine without raised band) - pièce de titre à filets sur fond bleu-marine (label of title with gilt line), plats muets (cover without text), tête lisse (top edge smooth) - gouttière long papier (fore-edge great paper), marque-page en tissu (bookmark in tissue), couverture conservée (cover preserved - library edition), exemplaire sur papier du Japon avec la double Suite de gravures tirées en noir et en bistre tiré à exemplaires - tirage limité à 500 exemplaires (limited edition - 500 copies were printed), illustrations : Eaux-fortes de (etchings of) de Gert-Bichart Courtry - Lefort et Milius - et illustrations de Blanchin - Bourgoin - Feyen - Perrin - Genilloud - Gervex - Goeneutte - Guignard - Jazet - Lerat - Mars - Neuville - Phill - Ruze - Stevens - Tirex - Bognet - Uzes - Willette - Yundt, VI+237 pages, 1885 à Paris C. Marpon et Ernest Flammarion Editeurs,
189812047Paris, Balin, 1898. 1 vol. in-4.
1888145821888 Paris, Imp. A. Willette, 1888-89 et 1891, 51 numéros de 4 pages reliés en 1 vol. in-folio, reliure de lépoque œ percaline blanche à la Bradel, pièce de titre en maroquin bleu nuit, dos lisse orné dun fleuron doré.Reliure et certaines marges dépassantes poussiéreuses, coiffe inférieure et coins frottés, bon exemplaire par ailleurs
188721822Paris Magnier & Cie 1887 -in-folio cartonné illustré un volume, reliure pleine percaline bleu-foncé cartonnage éditeur à plaques spéciales monochromes pour le permier plat grand in-folio (35,1 x 27,1 cm) (editor hard-back percale with specials covers editor for the front cover in-quarto), dos long muet (spine without raised bands and title), premier plat illustré couleur "ARGENT" d'un pierrot pendu (la corde au cou sur fond de lune, Etiquette blanche Ex-Libris gravée en noir : Georges PROVOST (écrivain Nantais), receuil tiré sur japon avec un dessin original signé d'A. WILLETTE joint, receuil de 40 planches gravées par A. Willette en feuilles libres non-paginées, signature manuscrite de l'Auteur à l'encre noire en bas à gauche de la page de titre, planche de titre roussie, sinon agréable exemplaire, sans date [1887] PARIS M. Magnier & Cie Editeur,
188832574Paris 1888 et 1889 | 29 x 40 cm | en feuilles
188832574Paris 1888. Fine. Paris 1888 et 1889 29 x 40 cm en feuilles WILLETTE Adolphe & OTHERS Le Pierrot Paris 1888 and 1889 29 x 40 cm unbound. First edition. An almost complete set of this rare satirical literary journal headed and illustrated by Adolphe Willette. 49 issues from 6 July 1888 to 20 September 1889 each comprising two folio leaves the first page with a lithograph by Willette some with caricatures on page three. With Emile Goudeau as its editor-in-chief this journal nominally published on Fridays though not always actually published then includes poetry ads and news in brief but its real value lies in the illustrations done exclusively for it by Willette. A little light foxing and small tears to margin not touching images or text. Adolphe Willette was an inseparable part of Montmartre where he was responsible for the decoration of a number of cabarets bistrots and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. He later worked with a number of newspapers including le Rire and lAssiette au beurre before establishing le Pierrot. A divisive figure he stood as an Anti-Semitic candidate in the municipal elections in Paris in 1889. He proclaimed himself first President of the Republic of Montmartre a philanthropic association aimed at helping the children of that quartier. unknown
188818782AB1888. 51 numbers all. Paris 1888 - 1891. 41 : 315 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry advertisement news etc. but the real value lies in the illustrations done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre where he was responsible for the decoration of a number of cabarets bistros and the famous Moulin Rouge. A painter first and foremost he exhibited at the Chat Noir having helped to found it. Later he worked with a nuber of newspapers including le rire and Assiette au beurre before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues. hardcover
189875920Théophile Belin | Paris 1898 | 22 x 30 cm | relié
189875920Paris: Théophile Belin 1898. Fine. Théophile Belin Paris 1898 22 x 30 cm relié First edition printed with 200 copies on vellum illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette printed in bistre in the text and in colour for the insets by Vigna-Vigneron comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions that is black and white and colour. Bound in pale pink suede spine in two false compartments multicoloured patchwork garland glued to the boards comb-patterned endpapers shimmering covers and spine preserved all leaves have been mounted on guards brown cloth slipcase binding signed D. M. and dated 2015. ""Belle publication côtée une des meilleures de l'artiste qui mérite plus d'attention. Vigna habile artiste restaurateur de gravures anciennes a innové un artistique procédé de reproduction en couleurs qui respecte l'original"" Carteret. Beautiful popular publication one of the artist's best which deserves more attention. Vigna a skilled artist restorer of old engraving invented an artistic colour reproduction process that respects the original Carteret. Théophile Belin hardcover
1881109711881 P., Ed. Monnier & Cie, éditeurs, 1881-1882, 13 livraisons reliées en 1 fort vol. in-4° (292 x 215) plein maroquin brun, dos à 5 nerfs, double filet doré encadrant les caissons, triple filet doré encadrant les plats, grande composition dorée représentant un masque à la grotesque sur une scène de théâtre occupant tout le plat supérieur, double filet doré sur les coupes, tête dorée, riche dentelle dorée encadrant les doublures, doublures et gardes de moire mauve, couverture générale et couvertures de livraison illustrées conservées, cahiers entièrement montés sur onglets, (Quinet). Rousseurs éparses et quelques traces d'adhésif, bel exemplaire dans une impressionnante reliure par ailleurs.
189840887Reliure demi-maroquin vertà coins. Dos mosaïqué de fleurs. Tête dorée. Couverture rose et dos conservés. Reliure signée NOULHAC. Édition ornée d'un frontispice en trois états, l'eau-forte pure, pointe sèche et l'état définitif en couleurs, 12 hors texte en couleurs, une vignette de titre en couleurs et 26 vignettes d'en-tête et cul-de-lampe par WILLETTE gravées en taille-douce et en couleurs par VIGNA-VIGNERON. En fin de volume, une décomposition en 4 couleurs du frontispice.
189879250Cartonnage d'éditeur pleine percaline verte. Titre à la chinoise doré sur le dos. Plat supérieur illustré d'un dessin signé de Steinlen représentant un coq chantant en noir et rouge devant le titre"Cocorico" écrit en doré. Le présent exemplaire est ici en deux volumes : numéros 1 à 24 pour 1898-1899 ; numéros 25 à 44 pour 1900. (Les couvertures en couleurs et les annonces sont reliées in-fine pour le premier volume).
189348437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
