Odilon RedonBiblio.com
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116999Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1904. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116988Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1904. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
feb91246Used. For more details please contact me unknown
1976feb08368Meridiane 1976. Used. 1976; Romanian Edition of Jurnal Biblioteca de Arta Nr.249; For more details please contact me Meridiane unknown
066634101X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020799145.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
36700Costallat s.d Petit-In-4 160pp. reliure demi-toile percaline époque unknown
65824Reunion des Musees Nationaux P. 1984 In-4 27 cm 255pp. 542 references illustr. frontispice en couleurs et hors-textes bon etat bon etat Ats10 Sommaire: La donation - Odilon Redon biographie - Ouvrages - Expositions - Catalogue des oeuvres d'Odilon Redon: Peintures - Pastels - Fusains - Dessins - Carnets unknown
1984174368Paris: Ministère de la culture 1984. Softcover. VG bumping and wear to corners and block edges overall general shelf wear to spine and wraps previous owner's name in ink inside front cover. Color illustrated wraps spine is white with black lettering 255 pp 12 unnumbered pages of plates richly illustrated in bw and color. Written in French. Includes reproductions of Odilon Redon's work and bibliographical references prelim. page 19. Ministère de la culture paperback
1656374Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1656371Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1656373Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1656372Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19982716874Barcelona.: Printcolor. 1998. Hardcover. Sobrecubierta deslucida. Good. 32 cm. 128 p. il. col. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Sobrecubierta deslucida. Literatura.82 82 Printcolor. hardcover
20112-2296131387Editions L'Harmattan 2011. Paperback. New. 290 pages. French language. 8.43x5.35x0.87 inches. Editions L'Harmattan paperback
54750Paris 1912. Original printed colour illustration in landscape format c. 30 x 42 cm with "daily" roneo-printed menu on verso portrait format within green art nouveau style decorative border. Minor creases and repaired tears to margins generally very good. Paris 1912 unknown
20142-2343041911Editions L'Harmattan 2014. Paperback. New. 304 pages. French language. 9.45x6.14x1.02 inches. Editions L'Harmattan paperback
1969ST20561Paris: Les Peintres du Livre 1969. No. 129 of 3000 copies for sale and 50 hors commerce. 225 x 215 mm. 8 7/8 x 8 3/4". 110 pp. <br/> BOLD MOSAIC MOROCCO BY THORVALD HENNINGSEN tan oasis goatskin with abstract mosaic centerpiece in shades of orange yellow and mahogany suggesting flames this flanked by five thin curving black morocco inlaid lines on either side smooth spine with lettering in gilt and blind leather hinges top edge gilt. In the original felt-lined matching morocco-lipped slipcase. Housed in a felt-lined red archival box with paper label reading "174 Henningsen" on one side. With 40 full-page illustrations based on Redon's lithographs. Acquired from the bookbinder's estate since 2017 in the Hans Burkhardt Collection Henningsen catalogue raisonnée no. 174. As new.<br/> <br/> This ominously illustrated edition of Flaubert's dramatic poem recounting the Devil's temptation of Saint Anthony the Great comes in a handsome binding that pays homage to the legend with an abstract design evoking the shifting sands of the Desert Father's habitat and the flames of desire that tormented him. Flaubert spent more than 25 years writing and rewriting this work which was finally published in 1874. It recounts one day in the life of the Desert Father who is considered the founder of Western monasticism a day during which Satan tries to lure him away from God using promises of wealth power revenge carnality and other forms of indulgence. The "Oxford Companion" calls it "remarkable for its beauty of style and language and its imaginative power." Symbolist artist Odilon Redon who had illustrated Stéphane Mallarmé's French translation of Poe was inspired to create a series of drawings for Flaubert's work. The dark foreboding lithographs here are early examples of his trademark "Noirs" images first rendered in charcoal and then recreated as lithographs. Redon said of his all-black compositions: "One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the integral part of the artist's fantasy." A Studio International article on the 2006 MOMA exhibit of Redon's work "Beyond the Visible" notes "In these early drawings he developed an easily recognisable repertoire of menacing subjects; these included odd amoeboid creatures and insects and plants with human heads. Furthermore there seem to be numerous pictures of severed heads 'Head of St John the Baptist' and it is also evident that he had a fascination in death 'Through the crack in the wall the head of death was projected'." In her exhibit catalogue essay Marina van Zuylen places Redon's art somewhere "between the rational and the irrational norm and deviation bringing to the public the wonders of the hybrid and the grotesque." Binder Thorvald Henningsen 1896-1977 was apprenticed to Konrad Häsler of Zurich 1910-14 and qualified as a master craftsman in 1921. He managed a bindery in Bern from that time until 1946 when he was able to set up his own workshop in Zurich where he created beautiful bindings until 1972. His devotion to his craft is encapsulated in this statement: "A book must be beautifully bound not only for the customer's sake but even more so for the sake of the work itself for the joy of flawless design." Henningsen made additional contributions to bookbinding through his teaching at the arts and crafts schools in Zurich and Bern preparing pupils for the master craftsman's examination as well as his service to the Cantonal Zurich Master Bookbinder Association and the Museum of Bookbinding. Our volume was once owned by Swiss-American Abstract Expressionist Hans Burkhardt 1904-94 who was no doubt attracted to the binding by his fellow Swiss but likely also to the brooding illustrations of Redon. Burkhardt's own works contemplated death and human tragedy with art historian Donald Kuspit calling him "a master—indeed the inventor—of the abstract memento mori" and Eugene Anderson declaring him "Goya's spiritual heir." Burkhardt carefully protected the book in an archival box and it remains as pristine as the day it left the binder. Les Peintres du Livre unknown
189648705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
2336551128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
116653Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116639Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116640Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116641Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116654Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
