1 974 résultats
10546Bourges, Librairie A. Auxenfans, 1927; in-8°, broché, couverture beige illustrée d'un bois gravé de Jean Hainaut sur les 2 plats ,titre en noir au dos et 1er plat; 414pp. Illustré dans le texte de carte et reproductions.
15015Bourges, Auxenfans, 1927 - In 8 - Broché - Couverture illustrée de 2 Bois gravé de Jean Hainaut - Illustrations en texte + carte dépliante déchirée - 414 pp.- léger manque en queue
75197Bourges, éd. A. Auxenfans, 1927, in-8, cartonnage souple, couv. ill. par un bois de Jean Hainaut, 414 pp., 1 double carte dépliable, nb. cartes, photos et dessins en noir, liste des personnes célèbres du département, bibliographie, index, table des matières, Toute l'histoire du Berry, une documentations sur les monuments mais surtout sur les personnes célèbres qui "ont fait" le Berry. Bon état; la carte dépliable a été renforcée
199924307Editions du Bastion 1999 414 pages in-8. 1999. Simili-Cuir/Jaquette. 414 pages. Ex. n° 723 - Illustrations en noir
M12588Etudes Urbaines 7. IFAO Le Caire 2009. First edition. Folio 461 pages. Contemporary half-leather a fine copy. From the library of Egyptologist Charles Cornell Van Siclen III VSX. Language: French/Français. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Egypt: Greco-Roman Coptic Medieval & Modern Egypt. unknown
116653Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116639Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116640Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116641Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116654Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116652Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116651Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
116638Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1896. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
33988Turnhout, Brepols, 2002 Paperback, approx. 412 p., 19 b/w ill., 156 x 234 mm. ISBN 9782503511009.
211263Avignon, Aubanel frères, 1910 in-12, 31 pp., frontispice, 1 planche. broché sous cristal, couv. illustrée.
212001Avignon, Aubanel Frères, 1910 in-16, 31 pp., 2 planches dont 1 frontispice, broché.
80456Cheminements 2007, in-8 broché, 182pp avec des photographies hors texte - très bon état
2336551128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196978170Paris, Editions L.C.L., 1969, in-4, relié sous étui éditeur (23x21cm), np. Bel exemplaire. 42 illustrations à pleine page. Envoi de Claude Roger-Marx.
1969ST20561Paris: Les Peintres du Livre 1969. No. 129 of 3000 copies for sale and 50 hors commerce. 225 x 215 mm. 8 7/8 x 8 3/4". 110 pp. <br/> BOLD MOSAIC MOROCCO BY THORVALD HENNINGSEN tan oasis goatskin with abstract mosaic centerpiece in shades of orange yellow and mahogany suggesting flames this flanked by five thin curving black morocco inlaid lines on either side smooth spine with lettering in gilt and blind leather hinges top edge gilt. In the original felt-lined matching morocco-lipped slipcase. Housed in a felt-lined red archival box with paper label reading "174 Henningsen" on one side. With 40 full-page illustrations based on Redon's lithographs. Acquired from the bookbinder's estate since 2017 in the Hans Burkhardt Collection Henningsen catalogue raisonnée no. 174. As new.<br/> <br/> This ominously illustrated edition of Flaubert's dramatic poem recounting the Devil's temptation of Saint Anthony the Great comes in a handsome binding that pays homage to the legend with an abstract design evoking the shifting sands of the Desert Father's habitat and the flames of desire that tormented him. Flaubert spent more than 25 years writing and rewriting this work which was finally published in 1874. It recounts one day in the life of the Desert Father who is considered the founder of Western monasticism a day during which Satan tries to lure him away from God using promises of wealth power revenge carnality and other forms of indulgence. The "Oxford Companion" calls it "remarkable for its beauty of style and language and its imaginative power." Symbolist artist Odilon Redon who had illustrated Stéphane Mallarmé's French translation of Poe was inspired to create a series of drawings for Flaubert's work. The dark foreboding lithographs here are early examples of his trademark "Noirs" images first rendered in charcoal and then recreated as lithographs. Redon said of his all-black compositions: "One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the integral part of the artist's fantasy." A Studio International article on the 2006 MOMA exhibit of Redon's work "Beyond the Visible" notes "In these early drawings he developed an easily recognisable repertoire of menacing subjects; these included odd amoeboid creatures and insects and plants with human heads. Furthermore there seem to be numerous pictures of severed heads 'Head of St John the Baptist' and it is also evident that he had a fascination in death 'Through the crack in the wall the head of death was projected'." In her exhibit catalogue essay Marina van Zuylen places Redon's art somewhere "between the rational and the irrational norm and deviation bringing to the public the wonders of the hybrid and the grotesque." Binder Thorvald Henningsen 1896-1977 was apprenticed to Konrad Häsler of Zurich 1910-14 and qualified as a master craftsman in 1921. He managed a bindery in Bern from that time until 1946 when he was able to set up his own workshop in Zurich where he created beautiful bindings until 1972. His devotion to his craft is encapsulated in this statement: "A book must be beautifully bound not only for the customer's sake but even more so for the sake of the work itself for the joy of flawless design." Henningsen made additional contributions to bookbinding through his teaching at the arts and crafts schools in Zurich and Bern preparing pupils for the master craftsman's examination as well as his service to the Cantonal Zurich Master Bookbinder Association and the Museum of Bookbinding. Our volume was once owned by Swiss-American Abstract Expressionist Hans Burkhardt 1904-94 who was no doubt attracted to the binding by his fellow Swiss but likely also to the brooding illustrations of Redon. Burkhardt's own works contemplated death and human tragedy with art historian Donald Kuspit calling him "a master—indeed the inventor—of the abstract memento mori" and Eugene Anderson declaring him "Goya's spiritual heir." Burkhardt carefully protected the book in an archival box and it remains as pristine as the day it left the binder. Les Peintres du Livre unknown
189648705Paris.: Published by the author. 1896. Contemporary full fawn crushed morocco by Thierry St. de Petit-Simier with his signature gilt gilt title to upper board inner dentelles ruled in gilt marbled endpapers. Folio. Title page with vignette printed in purple on Japon and 23 monochrome lithographs by Redon 22 are signed in pencil printed on chine and mounted to larger sheets. Printed by Clot and Blanchard Paris. From the edition limited to 50 copies.The complete album comprising the title-page with the lithographed vignette printed in purple on Japon signed in purple by Redon and the set of 23 lithographs to illustrate Flaubert's text printed on chine appliqué all with the exception of one signed individually in pencil with the small capitals within subject.Redon spent much of 1895 making La Tentation de St. Antoine. 3me. Série his first album of lithographs in five years. He produced only one more album of lithographs Apocalypse de St. Jean in 1899.'Flaubert's first magnum opus retelling the temptations that afflicted Saint Anthony was completed over twenty-five years before its publication in 1874. The mystical trials were compelling subjects for Redon who made three sets of illustrations in which he tried to fathom their symbolic content. The last and largest series of lithographs on the temptations this set was commissioned by Vollard and issued in 1896 many decades before they were incorporated into book form after the artist's death.' Castleman.Manet to Hockney 13; Castleman 11; Logan 6. Published by the author. unknown
2005R300306734Ibis Rouge. 2005. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 145 pages. Nom écrit à l'encre en page de garde.. . . . Classification Dewey : 840.092-XXI ème siècle
10715Paris, E. Dentu, 1891. In-8 relié demi-basane rouge, dos fleuri à nerfs, 415 p. Illustrations in-t. de G. Rouault et de Georges Redon. Bon état avec qq. rousseurs. Recueil de quatre nouvelles : ... Comme des veaux - En route pour Paris - C'est de la dynamite ! - La dernière côtelette.
14385PARIS, E. Dentu - 1891 - 1/2 reliure légèrement frottée - Dos lisse avec titre et filets dorés - Gardes jaspées - Illustrations NB dans le texte et HT - 415 pages - Très bel exemplaire
197431585Paris Flammarion 1974 In-8 carré Notices bio-bibliographiques par Lydie Huyghe - 478 pp - illustrations noir & blanc comprises dans la pagination, illustrations couleurs non comprises dans la pagination
