843 résultats
4370Istamboul,Automobile Club de Turquie 1963,in8 broché,dessins de l'auteur,84p.,plan dépliant,
1924125631Paris, Compagnie des lampes 1924 In-8 22,5 x 14 cm. Agrafé, couverture beige avec report du titre en bistre sur le premier plat, 43 pp., 14 figures dans le texte. Exemplaire en bon état.
1987RO90001836EDITIONS 10/18 N° 1836. 1987. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 157 pages. Couverture illustrée en couleur.. . . . Classification Dewey : 830-Littératures des langues germaniques
198730000725610 X 18 1987 154 pages 1987. 154 pages.
4542Lausanne, L’Age d’Homme 1976, 210x140mm, 157pages, broché. Bel exemplaire.
23856<p>Une monographie de référence sur le peintre et graveur Rouault, pour découvrir l’artiste grâce à des textes clairs et concis et une riche iconographie autour des œuvres de la collection du Musée national d’art moderne. Un ouvrage complet : un essai rédigé par Angela Lampe, conservatrice au Musée national d’art moderne en charge des collections modernes, 9 notices d’œuvres, une chronologie, une bibliographie. Grâce à des textes clairs et vivants, ce livre satisfera aussi bien les amateurs que ceux qui veulent faire leurs premiers pas dans le monde de Rouault. Une publication qui vient combler un manque sur un artiste phare de la modernité française.</p> Paris, 2021 Centre Pompidou 96 p., 59 illustration couleur, broché. 18 x 18
2010EL414642010 368 p., 3 figures, 336 coloured plates, 4to, hardbound. Library stamps, and small removed sticker mark on top left corner of front cover, else good copy.
2010EL430942010 368 p., 3 figures, 336 coloured plates, 4to, hardbound. Ex library of the French Lepidopterologist Philippe Darge (1933-2023). Good copy.
1896R240163671Alfred Castaigne. 1896. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. Paginé de 246 à 692. Dos cassé, livre désolidarisé en plusieurs parties. Légers manques en coiffes.. . . . Classification Dewey : 700-LES ARTS
5521Bruxelles, Editions Collections Livres, 1999. Deux volumes in-4. Brochés. Couvertures illustrées. IX + 692 et 1147 pages. Reprint de l'édition de 1895 parue chez Alfred Castaigne, éditeur à Bruxelles. Hormis une petite pliure sur le tome I sans gravité, ensemble en très bon état
200886080Prestel Verlag 2008 Livre en allemand. Cartonné. 124 pages. Très bon état d’occasion.
198772752Cambridge, 1987, in-8, 565, 589 & 648pp, broché, Superbe exemplaire! de la bibliothèque d'André Crepin! 565, 589 & 648pp
2013R300323466Centre Pompidou-Metz. 2013. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 429 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
201348687Centre Pompidou - Metz Couverture souple Metz 2013
1656-25Berlin u. Lpz. Jos. Singer 1909. 2. Aufl. 4°. 2 Bll. 256 1 S. Mit 336 Abb. u. 1 farblithogr. zerlegbaren Taf. eines Karpfens. OLn.-Bd. m. reicher fig. Gold- u. Farbpräg. Berlin u. Lpz., Jos. Singer 1909. unknown
72752Couverture rigide. Bon/1987. in-8. Cambridge 1987 in-8 565 589 & 648pp broché Superbe exemplaire! de la bibliothèque d'André Crepin! unknown
1996AME_9780521467056Cambridge University Press 1996. 1st. Paperback. New/New. Cambridge University Press paperback
1996DBS-9780521467056Cambridge University Press 1996. 1st. Paperback. New. Cambridge University Press paperback
1996DBS-9780521467056Cambridge University Press 1996. 1st. Paperback. New. Cambridge University Press paperback
2018172986Paris: Centre Pompidou 2018. Hardcover. VG. Illustrated covered boards with white writing on front and back cover and spine 285 3. Profusely illustrated in color and bw. This groundbreaking book explores the Russian avant-garde during the early post-revolutionary years of 1918-1922 and brings together the works of three of its most influential artists. When Marc Chagall took over the People's School of Art in his hometown of Vitebsk in 1919 he had already established himself as an avant-garde artist. For the next few years Chagall established the once-sleepy Belarusian town as a hub of revolutionary art making. Along with Kazimir Malevitch and El Lissitzky Chagall presided over a flowering of creativity and artistic energy that became a focal point of Russian modernism. This volume features 250 works and documentary items from Vitebsk bringing to life a little-known chapter in the history of art. Every aspect of this brief but decisive period is examined here from Chagall's notion of proletariat art to the birth of the UNOVIS group and its trailblazing expositions. Correspondence among Chagall Malevitch and Lissitzky are featured alongside important works from all three artists as well as art from their colleagues and students. The result is a multifaceted portrait of a unique collaboration that forged a new path for artistic expression which extended far beyond the boundaries of Vitebsk. -- From publisher's description Contents: Postrevolutionary fervor in Vitebsk -- Chagall in the service of the revolution / Angela Lampe -- The Vitebsk debate on revolutionary art 1918-19 / Alexander Lisov -- The People's Art School -- The Vitebsk art laboratories for world reconstruction / Maria Kokkori and Alexander Bouras -- Leftist art according to Chagall -- Chagall and suprematism / Tamara Karandasheva -- "The new in art": Lissitzky and Malevich -- Vitebsk: A turning point in Lissitzky's life / Willem Jan Renders -- Teach write experiment: Malevich in Vitebsk 1919-22 / Alexandra Shatskikh -- Collective utopia -- UNOVIS: Organization and ideology / Tatiana Goriacheva -- A collection as model -- The Vitebsk Museum of Contemporary Art / Irina Karasik -- After Vitebsk -- Mass/Ornament: Suprematism's third dimension / Samuel Johnson -- UNOVIS in the history of the Russian avant-garde / Jean-Claude Marcadé. Centre Pompidou hardcover books
2012173056London: Tate Publishing 2012. First edition. Hardcover. 319 pages. Published in conjunction a traveling exhibition. Features text contributions by Francois Albera Magne Bruteig Clement Cheroux Nicholas Cullinan Arne Eggum Mai Britt Guleng Lasse Jacobsen Angela Lampe Philippe Lanthony Aurore Mechain Iris Muller-Westermann Pascal Rousseau Sivert Thue Gerd Woll and Ingebjorg Ydstie. Includes some black and white and numerous color illustrations. A clean and tight very near fine copy in a very near fine dust jacket. Tate Publishing unknown books
172580Paperback. VG. Glossy color-illustrated wraps with gray lettering. 59 pp. Mainly color illustrations. Text in French. Catalogue of an exhibition from March 28 to July 16 2018. paperback books
2016156657Munich: Prestel 2016. Hardcover. Fine contents but with bumped corners. Beige linen/boards. Black lettering. Color illus. laid on. Illustrated end papers. 308 pp. with color and bw images throughout. Catalogue from the exhibition of the same title held at the Centre Pompidou Paris from April - August 2016. "Known for its whimsy and levity Paul Klee's art is often considered gleefully childlike. This companion book to an exhibition at the Centre Pompidou illustrates how Paul Klee s critical and ironic take on life was evident in every stage of his oeuvre. Featuring approximately 250 works this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee's youth his experimentations in Cubism and mechanical theatre and the constructivist approach of the Bauhaus school this book follows the trajectory of Klee s oeuvre as a reflection of prevailing styles. It closes with the artist's final years in which he was labelled a degenerate artist by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme and against the backdrop of Europe's seismic political and artistic movements Klee s body of work takes on a renewed significance as one of the most critical of its generation's." - museum web site. Prestel hardcover books
