24 résultats
1726mon0003001796Antonium Schoonenburg 1726. Hardcover. Good. . Volumes 2 and 3 ONLY. Bound in full vellum shows minor wear rubbing and tears to the extremities raised bands on the spines. Ex-library copies with labels on the spines and front pastedowns. Pages are lightly tanned with minor scattered foxing. Antonium Schoonenburg hardcover
1726R37BRNTAN25DAmstelodami: Antonium Schoonenburg 1726. Full-vellum binding. Volume 2 only of 3. Pp. 8 912. 1st edition 1726. Some loss to head of spine slight splitting to outer joint however binding remains secure. Presentation label to front pastedown bookplate to ffep. A rather pleasing copy. A heavy book additional postage may be required for orders outside the UK. r37 . 1st Edition. Hard Cover. Good. Antonium Schoonenburg Hardcover
178210083A Paris, chez J. B. G. Musier, 1782. In-12 de [2]-VI-[8]-178-[2] pages, plein veau moucheté, dos lisse orné de filets, encadrements, fleurons et titre dorés, étiquette de titre (frottée) marron, tranches rouges, roulette dorée sur les coupes. Bords, mors et coins frottés, la coiffe de tête manque, un mors fendu avec trou au second plat.
174036724London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Scroll embellishment to foot. Signed in the plate by the engraver G. Bickham junr. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling and dampstaining; small tears to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
174036704London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head and foot illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver Bickham. Ca. 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor soiling and dampstaining. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245. <br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
17261233E110Trajecti ad Rhenum Utrecht: Gysbertum Paddenburg 1726. 2nd Edition . Hardback. Printed pages: 8vo. 14 553 79. Very Good Minus. 4 x 6.25 inches 10 x 16 cm. Enlarged second edition with index added for the first time. Contemporary full calf leather binding. Spine with five raised bands gilt ornaments to compartments lacking title label. Wear to ends of spine and corners of boards. Joints cracked boards securely held by the cords. Lacking front free endpaper. Rear pastedown endpaper torn. Previous owner's name label to front pastedown endpaper. Good solid page block clean text throughout. Latin text. Overall condition is Very Good Minus. Size: 4 x 6.25 inches 10 x 16 cm. Gysbertum Paddenburg hardcover
1775DK5360Bremen: Berlegts Georg Ludewig 1775. Later Edition. HB. Brown marbled paper covered boards 12 mo 96 pp. Lacking any endpapers if ever present. No marks in book binding solid. Pages considerably browned old faint moisture stain lower inside corner of pages throughout text. Covers show edge wear old owners name top front cover partially visable bottom 2" of backstrip lacking. Book condition Good. Uncommon title Berlegts Georg Ludewig hardcover
174036829London 1740. Unbound. Very Good. 1 leaf with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. The words by Mr. Carey. Ca 326 x 200 mm. 12.75" x 7.85" plate mark.<br /> <br /> Slightly worn; minor browning to edges; minor soiling; small tears to edges. From the second edition of Bickham's monumental work first published in 1737-1739. BUC p. 107. RISM BII p. 245.<br /> <br /> Lampe was a German bassoonist and composer active in England; he often collaborated with Carey as librettist.<br /> <br /> "Bickham 1706-1771 was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer first issued in fortnightly parts each containing four plates from January 1737 to December 1739. The 200 plates are songs headed and surrounded with pictorial embellishments illustrative of the song . and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody engraved by Benjamin Cole." Frank Kidson et al. in Grove Music Online. <br /> <br /> A charming engraving.<br /> <br /> The Musical Entertainer is considered one of the finest 18th century illustrated books. Complete copies of this monumental work are exceptionally rare. unknown
1731R119436Amsterdam, by Antony Schoonenburg 1731 [24] + 494 + [24bl.] + [8] pp., 16cm., titel in rood en zwart, 19e eeuwse gecart. band (gemarbreerde platten, grijslederen rug), tekst in het Nederlands in Gotisch schrift, tekst is helder met uizondering van enkele vage vlekjes, goede staat, R119436
1741k0973Germany: Hajonem Spandaw. G : in Good condition. Boards bowed and soiled. Slight foxing and page-edge darkening. Bookplate to front pastedown. Ink inscription to fep. 1741. First Edition thus. Cream vellum hardback cover. 210mm x 120mm 8" x 5". xi 467pp index. Friederich Adolph Lampe 1683-1729 was a German Pietist preacher from a Calvinist background. This edition comprises Lampe's theological works and meditations with a critical interpretation including commentary of psalms and the Revelation of Johannis. Daniel Gerdes referred to in the title was a noted Calvinist theologian of and contemporary of Lampe. . Hajonem Spandaw hardcover
173111855Amsterdam Antony Schoonenburg 1732/1731. 2 werken in 1 band 24 494 8 24 322 13 p. Origineel perkament 8° Wat los in de band vochtvlekkig. Tweede werk komt weinig voor. Ex-libris: J. vd Schuit Amsterdam, Antony Schoonenburg unknown
174243199Basileae Basel: Joh. Rud. Im-Hoff 1742. Second edition. Hardcover. f to g. Octavo 8 1/4 x 6 3/4". 16 408 16pp. Contemporary 3/4 calf over marbled paper covered boards with gold lettering and ruling to spine. Title page in red and black lettering. Title vignette. Decorative woodcut headpieces initial and tailpiece. <br /> <br /> Originally posthumously published in 1741 Friedrich Adolph Lampe's "Commentarius in Psalmos graduum" is a commentary on Psalms 120-134 of the Book of Psalms entitled "A Song of Degrees or ascent." <br /> <br /> The Psalms are songs. They were sung by the people in their homes and by the choirs in the temple in Jerusalem. Some Psalms were sung by pilgrims journeying up to Jerusalem and the temple. <br /> <br /> The commentary is followed by an exegetical commentary on John's Apocalypse and an exegetical note on Solomon's Ecclesiastes. <br /> <br /> Binding rubbed along edges with ex-library sticker remnant on spine and bookplate on inside of front cover. Closed tear along front joint. Sporadic clear water-staining throughout. Text of the Psalms and Ecclesiastes in Hebrew and Latin and of John's Apocalypse in Greek and Latin. Binding in overall fair interior in fair to good condition. About the author: Friedrich Adolph Lampe 1683-1729 was a German Pietist pastor theologian and professor of dogmatics in Utrecht 1720-1727 and Bremen 1727-1729. He was a Cocceian and follower of Johannes d'Outrein. He is known as the first Pietist leader from a Calvinist rather than Lutheran background. From Wikipedia. Joh. Rud. Im-Hoff hardcover
1747740153Utrecht Netherlands. Very Good-. 1747. Fourth Edition. Three-Quarter Leather. Vellum over marbled boards which show rubbing. Leather is in very good condition although color has turned dark. Front and rear free endpapers have missing corner areas. Laast two pages of the index have small tears repaired with Filmoplast paper repair tape. Binding is tight and text is clean. ; 24mo 5" - 6" tall; 553 pages . hardcover
171543198Bremae: Hermanni Braueri 1715. First edition. Hardcover. poor to vg. Quarto 9 x 7". 626 26pp Index and Addenda. Contemporary half calf over marbled paper covered boards. Decorative head- and tailpieces. Book housed in a modern orange cloth covered clamshell box with gold lettering to spine.<br /> <br /> <br /> First edition of Friedrich Adolph Lampe's commentary and exercitations on Psalm 45 a wedding song or epithalamium written to a king on the day of his wedding to a foreign woman. <br /> <br /> The Psalm consists of two sections framed by an introduction vss. 1-2 and final blessing vss. 17-18. Verses 3-10 enumerate the virtues of the king while verses 11-16 describe the queen's wedding procession and urge her to forget her family and her own country and to submit to her husband. In verse 3 the poet tells the king that "God has blessed you from eternity" a concept taken by some to imply predestination. The most controversial passage is verse 7 6 in the RSV traditionally translated "thy throne O god is for ever and ever" because it seems as if the poet is addressing the king as "god" which is theologically problematic. Alternate translations include "your divine throne endures for ever and ever" and "the eternal and everlasting God has enthroned you." The last two verses of the psalm assure the king that he will have a long line of descendents and "peoples will praise you from age to age." <br /> <br /> It is a Psalm by the "sons of Korah" and represents a song for the wedding of the king. The sons of Korach to which the psalm is attributed in the 1st verse were probably a race of temple singers. <br /> <br /> Psalm 45 is the only example of profane poetry in the Psalms and was composed and sung by a minstrel or cult prophets on occasion of the marriage of the king. <br /> <br /> The Psalm covers the five following parts: <br /> <br /> 1 Verse 1-2: Introductory Self-Presentation of the singer <br /> 2 Verse 3-10: portrayal of the king in all his properties and in his power and wealth <br /> 3 Verse 11-13: Addressing the Bride of the King <br /> 4 Verse 14-16: Description of the bride <br /> 5Verse 17-18: completion of the song with the encouragement of a promise to the king and his descendants <br /> <br /> Heavy rubbing on binding with abrasion to leather and calf. Head and tail of spine chipped. Closed tears along joints. Ex-library bookplate on inside of front cover. Previous owner's name and signature at upper part of front free endpaper. Front free endpaper partly loose. Minor and sporadic age-toning throughout. Text in Latin with some Hebrew and Greek. Clamshell box in overall very good binding in poor to fair interior in good to very good condition. About the author: Friedrich Adolph Lampe 1683-1729 was a German Pietist pastor theologian and professor of dogmatics in Utrecht 1720-1727 and Bremen 1727-1729. He was a Cocceian and follower of Johannes d'Outrein. He is known as the first Pietist leader from a Calvinist rather than Lutheran background. From Wikipedia. Hermanni Braueri hardcover
172743174Basileae Basel: E. & J. R. Thurnisios Fratres 1727. First Swiss edition. Hardcover. g to vg. Quarto 9 3/4 x 7 3/4". 16 816pp Vol. 1; 8 912pp Vol. 2; 4 767 39pp Index Vol. 3. Contemporary full vellum. Marbled endpapers. All paper edges red. Title page of first volume in red and black lettering. Title vignette for each of the three title pages. Decorative initials and tailpieces. <br /> <br /> Originally published by Schoonenburg in Amsterdam between 1724 and 1726 this work is the first Swiss edition of Friedrich Adolph Lampe's three-volume commentary on the Gospel of St John. <br /> <br /> When published scholars ranked Lampe's work as one of the best commentaries ever written on John. The author shows how "the Fourth Gospel contributes to biblical and systematic theology and offers a consistent exposition of John as an evangelistic Gospel."<br /> <br /> Bindings partly darkened and age-toned. Ex-library stickers on spines and bookplate on inside of each front cover. Previous owner's stamp at upper margin of each front free endpaper and title page. Contemporary previous owner's name in ink dated 1758 on each title. Text in Latin. Bindings in overall good to good interior in very good condition. About the author: Friedrich Adolph Lampe 1683-1729 was a German Pietist pastor theologian and professor of dogmatics. He was a Cocceian and follower of Johannes d'Outrein. He is known as the first Pietist leader from a Calvinist rather than Lutheran background. From Wikipedia. E. & J. R. Thurnisios, Fratres hardcover
17231966A Amsterdam, Chez Nicolas Potgieter, 1723. 1 vol. in-4 de LXXII, 498, [5 ff. ] p. plein veau brun moucheté, dos à nerfs orné de fleurons, triple filet dor. encadrant les plats avec fleurons dor. aux angles, tr. dor, roulette int. dor. Coiffes manquantes, mors fendus.
173829376Nürnberg Weisel 1738. - Withbound: Christen von Landsberg: Neue=Grund=Risse und Entwürffe Der Kriegs=Bau=Kunst Die Plätze zu defendiren und zu attaquiren. Dresden und Leipzig Hekel 1737. Bound together in one cont. hvellum. A paperlabel pasted on upper part of back. Stamp on first titlepage. 40 pp. and 7 of 8 the last in facsimile large folded engraved plates. - Landsberg: Engraved frontispiece. 30166 pp. and 21 engraved plates. Broad margins a few scattered brownspots. <br/><br/><em>First work: Klaus Jordan No. 1994 only listing this edition the third - Second work: Klaus Jordan No. 2020. </em> hardcover
173829376Nürnberg, Weisel, 1738. - Withbound: Christen von Landsberg: Neue=Grund=Risse und Entwürffe Der Kriegs=Bau=Kunst Die Plätze zu defendiren und zu attaquiren. Dresden und Leipzig, Hekel, 1737. Bound together in one cont. hvellum. A paperlabel pasted on upper part of back. Stamp on first titlepage. 40 pp. and 7 (of 8, the last in facsimile) large folded engraved plates. - Landsberg: Engraved frontispiece. (30),166 pp. and 21 engraved plates. Broad margins, a few scattered brownspots.
173731438London: J. Wilcox 1737. Quarto. Full 18th century dark brown calf with raised bands on spine in gilt-ruled compartments the initials "ML" to upper compartment. 1f. recto title printed in red and black verso blank i-iii dedication to "The Honourable Colonel Blathwayt" iv blank v-viii preface 9-45 i blank pp. text 93 plates of engraved musical examples ten of which are folding. <br/><br/>Binding slightly worn rubbed and bumped; head and tail of spine slightly chipped; hinges split; minor worming to front endpapers; front free endpaper detached. Worming to first six leaves not seriously affecting printed area. A fresh and attractive copy overall. First Edition. Kassler p. 674. Gregory-Bartlett I p. 146. Cortot p. 107. Hirsch I 301. Wolffheim I 761. RISM BVI p. 476. <br/><br/>Lampe was a German-born composer and bassoonist active in Britain. <br/><br/>"As to the Pieces alrady in Print I need not say much since Masters can make but little and Scholars no Use of them. I believe many who have endeavoured to learn Thorough Bass will readily confess that they have not been a little puzzled by intricate Rules only directing them what to play to the Figures 4/2 &c. without any other Explaination or Reason. Some indeed have gone a little further and have shewn what Cord those Figures represent and how to learn something of the Keys; but I don't find any have given plain Directions and practical Rules built upon the Grounds of Composition to shew how each Sound in each Key should be accompanied and why and I beg Leave to say no Rules for Thorough Bass are of any Value without it." The Preface p. vi. J. Wilcox unknown books
172420865<p><b>1724 Friedrich Lampe Cocceian Pietism BIBLE & Commentary on John 3v Vellum SET</b></p><p>Friedrich Adolph Lampe was an 18th-century German pastor known for his Cocceian theology and Pietist sermons. One of his best works was his philosophical commentaries on the Bible. This 1724 printing on the commentary of the Book of the Gospel of John was published in Amsterdam by Antonium Schoonenburg.</p><p>Item number: #20865</p><p>Price: $950</p><p>LAMPE Friedrich Adolph</p><p><b><i>Commentarius analytico-exegeticus tam literalis quam realis Evangelii secundum Joannem</i></b></p><p>Amstelodami: apud Antonium Schoonenburg 1724-1726.</p><p><br /></p><p><u>Details</u>:</p><p>· Collation: Complete with all pages; 3 volumes</p><p>o Vol. 1 – 16 816</p><p>o Vol. 2 – 8 912</p><p>o Vol. 3 – 8 767 35</p><p>· Provenance: Handwritten – <i>W. Henry Green 1850</i> </p><p>o William Henry Green January 27 1824 – February 10 1900 was an American scholar of the Hebrew language. He was ordained in 1848 and was pastor of the Central Presbyterian church of Philadelphia from 1849 to 1851. From August 1851 until his death he was professor of Biblical and Oriental Literature in Princeton Theological Seminary a role for which Green refused the presidency of Princeton College in 1868. </p><p>· Language: Latin</p><p>· Binding: Vellum; tight and secure</p><p>· Size: ~10in X 8in 25.5cm x 20.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>20865</p><p>Photos available upon request. </p> Antonium Schoonenburg hardcover
170512165Zwolle J.C. Royaards / Dordrecht Dirk Goris 1736/1705. 3 werken in 1 band 4 214 8 196 12 28 71 1 p. Origineel half Leer 8°. Derde werk wormgaatje in de voorrede niet in de tekst. François Valentijn 1666-1727 was een Nederlandse dominee die tweemaal is uitgezonden naar ""de Oost"". Eenmaal terug schreef hij zijn magnus opus ""Oud en Nieuw Oost-Indiën"" een naar omvang en perspectief nooit weer bereikte beschrijving van Azië. Dit werk bestaat uit vijf delen 5144 bladzijden en 1050 illustraties en geeft een gedetailleerd overzicht van de geschiedenis van de Vereenigde Oostindische Compagnie VOC. Voor zijn tweede reis naar ""de Oost"" in 1705 hield hij de afscheidspreek uit Handelingen 20 in bijgaand werk gebonden. Zwolle, J.C. Royaards / Dordrecht, Dirk Goris unknown
177316861Paris, 1773-1780. 3 volumes in-8 de (150-294)-82-[4]-XLIII-158-[2]; [2]-IV-[2]-158-[2]-[4]-122; [2]-II-156-XVI-109-[1]-XVI-136 pages, plein maroquin vert, dos lisses ornés de fleurons et bandeaux dorés, pièce de titre en maroquin caramel, fine roulette dorée en encadrement des plats, roulettes dorées aux coupes et aux chasses, tranches dorées.
177015605Paris, Claude-Antoine Jombert, 1770 ; 4 tomes in-8 ; plein veau fauve marbré, dos à nerfs décorés et dorés, pièces de titre et de tomaison fauves, filet doré sur les coupes, tranches marbrées, grand fer doré du Collège Royal du Puy en Velay (Collegium Regium Aniciense) au centre du premier plat du tome Ier (reliure de l'époque) ; (2), XIV, 460, (20) de table, 4 pp. de catalogue, 32 planches hors-texte_; (2), 462, (16) pp., 56 planches h.-t. (55 + 17bis) dont 9 dépliantes ; (2), 482, (12) pp., 31 planches h.-t. (30 + 7bis) ; (10), 446, (4) pp., 17 planches h.t. ; soit en tout 136 planches gravées sur cuivre dont 9 dépliantes ; figures in-texte.
17796564Neuchâtel, Chez Samuel Fauche, 1779-1783. 8 tomes en 8 volumes (dont 2 en 2 parties) in-4 plein veau raciné dos richement orné de fleurons et filets dorés, pièces de titre et tomaison en maroquin rouge et vert, tranches jaspées. L'exemplaire provenant d'une bibliothèque, on a collé (!) une bande de plastique transparent au dos de chaque volume; et le méthodique bibliothécaire a également apposé un tampon encreur sur chaque faux-titre, et au premier feuillet de texte. Hormis un léger manque à quatre coiffes sup., exemplaire bien établi, sans rousseurs, ni défaut. Bien complet des feuillets d'errata et des deux tables dépliantes hors-texte. Volume 6, une seconde p. 215 (différente de celle du corps de l'ouvrage) a été reliée à la place de la p. 423/425.