843 résultats
20076Paris, 2016 Centre Pompidou 140 p., broché. 12 x 18,5
23856<p>Une monographie de référence sur le peintre et graveur Rouault, pour découvrir l’artiste grâce à des textes clairs et concis et une riche iconographie autour des œuvres de la collection du Musée national d’art moderne. Un ouvrage complet : un essai rédigé par Angela Lampe, conservatrice au Musée national d’art moderne en charge des collections modernes, 9 notices d’œuvres, une chronologie, une bibliographie. Grâce à des textes clairs et vivants, ce livre satisfera aussi bien les amateurs que ceux qui veulent faire leurs premiers pas dans le monde de Rouault. Une publication qui vient combler un manque sur un artiste phare de la modernité française.</p> Paris, 2021 Centre Pompidou 96 p., 59 illustration couleur, broché. 18 x 18
2013R300323466Centre Pompidou-Metz. 2013. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 429 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
2844264948.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
41262Yale University Press. Very Good. Hardcover. Condition: Fine Like new- Contains 117 color and 37 balck-and-white illustraions from the collections of Centre Pompidou in Paris and the Milwaukee Art Museum. ; 13" x10" ; 201 pages . Yale University Press hardcover
7000Trajecti ad Rhenum, Ex Bibliopolae Guilielmi a Poolsum, 1703. In-12, (32)-405-(43) p., plein vélin d'époque, frontispice, (10) planches hors-texte. / 12mo, (32)-405-(43) p., full vellum, frontispiece & (10) plates.
197073661Paris, 1970, in-8, 161pp, broché, Superbe exemplaire! 161pp
200886080Prestel Verlag 2008 Livre en allemand. Cartonné. 124 pages. Très bon état d’occasion.
2016320112016. Paris Centre Pompidou 2016. Un vol. au format pt in-4 308 x 243 mm de 308 pp. Reliure d'ÂŽdition de pleine toile grÂge titre frappÂŽ en noir au premier plat lequel s'agrÂŽmente en outre d'une large vignette en couleurs contrecollÂŽe dos lisse titre frappÂŽ. L'ouvrage s'agrÂŽmente d'une abondante iconographie. ''Des dÂŽbuts satiriques aux annÂŽes de crise en passant par une relecture du cubisme de fertiles ÂŽchanges avec Dada et un renversement des dogmes du Bauhaus Paul Klee s'est attachÂŽ tout au long de sa carriÂre ˆ affirmer une absolue libertÂŽ ˆ l'ÂŽgard des modernismes de son temps n'hÂŽsitant pas ˆ ironiser sur leurs principes et ˆ en perturber les systÂmes. Rassemblant les chefs-d'oeuvre de Paul Klee la rÂŽtrospective organisÂŽe par le Centre Pompidou propose de relire pour la premiÂre fois l'ensemble de son oeuvre ˆ travers le prisme de l'ironie romantique. Ce catalogue richement illustrÂŽ rÂŽunit les contributions des plus grands spÂŽcialistes de Paul Klee et met en ÂŽvidence le caractÂre subversif de son oeuvre.'' Excellente condition. b42961 unknown
10177Dargaud S.A. éditeur 1968, in-8 broché couverture de J. de Bruyne, 192pp avec illustrations hors texte; très bon état
19591284034Istanbul: Association des Amis D'Istanbul Touring et Automobile Club de Turque 1959. Thin Octavo; G-/no-DJ paperback; Tan spine w/o text; Covers have darkened due to age with some slight foxing on exterior and small smudges but overall sturdy & intact; Text block has small tear across fore edge and has darkened along exterior edges more so than on pages with pages being unmarked with tight binding; pp 83. French language.<br /> <br /> <p>Shelved in Netdesk office Ephemera Box I. 1284034. Shelved Rockville Bookstore. Association des Amis D'Istanbul Touring et Automobile Club de Turque unknown books
1972255104Beloit WI: The Student Association for the Study of Hallucinogens 1972. 24p. stapled wraps 5.5 x 8.5 inches wraps toned along edges else very good condition. The Student Association for the Study of Hallucinogens unknown books
1985191767Amer Medical Assn 1985-05-01. Paperback. Very Good. Softcover with jacket. Book is clean has a good binding and crisp pages no marks or notations. Small sticker on back cover dust jacket has minor wear. TP HS Amer Medical Assn paperback books
20001342025Cambridge: Cambridge University Press 2000. Second Edition. Softcover. Octavo; G- Paperback; Blue and Red spine with White and Red text; Covers have some edgewear some shelfwear creasing to spine bending to corners; Textblock has bending to top corners of some pages underlining in pencil marking in pen on some pages; 487 pp. 1342025. FP New Rockville Stock. Cambridge University Press unknown books
173731438London: J. Wilcox 1737. Quarto. Full 18th century dark brown calf with raised bands on spine in gilt-ruled compartments the initials "ML" to upper compartment. 1f. recto title printed in red and black verso blank i-iii dedication to "The Honourable Colonel Blathwayt" iv blank v-viii preface 9-45 i blank pp. text 93 plates of engraved musical examples ten of which are folding. <br/><br/>Binding slightly worn rubbed and bumped; head and tail of spine slightly chipped; hinges split; minor worming to front endpapers; front free endpaper detached. Worming to first six leaves not seriously affecting printed area. A fresh and attractive copy overall. First Edition. Kassler p. 674. Gregory-Bartlett I p. 146. Cortot p. 107. Hirsch I 301. Wolffheim I 761. RISM BVI p. 476. <br/><br/>Lampe was a German-born composer and bassoonist active in Britain. <br/><br/>"As to the Pieces alrady in Print I need not say much since Masters can make but little and Scholars no Use of them. I believe many who have endeavoured to learn Thorough Bass will readily confess that they have not been a little puzzled by intricate Rules only directing them what to play to the Figures 4/2 &c. without any other Explaination or Reason. Some indeed have gone a little further and have shewn what Cord those Figures represent and how to learn something of the Keys; but I don't find any have given plain Directions and practical Rules built upon the Grounds of Composition to shew how each Sound in each Key should be accompanied and why and I beg Leave to say no Rules for Thorough Bass are of any Value without it." The Preface p. vi. J. Wilcox unknown books
19071462Chicago: Lyon & Healy 1907 <br /> <br />. Sheet_music. Color illustrated wraps. Very good. 6 pages. 33 x 27 cm. Cover lightly rubbed interior crisp and clean <br/><br/> Lyon & Healy paperback books
197640261Cambridge: Cambridge University Press 1976. Paperback. Very good. 540pp plates and indices. pages slightly tanned else very good in publisher's wraps. <br/><br/> Cambridge University Press paperback books
1970177076The Hague Netherlands: Psychopolis de Vrije Academie 1970. Softcover. Good. foxing to covers. moderate to heavy foxing to opening pgs; recedes to moderate to lighter throughout primarily near edges & spine. closing pgs have moderate to heavy foxing. pictorial stapled wraps. approx 36 unpaginated pgs w/ bw & color illustrations. Text in Dutch. Pages are clean & unmarked but for two blue ink "check-marks" to different pages. The artist's publication from The 'Vrije Academie Werkplaats voor Beeldende Kunsten Psychopolis.' This copy was during the editiorial tenure of Goerge Lampe. This issue has an Alice In Wonderland/Occult-like theme. A strange artifact for the art periodical collector. Psychopolis de Vrije Academie paperback books
1961186296Oxford: Claredon Press 1961. Hardcover. VG Cover has general wear. Title pages have creasing and discoloration Bookblock has age toning and staining. Previous owners name on front end page. Greek/English text. Red cloth boards. xlvii 1568 pages. Companion volume to A Greek-English lexicon by H.G. Liddell and R. Scott as revised by H.S. Jones./ Includes bibliographical references. Claredon Press hardcover books
2007ULAMLAS00AFGreenhill 2007. Very Good. Lampe David. The Last Ditch: Britain's Secret Resistance and the Nazi Plan. Sheffield Foreword Gary. London: Greenhill 2007. 219pp. Indexed. Illustrated. 8vo. Hardcover. Book condition: Very good with gently bumped spine ends. Dust Jacket Condition: Very good. Greenhill hardcover books
2016156657Munich: Prestel 2016. Hardcover. Fine contents but with bumped corners. Beige linen/boards. Black lettering. Color illus. laid on. Illustrated end papers. 308 pp. with color and bw images throughout. Catalogue from the exhibition of the same title held at the Centre Pompidou Paris from April - August 2016. "Known for its whimsy and levity Paul Klee's art is often considered gleefully childlike. This companion book to an exhibition at the Centre Pompidou illustrates how Paul Klee s critical and ironic take on life was evident in every stage of his oeuvre. Featuring approximately 250 works this careful appreciation of Klee connects each stage of his career to the larger philosophical context. Exploring the satires and caricatures of Klee's youth his experimentations in Cubism and mechanical theatre and the constructivist approach of the Bauhaus school this book follows the trajectory of Klee s oeuvre as a reflection of prevailing styles. It closes with the artist's final years in which he was labelled a degenerate artist by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme and against the backdrop of Europe's seismic political and artistic movements Klee s body of work takes on a renewed significance as one of the most critical of its generation's." - museum web site. Prestel hardcover books
2016157134Paris: Centre Pompidou 2016. Hardcover. VG. Beige cloth color illus. laid on front cover illus. flyleaves 309 pp. color illus. Text is in French. Issued in conjunction with a 2016 exhibition of artwork rendered by Swiss-German painter Paul Klee 1879-1940. With seven thematic and illustrated essays a chronology and a bibliography as well as many full-color views of his work. One of 1600 copies. Note that the English edition of this catalogue is titled "Paul Klee: Irony at Work." Centre Pompidou hardcover books
172580Paperback. VG. Glossy color-illustrated wraps with gray lettering. 59 pp. Mainly color illustrations. Text in French. Catalogue of an exhibition from March 28 to July 16 2018. paperback books
2012173056London: Tate Publishing 2012. First edition. Hardcover. 319 pages. Published in conjunction a traveling exhibition. Features text contributions by Francois Albera Magne Bruteig Clement Cheroux Nicholas Cullinan Arne Eggum Mai Britt Guleng Lasse Jacobsen Angela Lampe Philippe Lanthony Aurore Mechain Iris Muller-Westermann Pascal Rousseau Sivert Thue Gerd Woll and Ingebjorg Ydstie. Includes some black and white and numerous color illustrations. A clean and tight very near fine copy in a very near fine dust jacket. Tate Publishing unknown books
2018172986Paris: Centre Pompidou 2018. Hardcover. VG. Illustrated covered boards with white writing on front and back cover and spine 285 3. Profusely illustrated in color and bw. This groundbreaking book explores the Russian avant-garde during the early post-revolutionary years of 1918-1922 and brings together the works of three of its most influential artists. When Marc Chagall took over the People's School of Art in his hometown of Vitebsk in 1919 he had already established himself as an avant-garde artist. For the next few years Chagall established the once-sleepy Belarusian town as a hub of revolutionary art making. Along with Kazimir Malevitch and El Lissitzky Chagall presided over a flowering of creativity and artistic energy that became a focal point of Russian modernism. This volume features 250 works and documentary items from Vitebsk bringing to life a little-known chapter in the history of art. Every aspect of this brief but decisive period is examined here from Chagall's notion of proletariat art to the birth of the UNOVIS group and its trailblazing expositions. Correspondence among Chagall Malevitch and Lissitzky are featured alongside important works from all three artists as well as art from their colleagues and students. The result is a multifaceted portrait of a unique collaboration that forged a new path for artistic expression which extended far beyond the boundaries of Vitebsk. -- From publisher's description Contents: Postrevolutionary fervor in Vitebsk -- Chagall in the service of the revolution / Angela Lampe -- The Vitebsk debate on revolutionary art 1918-19 / Alexander Lisov -- The People's Art School -- The Vitebsk art laboratories for world reconstruction / Maria Kokkori and Alexander Bouras -- Leftist art according to Chagall -- Chagall and suprematism / Tamara Karandasheva -- "The new in art": Lissitzky and Malevich -- Vitebsk: A turning point in Lissitzky's life / Willem Jan Renders -- Teach write experiment: Malevich in Vitebsk 1919-22 / Alexandra Shatskikh -- Collective utopia -- UNOVIS: Organization and ideology / Tatiana Goriacheva -- A collection as model -- The Vitebsk Museum of Contemporary Art / Irina Karasik -- After Vitebsk -- Mass/Ornament: Suprematism's third dimension / Samuel Johnson -- UNOVIS in the history of the Russian avant-garde / Jean-Claude Marcadé. Centre Pompidou hardcover books
