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0332447995.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282755497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
033104434X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1330571959.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428065074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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Hardcover. 119 PAGES 10x277x217 mm., yellow cloth ISBN 9782915542707. The truth is, decorative art is equipment, beautiful equipment, Le Corbusier, L'Art decoratif d'aujourd'hui This book traces the history of an encounter between a remarkable invention, half-industrial half-design object, and one of the most famous architects of the 20th century. Created in 1921, the Gras lamp holds a unique place in the history of lighting. A revolutionary design of marvelous simplicity, its original purpose was to meet the needs of the booming manufacturing and retail sectors. The young Le Corbusier, passionate about the challenges of interior lighting, adopted it as his own from the early 1920s on. Thanks to its remarkable functionality, this lamp also perfectly corresponded to his desire to break with decoration and ornament, and the architect went on to utilize it in his studio in the rue de Sevres in Paris as well as his home. He also placed it in many of the interiors of the houses he designed: the Villa Le Lac (Switzerland), the Villa La Roche (Paris), the Guiette House (Antwerp), the Villa Savoye (Poissy), and the villa belonging to his friend Eileen Gray in Roquebrune-Cap-Martin. Relying on rich photographic documentation from the period, the book goes through the history of the Gras lamp, its patents and various models, but it also enables the reader to rediscover Le Corbusier's interior designs through the prism of this icon of design, as he was one of this lamp's main promoters in modern times. Text in English and French. Contents: Preface, Antoine Picon; Le Corbusier and the law of light Arthur Ruegg; The Lamp and the Architect; Le Corbusier: For daily use; The Studio in the rue de Sevres; Private homes; A Restoration story; Le Corbusier's Designs; Introduction; Villa Le Lac, little house, Corseaux near Vevey (Switzerland), 1923; La Roche-Jeanneret house, Paris, 1925; Guiette House, Antwerp, 1926; Villa Savoye, Clear Hours, Poissy, 1929-1931; Swiss Pavilion, Cite Universitaire, Paris, 1931-1933; Visiting Eileen Gray; Bibliography; Chronology. Le Corbusier, L'Art decoratif d'aujourd'hui. Creee en 1921, la lampe Gras tient une place inedite dans l'histoire du luminaire. D'une conception revolutionnaire et d'une grande sobriete, elle a vocation a satisfaire aussi bien le monde de l'industrie que le secteur tertiaire alors en plein essor. Le jeune Le Corbusier, passionne par la problematique de la lumiere, l'adopte et se l'approprie des le debut des annees 20. D'une fonctionnalite remarquable, cette lampe repond aussi parfaitement a son besoin de rupture avec la decoration et l'ornement, ce qui amenera l'architecte a l'integrer dans son atelier de la rue de Sevres a Paris comme dans son domicile, ou elle sert aussi bien a eclairer ses tables de travail que les plateaux de tables de salle a manger.
19231113384Verlag v. Julius Hoffmann; Stuttgart, 1923. XVI; 201 S. mit sehr zahlreichen Illustrationen / Fotografie (s/w); 30 cm. Goldgepr. Originalleinenband.
1962AUB-7244Ed Casterman 1962. Bon exemplaire relié, 62 pages.
1894519202B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Merton College Library built 1371-78 retains its 1502 timber roof and metal bosses; England's first stalled library. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
A9781419763649Hardback. New. hardcover
T27018*<p>Mahad-Thai Nueng-Roi Pee: 100th Anniversary of the Interior Ministry Poster PRINT Bangkok 1992 WL CODE T27018 SIZE 8 pp. illus. with caption 220 x 300 mm BOOK WEIGHT 0.090 Kg PACKING WEIGHT 0.200 Kg</p> paperback
T27743<p>91 Pi Mahad Thai: 91th Anniversary establish of the Ministry of the Interior PRINT Bangkok 1983 WL CODE T27743 SIZE 246 pp. fully illus. partly in col. 200 x 270 mm BOOK WEIGHT 0.700 Kg PACKING WEIGHT 0.200 Kg</p> paperback
1527735818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528506278.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1528409744.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B003TW4BP6New. Brand new and still unused unknown
0259029416.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2023__1419763644Harry N Abrams Inc 2023. Hardcover. New. 272 pages. 11.00x8.50x0.94 inches. Harry N Abrams Inc hardcover
1528326687.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366838148.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1927289429Darmstadt, Alexander Koch, 1927. 29 x 22 cm. 464 ,404 Seiten. Mit zahlreichen dokumentarischen Abbildungen. Halblederbände der Zeit mit Rückenschildchen 29 cm
1926289428Darmstadt, Alexander Koch, 1926. 29 x 22 cm. 390 Seiten, 3 Blatt ; 426 Seiten, 3 Blatt. Mit zahlreichen dokumentarischen Abbildungen. Halblederbände der Zeit mit Rückenschildchen 29 cm
softcover 392 pages ,300 X 210 X 27 mm , 390 illustrations, Text in Deutsch / Englisch. ISBN 9783897906815. BESESSEN Die geheime Kunst des Polsterns Upholstered seating is familiar to all of us as a more or less constant companion in everyday life. Upholstery conveys a sense of security and promises comfort, suggests or creates status, and tells a (hi)story. We barely give a thought to its interior. Yet a glimpse inside the chairs and armchairs is a journey into secrets, of lashed and sprung constructions, which prove to be unknown masterpieces of craftsmanship. DEEP-SEATED: The Secret Art of Upholstery traces pieces of furniture and their inner details and illustrates why upholstery is a constant constituent of cultural and social history. From the Renaissance, Baroque, Rococo, Classicism, Historicism, and Art Nouveau to designs by Arne Jacobsen and Alvar Aalto, the history of upholstered furniture is traced up to the present day. It also includes a closer examination of the corresponding tools, textiles, braiding, tassels, and cushions. All this accumulated knowledge is summarized at the end in an extensive glossary for reference.
60304, Arnoldsche, 2022 Hardcover, 240 pages, ENG, 285 x 230 mm, New, dustjacket, 299 illustrations in colour / b/w. ISBN 9783897906303.
