Joan Billing und Samuel EberliMareMagnum
398 résultats
Hardcover 192 Seiten, 72 farbige und 153 sw Abbildungen, 23.5 x 32 cm. ISBN 9783858815217. Hans Eichenberger (*1926) prägte die Schweizer Wohnkultur vor allem in den 1950er- bis 1960er-Jahren, aber auch darüber hinaus. Anlässlich seines 90. Geburtstags präsentiert diese Monografie sein Schaffen umfassend: in Essays, objektbezogenen Texten und mit Fotografien der Originalmöbel. Nach einer Ausbildung zum Schreiner und Zeichner entwarf Eichenberger in seinem Berner Atelier Möbel für Röthlisberger Kollektion, de Sede, Strässle, die Swiss Design Collection, Wogg und andere Hersteller; darunter über 50 Sitzmöbel, etwa den Sessel «HE-113» (1956) und den «Saffa-Stuhl» (1958). Metall, Leder und Kunststoff waren seine bevorzugten Materialien. Eichenberger richtete als freischaffender Innenarchitekt unter anderem die Genfer Filiale des Einrichtungshauses Teo Jakob, die Buchhandlung Stauffacher in Bern und mit der Architektengruppe Atelier 5 das Bistro und einen Laden in der Berner Siedlung Halen ein. Er erhielt zahlreiche Schweizer Auszeichnungen, und einige seiner Möbel wurden in internationale Sammlungen wie derjenigen des Vitra Design Museums in Weil am Rhein oder des MoMA in New York aufgenommen. Mit Beiträgen von Joan Billing und Samuel Eberli, , J. Christoph Bürkle, Meret Ernst, Bernhard Furrer, Claude Lichtenstein, Juho Nyberg, Judith Raeber, Arthur Rüegg, Stefan Zwicky. Die Reihe Protagonisten der Schweizer Wohnkultur birgt verborgene Schätze der Schweizer Designgeschichte und stellt diese mit sorgfältig aufgearbeiteten Büchern und Ausstellungen der Öffentlichkeit vor. Ziel ist, auf das kulturelle Designerbe aufmerksam zu machen und die Vernetzung von Fachspezialisten, Institutionen und Designinteressierten zu fördern. Frühere Bände stellten die Gestalter und Architekten Alfred Altherr Junior, Klaus Vogt, Werner Max Moser und Jacob Müller vor. Bei Scheidegger & Spiess sind weiter erschienen: Hans Bellmann. Architekt und Produktgestalter Kurt Thut. Designer, Architekt, Produzent Trix und Robert Haussmann. Architekten, Innenarchitekten und Designer
houtenbekisting, softcover, 238 p, ills colour, 16 x 19 cm, pb, Dutch. ISBN 9789082361902. Self-taught Frisian furniture designer Luitzen Zandbergen creates a range of interior objects and lighting designs inspired by the art and graphics found on wooden fruit crates, and even uses material from the crates in his designs. The colourful illustrations are incorporated in things as diverse as room screens, boxes, drawers, cabinets, and wall panels. Published on the occasion of a retrospective exhibition of Zandbergen?s work, this book gives an overview of 40 years of idiosyncratic production and reuse through images, curious furnishings, and a profusion of small boxes. With contributions by Hans Masselink and others, the volume comes in its own wooden slipcase.
Hardcover, 392 pages, English, 280 x 225 mm, cover not in good condition, however the book itself is, illustrations in colour and b/w, . ISBN 9781851490905. For the past thirty years this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the fourth edition, additional colour plates have been added to illustrate the huge financial importance of patination and colour -- something which has never before been explained and illustrated but which has become increasingly important in recent years.This classic guide consists of some 1,200 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features which affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practising collector and dealer, a work from which the memory may be refreshed and points checked.Each item is clearly referenced. This enables the annual price revision list to be compiled with a ready cross-reference. The list is available in January/February each year on a private subscription basis and details are contained within the book. This new edition contains both Sterling and US Dollar prices.
Book is in excellent condition with tiny chips to the bottom of the spine as the only flaw; otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears, wrapped in protective cover. 256 pages with full page, full color photo layout on the R. page with a description of this particular element of Gaudi's work on the L. page. Lots of specific examples are thus presented.
Hardcover, 440 pages, ENG, 310 x 260 mm, book is in very fine order, with hundreds of images / photo's, in colour, everything you ever wanted to decorate your house with, is in this book !. ISBN 9780756623494. This comprehensive resource for collectors is a complete visual guide to the history of the decorative arts from furniture and ceramics to glass, silver and metalware, and textiles.
Hardcover, 288 pages, ENG, 300 x 235 mm, NEW, dustjacket, illustrations in colour and b/w. ISBN 9780500480694. The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A's National Art Library. Throughout history, images have been used to reflect the meaning of words and to enhance our understanding of texts. With the invention of mechanized printing in Germany in the 15th century, illustrated books were no longer the preserve of the elite and became a source of knowledge, instruction and pleasure for a wider audience. Traditional accounts of the illustrated book survey its history in terms of technological advances, from illumination to hand-drawn illustrations and photography. This study offers a new approach, grouping books by subject - from natural history and travel to art, architecture and fashion. Gathered here are some of the most influential and compelling examples of the illustrated book, all chosen from the collections of the National Art Library at the Victoria and Albert Museum, London. Each chapter starts with a general introduction to the subject, followed by key examples accompanied by narrative captions. The commentaries range beyond the illustrations to consider the whole book, the design, typeface, binding, inks and papers. Many of the books are not on display to the public and have been specially photographed for this volume. Most examples have been chosen for their significance, being innovative and beautiful. But humble books, often overlooked in histories, have also been selected, when particularly effective in their field, or simply memorable. From beautiful printed Psalters and Books of Hours, to striking natural history books such as Audubon's Birds of America, La Fontaine's Fables illustrated by Marc Chagall, Serlio's treatise on architecture and Owen Jones's Grammar of Ornament, this book gives a fascinating overview of some of the finest illustrated books ever created. In the face of recent pronouncements about the death of the printed book, this volume demonstrates the enduring appeal of the illustrated book.
Paperback, English/ Finnish, 151 PAGES Illustrated. fine! ISBN 9789529878871. Timo Sarpaneva was originally trained as a graphic designer and the student assignments from his years at the Central School of Industrial Art (1940 ? 1949) have not been previously published or displayed. Less known works by him also include textile patterns and designs from the 1940s and 1950s. Added to these are paintings and graphic design by Timo Sarpaneva from the same period, 1943 ? 1956. Timo Sarpaneva : Piirroksia, luonnoksia ja maalauksia 1943 - 1956 Drawings, Sketches and Paintings 1943 - 1956 Paperback English, Finnish Translated by Jyri Kokkonen , Edited by Harry Kivilinna Share Timo Sarpaneva oli koulutukseltaan graafikko, ja hänen Taideteollisuus-keskuskoulun aikana (1940 - 1949) tekemiään koulutehtäviä ei ole aikaisemmin ollut esillä tai julkaistu. Vähemmän tunnettuja ovat myös hänen 1940-1950 - luvuilla suunnittelemansa tekstiilimallit. Tähän julkaisuun on lisäksi koottu hänen maalauksiaan ja grafiikkaa samalta ajanjaksolta, vuosilta 1943 - 1956. Timo Sarpaneva (1926-2006) oli monipuolinen kansainvälinen taiteilija ja suunnittelija, jonka ura ajoittuu seitsemälle vuosikymmenelle. Hän suunnitteli mm. tekstiilejä, painotuotteita, muovia, valurautaa, terästä, posliinia, lasia ja hopeaa. Hänen keksimälleen paperin- ja kankaanpainomenetelmälle myönnettiin kansainvälinen patentti. Myös Iittalan lasitehtaalla Sarpanevan keksimä Finlandia-pintalasitekniikka vaikutti suuresti seuraavien vuosien käyttö- ja taidelasin ilmeeseen. Jo Sarpanevan ensi esiintyminen taidemaalarina v. 1949 Helsingin Taidehallin nuortennäyttelyssä oli menestys. ?Sarpaneva on huomioon otettava koloristinen lahjakkuus, jonka hienostunut taidekäsitys antaa suuria lupauksia?, kirjoitti arvostettu taidekriitikko Edward Richter. Toinen sija Riihimäen lasitehtaan julistamassa kansainvälisessä lasinsuunnittelukilpailussa v. 1949, sytytti kiinnostuksen lasiin. Lasin parissa Sarpaneva työskenteli koko uransa ajan suunnitellen käyttö- ja taidelasia, sekä lasiveistoksia. Hänen teollista muotoiluaan on palkittu mm. Milanon Triennaleissa Grand Prix'lla. Sarpaneva on ottanut vastaan lukuisia huomionosoituksia mm. Pro Finlandia 1958 Maailman ensimmäinen muotoilun kunniatohtori, Royal College of Art, Lontoo 1967 Professorin arvonimi 1976 Akateemikko H.C., Academia de Diseno, University of Mexico City 1985 Kunniatohtori, Taideteollinen Korkeakoulu 1993
Paperback, 108 pages, ENG, 210 x 155 x 10 mm, front and backside have been wet in the past, rest of the book is as New, images in colour /b/w. ISBN 9780615694986. Notice Notice, 2012. Design, Design, Design, Design, Design the Poor. The book presented the literal interpretation of seemingly innocuous communications as a source of truth, lessons in value along the silk road, architecture against poor women, Robin Hood appropriation, respect to the ghosts we walk all over every day in our developing cities, listening to the radio, and resurrection. Contributions from Peter Fend, Jana Leo, Temporary Services, Shillz da Realz, Jill Freedman, Chris Leo, Michèle Champagne, David N. Hartt, Freeman House.
Hardcover with dusjacket 2 volumes / slipcase; complet.223+ 327 pages, Illustrated. fine condition. ISBN 9787872412511. Widely considered as the best assessment of modern Danish furniture available in English and are beautifully illustrated with historic photographs and new photographs of surviving pieces. Many of the photographs of some of the best pieces in museums and public buildings in Copenhagen appear to have been taken specifically for the book. Full-page photographs are set out facing reproductions of original presentation or technical drawings. Karlsen was an architect who worked with Mogens Koch, to whom the volumes are dedicated, and he approaches the subject through his hands-on experience as a furniture designer. The volumes provide a very readable and a very good broad chronological overview but what makes them invaluable is the addition of detailed and critical assessments of the most important and influential examples of chairs, tables and storage furniture produced through the century.
Percorso nella progettazione di interior design, completato da bellissime fotografie di V. Knapp, arricchito da piante schemi e disegn, edizione italiana a cura di R. Botti, trad. di A. Bergamini. Legatura editoriale, solo mende alle cuffie per la copertina ben preservata, sovraccoperta illustrata, segnata da modeste sgualciture marcate al bordo, patinato alterato da contatto, fogli ben tenuti, pulviscolo ai tagli. N. pag. 191. USATO
Hardcover, 96 pages, ENG, 230 x 230 mm, book is as New, with illustrations / images in colour. ISBN 9781906734633. De art deco (art-deco geschreven in samenstellingen) was een populaire stijlbeweging van 1920 tot 1939 die haar weerslag had op de decoratieve en toegepaste kunst, in de architectuur, het grafische, industriële en interieurontwerp, maar ook in de beeldende kunst en de kledingmode.
Hardcover, 96 pages, ENG, 230 x 230 mm, book in new state, illustrations / images in colour. ISBN 9781906734640. Art Nouveau: An art movement that manifested itself between 1890 and 1914. The term Art Nouveau is mainly used in Belgium and France, while in Austria and Germany Jugendstil is used. In Spain, on the other hand, the term modernism is used to make it easy for the style that broke through with us a few decades later. Common is the asymmetrical, the second style in all of art history to use this (the first is the rococo), and the use of animal and floral motifs. Art Nouveau was used everywhere, from architecture to furniture, from coffee services to jewellery.
Hardcover, 263 pages, ENG, 290 x 225 mm, in good order, with 700 illustrations including 175 in colour, . ISBN 9780714880259. The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect.
Folio 320p., illus. Hardcover Very good condition good
Softcover, 143 pp, 210 x 295 mm, rijkelijk geillustreerd, in goede conditie. . Koenraad Dewulf ontwerpt eigentijdse meubelen en andere hedendaagse voorwerpen.
Hardcover, 251 pages/seiten, Deutsch/Francais, , 285 x 270 mm, in sehr guten zustand/ un belle exemplaire, mit photos und illustrazionen/illustrations, . ISBN 9783829600231. Candida Höfer hat sich seit Beginn ihrer ersten fotografischen Projekte in den frühen 1970er Jahren vor allem auf den öffentlichen Raum konzentriert. Dies kann Innenräume wie Bibliotheken, Hörsäle, Foyers, Museen, Clubhäuser oder seltener bedeuten. städtische Szenarien wie Stadtplätze, Straßen oder Zoos. Höfers Verhältnis zur Architektur entspricht voll und ganz der Tradition der neuen Objektivität.
Hardback, 310x240mm, 248p, throughout colour illustrations, English edition . ISBN 9789053254264. Deze designer is bij het grote publiek bekend van het VRT-programma De Bedenkers. Hij is de man achter het design van de Brusselse metro, verschillende bussen, de waterkranen van Sipwell,? Met andere woorden: iedereen komt bijna dagelijks met zijn ontwerpen in aanraking zonder het goed en wel te beseffen. De foto op de cover is trouwens van Vanfleteren. Designed by Axel Enthoven. Day after day he proves that elegance still exists today. He demonstrates that statements, sloganesque formulations, cutting corners, taking an obtuse attitude to people are not his thing. That kindness is not synonymous with weakness. That taking the time to think things through properly should not be exceptional. Taking responsibility regarding the impact of actions and words is not a rare occurrence. Striving after timelessness and sustainability are given a lasting interpretation. For him, combining aesthetics and functionality is a matter of course. Thanks to Axel Enthoven we are reminded that things can be different. And how important design is.
This is a very good softcover reference copy long ago released from a private reference library and bearing 3 small bookplates, one inside each cover and on the front cover. Also small discard handstamps and dates on a few pages. Not illustrated. Author index. 10" high X 7" wide, 86 pages. Ex-Library
Hardcover with dusjacket, reliure toile éditeur, jaquette illustrée. 114 pages, Texte en Francais / Magnifiques illustrations en couleurs et en pleine page, bon etat!!. ISBN 2951402007. catalogue exposition Mai 1999
Paperback, 176 pages, ENG, 305 x 235 mm, bon etat, illustrations / images in colour and b/w, . ISBN 9780856706707.
In-4° grande, pp. 12 e 40 tavole, suddivise in 10 cahiers da 4 tavv. ciascuno, incise all’acquaforte e all’acquatinta. Legatura in cartonato rigido, dorso restaurato. Graziosa raccolta, completa, di motivi ornamentali ripresi dalle grottesche e dagli arabeschi di Ercolano, delle antiche ville e palazzi romani e da quelli rinascimentali di Raffaello. Le tavole furono tutte incise da Guyot, da disegni di Lavallee Poussin ( i primi 5 cahiers), Voisin, Le Clerc, Berthelot, e Janneret, che chiude con l’ultimo cahiers in cui i motivi ornamentali sono rappresentati in scenari architettonici d’interni. Le tavole in buone condizioni, la parte di testo con leggero spotting. decorazioni appartamenti arredamento grottesche arabeschi ornamental decoration grotesque arabesque interior design
Mm 170x260 Volume rilegato in tela con titolo al piatto e al dorso, ix-160 pagine con testo in lingua inglese - english text. Copia ottima poco o nulla consultata, spedizione in 24 ore dalla conferma dell'ordine.
PARIS, Ed. Massin - ss date - In-4 - Reliure éditeur avec jacquette illustrée en couleurs - 36 planches NB et en couleurs - non paginé (environ 80 pages) - Propre
Hardcover, 305 x 230 mm, 400 pages, 600 illustrations,French edition. ISBN 9782376660286. L'oeuvre foisonnante de Pierre Guariche (1926-1995) accompagne les Trente Glorieuses comme les grands changements administratifs et sociétaux des années 1980. Formé par Marcel Gascoin, Guariche débute en 1951 comme décorateur-créateur de modèles indépendant. Il conçoit pendant près de vingt ans un mobilier novateur en s?appuyant sur des éditeurs d?avant-garde, tels Airborne, la galerie MAI, Meubles TV, Steiner, Les Huchers-Minvielle, puis Meurop, ou encore Pierre Disderot pour les luminaires. Revisitant les formes utiles à l?aune de nouveaux matériaux, il fonde en 1954 l?Atelier de recherches plastiques (ARP) avec Michel Mortier et Joseph-André Motte, premier collectif français de créateurs qui durera trois ans. À partir des années 1960, il privilégie l?architecture intérieure, où sa maîtrise de l'espace, des matières et de leur mise en oeuvre l'impose sur de nombreux projets. Il participe au chantier de Firminy après le décès de Le Corbusier et collabore avec l?architecte Michel Bezançon à la création de La Plagne ou Jean Dubuisson à Bandol. Sollicité pour de multiples chantiers privés ou publics, il aménage notamment la préfecture et le conseil général de l?Essonne à Évry ainsi que le tribunal de grande instance de Créteil. S'appuyant sur des archives inédites, cet ouvrage revient sur un parcours riche de plus de 200 aménagements, presque autant de meubles et un ensemble exceptionnel d?appareils d'éclairage qui pose les jalons du luminaire moderne.
hardcover, 144pp.18x23cm rijkelijk geillustreerd met afbeeldingen van meubelen. ISBN 9789056153267. Het Nederlandse meubeldesign van de 20e eeuw staat in hoog aanzien. Merken en namen als Pastoe, Braakman, Artifort, Gispen en Rietveld worden in binnen- en buitenland gewaardeerd. Historicus en designkenner Bert Looper belicht in dit boek het minder bekende maar niet minder belangrijke Fristho, de Friesche Stoel- en Houtwarenfabriek. Fristho was halverwege de vorige eeuw opmerkelijk succesvol in Europa. Met ontwerpers als Kho Liang Ie, Wim Crouwel, William Watting, Inger Klingenberg en Rudolf Glatzel gaf Fristho mede vorm aan de opmerkelijke stijlperiode van het ?mid-century modern?. Een nieuwe kijk op de Nederlandse ontwerpgeschiedenis en een must voor verzamelaars, handelaren en liefhebbers van design.
