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Hardcover, 26 x 21 cm, 160 p., 300 illustraties, Engels, Fine copy. Including an index. ISBN 9789058563026. Danny Venlet (?°1958, Victoria, Australia) is een van ?s werelds beste en meest veelbelovende designers; toch is zijn werk een goed bewaard geheim in de designwereld. Dit is enerzijds te wijten aan het feit dat Venlet in twee verschillende werelden (Australie en Belgie) gewerkt en geleefd heeft, maar is anderzijds ook te verklaren door de essentie van zijn persoonlijkheid en werk ? bescheiden, geneigd tot understatements, en relaxed. Hoewel Venlet algemeen beschouwd wordt als de uitvinder van een ?afgerond?, eerder ?organisch? en ?menselijk? minimalisme, beperkt hij zich als designer en interieurarchitect niet tot een enkele stijl. Een allesomvattend overzicht van een twintigjarige loopbaan, die niet alleen een revolutie veroorzaakte in de wereld van kantoor-, buiten- en residentiele meubels (met bekroonde creaties zoals de ?Easy Rider? en de ?Viteo? douche), maar tevens ook een totaal nieuw concept van interieurarchitectuur introduceerde, waarin objecten en gebruikers niet langer gedomineerd worden door de ruimte, maar vice versa.
45550, Stichting Kunstboek, Hardcover, 26 x 21 cm, 160 p., 300 illustraties, Engels, Fine copy. Including an index. ISBN 9789058563026.
184041020London u. Paris, Fisher, 1840. Bild ca. 12 x 18 cm, Blatt ca. 19 x 25 cm. 1 Blatt, verso weiß.
62501, CIVA & AAM ditions, 2023 Hardcover, 576 pages, Texte en Francais, 310 x 235 x 48 mm, Nouveau, illustrations en couleur / n/b. ISBN 9782871434085.
Corposa legatura editoriale, copertina e sovraccoperta segnate alle estremità sbucciate, strappate e usurate da sfregamento e piccoli urti, con danni dovuti a compressione ed esposizione ad umidità, riportati in parte dei fogli, tonalità sbiadite e ingiallite, imponente corredo iconografico arricchisce il testo, prefazione di Mario Buatta. N. pag. 223. USATO
191128917Darmstadt, Verlag Wohnungskunst, 1911. 480 Seiten mit Abb. gebundene Ausgabe, Halbleinen
199126387ABWien, Museen der Stadt Wien (= Sonderausstellung 142), 1991. 4°, 270 S. mit sehr zahlr. s/w-Abb. und Illustr sowie 8 Seiten mit Farb-Abb., original Kartonage (Paperback), schönes, sauberes Exemplar
Hardcover, 192 pages, ENG / FR, 310 x 225 x 25 mm, NEW , illustrated in colour. ISBN 9782376660743. The 80s vibrate with energy. In their whirlwind, a generation of creators has emerged, carrying arts of living different from those of the past: Mark Brazier-Jones, Franck Evennou, Elizabeth Garouste, Marco de Gueltzl, Hubert Le Gall, Thierry Peltrault, Laurence Picot, Andrea Salvetti or even Claude de Wulf. In order to give flesh to this period in France, this book has collected the words of a witness of its actors, Elisabeth Delacarte whose Avant-Scène gallery is one of the few to have survived until today. For almost 40 years, it has defended singular artists who have become essential in their field. From France to England, Italy or Russia, the elaborate portraits dedicated to them evoke the atmosphere and the news that accompany them. Each embodies the importance of artistic craftsmanship, and all take particular paths in order to express universal emotions in their own way. The great subjects of today are declined along their course. We discover upcycling ahead of time with the fiery Marco de Gueltzl and the beginnings of the libertine punk Mark Brazier-Jones, the vital need for nature in the works of Frank Evennou or the sculptor chef Andrea Salvetti, the romanticism advocated by Laurence Picot, the joyful poetry of Elizabeth Garouste, the humorous fantasy of Hubert Le Gall. They have in common to have changed their lives to devote themselves to art furniture. This is also the case of Elisabeth Delacarte. His personal point of view illuminates from the inside the changes in the decorative arts at the end of the 20th century. Staging the productions of each artist, decoration projects punctuate the book and leave room for contemplation.
8vo., First Edition, with a sepia-toned frontispiece, 11 sepia-toned plates and a full-page map in the text; beige cloth, backstrip lettered in black, a very good, bright, clean copy in unclipped dustwrapper. With striking wrap-around dustwrapper artwork by Lynton Lamb. Uncommon in this condition.
Hardcover 1018 pages, 310 x 235 mm, Illustrated. ISBN 9783931936990. the Vitra Design Museum publishes the »Atlas of Furniture Design«, a new comprehensive overview on the history of modern furniture design. With more than 1,000 pages, the »Atlas« is the most extensive book ever to be published on the topic. It documents 1,740 objects by over 540 designers, and features more than 2,800 illustrations, from object photographs to design sketches and interiors as well as patents, brochures, art, architecture, and portraits of the designers. The Vitra Design Museum collection, which counts among the world?s largest of its kind with upwards of 20,000 objects, including over 7,000 pieces of furniture, serves as the basis for »Atlas of Furniture Design«. The publication includes works by the most significant designers of the past 230 years and documents all important stages of design history. This includes 19th century furniture made out of bentwood and metal, Art Nouveau and Secession style designs, iconic designs by protagonists of modernism such as Le Corbusier, Gerrit Rietveld, Charlotte Perriand, Marcel Breuer, and Eileen Gray, but also post-war, post-modern, and contemporary furniture by designers such as Charles and Ray Eames, Eero Saarinen, Gae Aulenti, Finn Juhl, Ettore Sottsass, Philippe Starck, Hella Jongerius, Jasper Morrison, and Konstantin Grcic. The »Atlas of Furniture Design« is the product of over 20 years of research at the Vitra Design Museum and was compiled by a team of more than 70 authors. It contains comprehensive essays on the socio-cultural and design-historical contexts of furniture design, over 550 detailed texts on pioneering objects, and numerous information graphics that provide new visual insights into the history of furniture design. Furthermore, the book contains a complete appendix that includes designer biographies, bibliographies, a glossary of producers and materials, as well as a keyword index. These features make this publication an encyclopedic reference guide and indispensable resource for collectors, scholars, and experts, and without a doubt a book to be treasured by design lovers all over the world. »The Atlas of Furniture Design is a treasure trove that offers not only definitive information about beloved staples of design history, but also new, fresh and often unexpected perspectives, all presented in a generous format that captures the breadth and depth of this important subject.« Paola Antonelli, Senior Curator of Architecture and Design, The Museum of Modern Art Mateo Kries, director of the Vitra Design Museum and co-editor of the publication, explains: »The Atlas paints a portrait of our entire collection while simultaneously providing an unprecedented overview of the history of modern furniture. The publication is set up to provide a new comprehensive outline for scholars of furniture design by considering the latest academic research, questioning extant knowledge, and giving top experts a platform to share their ideas. The book touches on a range of subjects spanning the beginnings of industrialization to digitalization, which is becoming increasingly influential in contemporary furniture design. Whether as a selection of iconic designs or as a history of styles, a chronicle of evolution or of revolution, a history of objects or of images, or a narrative of domestic habits or of individual designers, this book can be read in a vast range of ways. But the »Atlas of Furniture Design« can also be enjoyed by readers who prefer to dispense with complex theories and just want to concentrate on each single object.«
53182, Vitra Design Museum, 2018 Hardcover 1018 pages, 310 x 235 mm, Illustrated. ISBN 9783931936990.
hardbound, relie sous jaquette, 24 x 28 cm, 300 pages, 700 illustrations couleur, neuf !!. ISBN 9782915545455. Cette premiere monographie consacree a Matali Crasset retrace les vingt dernieres annees du parcours d?une des creatrices les plus renommees du design international. De l?objet a l?architecture, le travail de Matali Crasset interroge a la maniere d?un sociologue le role du design dans la vie quotidienne et redefinit les modes d?usage, les modes de vie et les interactions humaines. Diplomee des Ateliers-ENSCI en 1991, Matali Crasset garde de son passage chez le designer italien Denis Santachiara un interet pour les nouvelles technologies. Des son retour a Paris, elle developpe cette experience de design electronique lorsqu?elle collabore pendant cinq ans avec Philippe Starck, devenant responsable de Tim Thom, la structure de design integree de la societe Thomson Multimedia, et en 1996 lorsque le VIA lui donne carte blanche pour son projet de mobilier domestique informatique W at Hom. Sa maison-atelier, qu?elle installe en 1998 a Belleville au milieu de petits jardins dans une ancienne imprimerie, est propice a la reflexion et a la recherche. Elle y cree des objets souvent transformables proposant des solutions originales saluees par la critique pour leur caractere fonctionnel, poetique, imaginaire et recreatif. Parmi les innombrables realisations, on peut citer : la colonne d?hospitalite Quand Jim monte a Paris ou le canape-aire de jeux Permis de construire pour Domeau
37196France, Norma, 2012 hardbound, relie sous jaquette, 24 x 28 cm, 300 pages, 700 illustrations couleur, neuf !!. ISBN 9782915545455.
relie, de toile, 23x30.5cm, 400 pages ., 600 illustrations couleur et noir et blanc Texte en Francais. ISBN 9782915542042. Jean-Michel Frank (1895-1941) est une figure mythique des arts decoratifs. Son style qualifie de ?« luxe pauvre » est tout aussi paradoxal que sa vie entre fetes et solitude, avec des amities fideles pour des poetes, des artistes qui ont ete determinants dans l?elaboration de son esthetique, mais aussi ses clients, gens du monde, de la mode ou intellectuels. Les contraignant a se defaire de leurs objets, de leurs tableaux et de leurs tapis, Frank a invente pour eux des lieux propices a la meditation et au reve, un mobilier d'une simplicite parfaite, proche d?un neoclassicisme francais depouille de ses ornements. Indifferent aux grands debats de la premiere moitie d'un XXe siecle, Jean-Michel Frank n?a cherche ni a construire un nouveau monde ni a se raccrocher a un passe nostalgique. Avec elegance, il a casse les conventions, nettoye les lieux de leur histoire. Peut-etre est-ce ce melange de legerete et de rigueur, de reve et de poesie, ce detournement tres actuel des objets et des materiaux qui ont amene tant de decorateurs et de designers contemporains a se reclamer de lui.
35707S.l., Andrew Martin, 2001 Bound, illustr. boards with dustjacket, 190pp., 24x32.5cm, ills. in col., good condition. ISBN 9780953004522.
Hardcover with dustjacket, 399pp., 32.5x24cm., ills. in col., new. ISBN 9780953004560. This title provides an eclectic mix of the best residential and commercial international interior design.
41963S.L., Andrew Martin, 2004 Hardcover with dustjacket, 399pp., 32.5x24cm., ills. in col., new. ISBN 9780953004560.
201145646Barcelona, LOFT Publications, 2011.
41914, Collins Design, 2005 Softcover, plastic covers, 331pp., 24x19cm., ills. in col., new. ISBN 9780060747947.
Softcover, plastic covers, 331pp., 24x19cm., ills. in col., new. ISBN 9780060747947. The Good Ideas series returns here to a broad subject of endless appeal to every homeowner, looking at lighting solutions for every space inside and outside your house. What difference does light make? The variations of lighting offer infinite possibilities for generating interesting variety and stylish environments in the home. One of the most important influences in conceptualizing a space is the control of light, whether it is natural or artificial. Careful lighting design is indispensable for creating ambiences that are not just livable but warm and comfortable as well. This practical reference gives detailed descriptions of different types of lighting and their characteristics, and presents a wide range of examples that can serve as inspiration for both professionals in the field and readers who are looking for sound and reliable advice.
Hardcover with dusjacket, 393 pages, Illustrated. German Edition.. ISBN 9783205796473. Eine Publikationsreihe M Md Der Museen Des Mobiliendepots. Der osterreichische Architekt Josef Frank war in der Zwischenkriegszeit als Mitglied des Werkbundes und als teilnehmender Architekt der Stuttgarter Weissenhofsiedlung aktiv in das internationale Architekturgeschehen eingebunden. Aufbauend auf seine fruhen Entwurfe der 1910er Jahre bildet seine Tatigkeit fur die Einrichtungsfirma Haus & Garten den Schwerpunkt des Buches. Das Unternehmen fungierte mit seinen flexiblen Einzelmobeln, seinen farbenfrohen Textilien sowie seiner antidoktrinaren Wohnauffassung als Gegenpol zur Wiener Werkstatte. Aufgrund seiner judischen Herkunft emigrierte Josef Frank in den 1930er Jahren nach Stockholm. Als Designer der Firma Svenskt Tenn knupfte er nahtlos an sein Wiener Schaffen an. Josef Frank gilt heute gemeinhin als Begrunder des modernen schwedischen Einrichtungsstils
197713634BBLeipzig, Edition Leipzig, 1977. 4° (30/31 - 26/27 cm). 366 Seiten. Mit sehr zahlreichen, teils farbigen und ganzseitigen Abbildungen. Orig.-Leinenband mit farbig illustr. Schutzumschlag im Orig.-Pappschuber. Illustrierte Vorsatzpapiere., 13654bb|13654bb 2 [2 Warenabbildungen]
25661Barcelona, Atrium, 2005 Bound, illustrated softcover in colour, 160 x 240mm., 287pp., colour illustration throuhgout. ISBN 8496099857.
Bound, illustrated softcover in colour, 160 x 240mm., 287pp., colour illustration throuhgout. ISBN 8496099857. Plus de 1000 nouveaux modeles du monde entier. New book, French edition.
Features: 800 Pages, full cover, hardcover, 2 volumes in slipcase. Text in English, With more than 2.500 illustrations. Format: 25.5 x 29.2 cm ISBN 9783899552300. Brimming with images and insightful text, this unique book is the benchmark reference on what is arguably the most influential and important furniture brand of our time. It reveals in unparalleled detail how Charles and Ray Eames as well as a talented team of designers worked to create pieces that still top bestseller lists. The book describes the key role played by the Eames Office's own development and perfection of production processes for its designs as well as the significance of its relationship with manufacturers. By documenting the creation and spread of these landmark furniture designs, this book also tells the story of how modernism became established in homes and offices throughout the world. --Deze twee-delige 'Eames-bijbel' onthult alles wat u wilt weten over de meubelen die zijn ontworpen door Charles en Ray Eames en hun team van ontwerpers zoals Eero Saarinen, Harry Bertoia, Herbert Matter en vele anderen. In de twee kloeke delen, samen 798 bladzijden en ruim 2.500 afbeeldingen, laten de auteurs zien hoe Eames Furniture is ontworpen en wat zij hebben gefabriceerd. Eveneens gaan zijn in op invloed van Eames Furniture op internationaal design
