Pierre ChabatMareMagnum
398 résultats
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra un tipo di legno. In buone condizioni. TECNICA: Cromolitografia AUTORE: Massot DIMENSIONI FOGLIO: cm 46x31 DIMENSIONI INCISIONE: cm 36x24 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows a kind of wood. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Massot PAGE SIZE: cm 46x31 PRINT'S SIZE: cm 36x24 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges<BR>
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra la decorazione di un caminetto. In buone condizioni. TECNICA: Cromolitografia AUTORE: Massot DIMENSIONI FOGLIO: cm 44,5x31 DIMENSIONI INCISIONE: cm 34,5x24 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows the decoration of a fireplace In good conditions. TECHNIQUE: Chromolytography AUTHOR: Massot PAGE SIZE: cm 44,5x31 PRINT'S SIZE: cm 34,5x24 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges<BR>
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra una decorazione. In buone condizioni. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows a decoration. In good conditions.TECHNIQUE: Chromolytography AUTHOR: Lefevre PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 29x19 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra una decorazione. In buone condizioni. TECNICA: Cromolitografia AUTORE: Dupuis DIMENSIONI FOGLIO: cm 46x31,5 DIMENSIONI INCISIONE: cm 30,5x20 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows a decoration. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Dupuis PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 30,5x20 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra cornici di pannelli. In buone condizioni. TECNICA: Cromolitografia AUTORE: Regamey DIMENSIONI FOGLIO: cm 46,5x31 DIMENSIONI INCISIONE: cm 32x23 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Paret mancante all'incisione. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows frames of pannels. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Dupuis PAGE SIZE: cm 46,5x31 PRINT'S SIZE: cm 32x23 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges<BR>
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra un mosaico.In buone condizioni. TECNICA: Cromolitografia AUTORE: Grigny DIMENSIONI FOGLIO: cm 45x31,5 DIMENSIONI INCISIONE: cm 34x22 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale.Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows a mosaic. In good conditions.TECHNIQUE: Chromolytography AUTHOR: Grigny PAGE SIZE: cm 45x31,5 PRINT'S SIZE: cm 34x22 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra la decorazione di un soffitto. In buone condizioni. TECNICA: Cromolitografia AUTORE: Daumont DIMENSIONI FOGLIO: cm 46x31,5 DIMENSIONI INCISIONE: cm 34x22 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows the decoration of a ceiling. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Daumont PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 34x22 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra una decorazione al soffitto. In buone condizioni. TECNICA: Cromolitografia AUTORE: Tourenne DIMENSIONI FOGLIO: cm 46,5x31 DIMENSIONI INCISIONE: cm 34,5x22 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows the decoration of a celeing. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Massot PAGE SIZE: cm 46,5x31 PRINT'S SIZE: cm 34,5x22 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges<BR>
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra la decorazione di una sala da pranzo. In buone condizioni. TECNICA: Cromolitografia AUTORE: Massot DIMENSIONI FOGLIO: cm 46,5x31,5 DIMENSIONI INCISIONE: cm 31x20,5 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura.Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows the decoration of a dining room. In good conditions.TECHNIQUE: Chromolytography AUTHOR: Lefevre PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 31x20,5 PERIOD: 1866 circa CONDITION: good conditions with some foxings
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra un salone con decorazioni persiane In buone condizioni. TECNICA: Cromolitografia AUTORE: Daumont DIMENSIONI FOGLIO: cm 46x31,5 DIMENSIONI INCISIONE: cm 36x24 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration. The planche shows a persian salon. In good conditions. TECHNIQUE: Chromolytography AUTHOR: Massot PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 36x24 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges<BR>
Bella cromolitografia del 1866 circa tratta dal "Journal manuel de peintures appliques a la decoration" diretto da Pierre Chabat per la decorazione di interni. L'incisione mostra la decorazione di un vestibolo. In buone condizioni. TECNICA: Cromolitografia AUTORE: Lefevre DIMENSIONI FOGLIO: cm 46x31,5 DIMENSIONI INCISIONE: cm 35,5x22,5 EPOCA: 1866 circa CONDIZIONI: Buone condizioni, qualche fioritura e strappo marginale. Beautiful chromolythography of 1866 circa taken from the "Journal manuel de peintures appliques a la decoration" directed by Pierre Chabat for internal decoration The planche shows the decoration of a hall. In good conditions.TECHNIQUE: Chromolytography AUTHOR: Lefevre PAGE SIZE: cm 46x31,5 PRINT'S SIZE: cm 35,5x22,5 PERIOD: 1866 circa CONDITION: good conditions with some foxings and tears in the edges
Original softcovers two volumes complet, in plastique couverture original; 158 + 48 pages. ISBN 9782930037141. Volume 1; L'Utopie du Tout Plastique, 1960-1973, 158 pages, texte en Francais. / Volume 2 ; een wereld van Plastic 1960 -1973. tekst in Nederlands. 48 pagina's.
Hardcover, 240 pages, ENG, 285 x 230 mm, New, dustjacket, 299 illustrations in colour / b/w. ISBN 9783897906303. Dies ist die erste umfassende Publikation über das Werk des dänischen Möbeldesigners Jakob Berg (1958?2008). Dem herausragenden Entwerfer und Gestalter gelang es, die Erfolgsgeschichte des dänischen Designs bis in die Gegenwart fortzuschreiben. Aufbauend auf diesem Erbe und doch seiner Zeit voraus, überdachte er die Konzepte des Sitzens und Ruhens völlig neu und bezog Nachhaltigkeit und die Materialität der verschiedenen Holzarten in seine Entwürfe ein. Die Leser*innen sind zu einer reizvollen Tour durch Jakob Bergs Designuniversum eingeladen: von den frühen Unikaten der 1980er-Jahre bis zu den Multifunktionsmöbeln, die Wohnräume auf der ganzen Welt bereichert haben. Die Texte wurden von führenden dänischen Designexperten verfasst und der Band ist mit mehr als 200 Fotos, Zeichnungen sowie digitalen Skizzen reich illustriert. So porträtiert die Publikation nicht nur Jakob Bergs inspirierendes Werk, sondern ist selbst ein Beispiel für hervorragendes dänisches Design.
Paperback + hardcover,300 x 215 mm, 3 volumes, ACA-CHA : 350 pages / CHE - MUT : 384 pages / NAI - ZUC : 376 pages ; 1110 pages total, books are in very good condition, illustrated in colour / b/w, cassette / protection box. ISBN 9781851490370. The Dictionary of English Furniture by Ralph Edwards (1954 Revised Edition) is the most authoritative general work on English antique furniture ever published. The first edition of this work was published 1924-27. It was instantly recognised as the primary reference on the evolution of English furniture from the Middle Ages to the Late Georgian period. It was consistently in demand and soon went out of print. The Second Edition, published in 1954, was entirely revised and enlargedby one of the two original collaborators, Ralph Edwards, who at that time was Keeper of the Department of Woodwork at the Victoria and Albert Museum. He was an outstanding authority, well placed to produce such a mammoth revision. The Dictionary is, within its chronological limits, a comprehensive survey of the whole wide field of English domestic furniture. Later research has added details but the basic body of knowledge remains unchallenged. It remains the standard book referred to in all sale catalogues
Hardcover, 96 pages, ENG, 215 x 195 mm, book in good shape, illustrations / images in colour, . ISBN 9781851772964. This attractive book highlights the key elements of Art Nouveau, a ground-breaking style which took Europe and America by storm by the turn of the last century.
Hardcover, 208 pages, English, 320 x 300 mm, fine copy, lots of illustrations and photographs, . ISBN 9789002252747.
Hardback, 305x230mm, 336p, 380 bw and col. illustrations FRENCH edition. ISBN 9782915542776. the 60s and 1970s marked a sharp turning point in the history of decoration and furniture. Until that point, the world was confined to national and elitist forms of expression. At the beginning of the 1960s, the sector took its inspiration from Anglo-Saxon, Scandinavian, Italian and French decoration. Genres were combined in a frenzied desire to live in symbiosis with one's time. The progress of technology strengthened the conviction that the individual had unlimited freedom and aroused the desire to inhabit in a new manner. Forms became rounder, furniture was in sync with a warm, playful, and anticonformist universe. Colours and decorative motifs took on the brilliance and fantasies of Pop Art and psychedelia. The living environment was transformed into a waking dream in which luxurious furniture in original materials and surprising objects were mixed, associated, for the first time, with early furniture. The end of the 1970s marked the advent of a period in which beauty and classic elegance gave way to a host of expressions that were unclassifiable and rejected any hierarchy. The postmodern period had arrived. Composed of a long introduction that provides a synoptic view and 32 monographs that describe its many faces, this book invites the reader to discover an exceptionally creative period and revels through an abundant iconography. Les annees 60 et 70 sont indissociables dans l'histoire de la decoration et du mobilier. Elles marquent un tournant radical dans un monde jusqu'alors confine a des expressions nationales et elitistes. Tout eclate au debut des annees 60. La mode est a la fois d'inspiration anglosaxonne, scandinave, italienne et francaise. Les genres se melangent dans un desir effrene de vivre en symbiose avec son temps. Les progres de la technologie accreditent la conviction d'une liberte conquerante de l'individu et suscitent des desirs inedits d'une nouvelle maniere d'habiter, fut-ce dans des cellules de science-fiction. Les formes s'arrondissent, les sieges deviennent des tapis-sculptures qui permettent de se lover dans des univers chaleureux, ludiques et anticonformistes. Les couleurs et les motifs decoratifs epousent l'eclat et les delires du Pop' Art et du psychedelisme. L'espace d'habitation se transforme en reve eveille ou se melent un mobilier luxueux dans des materiaux inedits et des objets surprenants de toutes origines, associes, fait nouveau, a des meubles anciens. La fin des annees 70 marque l'avenement d'une epoque ou la beaute et l'elegance classique cedent le pas a une multitude d'expressions qui echappent a tout classement et a toute hierarchie. L'heure du post-modernisme a sonne. Compose d'une longue introduction qui en donne une vision synoptique et de trente-deux monographies qui decrivent ses multiples visages, ce livre rend intelligible une periode exceptionnellement creative et revele a travers une abondante iconographie, souvent inedite, sa formidable richesse esthetique. Une iconographie mise a jour, une nouvelle jaquette et trois nouveaux decorateurs viennent enrichir cette nouvelle edition.
Hardback, 305x230mm, 336p, 380 bw and col. illustrations english edition. ISBN 9782915542837. the 60s and 1970s marked a sharp turning point in the history of decoration and furniture. Until that point, the world was confined to national and elitist forms of expression. At the beginning of the 1960s, the sector took its inspiration from Anglo-Saxon, Scandinavian, Italian and French decoration. Genres were combined in a frenzied desire to live in symbiosis with one's time. The progress of technology strengthened the conviction that the individual had unlimited freedom and aroused the desire to inhabit in a new manner. Forms became rounder, furniture was in sync with a warm, playful, and anticonformist universe. Colours and decorative motifs took on the brilliance and fantasies of Pop Art and psychedelia. The living environment was transformed into a waking dream in which luxurious furniture in original materials and surprising objects were mixed, associated, for the first time, with early furniture. The end of the 1970s marked the advent of a period in which beauty and classic elegance gave way to a host of expressions that were unclassifiable and rejected any hierarchy. The postmodern period had arrived. Composed of a long introduction that provides a synoptic view and 32 monographs that describe its many faces, this book invites the reader to discover an exceptionally creative period and revels through an abundant iconography. Les annees 60 et 70 sont indissociables dans l'histoire de la decoration et du mobilier. Elles marquent un tournant radical dans un monde jusqu'alors confine a des expressions nationales et elitistes. Tout eclate au debut des annees 60. La mode est a la fois d'inspiration anglosaxonne, scandinave, italienne et francaise. Les genres se melangent dans un desir effrene de vivre en symbiose avec son temps. Les progres de la technologie accreditent la conviction d'une liberte conquerante de l'individu et suscitent des desirs inedits d'une nouvelle maniere d'habiter, fut-ce dans des cellules de science-fiction. Les formes s'arrondissent, les sieges deviennent des tapis-sculptures qui permettent de se lover dans des univers chaleureux, ludiques et anticonformistes. Les couleurs et les motifs decoratifs epousent l'eclat et les delires du Pop' Art et du psychedelisme. L'espace d'habitation se transforme en reve eveille ou se melent un mobilier luxueux dans des materiaux inedits et des objets surprenants de toutes origines, associes, fait nouveau, a des meubles anciens. La fin des annees 70 marque l'avenement d'une epoque ou la beaute et l'elegance classique cedent le pas a une multitude d'expressions qui echappent a tout classement et a toute hierarchie. L'heure du post-modernisme a sonne. Compose d'une longue introduction qui en donne une vision synoptique et de trente-deux monographies qui decrivent ses multiples visages, ce livre rend intelligible une periode exceptionnellement creative et revele a travers une abondante iconographie, souvent inedite, sa formidable richesse esthetique. Une iconographie mise a jour, une nouvelle jaquette et trois nouveaux decorateurs viennent enrichir cette nouvelle edition.
Hardcover, 176 pages, English, 305 x 235 mm, new book, with dustjacket, . ISBN 9782915542905. It is a rare species, but it exists, as '60s art critic Pascal Renous pointed out on the subject of artistic couples. This designer-decorator duo of Janine Abraham and Dirk-Jan Rol met at Jacques Dumond's studio in 1955. The couple shares the same love of precision, line and plain colours. Their earliest joint creations were first exhibited at the Salon des artistes decorateurs, in Paris. Their furniture, made of wicker, wood and aluminium, twice won prizes at the Salon des artistes decorateurs (a sideboard in 1956 and an armchair in 1958), garnering notice from the public and professionals alike. Jean Royere did not hesitate to use their emblematic Soleil armchair (gold medal at the 1958 Brussels World's Fair) in the decoration of the palace of the Shah of Iran, in Teheran. Their light and functional designs are available today, re-edited by Yota Design. Abraham & Rol were also interior designers and intervened in this capacity for both individual clients and large corporate clients, such as Yves Rocher and Saint-Gobain, with the same precision and sense of composition that define their furniture pieces. Finally, the couple also expressed their creativity through architecture, their mastery of this discipline enabling them to design some twenty houses from the 1960s through the 2000s in the Ile-de-France region. Their homes are genuine inhabited sculptures, of which certain have become truly emblematic.
cartonnage illustre de l'editeur, softcover, 142 pages, very fine! Illustrated. Catalogue of Jean Royere's furniture published to accompany an exhibit at the Gallerie du Passage in Paris Oct. 1992 - Jan. 1993. Limited edition, numberd # 952 of 1150 ex.
Album hardcover grand n-4°, 206 pp, abondante iconographie en couleurs, cartonnage sous jaquette illustrée. Bel exemplaire. [P-59]
216 pages including index. A complete source book of both design inspiration and professional techniques for soft furnishings. Attractively illustrated with colour photography. Prior owner's name and details atop half-title page. Light wear. Nice glossy copy. Book
Volume rilegato in tutta tela con titoli in oro al dorso, coperta in buono stato, così come le pagine, sovraccoperta segnata da fattore tempo con irregolarità ai margini, alle punte e alle cuffie, libro completamente fruibile, con prefazione di Paige Rense, presenti numerosissime illustrazioni a colori nel testo, prima edizione, numero pagine 287 USATO
In-4 (cm. 31.80), cartonato editoriale, sovracoperta editoriale illustrata, pp. 272, con numerose illustrazioni a colori nel testo. Contributi in italiano ed inglese. Text in English. Dedica autografa di Filippo Perego in antiporta. Tracce d’uso a punte e cuffie della sovracoperta; peraltro, volume in buono stato (good copy).
Hardcover , 175 pages with illustrations b/n, 22x29 cm. . ISBN 9789529437627. Chasing Light: The Archival Photographs and Drawings of Paavo Tynell is the first-ever book published in English about the prolific Finnish lighting designer Paavo Tynell. Focusing on the period 1946?1957, the book is based on previously unpublished photographs and work drawings that have been collected from archives. Over 100 archive photos and original drawings also present more unusual and rare variations of Tynell?s lighting design, as well as an in-depth look at the stunning Snowflake chandelier. Tynell?s light fixtures were manufactured by a group of highly-trained metalwork professionals, whose artistry is practically impossible to replicate. The key goal of the book is to feature photographs and drawings that are rich in content for the reader to get an idea of the high level of craftsmanship involved in making these lamps. The book has been written by Finnish antique dealer Ville Linna, and it has been printed in Finland.?
