1 706 résultats
7826PARIS, Ed. Massin - 1966 - In-4 - Reliure éditeur avec jacquette illustrée en couleurs - 305 illustrations NB et en couleurs - non paginé (environ 90 pages) - Bon exemplaire
34634Paris, Charles Massin, 1967. 22 x 28, 124 pp., 349 illustrations en couleurs et en N/B, reliure pleine toile + jaquette, bon état.
2011123887DMP Ltd. New. 2011. Hardcover. 9881973821 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . DMP Ltd hardcover
19342080302106803363Japan Health Association 1934. Soft Cover. Fine. Number of books: one Japan Health Association paperback
192525005Mercure de france 1925 254 pages in-12. 1925. Demi-Cuir titré au dos en lettres dorées. 254 pages. Confession de minuit est le premier tome du cycle Vie et aventures de Salavin publié par Georges Duhamel en 1920. Il s'agit du monologue introspectif de Louis Salavin un petit employé parisien considéré comme un archétype de l'anti-héros qui se confie à un inconnu dans un bar. Le roman récompensé par le Grand prix des Meilleurs romans du demi-siècle en 1950 dépeint le Paris laborieux du Quartier latin et explore la conscience tourmentée de son personnage principal
19812090202120415195Ryukei Shosha Fuji Publishing 1981. Soft Cover. Fine. Number of books: 1 Ryukei Shosha Fuji Publishing paperback
1960022916Browning Montana: Glacier Reporter Print 1960. Paper Back. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. 15pp.; SC staple-bound; blue w/blk.no title on spine; slight rub w/edges&spine sunned; cleantight pgs. "Approved December 13 1935 - Amendment I Approved January 18 1946 - Amendment II Approved May 24 1950 <br/> <br/> Glacier Reporter Print unknown
30306Paris, Editions Eyrolles, 1976. 13 x 18, 64 pp., 160 photos, cartonnage d'édition, bon état.
30307Paris, Editions Eyrolles, 1971. 13 x 18, 64 pp., 160 photos, cartonnage d'édition, bon état.
No marks or inscriptions. No creasing to covers or to spine. A very clean crisp very tight copy with bright unmarked boards and no bumping to corners. 191pp. A style sourcebook which acts as your personal interior designer, it is divided into four key styles - Natural, New Classical, Soft Design and Colour & Contrast.
2012101643Guangzhou SendPoints Book Co., Hong Kong, 2012. 30,5 cm ; Pp.
2012124724Guangzhou SendPoints Book Co., Hong Kong, 2012. 307 S. ; 31 x 25 cm ; Pp. ;
19555566324Washington D. C.: United States Department of Interior 1955. burgundy slipcase gilt lettering on spine tie to keep plates inside. very good. 59 foldouts complete package DU1. United States Department of Interior unknown
softcover, 87 pages, 25x25cm, Illustrated. ISBN 9788798889847. The Copenhagen collection Dansk Møbelkunst
200267350Getty Conservation Institute,US (1. Februar 2002) 2002. 515 Seiten 26 cm gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
Hardcover. 119 PAGES 10x277x217 mm., yellow cloth ISBN 9782915542707. The truth is, decorative art is equipment, beautiful equipment, Le Corbusier, L'Art decoratif d'aujourd'hui This book traces the history of an encounter between a remarkable invention, half-industrial half-design object, and one of the most famous architects of the 20th century. Created in 1921, the Gras lamp holds a unique place in the history of lighting. A revolutionary design of marvelous simplicity, its original purpose was to meet the needs of the booming manufacturing and retail sectors. The young Le Corbusier, passionate about the challenges of interior lighting, adopted it as his own from the early 1920s on. Thanks to its remarkable functionality, this lamp also perfectly corresponded to his desire to break with decoration and ornament, and the architect went on to utilize it in his studio in the rue de Sevres in Paris as well as his home. He also placed it in many of the interiors of the houses he designed: the Villa Le Lac (Switzerland), the Villa La Roche (Paris), the Guiette House (Antwerp), the Villa Savoye (Poissy), and the villa belonging to his friend Eileen Gray in Roquebrune-Cap-Martin. Relying on rich photographic documentation from the period, the book goes through the history of the Gras lamp, its patents and various models, but it also enables the reader to rediscover Le Corbusier's interior designs through the prism of this icon of design, as he was one of this lamp's main promoters in modern times. Text in English and French. Contents: Preface, Antoine Picon; Le Corbusier and the law of light Arthur Ruegg; The Lamp and the Architect; Le Corbusier: For daily use; The Studio in the rue de Sevres; Private homes; A Restoration story; Le Corbusier's Designs; Introduction; Villa Le Lac, little house, Corseaux near Vevey (Switzerland), 1923; La Roche-Jeanneret house, Paris, 1925; Guiette House, Antwerp, 1926; Villa Savoye, Clear Hours, Poissy, 1929-1931; Swiss Pavilion, Cite Universitaire, Paris, 1931-1933; Visiting Eileen Gray; Bibliography; Chronology. Le Corbusier, L'Art decoratif d'aujourd'hui. Creee en 1921, la lampe Gras tient une place inedite dans l'histoire du luminaire. D'une conception revolutionnaire et d'une grande sobriete, elle a vocation a satisfaire aussi bien le monde de l'industrie que le secteur tertiaire alors en plein essor. Le jeune Le Corbusier, passionne par la problematique de la lumiere, l'adopte et se l'approprie des le debut des annees 20. D'une fonctionnalite remarquable, cette lampe repond aussi parfaitement a son besoin de rupture avec la decoration et l'ornement, ce qui amenera l'architecte a l'integrer dans son atelier de la rue de Sevres a Paris comme dans son domicile, ou elle sert aussi bien a eclairer ses tables de travail que les plateaux de tables de salle a manger.
Large quarto in color-illus. black jacket; 240 pages : illustrations (some color) ; 29 cm ; bibliographical references (pages 236-237). Well done. || Office design & decoration -- United States. Office interiors. Business interiors. Office buildings. 1980s
40903, , 2012 softcover, Format : 180 x 230 mm, 612 pages en francais et anglais.
softcover, Format : 180 x 230 mm, 612 pages en francais et anglais. Plus de 3000 references, Plus de 2200 illustrations un poster gratiut ! Classement par ordre alphabetique des noms des designers,Index visuel permettant l'identification rapide d'un objet et son renvoi a la page concernee (voir ci-dessous) Format : 7 x 9 inch, 612 pages in french and english,More 3000 references,More 2200 illustrations a free poster ! Names of designers ranking alphabetically)
2012500036118CHARLES MASSIN 2012 191 pages 21 4x2 6x25 6cm. 2012. Relié. 191 pages.
Medium quarto in illus, padded bboards; 188 pages : color illustrations ; 27 cm Excellent interior photography of rustic, chiefly stone house. Parallel text in French, English and German. Interior decoration -- France.†
No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or torn with slight rubbing/creasing to upper edge and traces of handling. 160pp. This book takes new and traditional elements of country style and re-interprets them for today's interiors, showing how to work with light, space, colour and pattern in all kinds of houses, conversions and apartments to create the ultimate in stylish living.
91749o.J. Ca. 40 nn. farb. Fototaf. auf schwerem Papier, vereinzelt durch bedruckte Pergaminbl. getrennnt. Quer-8vo. 21 x 30 cm. Spiralbindung (diese puntuell gequetscht).
201133467London [etc.] : Cico Books, 2011. 144 pp. 4°. Repr. Ill. orig. engl. Broschur.
Bumping to bottom corners, still in publisher's plastic. ; History of Warfare, 46; 1 x 9.25 x 6.25 Inches; 481 pages; This is the second update of A Cumulative Bibliography of Medieval Military History and Technology, which appeared in 2002. It is meant to do two things: to present references to works on medieval military history and technology not included in the first two volumes; and to present references to all books and articles published on medieval military history and technology from 2003 to 2006. These references are divided into the same categories as in the first two volumes and cover a chronological period of the same length, from late antiquity to 1648, again in order to present a more complete picture of influences on and from the Middle Ages. It also continues to cover the same geographical area as the first and second volume, in essence Europe and the Middle East, or, again, influences on and from this area. The languages of these bibliographical references reflect this geography.
