MareMagnum
15 213 résultats
<h3>Autore/Curatore: Maria Pospisil (firma autografa)</h3> <h3>Editore: Fratelli Alinari</h3> <h3>Anno: 1944</h3> <h3>Formato: 26x35 cm - Copertina Rigida</h3> <h3>Pagine: 111 + 318 Illustrazioni</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: come da foto, con segni del tempo e di utilizzo. Imperfezioni alle cerniere e al dorso con piccole rotture. Margini delle pagine naturalmente bruniti, lievi aloni. Osservare attentamente le foto e contattatemi per ulteriori informazioni.</h3>
FORNASETTI, Piero (1913-1988). "FOULARD in SETA edito in occasione della INAUGURAZIONE DEL NUOVO TEATRO REGIO, Torino 10 aprile 1973. Disegno di Fornasetti". Litografia su seta, cm 83x83, completo di scatola con fiocco e biglietto d'invito. Composizione a trompe-l'oeil su fondo senape, che riporta le firme di coloro che collaborarono allo spettacolo inaugurale: Carlo Mollino, Maria Callas, Aligi Sassu, Vittorio Gui, Giuseppe di Stefano. Le vedute degli interni ed esterni del teatro settecentesco e di quello rifatto; i cartelloni ed i frontespizi dei libretti di alcune significative opere, tra cui: "I Vespri Siciliani", "Otello", "La Didone abbandonata", "La Wally", "L'Arsace", "Il Tancredi", "Boheme", "Manon Lescaut". Il nuovo Teatro Regio venne inaugurato il 10 aprile 1973 con "I Vespri siciliani" di Verdi, che videro la prima e unica regia di Maria Callas e Giuseppe Di Stefano. La direzione d'orchestra fu affidata a Vittorio Gui, le scene e i costumi al noto pittore Aligi Sassu, la coreografia a Serge Lifar. Sin dal 1933, alla sua prima presenza alle Triennali di Milano, Piero Fornasetti si dedicò alla creazione di foulard di seta stampata. Tra i massimi designer degli anni Cinquanta, fu anche pittore, scultore scenografo. Una fervida fantasia e un tocco di humor caratterizzano la sua produzione decorativa che lo porta a realizzare oggetti eccentrici, dai mobili ai piatti ai portaombrelli ai foulard.. ''Fornasetti. La bottega fantastica'', Electa, 2009..
xv, 701 pages. Index. Generously illustrated with diagrams and black and white reproductions of archival photos. "The final word on the subject, a book that can never ben superceded. The sources from which it is drawn are principally the Official Returns, Admiralty Ships Covers, Progress Books and the personal notes and confidences of a number of Directors of Naval Construction. The large number of photographs came from the author's collection ammassed over the years; the ships' plans have never before been equalled; throughout, previously unpublished information is provided and details of all vessels are compared with those of their foreign rivals." - dust jacket. Former library copy with above-average wear and usual markings. Front hinge starting. Back hinge taped. Dust jacket now preserved in archival-grade Brodart. A worthy reference copy of this monumental study. Bibliographic reference: Law 0998. Book
This is a very good 5 volume hardcover set (complete) three volumes with dustwrappers, two without. All volumes very clean inside, no marks. The off white dustwrappers are tanned and have a few stains to the spine of the last volume only and several closed edge tears. Two volumes have faint tan stains to top page-edge not visible internally. All text in Russian. The set is edited by V. F. Ryndin. All drawings by V.I. Kozlinskii. Additional editing and text by Elena Kurbatova and Elizaveta Berman. This set covers Russian costume design for staged productions from 1750 to 1917. In other words from the beginning of Russian drama to the Russian Revolution. All volumes are illustrated with drawings similar to fashion drawings in French and German periodicals from the late 19th century. All volumes have some color drawings as well as black & white. All volumes also have some technical details to guide the costume designers making period costumes: some of the illustrations are like pattern designs for tailors. A spectacular resource. 12" high X 9" wide, 170 & 182 & 182 & 182 & 222 pages. The volumes were all published between 1960 and 1972. Volume 1: 1750-1830, volume 2: 1830-1850, volume 3: 1850-1870, volume 4: 1870-1890, volume 5: 1890-1917. Foreign buyers should expect extra postage. These books will be securely wrapped and packed in a sturdy box and sent with tracking.
Legatura in mezza pelle con angoli, piatti marmorizzati, titolo su tassello e filetti impressi in oro al dorso, vignetta al frontespizio, testatine e capilettera figurati, finalini, un'incisione all'antiporta riproduce un uomo a riposo appoggiato a un plinto scolpito che si staglia su un paesaggio architettonico circondato da arbusti e rovine, 25 tavole ripiegate in più parti riproducono schemi di elementi architettonici in prospettiva e figure geometriche. Manca una tavola che rappresenta un paesaggio composto da rovine e da un edificio a pianta circolare attorniati da arbusti, rare fioriture sparse ad alcune carte, altrimenti esemplare fresco e marginoso in ottimo stato.
CARTELLA CM. 43,5X57,5 CONTENENTE 12 LITOGRAFIE TIRATE A TORCHIO SU CARTA SPECIALE DELLE CARTIERE VENTURA DA A. PIZZI, PRESENTAZIONE DI M. VALSECCHI, EDIZIONE NUMERATA 262 DI 474 ESEMPLARI CON FIRMA E NUMERO A MATITA DI CARBONI SU OGNI LITO.
272 pages. Plate index. Paragraph index. Classified index. Over one-hundred excellent black and white plates. "The standard textbook - illustrated, pertinent, comprehensive." - from title page. Oblong 9.25" x 12.25". Small name stamps upon endpapers and title page. Above-average wear. Binding tender but intact. Above-average soiling to grey cloth-covered boards. Front board attractively decorated in yellow, green and red. A sound copy of this superb and nostalgic reference. Book
Erste illustrierte Werkschau des bedeutenden Bildhauers Johann Gottfried Schadow, mit detailreich in verschiedenen hochwertigen Drucktechniken auf großformatigen Tafeln abgebildeten Arbeiten. – Inhalt: Der Zeichner und Bildhauer Johann Gottfried Schadow (1764-1850) gilt neben seinem Schüler Christian Daniel Rauch als der bedeutendste Vertreter des deutschen Klassizismus in der Bildhauerei und als Begründer der Berliner Bildhauerschule. Die Bleistift- und Tuschfederzeichnungen der Schadowschen Basreliefs, Denkmäler, Skulpturen und -gruppen (u.a. seine Hauptwerke, das Grabmal des Grafen Alexander von der Mark (1790), die Prinzessinnen-Gruppe (1797), das Blücher-Denkmal (1819) in Rostock und das Luther-Denkmal (1821) in Wittenberg) stammen vor allem von Ludwig Buchhorn und Gustav Lüderitz; die klaren und detailgenauen Stiche und Radierungen nach zeichnerischen Vorlagen tätigten C. Becker, Fr. Grundmann, P. Habelmann, A. Heinze, Th. Jättnig, D. Marchetti, R. Ruschewey, G. Seidel und B. Woltze. Aufgenommen sind weiters 9 in Metallografie wiedergebenden Diaphanien von Heinrich Christoph Kolbe nach Gedichten Goethes, die der Maler anlässlich eines 1816 am Weimarer Hof abgehaltenen Künstler-Festes geschaffen hatte, an dem auch Schadow und Goethe teilnahmen. Vorliegende erste Retrospektive von Schadows Werk erschien im selben Jahr und Verlag wie des Bildhauers autobiographische Aufzeichnungen „Kunst-Werke und Kunst-Ansichten“. – Erhaltung: Die Decken des privaten Halbleinenbandes aus der 2. Hälfte des 19. Jh. stellenweise berieben und mit Lichtrand, Textteil und Tafeln an wenigen Stellen, mitunter aber stärker stockfleckig, insgesamt kompaktes Exemplar dieses Rarums.
Un volume (15x28 cm) di 256 pagine. Con illustrazioni e CAMPIONI DI STOFFA delle produzioni Burberrys applicate. In lingua inglese. Brossura editoriale pergamenata con stemma Burberrys dorato in rilievo al piatto. (qualche usura ai margini). Raro esemplare del catalogo Burberrys con i prodotti della famosa casa di mode inglese nei primi anni del XX secolo.
4°, 4 parti in un volume, pp. (12), 261; (8), 213, (21); (2), 155, (1); (12), 39, (17), grande antiporta animata incisa con titolo, vignetta al frontespizio: minerva che tende il braccio destro verso un ulivo e tiene con la mano sinistra lo scudo. motto: Pacis Opus. 49 tavole fuori testo numerate in vario modo. Ogni parte ha un proprio frontespizio. Rilegatura coeva in piena pergamena, titolo in oro su tassello in pelle al dorso, tagli spruzzati, iniziali, incipit e finalini animati. Restauro alle carte R2-R3 della terza parte e alla carta A2 del 4° volume lontano dal testo. Esemplare nell'assieme fresco e molto buono di questo volume sull'abbigliamento nell'antica Roma, in particolare ritrovato nei sepolcri e sulle statue
4 volumes L'oeuvre complete. Hardbacks, 305x230mm, 544p,+ 544p + 528p +544p et 4500 colour illustrations, French edition . ISBN 9782915542608. Pendant sept decennies, Charlotte Perriand (1903-1999) a contribue a faconner le monde de ses inventions, laissant derriere elle un sillage d'images, d'objets, de lieux et d'edifices, autant de registres d'une oeuvre qui apparait desormais dans toute son ampleur. Ce premier volume de l'oeuvre complete offre une analyse detaillee de ses premieres annees de creation, tres fertiles, aussi bien dans le domaine du design que de l'architecture ou de la photographie. S'appuyant en grande partie sur les archives conservees par la famille de l'artiste dans son atelier parisien, il permet de faire la lumiere sur ses sources, son environnement, ses annees d'apprentissage a l'ecole de l'Union centrale des arts decoratifs, ainsi que sa rencontre et son association avec Pierre Jeanneret et Le Corbusier, en 1928, qui va donner naissance a des meubles emblematiques tels que la Chaise longue basculante (1928), et a ses premiers amenagements (la villa Savoye, la villa Church, la villa Martinez de Hoz). Il nous fait egalement decouvrir son engagement militant, qui l'amene a voyager a Moscou, puis a reflechir a une architecture vernaculaire au service du peuple, qui aboutira notamment, dans les annees 30, a la Maison au bord de l'eau (1934), a un centre de vacances (1935), ou encore a ses premieres architectures de montagne. Les annees 30 sont par ailleurs celles de la creation de l'UAM, dont elleest l'un des membres fondateurs aux cotes de Robert Mallet-Stevens, mais aussi de sa rupture ideologique avec Le Corbusier, qui va l'amener, a l'oree de la Seconde Guerre mondiale, a faire cavalier seul.
Hardcover with dusjacket 2 volumes / slipcase; complet.223+ 327 pages, Illustrated. fine condition. ISBN 9787872412511. Widely considered as the best assessment of modern Danish furniture available in English and are beautifully illustrated with historic photographs and new photographs of surviving pieces. Many of the photographs of some of the best pieces in museums and public buildings in Copenhagen appear to have been taken specifically for the book. Full-page photographs are set out facing reproductions of original presentation or technical drawings. Karlsen was an architect who worked with Mogens Koch, to whom the volumes are dedicated, and he approaches the subject through his hands-on experience as a furniture designer. The volumes provide a very readable and a very good broad chronological overview but what makes them invaluable is the addition of detailed and critical assessments of the most important and influential examples of chairs, tables and storage furniture produced through the century.
<h3>Autore/Curatore: Emma Calderini</h3> <h3>Editore: Sperling e Kupfer</h3> <h3>Anno: 1934 N. 722/1050</h3> <h3>Formato: 23x30 cm - Copertina Rigida</h3> <h3>Pagine: 166 pagine +200 tavole</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Abrasioni e piccole rotture alla copertina. Ossidazioni sparse. Qualche strappetto marginale e macchiolina di inchiostro.</h3>
1st edition. Original illustrated paper wrappers, 16mo (small) , 63 pages, 17 cm. Includes portrait of the author (tipped in as published) . A rare Yung Vilne publication. The cover makes use of an interesting period modernist font and design; the title page uses a different but striking constructivist layout and font as well. hil'e getseykhnt? , Roz'e Sutskever ; portret? , Bentye Mikt? Om. Rosa Sutzkever was one of the best-known artists of Vilna, and had trained at the Art Academy there (Bogen, 1991) and was part of Yung Vilna. Yung-Vilne (Young Vilna) , was a Yiddish literary group, introduced in the daily Vilner Tog in 1929 with the headline: Young Vilna Marches into Yiddish Literature. It aroused excitement through its miscellanies (Yung-Vilne, 193436) , its contributions to local and international Yiddish journals, and individual books of verse and fiction. Principal members included poets Chaim Grade , Shimshon Kahan, Peretz Miransky, Abraham Sutzkever , Elkhanan Wogler, and Leyzer Wolf , prose writers Shmerke Kaczerginski and Moyshe Levin, and artists Bentsie Mikhtom and Rokhl Sutzkever. Dozens more were associated with the group, whose members were united by generation, place, a shared humanistic orientation, and the encouragement of local intellectuals like Zalman Rejzen and Max Weinreich . A Yung-Vilne evening in the Vilna ghetto, the participation of several members in the partisan underground, and the accomplishments of Grade and Sutzkever as leading postwar Yiddish writers assure that Yung-Vilne will be remembered as one of the great incubators of Jewish creativity in interwar Poland (Lipzin & Cammy, 2007) . OCLC lists 11 copies worldwide (NYBC, HUC, McGill, TAU) . Title penned on spine, paper toning, touch of wear to corner, about Very Good Condition. Rare, important, and attractive (Yid-29-35)
AA.VV. (Mendini, Alessandro: Direzione/direttore responsabile --- Castelli, Valerio: Direzione ricerche design --- Carloni, Paolo - Ciardi, Nives - Donà, Claudia - Morozzi, Cristina - Puppa, Daniela - Rizzi, Patrizia: Hanno collaborato a questo numero) MODO mensile di informazione su design. Anno 1, numero 1, giugno 1977. s.L. (ma Milano) - Milano, R.D.E. Ricerche Design Editrice srl - I.G.I.S. (via Salomone 61) 1977 italian, in quarto pp. 78 I ed. del mensile Anno 1, numero 1, giugno 1977. IV/78/brossura. Illustrazioni in nero, b/n e colori (al primo piatto: Tiger Tateishi: «The Machine», 1972, part.). Stato buono (leggera usura della copertina ai margini - copertina leggermente brunita e polverosa - pagine leggermente brunite).
<p>15x15 cm, brochure editoriale, p. (36). Campagna pubblicitaria Pirelli del 1966. I testi di Arrigo Castellani hanno per tema il viaggio e sono stampati al recto delle pagine in contrasto chiaroscuro con le grafiche geometriche di Pino Tovaglia. Assai raro.</p>
In 8, cm 16 x 22, pp. (14) + (2) con 26 tavole fotografiche fuori testo e disegni riprodotti nel testo. Brossura editoriale incamiciata con qualche punto di brunitura. Rara editoriale originale di questa monografia edita e impaginata da Campo Grafico, prima monografia dedicata al pittore astrattista Soldati. Tre furono i libri editi da questa prestigiosa rivista caposaldo all'arte grafica modernista diretta da Dradi e Rossi. Gli altri due furono dedicati a Lucio Fontana e all'architetto Alberto Sartoris. Di grande interesse per la presenza dei testi di 2 tra i piu' importanti poeti italiani e per il graphic design della brossura che ben circostanziano la presentazione di uno dei primi esempi di pittura astratta in Italia
Nicola Montanari-34 Incisioni-Volume N.4 Di 99-2002-Urbisaglia-Offagna-Caldarola COPIA DI GRAN PREGIO CON VEDUTE DI CUPRA MARITTIMA, S. GINESIO, TOLENTINO,OSIMO,FABRIANO. LEGATURA IN PELLE A CONCIA NATURALE, PAGINE INTERNE IN CARTA ARTIGIANALE, INCHIOSTRO CHARBONNEL SEPPIA, DORSO A QUATTRO NERVI. 11 INCISIONI E 23 CAPILETTERA INCISI.PP. 46 DI CUI UNA RIPIEGATA.
615 pages. "In the preparation of the third edition of this standard textbook for the boot and shoe industry, all the necessary revision has been made to keep it fully up to date. In particular the chapter on Direct Moulded Construction has been considerably modified and includes a new section on Injection moulding. The general arrangement into nine parts has been retained: Shoe Design - its Basis and Development; Pattern Cutting; Clicking; Closing; Bottom Stock; Making; Finishing; Shoe Room; Slipper Manufacture. This new edition is a complete textbook describing for students all the methods in use in the manufacture of boots and shoes and is also an invaluable reference book for foremen, managers and directors in the industry who need to keep abreast of modern techniques." - from dust jacket. Above-average wear. Usual library markings. Back hinge open. A worthy reference copy of this excellent reference. Book
This is a fine two volume hardcover set with fine dust jackets with a very good hardshell slipcase. Completely clean. Text in ITALIAN. One of the most comprehensive surveys of post-war Italian furniture design includes lots of lamps and lighting devices. Arranged chronologically year by year. Illustrated throughout in black & white with hundreds of photographs. Extensive index identifies designers and companies. 14" high X 10" wide, 614 pages in total. Large very heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
18 plates and a ten page pamphlet. Text in Cyrillic. In a beige cloth covered case with sunning and discoloration to spine, a small tear at bottom of spine, and penciled price on back. Small creases to edge of pamphlet. Prints are in Fine condition and are 26 cm x 29 cm. Number 63 of a limited edition of 500. Kupreianov was a Soviet graphic artist born in 1894, in the Polish People?s Republic; died July 29, 1933, in Moscow. "In 1910, Kupreianov studied in St. Petersburg with A. P. Ostroumova-Lebedeva and in the workshops of D. N. Kardovskii and K. S. Petrov-Vodkin. He was a member of the Society of Easel Painters and the Four Arts group. From 1922 to 1930 he was a professor at the Moscow Vkhutemas-Vkhutein, and from 1930 to 1933 he taught at the Moscow Institute of Printing. Most of Kupreianov?s early works are wood engravings, such as Armored Cars (1918) and The Cruiser Aurora (1923), imbued with revolutionary romanticism. His drawings of the 1920?s and 1930?s on industrial subjects reflect a keen perception and a sense of the rhythm and joy of labor. Emotional immediacy and an expressive sketch are combined with a precise rendering of objects in the series Railroad Tracks (india ink, 1927, Tret?iakov Gallery) and Fishing Season (watercolor, 1930-31, Tret?iakov Gallery and the A. S. Pushkin Museum of Fine Arts in Moscow). Kupreianov?s landscapes and interiors are marked by rich tonal variations, giving them a strikingly picturesque quality, and by a subtle mood. Kupreianov did the illustrations for Lunacharskii?s Bear?s Wedding (1924), Mayakovsky?s Fairy Tale About Petia, the Fatty, and About Sima, Who Is Much Thinner (1925), Gorky?s The Artamonovs, Mother, and The Town of Okurov (1931), and Fadeev?s The Rout (1932)." from The Great Soviet Encyclopedia (1979).
Three softcovers in Near Fine slipcase with some fading. 5 1/4"w x 7 1/2"h. "First published in Berlin in Spring 1923, FOR THE VOICE is a collectionof 13 poems for reading out loud. In his dynamic graphics for each of the poems, El Lissitzky captured the ideas visually to inspire the reader. Together, the poet and book cosntructor made, in Lissitzky's words, 'the book as a work of art.'" This set does have the scent of nag champa incense.
This is a near fine hardcover copy in a near fine dust jacket with virtually no wear. Completely clean inside and out. This copy has been signed by Joseph Sinel and briefly inscribed to a colleague, under the limited edition information. This is copy 1360 out of 2000 available for sale. Beautifully printed by the Pynson Printers of New York. Illustrated in color and black & white. Pages uncut as issued. 12" high X 10" wide, 64 pages. Index. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a near fine dust jacket. SIGNED by the author, Anne Chapoutot, in ink, on the title-page. Not inscribed to a particular named person. Otherwise completely clean. Text in FRENCH. Preface bu Yvonne Brunhammer. Illustrated throughout in color, some black & white. Bibliography. 12" high X 9" wide, 139 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking
This is a near fine hardcover copy of the stated first edition with virtually no wear. Completely clean inside and out. First published March 1929. Covers very clean but a few small faint spots to front cover, gilt title on front cover still bright. Text and 74 full-page color plates, renderings of 1920's interiors. Full commentary on each plate. 12" high X 10" wide, 277 pages. A beautiful copy. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
