29 262 résultats
1990070525Cranbury NJ: Adams Brown Co. 1990. Book. Near Fine. Hardcover. 1st Edition. 4to - over 9¾" - 12" tall. Glossy blue pictorial boards. Mild surface rubbing to boards scratches to back cover. Firm binding clean interior remnant of address label on upper front flyleaf. 1st ed. vi246 pp. illus. Adams Brown Co. Hardcover
1979100127451Thames & Hudson Ltd 1979 300 pages in4. 1979. Cartonné jaquette. 300 pages.
1995585302Zwolle: Waanders. 1995. 229 Seiten. 31x24cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Broschiert
196924971München : Droemer Knaur, 1969. 248 S. Mit 215 Abb., davon 60 in Farben. 8°. Bibl.- Einbd. (Knaurs Kunstgeschichte in Farben)
This is a very good hardcover copy of the first edition, with just light wear. Red cloth covers fine, spine title in gilt dulled, spine faded and a few small stains (minor). Very clean inside, but a little spotting here and there, as is typical with this soft acidic paper. Plates fairly clean, but also lightly spotted. Illustrated in black & white. 4to, 9.5" high X 6.5" wide, 151 pages. This book will be securely packed and shipped with tracking.
English Text. London, 2004; paperback, pp. 160, col. ill. and plates. english 1-84442-96 paperback
2016582638Lecturis December 2016. Hardcover. USED Very Good. This is number 174 out of 2000 copies. The interior is clean with a tight binding. There's some scuffing to the boards. Lecturis hardcover
trad. di Anna Maria Paci cartone edit. ill. con sovrac. ill., piccole rotture in sovrac.
19608584San Francisco: The Auerhahn Press 1960. First Edition. First Printing wrappered issue one of 1250 copies. Quarto 28cm; original pictorial card wrappers; x495pp. Inscribed by Whalen on the title page to Sherry Vetter a girlfriend of Richard Brautigan's: "30/31:I:72 Bolinas / For Sherry at Richard's / All best / Philip." Hint of sunning to spine faint finger-soil to covers with light wear to extremities and a faint vertical crease toward left edge of front wrapper; some transfer from the ink inscription onto the opposing page; Very Good. <br /> <br /> An attractive collection of Whalen's poems several of them originally published in the pages of Yugen Foot Combustion Galley Sail and Jabberwock produced by Dave Haselwood's Auerhahn Press. Brautigan met Sherry Vetter at an Irish pub in North Beach early in 1970. He was instantly smitten and began a two-week courtship by phone. "Richard for his part tutored Sherry in his literary preferences trying to influence her reading tastes. He introduced her to the work of McClure Snyder and Creeley and to classic writers "he thought were really great like Baudelaire and Sappho." He recited poetry to her. Vetter recalled Phil Whalen's poem "Three Variations All About Love" a personal favorite" Hjortsberg Jubilee Hitchhiker p.420. Vetter would eventually grace the cover of Brautigan's 1971 book Revenge of the Lawn in black and white. Auerhahn 6; Lepper p.419. 8584. The Auerhahn Press unknown
This is a very good copy in a plastic comb binding (intact), stiff paper covers printed in color with Weyerhaeuser paper sample names: 'Weycroft', 'Louvain', 'Carousel', 'Kashmir', 'Gainsborough', etc. No date but ca. 1970's. Each of the 10 paper sample sections has a color printed title page with the different paper weights and characteristics available in that sample, followed by a number of blank sheets in different colors that are available with that sample. A typical early to mid 1970's Weyerhaeuser trade catalog. 11" high X 10" wide. All printing in offset lithography. Publisher's 'Complimentary Copy' business reply card laid in. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
19552951New York: Cameron & Kahn 1955. Cloth. Good. Third edition FRED G. WEISGAL'S COPY. Large 8vo. Light grey buckram boards spine lettered in maroon. Head of spine frayed extremities bruised some staining. Edges toned. Uneven offsetting to endpapers inscribed in black ink to ffep: "Fred E. Weisgal 2/6/55" with his monochrome Thomas Paine-quoting ex libris pasted below. Toned else clean and tight. In Rockwell Kent's strikingly sorrowful dust jacket: toned and spotted large losses joints delicate and reinforced with amateur taping to reverse. Good/ good- A well-handled association copy of the American playwright's account of the highly divisive case of Julius and Ethel Rosenberg from the library of prominent Baltimore civil rights attorney and jazz musician Fred E. Weisgal. John Wexley is perhaps best known for co-writing the screenplay for the James Cagney vehicle Angels with Dirty Faces 1938 and his prison drama The Last Mile 1930. Fred E. Weisgal 1919-1991 began his legal career in Baltimore in 1947 when he fought and won a suit to admit black students to the Maryland Institute art school now Maryland Institute College of Art. He subsequently joined the American Civil Liberties Union ACLU and represented a number of significant civil rights cases before emigrating to Israel in 1969. Weisgal's papers are held by the University of Baltimore. Cameron & Kahn hardcover
195525981New York: Cameron & Kahn 1955. Second Edition. Thick octavo 22cm; brown paper and tan cloth-covered boards with titles stamped in black on spine; dustjacket; 672pp. Fine in a very Near Fine dustjacket unclipped with some trivial wear at the crown. Lacking the publiser's decorative slipcase. A penetrating and definitive study of the Rosenberg-Sobell case. An attractive copy with Kent's superb jacket design bright and unmarred. Cameron & Kahn unknown books
199838457ABBraunschweig 1998. 4°. 163 S. Original-Pappband. Minimal berieben.
201095536Berlin, Alexander Verlag 2010. 2010. 288 S., mit zahlreichen farbigen und s/w Abbildungen. Orig.-Pappband mit Orig.-Umschlag.
198424453Berlin, Alexander Verlag, 1984. Ringordner enthält: Tl. 1: Tische und Stühle. Einschwinger. Freischwinger. Erich Brendel. Walter Cropius. Jean Prouvé. Stefan Wewerka. - Tl. 2: Sofas und Sessel. Bauhaus-Kubus. Marcel Breuer. Peter Preller. Stefan Wewerka. - Tl. 3: Kastenmöbel. Serie 1. Marcel Breuer. Piet Mondrian. A. & P. Smithson. Stefan Wewerka. - Tl. 4: Einzelsessel. Schreibtische. Leuchten. Bauhaus-Wiege. Marcel Breuer. Walter Gropius. Peter Keler. Hans Könecke. El Lissitzky. Antti Nurmesniemi. Jean Prouvé. Karl Friedrich Schinkel. A. & P. Smithson. Stefan Wewerka. - 1 Blatt Impressum. - Tl. 5: Leporello mit Stoff- und Ledermustern. 72 S. in getr. Zählung, nur Ill. (z.T. farb.) u. graph. Darst. + Stoff- u. Lederkt., 1 Bl. 22 x 24 cm, Halbedelstahl-Ringordner mit zwei Ösen [5 Warenabbildungen]
4°. 222 SS., 1 Bl. mit zahlr. tls. ganzseit., tls. farb. Abb. Farb. illustr. Orig.-Kart. Werkmonographie mit Werkverzeichnis (413 Nrn.), erschienen zur Ausstellung vom 14.9.-17.10.1986 in der Städtischen Galerie im Rathaus Ruit. - Mit Beiträgen von Herbert Rösch, Andreas Pfeiffer, Johannes Poethen, Edgar Hertlein, Eva Zippel. - Vortit mit 6-zeil. hs. Widmung von Angelika Wetzel (dat.: 2. Dez. 88, beim 75. Jubiläum des Kunstgebäudes Stuttgart). - Einbd. leicht berieben. Insges. gutes Exemplar. SW: Kunst 20. Jahrhundert, Plastik, Frauen, Süddeutschland, nach 1945 Bücher Deutsch
201285121ABVerlag Lars Müller, 2012. 4°. 291 S., viele Abbildungen. OLn.
This is a very good hardcover copy bound in gray cloth with title in gilt on the spine. This copy once belonged to the legendary New York architectural firm of Starrett and Van Vleck and has their circular blindstamp on the lower corner of the title-page. Very clean inside and out. Pages uncut. Text in German. Illustrated in color with numerous tipped-in color plates and black & white. A classic work once owned by the classic firm. 12" high X 9" wide, 206 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2004UWETFOU00EFWet Design 2004. Very Good. Wet Design. The Fountains of Bellagio. Stayton Mary; Edmonds Tammy; Kahn photographs Ira. Universal City California: Wet Design 2004. 89pp. Illustrated. 4to. Black linen with silver lettering. Book condition: Very good. Dust Jacket Condition: Very good with lightly bumped edges. Wet Design unknown books
ill., br. Dalla felice infanzia nel Derbyshire al trasferimento nella Londra degli anni Cinquanta. Dai primi originalissimi gioielli venduti sulle bancarelle di Portobello Road al vestito realizzato da sola per il primo matrimonio con Derek Westwood e la nascita del figlio Benjamin. Dalla separazione consensuale alla turbolenta relazione con Malcolm McLaren, futuro manager dei Sex Pistols, da cui nasce il secondo figlio Joseph Corré. Per arrivare all'apertura del primo negozio su King's Road, "Let it Rock", destinato a cambiare diversi nomi e stili fino all'attuale "Worlds End". Dall'approdo al "made in Italy" grazie alla collaborazione con Carlo D'Amario alla relazione platonica e culturale con lo storico dell'arte Gary Ness. Fino al secondo matrimonio "clandestino" con Andreas Kronthaler, suo giovanissimo e geniale studente di moda austriaco, nel 1992. Se negli anni Settanta la Westwood viene riconosciuta come l'ideatrice del look punk, con creazioni stravaganti e provocatorie, negli anni Ottanta i suoi modelli non traggono più ispirazione soltanto dalla moda di strada giovanile, ma da tradizione e tecnica. La sua ricerca prende coltissimi spunti dalla storia del costume ed esplora tutte le epoche. Nel nuovo millennio s'impone poi l'impegno sociale e politico come attivista per organizzazioni ambientaliste e per i diritti umani e civili e il personale contributo grazie alla campagna "Rivoluzione Climatica" e al manifesto Active Resistance to Propaganda.
1938005957Wolfshagen-Scharbeutz, Franz Westphal, 1938. 103 S. Großformatiger Orig.-Leinenband. Das Titelblatt mit altem Besitzvermerk, sonst gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
In ottime condizioni. spedizione tracciata
199144429ABMünster, Landschaftsverband Westfalen-Lippe, Westfälisches Landesmuseum für Kunst und Kulturgeschichte 1991. 8°. 227 S. Original-Broschur. Kleine Gebrauchsspuren. (=Bildhefte des Westfälischen Landesmuseums für Kunst und Kulturgeschichte Nr. 31).
1993640339Köln: DuMont. 1993. 348 Seiten. 22,5cm. Zustand: Sehr Gut, ungelesen; Ppbd.
1925037209Berlin, Eigenbrödler-Verlag, 1925. gr 4°, illustr. Halbpergamenteinbd., IV, 321 S. - wohlerhaltenes Exemplar mit zahlr. montierten Tafeln