D.GUICCIARDIMareMagnum
29 262 résultats
17° Biennale Mostra Mercato Internazionale Dell'antiquariato 1991 -L5436 SOVRACOPERTA EDITORIALE, COPERTINA RIGIDA IN TELA VERDE CON PALAZZO STROZZI IMPRESSO IN ORO AL PIATTO, TAGLI SUPERIORI CON QUALCHE PICCOLA MACCHIA, TITOLI IN ORO AL DORSO, INTERNO IN OTTIMO STATO N. PAG. 528 CM. 29 X 22
Impressive collection of 18 folio drawings with painted and sprayed gouache probably from the 1920s, showing Art Deco motifs for terrazzo floors. – Content: Sketched with pencil, then painted with bright and varied gouache colours setting a contrast in opaque white, present designs are finished with a thin sprayed layer of black to insinuate it's use for terrazzo surfaces, very probably floors or wall mosaics. All leaves of this set are characterised by most attractive compositions of colour and form as well as detailed execution, each of them in a unique way. Geometric forms dominate, the choice of motifs cites various artistic traditions (Mesoamerican, Celtic, Classicist). The designs are presumably of Italian origin and were skilfully drawn for by order for custom made large floors. - Condition: Corners and margins partly with some colour wear, corners partly with crease marks, overall well-preserved set of this exceptionally handsome collection of samples.
196285098ABNew York, Dover Publ., 1962. 4°. 247 S. OKart.
198079537New York, Dover Publ [copyright von 1962, Buch circa 1980]. xiv, 247 S., 31x23cm Karton 0
Hartmann, GodfredNot in perfect condition. unknown
199511886Wien Graphische Kunstanstalt Otto Sares, 1995. 79 S. 4° Quart Ln.
Catalogo dell'asta Sotheby's, London, 24 february 2016. 176 lotti con opere di Josef Hoffmann, Pankok, Bruno Paul, Marcel Breuer, etc. Si unisce: Catalogo d'asta di design, Cambi, 18 dicembre 2012. 940 lotti
In-8 (Cm 29 x 35,5) pp.555, legatura editoriale con sovracoperta. Confaetto illustrato. Volume primo della collana "Italia moderna". Qualche segnetto d'uso al confanetto, e lieve ingiallitura del dorso della sovracop.- MOLTO BUONO
Brossura con copertina morbida con alette, in lingua tedesca, presenta segni di usura e di sporco, i bordi hanno segni da sfregamento, le punte sono piegate verso il concavo, il dorso presenta segni da schiacciamento, sul dorso c'è l'alone di una precedente etichetta che arriva fino alla parte posteriore, nel retro della copertina oltre a segni sporco manca un pezzetto di cellophane, è presente poi una piccola etichetta, all'interno il volume è ricco di immagine e disegni, il frontespizio ha delle macchie di sporco, cosi come la sguardia posteriore, le pagine sono in buono stato e hanno i primi segni di ingiallimento. Numero pagine 425 USATO
199818398Wien ; Frankfurt [Main] : Ueberreuter, 1998. 208 S. 8°. Ill. OBroschur.
1888221661888. Original patent documentation for Edmond Verstraete's innovative 1888 railway car design an uncommon surviving artifact from the era of rapid industrial expansion and technological advancement in American rail transport. Verstraete Edmond. Railway Car. Washington D.C.: U.S. Patent Office July 24 1888. Patent No. 386512. First edition. 2 printed lithograph sheets measuring 9" x 7". Signed by inventor and witnesses. Includes two detailed mechanical drawings by Verstraete with formal submission details signed by the inventor and his attorney.<br /> <br /> This patent filed during a period when the U.S. railroad network was transforming American commerce and mobility documents Verstraete's reconfiguration of the passenger car interior and structural layout. The diagrams show side and overhead views of a self-contained passenger railcar marked by articulated platform entries segmented internal seating and a defined vestibule region. Of note are the annotated elements marked "x" in red ink labeled as "Lower entries" and "Passengers" likely indicating areas of operational focus or examiner queries. The first sheet offers a longitudinal cross-section while the second presents a plan and elevation revealing design emphasis on safety comfort and structural balance.<br /> <br /> The late 19th century witnessed a proliferation of railway car patents as inventors sought to enhance efficiency passenger experience and operational safety in the context of growing urban transit systems and long-haul travel routes. Verstraete's work fits within this inventive surge paralleling the emergence of Pullman cars electric trolleys and elevated rail networks. As cities like New York Chicago and San Francisco expanded rail-based infrastructure designs such as this laid the groundwork for more integrated mass transit and intercity rail travel. Light toning minor smudge at lower margin of first sheet archival notations in red and pencil at margin; "EXAMINER" hand-stamped at top. Overall very good condition. A scarce and compelling primary document reflecting the ingenuity and regulatory mechanics of the Gilded Age railroad boom ideal for researchers in industrial history transportation technology and the evolution of public transit. unknown
Testo italiano, allegato in tasca posteriore CD ( testo italiano / Spagnolo / Olandese ), brossura, copertina con alette, formato 23x28x3, pagine 296, illustrato con numerose figure in nero e colore nel testo e fuori testo, ottime condizioni - 50578
188535921885. Good wraps highly tanned/darkened; smudged & rubbed w/ soiling. chipping to wraps & closing pg. soiling to extremities of pages. Wraps. appx. 110 pp. 48 numbered and others with illustratens 9 pp ads at rear numerous line engravings. Catalogue lists 740 works some of which are reproduced by line engravings. Includes names and adresses along with numbered catalogue entries for each artist at rear. Rare. paperback
18° Biennale Mostra Mercato Internazionale Dell'antiquariato 1993 -L5435 SOVRACOPERTA EDITORIALE, COPERTINA RIGIDA IN TELA VERDE CON PALAZZO STROZZI IMPRESSO IN ORO AL PIATTO, TAGLI CON LIEVE ALONE, TITOLI IN ORO AL DORSO, INTERNO IN OTTIMO STATO N. PAG. 543 CM. 29 X 22
58520Maastricht, Oscar Graf Decorative Arts, 2016, 2016 Hardcover, unnumbered pages, ENG, 290 x 215 mm, in fine order, with images in colour, . ISBN X.
A cura di Maria Pia Gonnelli Manetti. Saggio critico di Andrea B. Del Guercio. Firenze, 1979; br., pp. 86, 239 ill. b/n, cm 15,5x21. italiano
Hardcover, unnumbered pages, ENG, 290 x 215 mm, in fine order, with images in colour, . ISBN X.
In-8 (Cm 29 x 35,5) pp.555, legatura editoriale con sovracoperta. Confaetto illustrato. Volume secondo della collana "Italia moderna". Qualche segnetto d'uso al confanetto, e lieve ingiallitura del dorso della sovracop.- MOLTO BUONO
Milano, 1985; br., pp. 60, ill. b/n e col. italiano br.
2000EEZZ2567cParis, Réunion des Musées Nationaux 2000. 4°. 343 S. m. zahlreichen farb. Abb., OKart., sehr guter Zustand. Text in franz. Sprache
19113179Budapest: Nepszava 1911. Original paper. Very good condition small library sticker on the cover small tears. Cover and illustrations by Mihaly Biro. Cover and illustrations by Mihaly Biro. Original paper. 6 p. One of the best-known and most uncompromising Hungarian graphic designers at the beginning of the 20th century creator of the famous image of Social Democrats the Red Man with Hammer Mihály Biró 1886–1948 devoted himself early to the leftist social and political ideas. After the fall of the short-lived Hungarian Soviet Republic in 1919 Biró had to flee to Vienna from the terror of revenge and the right-wing dictatorship led by Miklós Horthy. Nepszava unknown
19123178Budapest: Nepszava 1912. Original paper. Very goo condition small library sticker on the cover small tears. Cover and illustrations by Mihaly Biro. Cover and illustrations by Mihaly Biro. Original paper. 7 p. One of the best-known and most uncompromising Hungarian graphic designers at the beginning of the 20th century creator of the famous image of Social Democrats the Red Man with Hammer Mihály Biró 1886–1948 devoted himself early to the leftist social and political ideas. After the fall of the short-lived Hungarian Soviet Republic in 1919 Biró had to flee to Vienna from the terror of revenge and the right-wing dictatorship led by Miklós Horthy. Nepszava unknown
Catalogo della mostra a cura della Fondazione Archeologica Canosina, tenutasi a Canosa di Puglia il 22 ottobre 2000, presso Palazzo Sinesi. Edizione aggiornata, lingue presenti italiano e tedesco, traduzione di Christoph Reuter. Brossura quadrata con copertina flessibile, parzialmente illustrata, con minime abrasioni e patinato lievemente usurato da manipolazione, buono lo stato. Pagine perfettamente conservate, velate da ossidazione leggera, impreziosite da XLIV ( 44 ) figure in bianco e nero e a colori e da V ( 5 ) tavole, nel testo. N. pag. 107. USATO
193855160МоÑква Moscow: Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва Museums and Exhibitions of Motherhood and Childhood Protection 1938. First edition. Hardcover. g to vg-. Folio. Unpaginated 113 double-sided leaves. Original blue cloth with gilt lettering and yellow circular embossed bas-relief on the front cover designed by Anna Yuzhakova. Spine with blind-stamped illustration and lettering. Binding protected in modern mylar. Housed in its original blue cloth slipcase with a circular windowed cutout for the bas-relief. Photo-illustrated endpapers. The title page is a double-page spread with modernist typography and title text appearing in 10 additional languages including Ukrainian Belorussian Bulgarian Armenian Georgian Turkmen Azerbaijani Uzbek and others.<br /> <br /> Following the title page are four pages of introductory text and then a fold-out with woodcut illustrations in black by Nikolai Piskarev 1892-1959 showing images of the Russian revolution revealing photographic portraits of Lenin and Stalin when opened. The work is profusely illustrated throughout with countless photographic images beautifully printed in b/w and sepia-toned gravure. The book's overall design and layout was the work of Yakov Babushkin b.1907 which displays a wide variety of artistic and conceptual flourishes. Throughout the book are many smaller half-width multipage inserts artistic insets and fold-outs as well as extensive photomontages and large double-page spreads. Final leaf contains extensive contributor's credits.<br /> <br /> The publication features the work of a long list of contributors including noted photographers such as Olga Ignatovich 1905-1984 and Elizaveta Ignatovich 1903-1983 - both sister of pioneering Soviet photographer and photojournalist Boris Ignatovich cinematographer and filmmaker Alexander Frolov 1904-1962 and Solomon Tules among many others.<br /> <br /> This lavishly produced piece of Soviet photo-propaganda praising the state's maternity and child-care institutions and services. Published on the 20th anniversary of the establishment of the department for the Protection of Motherhood and Infancy Okhrana Materinstva i Mladenchestva or OMM the book showcases the state's initiatives to support mothers and and their young children in the and promote the importance of Motherhood as a vital role within Soviet society. Documented are women's centers hospitals early childhood education and summer camps among countless other state-controlled entities from across many different republics of the Soviet Union Russia Ukraine Belarus Georgia Azerbaijan Armenia Kazakhstan Kyrgyzstan Uzbekistan and Tajikistan. The work one of 5 notable Soviet photo-books issued between 1933 and 1938 focussing on women and women's issues in the USSR.<br /> <br /> Binding with light bumping and rubbing to extremities including some light abrading to the very bottom of the front cover. Interior with starting at the interior front cover. Sporadic light staining to the endpapers and interior covers. Persistent light stain along the bottom of the book block visibly affecting the bottom of most pages throughout. Images are otherwise still mostly clean and vibrant. Binding fairly tight overall. Binding and interior in good to very good- condition overall. Scarce. Bibliographic reference: Heiting and Karasik The Soviet Photobook 1920-1941 p. 380.<br /> <br /> A scarce work with only 6 known copies woldwide on OCLC. Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва (Museums and Exhibitions of Mother hardcover
197515924Schuler, München 1975 (Elite Bibliothek. Schätze der Jahrhunderte). 160 S. mit zahlr. Farbtafeln. Kl.-8°. Ppbd. mit Schutzumschlag. Leichte Gebrsp. Gutes Exemplar.
