29 262 résultats
AA.VV 1° edizione! La forza delle cose: tradizione valdostana e design. Quart, Musumeci 2003 italian, 122 CH18Brossura editoriale volume come nuovo, 1° edizione, copertina e interno in condizioni eccellenti, legatura salda, con tavole fuori testo a colori, catalogo della Mostra tenuta a Aosta nel 2003, testo anche in francese. 122 pagine circaCopertina come da foto
19472110502150412187Aiiku-sha 1947. Soft Cover. Fine. Number of books: 2 Aiiku-sha paperback
10x15 cm, lettere di carattere personale: "poi sarei a chiedervi consiglio in certe mie idee..."
2004Q-1592530923Rockport Pub 2004-10-30. Paperback. New. In shrink wrap. Looks like an interesting title! Rockport Pub paperback
1936028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
1936028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
18462111902160200502Yamatoya keizo 1846. Soft Cover. Fine. Number of books: 2 books Yamatoya keizo paperback
19801116517Düsseldorf, 1980. S. 239-290; Illustr.; 30 cm; kart.
1989050051Stuttgart., 1989. Veranstaltet vom Landesgewerbeamt Baden-Württemberg - Design Ceter Stuttgart, Haus der Wirtschaft. 326 Seiten mit zahlreichen Abbildungen. Guter Zustand. Quer- 8°. S OBroschur / Okarton.
1928059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. <br/> <br/> Gollancz unknown
196713060Ravensburg : O. Maier, 1967. 58 S. : Abb. mit Text 8°. Ill. OBroschur. (Ravensburger Hobbybücher)
<h3>Editore: Fantasia </h3> <h3>Anno: 1976</h3> <h3>Formato: 21x29 cm - Copertina Morbida </h3> <h3>Pagine: 68 con illustrazioni</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.</h3>
<h3>Autore: Renato Barilli</h3> <h3>Casa editrice: Edizioni Del Milione</h3> <h3>Anno: 1964</h3> <h3>Formato: 27x21 cm - Copertina Morbida</h3> <h3>Pagine: 10 + 20 tavole in bianco e nero su carta patinata</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con qualche segno del tempo. Piccoli difetti visibili in foto, bordi leggermente ingialliti. Alcune pagine scritte presentano delle lievi pieghe.</h3>
<h3>Autore: Franco Russoli</h3> <h3>Editore: Edizioni del Milione</h3> <h3>Anno: 1962 Ed. Num 67/400</h3> <h3>Formato: 21x28 cm - Copertina Morbida con sovraccoperta</h3> <h3>Pagine: nn con illustrazioni</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Discrete , come da foto, con segni del tempo e di utilizzo. Aloni su sovraccoperta, imperfezioni e segno di etichetta rimossa. Margini delle pagine lievemente ingialliti.</h3>
<h3>Autore: Gianfranco Bruno</h3> <h3>Casa editrice: Edizioni Del Milione</h3> <h3>Anno: 1965</h3> <h3>Formato: 27x21 cm - Copertina Morbida</h3> <h3>Pagine: 10 + 20 tavole in bianco e nero su carta patinata</h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con qualche segno del tempo. La sovracopertina presenta gli angoli leggermente rovinati e i bordi ingialliti ed è presente qualche piccolo difetto visibile in foto.</h3>
<h3>Editore: Silvana</h3> <h3>Anno: 2006</h3> <h3>Formato: 25x29 cm - Copertina Rigida con cofanetto - 2 Volumi </h3> <h3>Pagine: 372 con illustrazioni / 141 + illustrazioni </h3> <h3>Lingua: Italiano</h3> <h3>Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.</h3>
23,8 : 22 cm. 80 SS. mit zahlr. meist ganzs. meist farb. Abb. Orig.-Kart. Katalog der Ausstellung in der 15.6. bis 17.8.1997 mit Arbeiten von Ulrich Bernhardt (Stipendium 1987), Ulrike Flaig (Stipendium 1994), Michael Hofstetter (Stipendium 1996), Bettina Rave (Stipendium 1992), Bernhard Widmann (Stipendium 1995) und Martin Zeller (Stipendium 1996). - Einbd. minimal berieben. Sonst gutes Exemplar. SW: Kunst 20. Jahrhundert, nach 1945, Kunstförderung, Baden-Würtemberg, nach 1990 Bücher Deutsch
Torino, Sala Bolaffi, 15 ottobre - 13 novembre 2005. A cura di Guido Curto e Gian Alberto Farinella. Torino, 2005; br., pp. 164, tavv. b/n e col., cm 21x20,5. italiano
This is a very good softcover copy with just light wear. Completely clean inside and out. This is a sale catalog for an auction held at Phillips New York on June 10, 2004. Sale code: NY050104 or 20-21st Century Design Art. 209 lots in the sale. All illustrated in color. Large folio, 13" high X 10" wide, 118 pages. No prices realized sheets, just price estimates for each lot. Large heavy book, foreign shipping will be extra. This book will be securely packed and shipped with tracking.
20066763BBLjubliana, Arhitekturni muzej, 2006. 4°. 213 S., 5 Bl. mit vielen Abb. OEngl.-Brosch.
ill. Studiocharlie, premio Compasso d'Oro 2018, è stato fondato dai designer Gabriele Rigamonti, Carla Scorda e Vittorio Turla. La mostra retrospettiva dei loro primi 20 anni di attività (aprile/giugno 2022) presso Torri Lana 1885 a Gandino (Bg), è occasione per invitare a uno sguardo critico sul loro lavoro. Il catalogo raccoglie tutti gli arredi e gli oggetti disegnati fino a oggi e tuttora in produzione. Studiocharlie ha progettato oggetti di varia tipologia: tavoli, specchi, lampade, rubinetti, sedie, mobili contenitori, tessuti, piastrelle e molti altri. Quello che li accomuna è il rispetto per i materiali utilizzati: acciaio, vetro, legno, ceramica, marmo, ottone o lana. Tutti parlano un linguaggio comune di geometrie semplici, non scontate, che rivelano una profondità di progetto pur nell'essenzialità delle linee. «Gli oggetti pensati e realizzati da Studiocharlie sembrano emanare un senso di ordine che, più che nello spazio, ha una ragion d'essere nel piano. Sembrano esseri viventi di Flatlandia, la favola matematica del reverendo Edwin A. Abbott. E tutto ciò pur essendo e restando tangibili oggetti tridimensionali. Li si tocca, ci si siede, si aprono.» Mario Piazza
Bergamo, 2022; br., pp. 48, ill., cm 17x17. (Libri Aparte. 32).
20091667Glénat, 2009. Grande assiette en porcelaine RAK de 30 cm de diamètre, illustrée de personnages de bandes dessinées.
44569Antwerp, Booqs, 2009 Softcover, 619pp., 21.5x17cm., doorlopen geillustr. in kleur, nieuw.
2007Q-1601406207Leisure Arts Inc 2007-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Leisure Arts, Inc paperback