Bomers, Joris und Charles SchroederAntiquariat.de
29 262 résultats
200854923Verlag: Joris Bomers 2008. Format: 30x30 cm , 250 Seiten mit Abb. gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
2024L3 box804 a11<p>We Called Them Giants Galley Edition Advance Reader Copy. Writing by Kieron Gillen Art by Stephanie Hans Letters by Clayton Cowles Design by Becca Carey. We Called Them Giants: Galley Edition. June 2024. Published by Image Comics Inc. Paperback.</p> Image Comics Inc. paperback
Publishers cloth. 4to. 199 pages. 29 cm. First English edition. Jointly published by the Jewish Publication Society of Philadelphia and the Aventinum Publishing House of Prague. Prepared and selected from the magazine "In the Lead" (Vedem) by Marie Ruth Krízková, Kurt Jirí Koutouc, and Zdenek Ornest; translated from the Czech by R. Elizabeth Novak; edited by Paul R. Wilson; with a foreword by Václav Havel. From 1942 to 1944, a group of 13- to 15-year-old Jewish boys secretly produced a weekly magazine called Vedem (In the Lead) at the model concentration camp, Theresienstadt (Terezin in Czech) . The writers, artists, and editors put together the issues and copied them by hand behind the blackout shades of their cellblock, which they affectionately called the Republic of Shkid. The material was saved by one of the handful of boys who survived the Holocaust, but it was suppressed for fifty years in Czechoslovakia. Now, for the first time, these works are being published simultaneously in English, Czech, and German. Vedem is a poignant glimpse at the world of boys torn from their comfortable childhoods, separated from their families, ultimately to perish in the Nazi death machine. (Dustjacket description) Subjects: Holocaust, Jewish (1939-1945) - Czechoslovakia - Personal narratives. Holocaust, Jewish (1939-1945) - Literary collections. Children's writings, Czech - Translations into English. Holocaust, Jewish (1939-1945) , in art. Children's art - Czechoslovakia. Theresienstadt (Concentration camp) - Literary collections. Czechoslovakia - Ethnic relations. Ex-library with usual markings. Great condition in very good jacket. (ART-20-22)
Testo Italiano e Inglese. A cura di Enrica Mannari. Modena, 2007; br., pp. 160, ill. b/n e col., cm 21x30. Acclude CD-Rom.
74-0542Boston: New England School of Art and Design 2001. 4to. 16 pp. Mostly color plates. Light signs of shelf wear. Stitched bindings. Soft covers. Significant creasing. Very Good.Provenance: From the Collection of Art Historian Peter Selz 1919-2019. Boston: New England School of Art and Design, 2001. paperback
200561712BBOakville, Ont:, Focus Strategic Communications, 2005. 4°. 328 S., durchgehend Abbildungen, Pappband (gut erhalten)
9881506921New. Never used book unknown
199192754Treville 1991 1 vol. broché gr. in-8, broché, couverture illustrée en noir, nombreuses photographies en noir et en couleurs. Préface et présentation biographique in-fine en anglais et en Japonais. En très bon état.
199192754Treville 1991 1 vol. broché gr. in-8, broché, couverture illustrée en noir, nombreuses photographies en noir et en couleurs. Préface et présentation biographique in-fine en anglais et en Japonais. En très bon état.
pp. xxvii, 447. Illustrated with pencil drawings in monochrome and color by Robert Ball, the color plates printed by Crafton Graphic Company; printed at The Stinehour Press, set in intertype Waverley; Curtis Colophon paper. 6 5/8 x 9 7/8 inches. Bound by Russell-Rutter Company in full ginger top-grain cowhide, gold-stamped with a design by Mr. Ball. Original slip case. Fifteen hundred copies have been made, of which this is copy number 769 and it is signed by the illustrator, Robert Ball. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W92
20022090202118105888Bungei-sha 2002. Soft Cover. Fine. The book is in fine condition. Bungei-sha paperback
Testo italiano / inglese, rilegato, tela, sovracoperta, formato 25x31, pagine 94, illustrato in nero e colori nel testo e fuorib testo, ottime condizioni - 47804
199122271Graphic-Sha, 1991. 152 Seiten m. zahl. Abb. 29,5 x 21,5 cm OBr. mit OU
199620588Tokyo: Shinchosha Company Publishing 1996. hard cover in dust jacket. no flaws. clean. no markings. no wear. strong binding. a very nice copy.; text in japanese with english translation. 286pp. illustrated throughout in color. essay by hiroshi aramata. yokoo is a legendary japanese graphic designer and artist. this presents his collection of waterfall postcards from many nations and decades. First Edition. Hard Cover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Shinchosha Company, Publishing Hardcover
1890249781New York 1890. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Some toning some designs show signs of previous mounting on verso generally very good. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Watercolor designs in Classical Romantic and Chinoise styles for leather screens manufactured by George D. Thompson & Co. The company letterhead advertises "Hand tooled and painted chair leathers and wall panels . Period designs still life flower bird & fruit panels hand painted bellows trays humidors book covers." Some designs give dimensions and prices on verso. unknown books
1890249781New York 1890. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Some toning some designs show signs of previous mounting on verso generally very good. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Watercolor designs in Classical Romantic and Chinoise styles for leather screens manufactured by George D. Thompson & Co. The company letterhead advertises "Hand tooled and painted chair leathers and wall panels . Period designs still life flower bird & fruit panels hand painted bellows trays humidors book covers." Some designs give dimensions and prices on verso. unknown
19932111902152908793Visual Design Institute 1993. Soft Cover. Fine. Size: B5 size Visual Design Institute paperback
200712992ABMünchen, Callwey, 2007. 29,5 cm. 111 pp. with num.ill., maps and plans. Illustrierter Originalkarton (Softcover). Minimal lagerwellig, sonst tadelloses Exemplar. Topos - The international Review of Landscape Architecture and Urban Design ; 59.
19892090502128301611Visual Design Institute 1989. Soft Cover. Fine. Number of pages: 123p Size: 27cm Visual Design Institute paperback
1981640572London: Sotheby [u.a.]. 1981. 416 Seiten. 27x20cm. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat min. bis geringe Gebrauchsspuren; Schutzumschlag (hat leichte Gebrauchsspuren - auch einen kleinen Riß); Schnitt oben GRAU / Kopffarbschnitt; Ppbd.
198626720Fairport NY: Donald P. Naetzker 1986. First edition. Paperback. Near Fine. Tall trade paperbound volume. 113 pp. Illustrated in black and white. Ingenuity applied to old antiques and other objects. A lovely near fine copy. Donald P. Naetzker paperback books
1984239177Paris: Fernand Hazan. 1984. 136 Seiten. 32x25cm. Zustand: Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Deckelrandbereich stellenweise etwas gebräunt im Gelb des Deckels; Schutzumschlag (hat geringe Gebrauchsspuren); Ppbd.
1958113045Köln: DuMont Schauberg. 1958. 428 Seiten. 30x21,5cm. Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Ohne 1 x Extrablatt + 1x Photo inneliegend; Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Schutzumschlag hat Mängel - gemeint ist hier mehr als leichte Gebrauchsspuren; Gewebe (Gelb)
2010460648Göttingen: Steidl. 2010. 167 Seiten. 26x23,5cm. Zustand: Sehr Gut, eher ungelesen; Einband (Außen) hat min. bis geringe Gebrauchsspuren; Obere Außenecken min. bis geringfügig bestoßen; Schutzumschlag fehlt, oder es gibt keinen; Ppbd.
pp. (xiii), 204 (1) + Wolff-pencil drawings by Lawrence Beall. Designed by Bert Clarke; printed at the Thistle Press; set in Monotype Modern No. 7. Bound by Russell-Rutter Co. in gray satin cloth boards, backed in natural niger morocco, tooled in gold and blind. Slipcase. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Number 420 of an edition limited to only 1500 copies, signed by the artist. An extra fine copy of this classic. It would make a great gift. **PRICE JUST REDUCED! W35
