Wedgwood, Josiah CBiblio.com
702 résultats
1333830130.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1017411220.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1120814588.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1120714044.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1167105095.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1166991113.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1913E11752BNew York: McBride Nast 1913. First edition. Hardcover. Fine/very good. First edition. Royal 8vo sized volume in light blue cloth stamped in white. xi 229 pp. with index to personal names. 24 photographic plates. The grandson of the famed "Prince of Pottery" tells the story of the exquisite pottery and its making that has brought lasting fame to North Staffordshire. Fine light foxing to the preliminary and title pages> in uncommon orignal dust jacket small nick center of spine and a short tear foot of spine. A handsome volume. <br/><br/> McBride, Nast hardcover
5107London Early 19th century. 260x240mm when closed and 260x490 when open. Black morocco case lavishly and beautifully tooled in gilt and blind with a brass lock at its centre. It unfolds to to reveal tan morocco compartments for writing and other instruments for use with the writer. The interior is also tooled in gilt and blind and the compartments for tools are covered by two black morocco flaps tooled in gilt and secured by a brass lock. On the inside panel is printed an encomium to Mr Wedgwood and his Manifold Writer from the Royal Institution. The panel that holds the tools opens to reveal a marbled paper blotting pad and instructions in English French and Spanish explaining how to use the Writer. Some rubbing and a little wear to the exterior but overall in nice condition. Tucked into the pocket of the case is the metal tablet which forms part of the Writer. On the instruction sheet is inscribed "From Lord Ponsonby on his leaving Buenos Ayres to whose Mission I was Secretary of Logistics. 1828 H. Parish". Ponsonby was a politician and diplomat whose postings to Argentina and Brazil involved him in fostering the independence of Uruguay as a buffer between the two countries. Ralph Wedgwood is the acknowledge inventor of the carbon copy and this "Stylographic Manifold Writer" is a nice example of his early slightly complicated it must be said method of preparing copies of documents. Also inserted into the pocket are two articles about early document copying. London Early 19th century unknown
190423950Tiffany and Co. 1904. Limited edition. soft cover. Good. New York: Tiffany and Co. 1904. Limited Edition 500 copies. Softcover. viii53pp. Illustrated with tipped-in b/w photos protected with glassine slips. Undersized book approx. 4"x7". Good condition. The boards are grimy with small paper tears at top/bottom of spine. The contents are in excellent shape tightly bound without markings or foxing. A lovely little limited edition book which traces the history of the Barberini or Portland Vase. cfm Tiffany and Co. paperback
1904007391New York: Tiffany & Co. Pottery and Glass Department 1904 53 pages. One of 500 copies.The textblock is very good but the fragile paper covers are worn with chips and tears. A good candidate for restoration. A rare book. Size: Small 8vo. Illus. by Tipped-in Frontispiece. First Edition. Paperbound. Good. Tiffany & Co. Pottery and Glass Department paperback
rja1123624<p>UKslimsmall 8vo HBdw/djillustrated 2nd edn reprinted. First printed published 1852 then privately printed 1887 by the sister of the author. This publisher Faber & Faber Limited first published it with these illustrations by this illustrator in October 1939 and then reprinted it in 1947. A 2nd edition appeared in 1964 which was then reprinted in 1965 - this listing. FINE-/NFINE. No owner inscrptn and no price-clip to dw/dj. Bright and generally clean with very minimal blemishes wrap-around matt pale grey background with pictorial colour b/w artwork illustrations by Gwen Raverat to frontrear panels of dw/dj respectively. Front of dw/dj with capitalised black lettered part-title and other black-lettered sub-title; author and illustrator capitalised black-lettered names; spine/backstrip with black-lettered title author and illustrator names and publisher's name to foot of same rear panel of dw/dj with a blackgrey illustration and no text and 'ghosts' of a pair of small adhesive labels now no longer present. Negligible shelf-wear to edges and corners – no nicks tears or splits present. Top edges alone with light dust-soiling and minimnal sporadic foxing/spotting fore-edges brighter and cleaner without foxing/spotting; contents exceptionally bright tight clean solid and sound – no dog-ear reading creases to any pages' corners – appears unread apart from my collation. Publisher's bright crisp clean/unblemished sharp-cornered original plain tan cloth boards with bright crisp blocked black ink lettering within a decorative border to spine/backstrip and immaculate plain white endpapers. UKslimsmall 8vo HBdw/djillustrated 2nd ednreprinted1-69pp paginated includes12 chapters - each with either a b/w woodcut engraving illustrated headpiece of thumbnail b/w illustration inset by start of sentences to chapter profuse other b/w illustrations within the text and the book eight 4-colour block illustrated plates includes the frntis; plus unpaginated half-title title page with b/w illustration illustrator's Preface/Explanation and to the rear 2pp blanks. Visually the exterior appearance is exceptional and particularly internally is also in an exceptional condition/state of preservation and presentation for a book of its near 60 year-old age and nature i.e. an child's book. It is only the minimal minor faults described that prevents a slightly higher grading overall. Despite them it really is still an exemplary example for its cleanliness brightness and lack of other detracting faults. Originally first published in The Family Tutor in 1852. The author H. A Wedgwood was a grandson of Josiah Wedgwood of Etruria the potter marrying his cousin Jessie Wedgwood also a grandchild of Josiah. The story was liked by all the children of the Wedgwood and Darwin families that the author's sister Mrs Darwin in 1887 had it privately printed as a small book for the next generation of children. A charming story about a little princess and the magic ring which made her able to talk to birds. Gwendolen Mary Raverat b. 1885 - d. 1957 worked as Gwen Raverat. Born in Cambridge England daughter of Sir George Darwin Professor of Astronomy and grand-daughter of Charles Darwin. She learned the rudiments of wood engraving from her cousin by marriage Elinor Monsell but was mainly self-taught as an engraver. She studied painting at the Slade School of Fine Art c.1908-10 and married fellow-artist Jacques Raverat 1911. After the death of Jacques in 1925 in France where they had lived she returned to London for 3 years where she designed sets and costumes for a new Vaughan Williams ballet 'Masque for Dancing' performed 1931. She was art critic for Time and Tide 1928-39 and worked during WW2 as a draughtsman in the Naval Intelligence Office in Cambridge. A stroke in 1951 forced her to give up wood engraving but she continued painting until the end of her life. An admirer since childhood of the work of Thomas Bewick she began engraving seriously soon after her marriage. Her earliest book illustrationsfor her cousin Frances Cornford's 'Spring Morning' 1915 showed the qualities of her mature style. Her most ambitious book was 'The Bird Talisman' a Victorian fantasy for children written by H. A. Wedgwood to whom she was a great-niece. For the colour illustrations she used three or four blocks a process little used for illustrations since Lucien Pissarro's Eragny Press publications. In these illustrations she succeeded in capturing the fairy-tale atmosphere of the story while evoking something of the quality of hand-coloured children's books of the early 19thC. Please contact seller for correct shipping/Pp quotes - particularly ALL overseas customers - BEFORE ordering through the order page! N.B. ALL buyers please note stocks' actual shipping/Pp costs are adjusted and any difference is refunded AFTER order's receipt and BEFORE the order's despatch especially if the items are offered either Pp included/FREE. N.B. US/Canada customers please be aware: Standard US AIRMAIL to these destinations can now in some cases cost more than the price of the book! If speed is not of the essence then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard US AIR quote/rate - sometimes arriving sooner than the 42 days - but not always.</p><p></p> LONDON.FABER AND FABER LIMITED.1965. hardcover
193984320London: Faber and Faber Limited 1939. Pages clean and bright with occasional light spotting small previous owner inscription on front endpaper binding firm light shelf wear to edges of boards shelf wear to dust jacket with some chipping and small loss to edges 2 small tape repairs. First Edition. Hard. Very Good/Good. Illus. by Raverat Gwen. 8vo. Faber and Faber Limited Hardcover
1939126120<p>The First UK Printing published by Faber and Faber Limited London in 1939. 8vo. bright blue cloth with full-length pink painted label to backstrip gilt together with decorative gilt border; clipped pictorial wrapper reproducing the frontis woodcut in full colour by Raverat; as well as the frontis an additional 54 woodcuts including title page vignette full and half page illustrations and numerous in text head and tailpieces; 8 in colour; The BOOK a lovely copy Very Good overall with endpapers offset and spotting extending from the outer edges to the prelims; the Very Good WRAPPER is a little toned spotted with some nicks and small losses to the head and foot of spine as well as ends of folds; clipped but retaining price of 7s. 6d. net to the front flap. The wrapper is protected in a removable Brodart archival cover. First edition thus with Raverat's enigmatic illustrations. This copy inscribed by the author and poet Walter de la Mare to the front free endpaper : 'To H and M. Nicholson with affectionate remembrances from W de l M Christmas 1949'. An Arabian Nights-style tale originally written by the illustrator's great uncle Harry Wedgwood for his children. Wedgwood was the grandson of the famous potter Josiah Wedgwood and brother-in-law of Charles Darwin. The story was originally published in 'The Family Tutor' in 1852 and was later privately printed in 1887. The story follows a little princess who comes into possession of a magic ring allowing her to communicate with birds. Walter de la Mare greatly admired Raverat's work and the pair later collaborated on his 1942 publication 'Crossings: A Fairy Play' Faber 1942. A lovely copy with these charming illustrations. More images available on request. Ashton Rare Books welcomes direct contact.</p> Faber and Faber Limited, London hardcover
1939002732<p>First thus edition. Colour frontispiece and seven plates as called for and numerous b/w illustrations. Pink/black marbled boards with green blocked spine with gilt titles. Binding firm. Some small dints to boards fading to edges slight chipping to spine ends. Light foxing and marks throughout. Not ex-library. No names notes or inscriptions. 70 pp. All books are individually described. All overseas orders are sent airmail by Royal Mail International Tracked.</p> Faber and Faber Limited hardcover
1838098283.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
093546199X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
45386597like new. unknown
45386597-nnew. unknown
1025619188.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016428219.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1939027023Harmondsworth: Penguin Books / Pelican Books 1939. First Pelican Edition First Printing . Printed Wrappers. Fine/Near Fine DJ. First Pelican edition first printing 1939 #A45 no price on covers or book 6d price on front flap. From the collection of Ian Ballantine who was the American representative of Penguin Books prior to his founding of Ballantine Books in 1952. Each book from the Ballantine collection comes with a loose card indicating it is from the library of Ian and Betty Ballantine. Book is fine no wear. DJ with touch of wear at corners. <br/> <br/> Penguin Books / Pelican Books unknown
20013147586Londres.: The Folio Society. 2001. Hardcover. Good. 26 cm. 3 v. il. Encuadernación en tapa dura de editorial. Idioma inglés. Guardados en estuche. Contiene: The King's Peace ; The King's War ; The Trial of Charles I . Historia.93 93 The Folio Society. hardcover
344067The Folio Society 2001. 3 VOL SET IN SLIPCASE super octavo illus heavy boards gilt lettering to spines top page edges stained maroon frontispieces mixed pagination illus Near FINE in slipcase VG light fading & chafing/soiling The Folio Society 2001 hardcover
2001120616London UK: The Folio Society. First edition thus. Three Vols. in crimson slipcase: The King's Peace 515pp.; The King's War 576pp.; The Trial of Charles I 253pp. All vols.: Pictorial boards gilt titles on black panels to spines. col. frontis.; maps; plans; b/w illus.; col. plates. Top edges coloured dark crimson. Slipcase slightly sunned and with minor shelf wear. All vols have slight rubbing to spines and corners but o'wise in very good condition clean bright and appear hardly read. VERY HEAVY SET - UK AND OVERSEAS ORDERS WILL REQUIRE ADDITIONAL POSTAGE . Very Good. Hardcover. 1st Edition. 2001. The Folio Society hardcover
2001114665The Folio Society London. 2001. The Folio Society London. 2001. First edition thus. Hardbacks in slipcase. Three volumes. Large quarto. Full colour frontis. B/w and colour illustrations throughout. Illustrated cloth boards with gilt spine lettering. Lovely clean and fresh copies in a lightly worn slipcase. hardcover
