123 résultats
1695482986(Leipzig), Gleditsch (Juxta exemplar Parisiis antehac excusum), 1695. Folio. 32 Bl., 492 S.; 6 Bl., 488 S., 41 Bl.; 4 Bl., 140 S. Mit 2 gestochenen Titelvignetten, 1 gestochenen Kopfvignette u. 2 ganzseitigen Kupfern (Stammbäume). Pergament d. Zeit (fleckig, hinterer freier Vorsatz fehlt).
16071406Siena : Matteo Florimi, 1607. QUELQUE 240 PROTRAITS GRAVÉS
1690790CGZürich, 1690. Kupferstich von Johann Meyer. 29 x 31 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
168553234München Johann Hermann Gelder 1685. 4to. Later hcalf rebound spine worn but intact. Shaved close throughout loosing pagination number mainly at end. Some leaves with repairs some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. 22 pp. lacking titlepage.The first part paginated 1-1506 the second part ca. 400 pp. pagination shaved and ending abruptly. 14 engraved plates mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer Jeremias Renner H.G. Bodenehr et al. <br/><br/><em>Richly illustrated by estimated Baroque-engravers such as Heckenauer Renner Bodenehr and others. </em> unknown
168553234(München, Johann Hermann Gelder, 1685). 4to. Later hcalf (rebound), spine worn but intact. Shaved close throughout, loosing pagination number mainly at end. Some leaves with repairs, some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. (22) pp., lacking titlepage.The first part paginated 1-1506, the second part ca. 400 pp. (pagination shaved and ending abruptly). 14 engraved plates, mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer, Jeremias Renner, H.G. Bodenehr et al.
1652318039Ohne Ort, Sumptibus Regiis, 1652. 12mo. 444 S. Leder d. Zeit (berieben, Ecken u. Kapitale bestoßen, Gelenke mit kurzen Einrissen). [2 Warenabbildungen]
16073245In Roma, appresseo Gio Angel Russinelli 1607 Petit In 12 étroit, Titre gravé, (titre et préface 10ff), 532 pp, marque au dauphin de Louis Zenetti sur le dernier feuillet relié dans un plein vélin de l’époque, titre inscrit à la plume « Torquato Tasso ». Agréable édition en reliure du temps, illustrée des gravures sur cuivre très encrées par Tempesta. Ouvrage illustré de vingt gravures d’Antonio Tempesta placé en regard des vingt chants composant la Jérusalem délivrée.
167918679Augsburg Melchiore Kysel 1679 in-4 plein-veau Trois parties en un volume, reliure plein veau (binding full calfskin) havane petit in-quarto, dos à nerfs (spine with raised band) décoré or, pièce de titre (label of title) sur fond rouge fonçé avec double filet "or", entre-nerfs à fleurons central dans un encadrement de deux filets or avec rinceaux aux angles, premier plat décoré à froid d'un encadrement d'un filet à froid, coins émoussés, toutes tranches lisses rouges, manque de papier au coin de la première page de garde peignée, petite restauration ancienne, Ex-Libris manuscrit avec trés nombreux commentaires sur les deux pages de gardes à la mine de plomb : Baron De WISMES, orné comme suit : Illustration gravée sur cuivre par Melchiore Kysel (Melchior KÜSEL), comprenant 2 frontispices et 241 vignettes dans le texte, [1] frontispice gravé , [1] f., 51 pl. ; [1] f., 51 pl. ; [1] f., 50 pl. ; [1] front. gr., [1] f., 47 pl. ; [1] f., 42 pl., [1] f. (gravures sur bois en noir imprimées d'un seul côté par Melchior KÜSEL), complet des gravures mais avec parfois un manque de papier n'atteignant pas les gravures mais parfois les textes en latin ou en allemand des vers au pied des gravures (restaurations anciennes), MDCLXXIX (1679) [Augsburg] Proprio aere aeri incisae, et venales expositae a Melchiore Kysel, Augustano. Augustae Vind. Editeur,,
166842902Bruxeelis Brussels: Balthazaris Vivien 1668. First edition. Hardcover. g to g. Folio 14 1/4 x 9". 1 leaf Frontispiece 12pp 586 30pp. Vol. 1; 4 174 8pp. Vol. 2. Modern half dark brown calf over marbled paper covered boards with gold lettering to spine. Raised bands. Allegorical frontispiece engraved by Pieter Danoot after Er. Quellinius Erasmus Quellin. Engraved vignette on title. Title page in red and black lettering. Decorative head- tailpieces and initials. <br /> <br /> First edition of this remarkable work on the Belgian nobility its history and legislation splendidly illustrated throughout with 126 in-text engravings of armorial shields including 14 double-leaved plates of coats of arms and 5 full-page engravings depicting dignitaries fully dressed in the costume of their order. <br /> <br /> Binding partly rubbed along spine. Contemporary previous owner's inscription in ink on half-title and at upper margin of frontispiece not affecting the image. Sporadic age-toning and foxing throughout. Some closed tears at verso of six double-leaved plates were repaired with tape. Minor and sporadic previous owner's underlining in blue ink throughout. Fore-edge of a few pages in second part are partly water-stained never affecting lettering. Text in Latin with some French. Binding in overall good interior in good to good condition. About the author: Jean-Baptiste Christyn 1622-1690 baron of Meerbeek was a jurist and diplomat in the Spanish Netherlands and Chancellor of Brabant from 1687 to 1690. Balthazaris Vivien hardcover
1630ABC_49153Flanders and Paris: various publishers 1630. Several prints are tipped into a 19th-century elaborately gold- and blind-tooled brown morocco album a blind-tooled ornament in the centre of both boards with the crowned initials J.B. on the front surrounded by a double fillet frame with elaborate corner pieces gold-tooled board edges and turn-ins gilt edges white watered silk endpapers. The work is housed in a 19th-century marbled slipcase with a paper label with the name of Countess Julie Visart de Bocarmé mounted on the front. The remaining prints have been tipped onto a sheet of sturdy paper inserted into a clear plastic file folder which are loosely inserted into a 19th-century elaborately gold- and blind-tooled purple morocco album with the word "album" lettered in gold on the front surrounded by a blind-tooled Gothic style border and an elaborate gold-tooled border gilt edges black watered silk end papers. Oblong folio ca. 29 x 42.5 cm; sheet size ca. 12 x 9 to 35 x 23 cm. With 24 contemporary hand-coloured engravings of which some heightened with gold 1 contemporary hand-coloured woodcut illustration 1 chromolithographed print 7 watercolour drawings including 2 on vellum 3 silk embroidered prints in various sizes and 1 image made of paper ornaments glued onto a black netting fabric. Further with a folded alphabetical list of the Antwerp printers and engravers of devotional prints in a 19th-century hand tipped onto the first leaf of the album. 2 volumes. Remarkable collection of 37 devotional prints and drawings including fifteen printed on vellum and two "clad" prints. The majority of the prints and drawings were made in the 17th and 18th centuries but a small number of 19th-century examples is also included. The prints all depicting Catholic saints and scenery are decorated with a wide variety of techniques. Most are hand coloured and heightened with gold but several are clad in fabric embroidered cut out to resemble lace sometimes backed with coloured paper or metal foil to highlight the cut outs and one was made by gluing paper ornaments onto a black netting fabric. The present collection which was owned and probably compiled by the Belgian Countess Julie Alexandrine Marie Josèphe Visart de Bocarmé 1823-1862 not only offers a fascinating sample of popular printing culture in Flanders but also highlights the endless creativity of both the creators and consumers of these prints.Devotional prints were initially used as images for the illiterate replacing written or printed texts. They were intended for private devotion and often bought and decorated by women. The present prints were mainly engraved by 17th-century Flemish printmakers such as Cornelius de Boudt 1660-1738 Michiel Cabbaey 1660-1722 Guillaume Collaert ca. 1595-ca. 1651 Lodewijk Joseph Fruytiers 1713-1782 Jacob de Man ca. 1643-1719 and Theodoor van Merlen III 1661-1749. In contrast to most examples of this genre most of the present engravings are printed on vellum and beautifully coloured by a contemporary hand partly heightened in gold for the halos of the saints. The prints include biblical scenes showing Christ on the Cross Joseph Mary the Apostles and John the Baptist. The majority of the prints depict portraits of Catholic saints such as Anthony of Padua 1195-1231 Apollonia of Alexandria d. 249 Dorothea of Caesarea d. ca. 311 Francis of Assisi ca. 1181-1226 Francis Xavier 1506-1552 Helena of Constantinople ca. 246-330 Peter of Alcántara 1499-1562 and Rosalia of Palermo 1130-1166. A complete list of contents is available upon request.With the initials of Belgian Countess Julie Visart de Bocarmé stamped in gold on the front board and her manuscript ownerships label Julie Visart de Bocarmé Baronesse G.v.Z.v.N. mounted on the front of the slipcase. Further with the printed label of Cabasson Successeur de Terzuolo-Despilly Papetier du Roi Rue de la Chaussée dAntin No. 15 mounted on the verso of the first flyleaf of the brown album all prints and drawings have been tipped onto a white sheet of paper with a manuscript collection number at the top. The boards are slightly rubbed and scratched. The first few leaves of the purple album have been removed to make space for the collection. The prints and drawing show traces of use with some browning and occasional creasing soiling or foxing. The edges and corners of the slipcase are scuffed and the lower right corner of the paper label is torn off. Otherwise in good condition.l K. van den Bergh Bidprentjes in de Zuidelijke Nederlanden 1975; J.A.J.M. Verspaandonk Het hemels prentenboek. Devotie- en bidprentjes vanaf de 17e eeuw tot het begin van de 20e eeuw 1975. various publishers, hardcover
163011321Antverpiae, Joan Galle, (circa 1630) ; F. Ioannes Nys invenit, Peter de Jode figuravit, Theodor Galle sculpsit et excudit ; titre gravé, portrait et 32 planches légendées. SUIVI de 4 planches gravées par JOAN GALLE : I- Prudentia, II- Justitia, III- Fortitudo, IV- Temperantia (les 4 vertus cardinales). SUIVI de 14 planches de sujets religieux, gravées par CORNELIUS GALLE le Vieux : Silva sacra, Fugit familia sacra, S. Barbara, S. Ianvarius Neapolis patronis, S. Lucia, S. Leontius martyr miraculis gloriossus in Muris Helvetiorum, S. Iacobus Maior, Benedicite omnes bestiae et pecora domino, S. Hieromymus, Vierge à l'Enfant, etc. Soit en tout 52 planches, reliées en 1 volume petit in-4 ; plein vélin ivoire, titre au dos, tranches rouges (reliure du XIXe).
1646D6064Paris: de l'imprimerie de Louys Sevestre et chez Pierre Daret graveur ordinaire du Roy 1646. First Edition. Hardcover. Good. Modern morocco gilt-stamped lettering in black and green leather spine labels; folio; two parts in one volume. Lacking the main title-p. and engraved plates introducing part 1 but otherwise complete with full-page engraved frontis. pp. 24 illustrated text poem author portrait then 103 large plates engraved on coppy by Pierre Daret accompanied by text comprising the substance of the work. Light stains and marginal browning to first 20 or so pages otherwise text is in excellent condition with nice bright plates and ornate chapter headings and illuminated initials. Incomplete and sold as is. <br/><br/> de l'imprimerie de Louys Sevestre (et) chez Pierre Daret graveur ordinaire du Roy hardcover
1700A121S.l., s.e., s.d. (vers 1700) ; 190/250 mm, 1 pp., une feuille. Gravure italienne ancienne. Bon état.
1695ARC-114188Un volume in f° : 24,5 x 34,5 cm Carton recouvert de papier vert ( usures) dos à nerfs avec fleurons dores ( restaurations). Titre manuscrit sur papier beige. Album composite de 33 gravures, réalisé fin XVII ème Siècle Début XVIII ème Siècle. Certaines des gravures signées POILLY ; monogramme "C P R" (Cum Privilegio Regis.)
1691D4443Amsterdam: Carel Allard 1691. Hardcover. Very Good. Oblong broadsheets 295 x 380. Lacking title-page and without the 22 pp. accompanying text. 20 large unnumbered engraved plates one with 4 separate scenes etched plates by HUGO ALLARD 4 signed I. VANDEN AVELE 2 signed and JAN LUYKENone signedone with 2-inch tear repaired some minor marginal wear. Original marbled wrappers old paper cover label; cloth folding case. VERY RARE print series illustrating the history of the ascension to the throne of WILLIAM III 1650-1702 and MARY II 1662-1694. The series begins with the Seven Bishops being brought to the Tower of London with a view up the Thames followed by the birth of the Prince of Wales on 10 June 1688 through the entrance of William and Mary into The Hague on 5 February 1691. The series contains several scenes devoted to the festivities surrounding their coronation in London on 11 April 1689. This set of the engravings correspond to Landwehr and appear to have been issued in its original binding without the text; the title-page may have been removed or was not included. Muller considered the 20 plates as a series although he had not seen a bound set with title and the text. Landwehr Splendid Ceremonies 143; Muller 2692. <br/><br/> Carel Allard hardcover
162811341Bartsch 17-n° 108. Très belle épreuve mais coupée au trait d'encadrement. D'après une frise de Polydore de Caravage. En feuille Bon Rome 1628 137 x 296
166230315DBO.O. und Neuburg a. d. Donau, o.V. und Strasser, 1662 und 1665. 8°. (6) Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; (8) Bl., 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach.
1614631558Leipzig, Grosse, 1614-16. 4to. Pergament d. Zeit (gebräunt u. fleckig, Innengelenke wurmstichig). [2 Warenabbildungen]
169847512Amstelodami Amsterdam: Apud Abrahamum a Someren 1698. Altero Editio priori auctior & emendatior. Hardcover. good to vg. Large octavo 8 x 6 3/4". 72 344 1 40pp. Indices Errata of Vol. I 6 plates one folding; 4 345-752 60pp Indices Errata of Vol. II 14 plates one folding. Bound in full vellum. Red edges. Volume one with engraved half-title. Both title pages with publisher's device. Engraved Ex-Libris of Philipp Wilhelm Grimm father to the Brothers Grimm on verso of title page volume one. Decorative initials and headpiece. Originally published in 1680 Johannes Braun's "Vestitus sacerdotum Hebraeorum" was the standard work on Hebrew priestly vestiments; how they were produced and their ritual use. The text is accompanied with 20 striking full page one in-text engraving and numerous in-text tablets plus frontispiece by Bastiaan Stoopendaal-Schulz a celebrated Dutch engraver and mapmaker. Penciled note on "The Dress of the Hebrew Priests" on verso of engraved half-title in English. Text in Latin. Binding with light wear along edges rubbed with light line indentations. Red edges faded. First folding plate with two inch closed tear at fold near gutter light creasing at lower edge. Inked note in margin of page 384 of volume two. Some parts age-toned mostly indices. Front endpaper missing back endpaper with small chips. Binding and interior in overall good to very good condition plates very good. Apud Abrahamum a Someren hardcover
16265261DBZürich, Joh. Jacob Bodmer, 1626. Kl.-4°. 2 leere Bl., (37) Bl., 1 leeres Bl. Mit 1 Kupfertafel. Pergamentband der Zeit.
169518078Utrecht, J. van Paddenburg bzw. Leiden, Haaring, 1738 u. 1695. 4to. 16 Bl., 469 S., 6 Bl.; 159 S. Pergament d. Zeit (fleckig u. verstaubt, vorderes Innengelenk angeplatzt). [3 Warenabbildungen]
1689703549Genf, Duiller, 1689. 5 Bl., 194 S., 4 Bl., 272(recte 172) S., 2 Bl.,3 Bl., 276, 240S. Folio. Blindgeprägter Pergamentband der Zeit auf 6 Bünden. Papier teils gebräunt. Im unteren Rand schwach wasserrandig. Die Seitennummerierung fehlerhaft aber in sich stimmig. Gute Gesamterhaltung.
16641961CBTiguri, ex Typographeo Bodmeriano, 1664. 8°. Titel, 3 Bl., 592, 160, 96 S. Mit gef. Konjugationstabelle. Pergament d. Zt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelblatt
16641961CBTiguri, ex Typographeo Bodmeriano, 1664. 8°. Titel, 3 Bl., 592, 160, 96 S. Mit gef. Konjugationstabelle. Pergament d. Zt.
