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Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows very light shelf wear only, text/interior is clean and free of marking of any kind. 96 page auction catalog in trade size format with b&w photos of sculpture, carvings of soapstone and ivory, stone block prints, engravings, and other art from a great many artists from Broughton island, Pelly Bay, Coppermine, Great Whale River, Lake Harbour, Port Harrison, Clyde River, Baker Lake, Cape Dorset, Pangnirtng, Chesterfield Inlet, Pond Inlet, Wakeham Bay, Arctic Bay, Povungnituk, Frobisher Bay, Belcher Islands, Repulse Bay, Ivujivik. About 45 artist listed, about 180 carvers. With loose leaf "Prices Realized" sheet from the auction.
135 pages, very large format (13" H x 9"W) with many large b&w photos, text is in French, with scenes from specifc productions in Polish theaters. Tear to bottom of spine. Interior is clean and unmarked. Chapters include La saison polonaise du theatre des nations, Chronique des spectacles du theatre des nations Varsovie, 1975 (from a June festival of drama from companies around the world in Warsaw) Quelques spectacles Varsoviens pendant la saison 1975 du theatre des nations, Nouvelles tendances du theatre contemporain - symposium du theatre des nations, Opinions de la presse mondiale sur le theatre des nations Varsovie 1975, (text only) & Universite de la recherche a Wroclaw.
15pp.of text + frontispiece & 65 plates out-of-text, in the series "Great engravers", 21cm., editor's hardcover, good condition, S83724
22pp., 22cm., couv. originale, texte et intérieur sont très frais, bon état, [Catalogue d'exposition, avec des ouvrages par Dirk Baksteen, Georges Baltus, Jean Cantré, Jules De Bruycker, Maurice Langaskens, Paul Maas, Joris Minne, Henri Van Straten, etc.], S107943
Acquaforte acquatinta Firma e titolo a matita. Esemplare 87/100. Cm 31x40 (Foglio 71x50). pp.. . . . Tiratura 100. .
This is an about very good hardcover copy that has been rebound in red cloth, with the front cover of the original edition laid down. This red cloth cover has the title in faded gilt letters and a frame decoration in black with a cameo portrait of the horse 'Gladiator'. There is also a black leather title label on the spine with title in gilt. Internally the text pages which are on soft acidic paper are foxed, the plates, both color and black & white are generally clean and free of foxing. A few color plates have some light foxing on the backs of the pages. Also bound in is the 15 page 'List of a few Exceptionally Attractive Prints'. Some of these pages are also foxed. 11" high X 8" wide, 82 text pages + color plates. 31 black & white + 35 color plates + color frontis. Complete as per the list of illustrations. This book will be securely wrapped and packed in a sturdy box and shipped with tracking..
Roy. 4to., First Edition, on laid paper, with a fine frontispiece in photogravure (original captioned guard present) and 86 fine plates (a number in photogravure with captioned guards), free endpapers lightly browned, neat inscription on front paste-down; blue cloth, bevelled boards, upper board framed and lettered in gilt, gilt back, gilt top, uncut, a near fine copy. EDITION LIMITED TO 1250 NUMBERED COPIES (THIS COPY NO. 507).
Discoloration to edges of white cover. Interior pages clean and unmarked; tight binding. "This lavisly illustrated 364-page volume contains remarkably accurate four color reproductions of every serigraph, every lithograph, and every etching that Neiman has published since he began making prints." Preface by art historian Alfred Frankenstein; text by F. Lanier Graham. 219 plates and 75 black and white illustrations. Large format: 11 1/4"w x 12"h x 1 3/4" thick.
Acquaforte Firma a matita. Cm 12,5x17,5 (Foglio 30x34). . . Ottimo (Fine). . Tiratura non nota. .
A clean, unmarked book with a tight binding. Full bright yellow cloth boards. Slight wear to dust jacket. 8 3/4"w x 10 1/4"h. 120 pages. Color illustrations.
Punzone originale, numerato e firmato dall'Artista. Opera allegata al volume di Damiano Abeni, ''Caos, pendole, cocomeri'' Edizioni L'Obliquo 2013 Stampato a mano con torchio calcografico su carta Habnemuhle nella stamperia Il Bulino di Roma. Esemplare 47/50. Cm 9,0 x 26,3. pp.. . Perfetto (Mint). . Tiratura 50 + XX esemplari. .
Cartella pubblicata a seguito del volume ''Rimanenze'' di Camillo Sbarbaro con sette incisioni originali (di cui una applicata alla copertina) alla maniera nera stampate in rosso carminio di Giulia Napoleone, numerate e firmate (cm 31x44). Uno scritto della Napoleone ed uno di Anna Ziliotto Stampato a Verona presso l'Officina Bodoni di Martino Mardesteig. Incisioni stampate da Anna Ziliotto su carta Hahnemuhle. Piccola incisione firmata e numerata applicata sulla cartella (cm 10x10). Es. 88/100. cm 59 x 50. pp. 8. . Ottimo (Fine). . Prima ed. di 100 es. numerati e firmati dall'A.. .
pp. vii, 303 + Plus Frontis, Half Title and full page engravings by J. D. Cooper. Numerous text engravings. Dampstained and foxed. 12mo. (19 x13 cent) Original publisher's cloth binding. Small loss at head and tail of spine. Extremities worn. Rear board spotted at edges. Hardbound. Though dampstained and foxed, still a tight copy. SCIENCE BOX 1
Henri Napartuk (1932 - 1985) Inuit sculptor and print maker. Stone block signed and titled in pencil by the artist. Original print tipped on to blue paper in the form of a folded sheet used as a greeting card (now with a message inside and it is missing the envelope), else fine. Undated 1/4" x 9 1/2" Print
21x27 cm. 20 pages. Softcover. There is a price sticker on the front cover. Else as new.
Litografia originale a colori Firma a matita. Esemplare p.d.a.. cm 44,5x60. pp.. . Ottimo (Fine). . . .
Large format book of Yehouda Chaki's works containing 111 pages of full color prints, usually one print per page. With chronology, exhibitions and collections and select bibliography at back. Book is in excellent condition. Binding is solid and square, covers have sharp corners and are creaseless, as is spine, exterior shows light shelf wear only, text/interior is clean and free of marking of any kind.
25.5X18.5 cm. Unnumbered pages. Softcover. Cover slightly chafed slightly detached at top and bottom edges. Spine slightly chafed. Binding visible on one page. Else in good condition.
IN HEBREW AND ENGLISH. 26X21 cm. 199+47 pages. Softcover. Cover slightly chafed. Library copy with usual signs. Else in good condition.
Features: Toile de Jouy - textile pattern; Symposium '73; Loyalist Settlement of Upper Canada; British Sporting Prints; Chine Export Trade Porcelain; Chinese Chippendale. Average wear. Address label upon front cover. Unmarked. Sound copy. Magazine
Features: Cover artist - Liao Shiou-ping; Saga School - Chiko School; Ikenobo School; Ichiyo School; Koryu Shohtoh-kai School; Floral Designs in Japanese Lacquer - many lovely colour photos with article; That day in Tehran when Ohara Houn Made an Old Man Cry; Ohara School; Soami School; Ryusei School; Japanese Contemporary Prints; Sogetsu School. Moderate wear. Unmarked. A sound copy. Book
Features: Of Mink and Mallard; Modern Firearm Engravings; and more. Book
The catalogue raisonne. Hundreds of items thoroughly described, all illustrated in color and black & white. 4to. Publisher's cloth. Dustjacket. FINE AND BRIGHT.
12 loose leaf prints ( 12" wide x 16.5" high) on heavy paper in a paper cover illustrated with a print on the front and representations of the enclosed prints on the back from an exhibition at the gallery of the publisher. One sheet of text by Ms. Moutafchieva in three languages: Russian, Bulgarian and English. Prints are by the following artists: Istvan Szonyi, Gyula Hincz, Karoly Reich, Kalman Csohany, Csaba Rekassy, Gyula Feledy, Arnold Gross, Janos Kass, Margit Agotha, Imre Kovacs, Gabriella Molnar, Bela Tassy. Three are in color and the remainder in b&w, as produced. Publication date is not listed and estimated.
- Lucien Vogel éditeur, Paris 1924, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustrat
