2 054 résultats
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spot outside image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spots; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Some pronounced spots; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spots; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall good condition. (Very spotted; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spots; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall good condition. (Very spotted; miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall fine condition. (Few marginal small spots; miniature triangular stamp outside image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall fine condition. (Miniature triangular stamp just touching image area.) - - Several of the finest bronze cannon and mortar barrels which were captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively) were brought to the Netherlands as a gift to the King. In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically the entire booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Beautifully decorative. Scarce.
Two plates, one portrait and one view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins (some spotting). Good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
Two plates, one portrait and one combat view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins all round (bottom corner dog-eared well away from image). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
Two plates on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impressions on good paper. Excellent. Preserved in acid-free, pH-balanced conservation paper. Scarce.
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round. Fine. Preserved in acid-free, pH-balanced conservation paper. Scarce.
Two plates, one portrait and one alegorical view, on original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with good margins (some spotting to verso). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
Original single-sheet lithograph of fine quality, printed by C. W. Mieling, Royal Lithographer. Overall size 355 X 265 mm. Fine impression on good paper with ample margins all round (some spotting). Very good. Preserved in acid-free, pH-balanced conservation paper. Scarce.
9 ex libris presentati al XXV Congresso di Exlibri di Milano da Fumiko Yokoyama (xilografie, cm 10 x 6,5 e 7,8 x 6), Takao Yokoyama (xilografia 15 x 7,5), Yu Yuen-hong (xilografia cm 10 x 15), F. I. Van Damme (xilografia cm 15 x 12,5), Jens Rusch (Acquaforte cm 8 x 19,6), Rudolf Kuenzi (xilografia, cm 17 x 9), Jakob Demus (acquaforte, cm 11,6 x 9), Gunter Egger (Acquaforte, cm 9 x 9,8) . . pp.. . Ottimo (Fine). . . .
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
