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In 8°, una storia d’Inghilterra raccontata attraverso 64 immagini, vivaci incisioni su rame a piena pagina. Legatura in pelle.
30X21 cm. C+18 Pages. Softcover. Cover slightly stained. Cover bottom edge bumped. Text block bottom edge bumped. Else in good condition.
Acquaforte. Opera facente parte delle pubblicazioni edite in occasione del 50° anniversario della fondazione del PCI Firma a matita. Esemplare 2/100. Cm 41x30 (Foglio 70x50). pp.. . Ottimo (Fine). Fioriture ai margini del foglio. Tiratura 100. .
Cartella contenente 61 incisioni all'acquaforte originali, numerate e firmate (le dimensioni variano da cm 33x23 a cm 22x16, fino a cm 5,5x7,5) Incisioni stampate sui torchi a mano di Franco Sciardelli. 4to (cm 52x36). . . Ottimo (Fine). . . .
Litografia in nero dalla cartella ''Figure poetiche'', la prima tirata dalla'Artista. Firma a matita. Cartoncino color ocra 100 esemplari numerati da 1 a 100, 5 prove di torchio numerate da I a V. cm 50x35. . . Molto buono (Very Good). . . .
Litografia originale a colori Esemplare 33/125. Cm 68x48. pp.. . Ottimo (Fine). . Tiratura di 125 esemplari. .
Acquaforte Firma a matita. Esemplare 3/100. Cm 20,4x26,3 (Foglio 37x41). pp.. . Ottimo (Fine). . Tiratura 100. .
In-8° oblungo, frontespizio e 16 tavole numerate incise al tratto. Esemplare in barbe. Alcuni fori di tarlo passanti e difetti. Le incisioni riproducono gli affreschi che Giulio Romano realizzò nella villa al Gianicolo, da lui stesso progettata per la famiglia Turini poi acquistata dai Lante.
IN HEBREW AND ENGLISH. 27X22 cm. 63+XIV pages. Softcover. In good condition.
108 p. Paper fault on top margin of Contents page. Inked ownership of Charles A. Miller on first fly leaf. Small 4to. 240 mm. Original full red cloth binding, extremities worn with small loss. Binding faded and spotted. First Edition. Title continues: "In Transparent Water-Color, Tempera, Opaque and Transparent Pastel, Wax Crayons, Opaque and Transparent Oils, Chemical, Coloring, and Coloring Lantern Slides". Very good. W102RtStack
UNIQUE single volume featuring only the plates from Pierre François Tissot's popular work "Trophées des Armées Français". The book, published around 1820, described the French victories during the French revolutionary wars, and was accompanied by b&w engravings made by the artist Edme Bovinet and F. L. Couché fils. These engravings, 70 in number, comprise this volume, and depict scenes of famous land and naval battles, sieges and conquests. The volume features no title page. The only text present in the book are the image captions, and the occasional mention of a famous general present in a battle. 150x230mm. Unpaginated (70 plates). Black quarter-cloth Hardocver. Cover and cover edges slightly worn. Cover corners bumped and peeling. Small sticker on front cover. Spine edges and front hinge peeling. Ornate stickers on both endpapers. Binding slightly loose, several plates partly loose from binding. Pages yellowing and age-stained. [SUMMARY]: Save for the aforementioned wear, this one of a kind volume featuring valuable engravings of the Napoleonic wars, is in good condition.
240 p. Illustrated in color. Light damp stain and foxing. Small 4to. 260 mm. Original cloth spine over glossy paper boards. Slightly rubbed at extremities. Original priced dust jacket, worn with small loss. Seventh printing. Very good. W102
Tecnica mista su base litografica Firma e data a matita in basso a destra. Cm 100x70. . . Perfetto (Mint). . . .
Acquatinta ceramolle a colori Firma, data, numerazione e dedica a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.s.. cm 82,5x54,5 (Foglio 100x70). . Dedica e firma autografe dell'Artista (Inscribed and signed by the Artist). Molto buono (Very Good). . . .
A clean, unmarked book with a tight binding. Unpaginated. 6"w x 9"h. Text in English and French. Exhibition catalog. Includes eight full-colour plates and over one hundred black and white plates. Fold-out historical chart of early Japanese printmakers at rear of book.
A clean, unmarked book with a tight binding. Unpaginated. 6"w x 9"h. Text in English and French. Exhibition catalog. Includes eight full-colour plates and over one hundred black and white plates. Fold-out historical chart of early Japanese printmakers at rear of book.
166 x 108 mm. Pen and brown ink, brown wash on paper. Minimal foxing. Charming caricature by the Venetian master depicting a liveried gentleman with épée and tricorne in profile, accentuating the figure's implausibly hollow back, grotesquely hooked nose, and impressive prognathism. The drawing can be attributed to Giovanni Domenico Tiepolo, the oldest son and student of Giovanni Battista Tiepolo. - The drawing is very similar to the caricature of a gentleman with walking stick and tricorne that is held at the MET (Inv.: 37.165.68).
168 x 107 mm. Pen and brown ink, brown and black wash on paper. Some foxing. Charming caricature by the Venetian master depicting a liveried gentleman with a tricorne, épée and a walking stick in profile, accentuating the figure's grotesque pointed nose and chin. The drawing can be attributed to Giovanni Domenico Tiepolo, the oldest son and student of Giovanni Battista Tiepolo. - The drawing is very similar to the caricature of a gentleman with walking stick holding and tricorne that is held at the MET (Inv.: 37.165.68).
14 mounted plates in pencil, ink and colour wash, 2 of which are stuck to the outsides of the portfolio's protective boards with cloth ties. Various sizes, but mostly ca. 170 x 130 mm. Signed and captioned in English and Hungarian. Rare survival of a collection of sketches from the Russian POW camp in Peschanka, Siberia, all executed by an evidently accomplished, otherwise undocumented Hungarian artist (and soldier in the Austro-Hungarian army) who captured the conditions in and around the camp during the later years of the First World War. Thám's caricature-like style is marked by clear, precise outlines reminiscent of the contemporaneous work of Olaf Gulbransson and Eduard Thöny. The two larger sketches on the cover boards (measuring ca. 170 x 220 mm) show self-portraits of the artist, at work at oil paintings (one a landscape, the other a nude). The leaves within show prisoners climbing the bunk bed or resting in their crowded cots, marching through a snowed-in camp carrying heavy buckets, playing chess, etc.; some are captioned "Coming from the American Y.M.C.A. Kitchen", "The Red Cross library", or even show ladies in fur coats with an officer "at the exhibition", while a few others have Easter Greetings themes. - Peschanka is near Chita in the Transbaikalia region, on the Trans-Siberian Railway, 6035 kilometres from Moscow. While during the Great War conditions in the POW camps on the whole were vastly superior to those during WWII, thanks to the efforts of the Red Cross and inspectors from neutral countries, the situation in the Siberian camps was notoriously poor, and as many as a quarter of the 2.1 million Austro-Hungarian soldiers whom Russia held as prisoners of war did not survive. - Browned due to paper, with occasional edge flaws, but well preserved.
ff. 30, 25 = Fifty-five Original Line Engraved plates, with Italian captions. Some foxing. Oblong folio. 280 x 380 mm. Early half leather binding. Morocco leather name plate on the front cover, stamped in gilt: "A. Thorvaldsen." Front board detached. Hardbound. Very good. Albert Bertel Thorvaldsen (1770-1844) was a Danish / Icelandic sculptor and artist. Thorvaldsen was an outstanding representative of the Neoclassical period in art, becoming the foremost artist in the field after the death of Antonio Canova in 1822. The poses and expressions of his figures are considered much more stiff and formal than those of Canova's. Thorvaldsen embodied the style of classical Greek art more than the Italian artist, he believed that only through the imitation of classical art pieces, could one become a truly great artist. Motifs for his works (reliefs, statues, busts, and illustrations) were drawn mostly from Greek mythology, as well as from works of classic art and literature. These engraved line illustrations also owe a great deal to the influence of John Flaxman (1755 - 1826). Very scarce. **PRICE JUST REDUCED! OVERSIZE 1/4
33.5x28 cm. 30 pages. Gilt hardcover. Cover stained, rubbed and slightly bumped. Cover edges and corners bumped. Spine wrinkled. Spine corners worn and torn. Inner cover stained. Sticker on front inner cover. Binding partly visible between inner cover and white pages. Front white page edge torn. page 14 slightly torn - no damage to text. Few pages slightly age stained. Pages slightly yellowing. Else in good condition.
RARE LIMITED EDITION OF 435 COPIES - COPY No.236 of a book set in British-ruled Palestine, written by Goncourt prize winners - the brothers Jérome (1874-1953 ) and Jean Tharaud (1877-1952). The exquisite illustrations are by two eminent French artists: the Orientalist painter and illustrator André Suréda (1872-1930) and the graphic artist Georges Beltrand (1881-1969). 300x215mm. 164 pages. Red leather Hardcover with gilt spine. Cover slightly curved. Cover and spine stained, rubbed/scratched and fading/yellowing. Cover corner bumped and peeling. Cover upper edge rubbed. Spine hinges upper part cracked and glued. Spine edge bumped and peeling/tattered. Pages slightly yellowing and rough-cut as published. [SUMMARY]: This extremely rare deluxe edition of a lavishly illustrated book about the Holy Land is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
As New English Paperback. Pbo. Mint. Oblong 4to. (21 x 27 cm). 100 p. Color ills. In Turkish. Fatih Mika. Dönüs. CKSM. [Engraving exhibition catalogue].
As New English Pippo Gambino. Gravürler = Opera Incisoria 1954 - 1994. 15 - 31 Ekim 1996 (Engraving exhibition catalogue)., texts by: Adelia Rispoli, Leonardo Sciascia; Italyan kültür merkezi, Ist., 1994. Paperback. Pbo. Mint. 4to. (30 x 21 cm). B/w and color ills. In Turkish and Italian.
Acquaforte. Opera appartenente alla cartella ''Venezia 73'' , pubblicata dall'Unesco e contenente 31 opere grafiche di maestri italiani ed un saggio di Piero Chiara Firma a matita. Il foglio reca il timbro a secco del Museo di Castelvecchio di Verona e quello della Stamperia del Cappello. Esemplare 96/100. cm 23x29,5 (Foglio 50 x 70). pp.. . Ottimo (Fine). . 100 + XI f.c.. .
