HiroshigeMareMagnum
2 054 résultats
An accordion book with red cloth cover. Ex-library book with the usual stamps and markings. Worn slipcase with stickers and small stains. Woodblock prints of fish and sea life by Hiroshige in wonderful colors and patterns.
A clean, unmarked book with a tight binding. 184 pages. Black and white illustrations.
143pp.avec 93 illustrations en couleurs et monochromes, reliure toile, jaq.(peu usé), 31cm.
Exhibition catalog for show at the Oakland Museum, Oakes Gallery, September 17 through November 17, 1974. Staple-bound. 7"w x 11"h. 18 pages. Light wear to cover; previous owner's name inside. " 'Anne Brigman' fills a gap in the understanding of what photography was about in the decade 1903-1913 when the soft-focus, pictorial approach was commanding attention for the first time. Anne Brigman was in the forefront of this style, and, the only woman from the west to be included in the noted gallery of mader art 291, she led the interest in the bay area. The collection of her work in The Oakland Museum is no doubt the strongest in any museum, and, thanks to the gifts of Mr. and Mrs. Willard Nott, contains many important family letters and mementoes."
Very uncommon edition by Farrar, Straus and Young with light wear to covers, some fading, former private library stamp inside front and back covers, phone number on front end paper, three pages are printed over as printer's error, illustrations are wood engravings by Ilya Schor. 118 pages. Binding is solid and square, text/interior is clean and free of marking of any kind.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 288pp. Biography of the sculptor considered the 'Godfather of Pop Art' Eduardo Paolozzi and 217 plates of his works in sculpture, print and collage in this catalogue for this major exhibition in London 2017 and Berlin in 2018 plus comment and discussion of his public sculpture.
A clean, unmarked book with a tight binding. 85 pages. Full gray cloth boards. 8 3/4"w x 11 1/4"h. Many color photos and illustrations.
Acquaforte su fondo rosa Firma e numerazione a matita. Esemplare p.d.a.. Cm 38x33. . . Ottimo (Fine). . Tiratura 100 + alcune p.d.a.. .
lxxiii + 1055pp.with bl/w illustrations, text printed in 2 columns, 22cm., editor's hardcover, very good condition, "Taschenausgabe", S87894
THIS VOLUME ONLY. 35x26.5 cm. 143 pages (176-319). Contains colored and black-and-white plates and prints. Soft cover. Cover is yellowing and slightly stained. Spine is slightly scuffed. Edges of book are slightly scuffed. Slight damage to some plates and prints. Pages are yellowing. Small age stains of some pages. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
The catalogue raisonne of the prints of Jean Le Prince, the artist generally credited with inventing the technique of aquatint. 179 items described in detail. Extensive documentation, including an inventory of Le Prince's own art collection. Frontispiece portrait etching by A. Gilbert after Le Prince. From a total edition limited to 350 copies, this is one of 300 on fine Holland laid paper. 4to. Attractively bound in recent cloth, with morocco spine label. Entirely uncut. Fine.
The rare catalogue raisonne of the prints of Le Veau. 272 items thoroughly described. Numerous facsimiles. Edition limited to 200 copies, of which this is one of 175 on fine Dutch laid paper. 4to. Attractively bound in recent cloth, original wraps bound in. Uncut. Light soiling to wraps, occasional faint staining to extreme margins. A very good copy.
An exhibition catalogue which includes a complete reprint of Hediard's 1906 catalogue raisonne of Fantin-Latour's prints, with each print reproduced (the original edition is unillustrated, and thus very difficult to use). 193 lithographs and 2 etchings described and reproduced, as well as 8 additional lithographs not included in the 1906 edition. Square 4to. Original wraps. FINE AND BRIGHT.
6 Zeichnungen in Bleistift und Tusche; ferner 1 hs. Dedikationsblatt eines Freundes. In Zeichenalbum mit zus. 36 Bll. Leinenband der Zeit mit Bindebändern. Qu.-8vo (192 x 140 mm). Sechs Bleistift- bzw. Tuschzeichnungen eines wohl österreichischen Soldaten des Ersten Weltkriegs, der die Landschaft und Armeelager seiner Stationierungsorte im Feld festhielt. Neben einem Geschütz und den Mannschaftsbaracken sind mehrere mit genauen Höhenbezeichnungen versehene Landschaftspanoramen zu sehen, manche bezeichnet ("Zur Erinnerung an den 20. October 1914 wo hier die Serben eine starcke Niederlage hatten"; Ortsangaben u. a. Romanja Planina, Kukor, Grabavik, Krs; Gradiste, Daganj, Trebervic). Außerdem findet sich die Propagandazeichnung eines den russischen Bären, englischen Löwen und belgischen Igel mit dem Gewehrkolben erschlagenden deutschen Soldaten. Am Schluss hat sich 1916 ein Wiener "Freund und Kriegskollege", Andreas Seidlitzky aus Simmering, mit einem Gedenkvers "zur ewigen Erinnerung" eingetragen. - Am vorderen Innendeckel Marke der Papierhandlung Simon Kattan, Sarajevo. Wohlerhalten.
Oblong 8vo., First Edition, with 30 steel-engraved plates, one or two leaves lightly spotted in blank margins; original green cloth, boards elaborately embossed in blind, upper board lettered in gilt, red sprinkled edges, lower hinge starting (but binding wholly sound), a remarkably well-preserved bright, crisp, clean copy. The engravings, produced by Rook & Co of London, are dated variously between 1849 and 1864. VERY SCARCE, ESPECIALLY IN THIS CONDITION.
160 pages. Index. Numerous line drawings. Contains "a comprehensive digest of the knowledge of upholstery, scattered over more than twenty thousand columns of Work - one of the weekly journals it is my fortune to edit - and supplies concise information on the details of the subjects of which it treats." - Editor. Binding intact. Illustrated boards. Average wear. Sound copy. Book
- Erker Press 1973, 55,5x76cm, une feuille. - Xylographie originale imprimée sur vélin BFK de Rives filigrané. Signature de l'artiste et numérotation (1/10) au crayon en bas de la planche. Tampon à sec de l'éditeur Erker Press. [ENGLISH DESCRIPTION ON DEMAND]
Acquaforte acquatinta a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare p.d.a.. cm 34,5x24 (Foglio 49,5x36). . . Ottimo (Fine). . . .
4to., First edition, with frontispiece and numerous full-page reproductions in the text; green cloth, gilt back, blue endpapers, a fine copy in unclipped dustwrapper.
8vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map; elegantly bound in full dark green crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt edges, gilt doublures, hand-made endpapers, ribbon marker, in custom-made marbled slip-case, an elegant copy ideal as a gift or for presentation. navy buckram, gilt back, bevelled boards, gilt top, covers very lightly age-soiled. backstrip sunned (but all gilt wholly legible) else a very good, bright, clean copy. EDITION LIMITED TO 1500 COPIES. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
8vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map, neat contemporary signatures on front paste-down; original navy buckram, bevelled boards, gilt back, gilt top, uncut, boards very lightly age-marked, backstrip mildly faded (but all gilt wholly legible), a bright, clean, crisp copy. EDITION LIMITED TO 1500 COPIES. With the trade ticket of Gilbert of Southampton on front paste-down. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
554p. + Plus frontis and color folding map. Full page text half-tone engravings from photographs. Title page printed in red and black. Paper beginning to brown but not brittle. 4to. Original full cloth binding with pictorial design of British soldier, Boer soldier and an African tribesman. Binding slightly soiled. Nice copy. AFRICA/2
A clean, unmarked book with a tight binding. Previous owner's name stamp inside. 7"w x 10"h. 96 pages. 142 illustrations; 14 in color.
Small 28 page softcover booklet with an introductory text by Margot Fuerst, catalog and bibliography on Grieshaber attached to the album, 285x380mm. Unpaginated album + 28 pages. Hardcover with dust-jacket. Jacket edges slightly worn. Spine edges partly cracked. Pages slightly yellowing. Else in good condition.
98 Zeichnungen und Entwürfe auf 86 (und einem einmontierten) Bll. Flexibler Perkalinband. 8vo. Mit zahlreichen Beilagen (s. u.). Originelles Skizzen- und Notizbuch des Wiener Malers, der sowohl Entwürfe und Gedanken wie auch Bilder seines Alltags festhält, gelegentlich auch kleine Beobachtungen und Notizen ("Weißes Packpap. 80 m² Kleister"). Einige der Zeichnungen sind der Wiener Schule des phantastischen Realismus zuzuordnen, andere sind Portraits (wie das von "Christl 28. 7. 64 Am Ziegelteich"), manche auch Karikaturen. Dazwischen eingestreut sind an einigen Stellen auch kleine Gedichte, etwa der "Chor der alten Jungfern!": "Nur nichts riskieren / Nur nichts verlieren / Und sich für nichts und / Niemand interessieren / Dann kann uns nichts passieren! / Nur nichts vergeben / Um Gottes Willen nur nicht "leben" / Und so werden wir langsam alt / Und haben noch niemals draufgezahlt! / Wir haben uns keinen angelacht / Kein Mann hat uns ein Kind gemacht / Wir blieben unberührt / Und unverführt! / Juchhei!". - Hans Hanko war kaufmännischer Angestellter, wurde später Polizist und bildete sich autodidaktisch zum Maler. "Er malte anfänglich vorwiegend expressionistisch. Nach 1960 Hinwendung zur phantastischen Kunst. Erstmals im Jahre 1962 nahm er in der Galerie zur Silbernen Rose an einer Ausstellung von Künstlern der Wiener Schule des phantastischen Realismus teil" (Fuchs 2, K 42). - Die Beilagen umfassen zwei eh. Briefe mit U. aus dem Jahre 1980 (zusammen 7 SS. auf 4 Bll., 4to), in denen er von einem Arbeitsaufenthalt in der Schweiz berichtet, einen Brief einer Buchhandlung, die Hankos Frau Margarete ihre Kündigung mitteilt, einen Notizzettel aus dem Jahre 1981, drei private Photographien und 96 Photographien, die seine Arbeiten und einmal ihn bei der Arbeit zeigen.
